========================================================================= Date: Mon, 3 Apr 2000 10:07:53 -0400 Reply-To: Forum on Asian American HistorySender: Forum on Asian American History From: Jack Tchen Subject: Opening Statement Greetings! I am both an academic historian very interested in better ways of teaching and engaging students and a public historian who believes that we should collaborate with various publics in exploring the importance of historical narratives in everyday life. So, I'm open to serving as something of a resource for those of you out there researching and teaching materials related to Asians in the Americas (yes, I think it's important to have a hemispheric framing) and to public humanities dicussions about the linkages we can form between schools, universities, community-based organizations,and various publics. I must also note Asian American related history is not usually covered in U.S. history survey courses and I hope this month will provide a forum to address ways to think about Asian American history within the context of the survey course. First and foremost, I'd like to learn about who's out there and what you are doing. I'd especially be interested in those of you who have or are interested in students writing about their own experiences and/or doing some of their own oral histories, research, documentation, fieldwork. I thought some background about Asian American studies would be useful for some of you. The field of Asian American studies has been exploding of late with lots of new research, faculty appointments, grants, exhibitions, videos, and new published studies. Building on the field's origins in community-based scholarship (for example, see the article about Mr. Him Mark Lai, Chronicle of Higher Education), we are now at a key moment in which both the quality and quantity of studies are reaching a critical mass. Issues of historical content, such as who's being included in the term "Asian American," should Pacific Islanders be included? (yes, I think they should if for no other reason than the need to understand the shift from the Atlantic world to the making of the Europeanized and Euro-U.S. Pacific world), periodization (I believe we should go back to the Manila-Acapulco trade), intergroup social relations, whiteness, etc. are being addressed, as are issues of the form and infrastructure of historical knowledge production, such as problems of the lack of archives at local historical societies. A good portion of this growth has been in the field of Asian American history. Lots of graduate students are emerging from history departments all across the country and there have been a fair number of history hires over the past few years. Indeed, the Association of Asian American Studies (AAAS) just formed a History Caucus at its conference last year. The field also has a dynamic public dimension of videomakers, writers, curators, artists who have been working with established arts and humanities institutions and community-based efforts. Much of the most interesting research continues to be generated from these public and community-based sites. (I'd be happy to share with you a quick list of Asian American museums and video/film distributors, for example.) Another growth area has been among teachers (on the high school and college levels) who have worked with students in writing about their own lives or documenting so aspect of their family and/or community stories. The book by Susan Kuklin called _Speaking Out!_ Is an excellent example. Many of us in Asian American studies believe we need to work in the broader interdisciplinary area of historical studies. By historical studies I'm referring to scholars such as those in English Literature (such as Lisa Lowe at UC-San Diego who wrote _Immigrant Acts_) or journalism/oral testimony (such as Anne Fadiman, freelance journalist, who wrote And the _Spirit Catches You and You Fall Down_ about Hmong in Merced California and conflicting cross cultural health care practices) who substantially deal with what I consider a defining characteristic to historical studies-that being a generative dialogue between critical understandings of the present and the past. Finally, the study of Asian/Pacific Americans is also the study of the cultural formation of the U.S. identity. Just as the expropriation of native American land and the enslavement of African Americans has been fundamental to the political economy of the U.S., trade with the "orient" has been fundamental. And, just as the U.S. self has been deeply shaped by the otherness of various forms of racialized "primitivism," so too has this self been formulated by "orientalism." So, to my mind, the inclusion of Asian/Pacific American history not only pluralizes and improves our understanding of the diversity of this nation's past, but it also helps us better understand the shaping of U.S. regional and national cultural-political identities. So, do share with me what you are doing out there, points you want to make, and questions you have. I look forward to this month of explorations. ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Professor John Kuo Wei Tchen A/P/A Studies Program & Institute New York University 269 Mercer Street #609 New York, New York 10003 Phone: 212/998-3695 Fax: 212/995-4705 www.apa.nyu.edu ========================================================================= Date: Mon, 3 Apr 2000 07:18:28 -0700 Reply-To: Forum on Asian American History Sender: Forum on Asian American History From: Gayle Olson-Raymer Subject: Re: Opening Statement In-Reply-To: Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" I was really pleased to get your lengthy introduction and am looking forward to this particular dialog. I am a lecturer at Humboldt State University (HSU) in Northern California. While my doctorate is in American History, I also have an MA from UC Santa Barbara in Public History - so have been very interested in the various aspects that program emphasizes - especially oral history and diversity issues. I teach one of the US History survey courses at HSU - from pre-colonial to the Civil War - and about five years ago, began to devote about four weeks of the 15 week course to looking in Ronald Takagi's "Different Mirror." When we discuss manifest destiny, we do it through the eyes of Asian and Irish immigrants, Mexicans in California and Texas, American Indians, and African slaves. This has been the students' favorite part of the course. Recently, I decided to devote an entire lecture (1-1/2 hours) to the Asian American experience and the students just couldn't get enough. They are fascinated - and definitely uneducated on this topic. As yet, I do not have any readings that could supplement this lecture - a book would be too much, but a good 15-20 page article would be terrific. I also teach an upper division course for students who are planning to get their secondary education credential. In this class, we take four topics and deal with just these issues for the entire 15 weeks. This year, I picked the Asian experience in America as a topic and we read Lauren Kessler's "Stubborn Twig" and saw the accompanying video. Again, students knew nothing about the whole experience and absolutely soaked up the material. We were taking it from two viewpoints - from university students learning about the experience, as well as from potential teachers who would incorporate such information into their 11th grade U.S. History courses. Many students also read "Farewell to Manzanar" as that is a book that works well in the secondary classroom. At any rate, this is where I am with this topic - at the very beginning stages in my learning curve. I am most eager to continue this dialog and find out what my colleagues are doing. Sincerely, Gayle Olson-Raymer Humboldt State University Dept. of History ========================================================================= Date: Mon, 3 Apr 2000 10:59:59 -0400 Reply-To: Forum on Asian American History Sender: Forum on Asian American History From: Tamsey_Andrews@FERRIS.EDU Subject: Re: Opening Statement MIME-Version: 1.0 Content-type: text/plain; charset=us-ascii To whomever is in charge of this listserv: I have been subscribed to this listserv whithout being consulted and without my permission. My attempts to unsubscribe by contacting LISTSERV directly have been unsuccessful. It is the height of rudeness to subscribe people to listservs without their permission. I request that whoever has subscribed me to this listserv should unsubscribe me at once. Dr. Tamsey K. Andrews Director of Grants Ferris State University andrewst@ferris.edu ========================================================================= Date: Mon, 3 Apr 2000 23:51:52 EDT Reply-To: Forum on Asian American History Sender: Forum on Asian American History From: MurphyMo@AOL.COM Subject: Re: Opening Statement MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit Dear Professor John Kuo Wei Tchen, I am a high school American History teacher in Des Moines, Iowa. Most people think of Iowa as a pretty rural state but Des Moines is it's largest city (300,000 with suburbs). The demographics of Hoover High School is not unlike that of the United States. We lack Native Americans but have about 6% American Asians , 8 - 10% Hispanic, &18 -- 20% African American. There are probably two or three high schools that have diversity in Des Moines. We have 1200 students and 100 of those are Bosnian. We have many new immigrants. I asked my students to write a history of their families and many Asian students had come here in the past 6 years. Most of my Asian students are Vietnamese. I guess I feel we need to show we have people of all races here. I am honest about the prejudices of the past but show the progress we have made for races and genders and from my students, I can tell you we have made so much progress. Race isn't a big issue. There is interracial dating...although Asian girls are not usually allowed to date and I don't think Bosnian girls can either. I suppose my daughter's best friend being an adopted Korean also made me think but I love diversity and see the benefits in my children's lives at school and now where I teach. I need more information on different ethnic Asian groups here. I know Chinese built the railroads and now we are going to discuss internment of the Japanese in World War II. I even spoke of how the racial prejudices affect the formal Japanese-American relations starting with the Gentlemen's agreement in 1907. I could use more information on that. I would think few people would want a good relationship with someone who does not respect their culture and heritage. There is so little in the texts. I am getting more from college texts and our new textbook has more information (we get his next year) but compared to the Holocaust, Japanese internment has received little space in the books. So book sources as well as Internet sources would be great. I am afraid being a first year teacher in American History I am only starting to acquire these. More information on the Supreme Court cases during World War II...more anything. Also I want to know how to not offend my Vietnamese students during the Vietnam War segment. Many of their families were probably in the army. I need good sources. I am trying to present all points of view. I was someone who was more dove than hawk but if I had been a man would have been in the army as an American in a democracy. Being 50, I have sad memories of that time period. But I am proud of my cousin who was a Marine and proud of friends who followed their consciences and burned draft cards. I am afraid this is a book not an e-mail. Sorry. Just got too carried away. Any help you give to give direction to my quest to give students the truth is appreciated. Many thanks, Maureen Murphy ========================================================================= Date: Tue, 4 Apr 2000 12:16:01 -0400 Reply-To: Forum on Asian American History Sender: Forum on Asian American History From: Marion Brown Evashevski Subject: Re: Opening Statement In-Reply-To: MIME-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII Hi. I teach a class called Alternative Perspectives in U.S. History at a public high school in Ann Arbor, MI. We use Howard Zinn's People's History of the U.S. and Ronald Takaki's A Different Mirror as our primary textbooks. Though the emphasis is primarily on history and contributions of different ethnic groups, women, and labor, the reality is that my students have to take a state social studies test which could win them a $2500 scholarship. This test requires breadth as well as depth and frankly I'm tired of trying to fit so much into so little time. And, I have it a lot better than some history teachers who are expected to "cover" 1492 to the present in one year. I only do 1865 to the present. Last spring I was fortunate to take a class from Gail Nakamura and her husband (sorry, his name isn't coming to me) on Rethinking History related to Asian American history. I received a huge coursepack and many suggestions for books and videos. I still want to learn more and need to think about how to try to include more than I already do, like information about Paper Sons and picture brides to current issues of race and immigration. I do have my students do a family history project with the emphasis being on how families have been affected by historical events, eg: the depression, World War II, etc. Two students once made a video, which I still have, comparing their family's experiences during the 30s and 40s - one white family and one Japanese-American family. It was great. I guess I didn't quite follow, however, what you are proposing or suggesting about oral histories, etc. Could I hear more about that? As I don't have internet access at home, my responses may be shorter than others as I'm trying to fit this into my already rather busy day. I'm excited to be part of this forum and I look forward to more "conversation." ========================================================================= Date: Tue, 4 Apr 2000 12:29:15 EDT Reply-To: Forum on Asian American History Sender: Forum on Asian American History From: Jennie Fraser Subject: Re: Opening Statement Comments: To: mevashev@umich.edu MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit Concerning how to use oral histories- Vietnam War I am an English teacher in American Studies and we did a project last year that you might find useful for both Vietnamese and American students. After reading several chapters from Studs Terkel's The Good War, in which he gathered oral interviews from those who had experienced WWII - everyone from nurses to actual soldiers, each kid interviewed someone who had some direct experience of the Viet Nam War. We posted it on a website. Its format is easily copied. The premise of the unit was: war affects everyone, those at home and those at war. Check out the website we created. You can read some of the interviews on-line at http://pages.prodigy.net/meng25/mchs/ This assignment for your kids would be even more instructive - to see that all suffer; no one wins in a war. Jennie Fraser San Mateo Middle College ========================================================================= Date: Tue, 4 Apr 2000 12:55:56 -0400 Reply-To: Forum on Asian American History Sender: Forum on Asian American History From: "rebecca j. kinney" Subject: Re: Opening Statement In-Reply-To: MIME-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII Hello Everyone. I thought that I would also take the opportunity to check in. I am currently a third year undergraduate at the University of Michigan-Ann Arbor double majoring in Sociology and American Culture (ethnic studies). My focus in ethnic studies has been comparative and interdisciplinary rather than focusing upon a specific racial category. Most of my background however has an Asian American and African American impulse. I am interested in eventually entering a Ph.D. program in Ethnic Studies, and specifically looking into historical urban planning and spatial segregation issues for Asian Americans. I am excited to be part of the listserve. As I said before, I am interested in issues of housing, historical and current for Asian Americans. To put a specific socio-historical moment into question would be where did the Japanese Americans who were interned return to (or relocate to) following WWII. I have done a little research and have been unable to find much concrete. Marion- I think that you were thinking of Stephen Sumida and Gail Nomura? They however have moved to the University of Washington (and we at U of M are still mourning our loss). Anyways, I look forward to our conversations. take care, Becky Kinney ************************ rebecca j. kinney 819 s. state st. apt #2 ann arbor, mi 48104 (734) 327-7669 rkinney@umich.edu ************************ ========================================================================= Date: Tue, 4 Apr 2000 13:03:36 -0400 Reply-To: Forum on Asian American History Sender: Forum on Asian American History From: Guocun Yang Organization: Manchester Community College Subject: Re: Opening Statement MIME-Version: 1.0 Content-Type: multipart/mixed; boundary="------------1758F5D05D2671E7085EACF3" This is a multi-part message in MIME format. --------------1758F5D05D2671E7085EACF3 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit "(H)eight of rudeness"?! Hardly so. I do not keep or run or have any connection with this listserv. But I feel like making a comment about Dr. Andrews' comment. As far as my limited knowledge indicates to me, a listserv is generally controlled by computer. One has to subscribe to it in order to get on the list. When the list is accessed, all members on the list will be reached. It's understandable all people do not share similar interests and do not wish to be bothered without permission. This listserv involves an academic communities and those with an interest in what this listserv does. A grants director, for example, may not to have or interest in such a group. I urged the listserv to make adjustments to allow people to sign off conveniently so as to make it less intrusive, which is becoming increasing a problem due to ever greater networking. I am an Americanist but feel excited to learn from members of this list over the next few weeks. I received an announcement about the forum and chose to take this learning opportunity. For me, it is working out fine. Otherwise I would not have known this discussion is taking place. Guocun Yang, Ph.D. Tamsey_Andrews@FERRIS.EDU wrote: > To whomever is in charge of this listserv: > I have been subscribed to this listserv whithout being consulted and > without my permission. My attempts to unsubscribe by contacting LISTSERV > directly have been unsuccessful. > It is the height of rudeness to subscribe people to listservs without their > permission. > I request that whoever has subscribed me to this listserv should > unsubscribe me at once. > > Dr. Tamsey K. Andrews > Director of Grants > Ferris State University > andrewst@ferris.edu --------------1758F5D05D2671E7085EACF3 Content-Type: text/x-vcard; charset=us-ascii; name="ma_yang.vcf" Content-Transfer-Encoding: 7bit Content-Description: Card for Guocun Yang Content-Disposition: attachment; filename="ma_yang.vcf" begin:vcard n:Yang;Guocun tel;work:860-647-6316 x-mozilla-html:FALSE adr:;;;;;; version:2.1 email;internet:ma_yang@commnet.edu x-mozilla-cpt:;1968 fn:Guocun Yang, Ph.D. end:vcard --------------1758F5D05D2671E7085EACF3-- ========================================================================= Date: Tue, 4 Apr 2000 11:17:58 -0700 Reply-To: Forum on Asian American History Sender: Forum on Asian American History From: FLORIDIA CHEUNG Subject: Re: Opening Statement Comments: To: pbender@EMAIL.GC.CUNY.EDU Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: quoted-printable Greetings, My name is Floridia Cheung. I am a curatorial assistant at the Autry = Museum of Western Heritage, Los Angeles. The Autry Museum explores the = historic realities and the myths of the West. I am working on an exhibit = on Chinese American history. =20 I am glad Professor Tchen is doing this project, because as a Chinese = American trying to realize an identity, I think it is important for the = Chinese American to learn about their history here in the States. My = parents always told me to learn my history and heritage....but they meant = my Chinese history as opposed to my Chinese American history. =20 When a Chinese American learns of how they historically contributed to the = economic and social prosperity of their American homes, I feel they will = have a sense of identity, pride, and responsibility here in the States. My concern and job is how to interpret/represent a Chinese American = visually. Some artifacts/images we selected for the exhibit may be = criticized to be too orientalist, while others would fail to represent the = uniqueness of the culture. I am striving to be sensitive to the Chinese = American image, so I would appreciate your feedback. Thank you, Floridia Cheung ========================================================================= Date: Sun, 9 Apr 2000 22:20:28 -0400 Reply-To: Forum on Asian American History Sender: Forum on Asian American History From: Jean Chong Subject: Asian-Canadian history/issues-Resources Hi, I'm simply a professional librarian in Toronto, Ontario (Canada) who has an extra-curricular interest in Asian-Canadian history and other matters. I realize this forum is strongly focused on Asian-American history but there are SOME similarities in historical experiences and events between Asian-Canadians and Asian-Americans which may be of value for those interested in broadening their work and educational outreach efforts. 1. There is a contact for the now-defunct magazine, Asianadian, a quarterly magazine that was published in the 1980's and focused on Asian-Canadian issues, history and the arts. It was published in Toronto. Contact: Cheuk Kwan (ckwan@tissa.com) 2. Asian Canadians: a bibliography. compiled by Tariq Kidwai (in collaboration with Jean Chong & Bobby Siu) 1985 (227 p.) Please ask Cheuk Kwan if he has copies. See #1. Bibliography covers South Asian-Canadians also. 3. Rice Paper- quarterly magazine on Asian-Canadian issues, history and arts published in Vancouver. Recommended. Contact: jwongchu@axionet.com. Asian Canadian Writers' Workshop, 311 E. 41st Ave., Vancouver, B.C. Canada V5W 1N9 4. Chinese-Canadian National Council's web site- national organization focused on race relations and equity issues for Chinese-Canadians. Web site has historical info. on the railways workers, head tax in Canada. http://ccnc.ca/toronto/history/ 5. Book: Jin Guo: Voices of Chinese Canadian Women. Published by the Women's Book Committee of the Chinese-Canadian National Council. Toronto: Women's Press, 1992. Based on transcripts of oral history from several women. I have more thoughts on resources. But I will stop here. Just a friendly reminder that alot happened in Canada and continues to happen north of the international border! 4. Chinese Canadian National Council's web site- national organization since mid-1970's focused on equity issues for Chinese-Canadians. Their web site has some historical information about the Chinese-Canadian railway workers, head tax issue. ========================================================================= Date: Wed, 12 Apr 2000 11:28:48 -0400 Reply-To: Forum on Asian American History Sender: Forum on Asian American History From: Guocun Yang Organization: Manchester Community College Subject: Short book MIME-Version: 1.0 Content-Type: multipart/mixed; boundary="------------6C609791AE8CD75D69686CC3" This is a multi-part message in MIME format. --------------6C609791AE8CD75D69686CC3 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit A request for help. I am an Americanist, with strong interest in Far East (my minor field). I am preparing a course on the Far East or modern China at my college. My question is for recommendations of a textbook and short scholarly books on special topics - under 200 or 250 pages. I particularly look forward to hearing suggestions on China. Your advise is highly appreciated. Guocun Yang, Ph.D. Manchester Community College --------------6C609791AE8CD75D69686CC3 Content-Type: text/x-vcard; charset=us-ascii; name="ma_yang.vcf" Content-Transfer-Encoding: 7bit Content-Description: Card for Guocun Yang Content-Disposition: attachment; filename="ma_yang.vcf" begin:vcard n:Yang;Guocun tel;work:860-647-6316 x-mozilla-html:FALSE adr:;;;;;; version:2.1 email;internet:ma_yang@commnet.edu x-mozilla-cpt:;1968 fn:Guocun Yang, Ph.D. end:vcard --------------6C609791AE8CD75D69686CC3-- ========================================================================= Date: Wed, 12 Apr 2000 20:31:46 -0400 Reply-To: Forum on Asian American History Sender: Forum on Asian American History From: John Kuo Wei Tchen Subject: Asian-Canadian history & the importance of an Americas framework In-Reply-To: Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" Thank you Jean Chong for your reminding us of Asian Canadian issues. Certainly part of the reason for some of the affinities of the experiences between Asians in the U.S. and Canada is the shared relation to British and to a lesser degree French colonial cultures and politics. The ways in which British and French forms of orientalism (Edward Said, plus many other subsequent books), for example, were transplanted in North America via the circulation of "exotic" trade objects before large numbers of people migrated and reestablished certain foundational relationships of self and otherness. If anyone out there would like to discuss this phenomenon called "orientalism" further let me know. Indeed, I believe that we need to open up Asian U.S. studies to look at the Americas and its relationship to what historians and scholars have increasingly called the Atlantic world (Paul Gilroy's book The Black Atlantic is key in this regard) and to the formation of the European and Euro-American Pacific world. The intermingled port cultures of the Atlantic world, such as Salem, New Bedford, New York, Liverpool, Havana, Cape Town, extended into the Pacific. Instead of beginning Asian U.S. history when the first Chinese arrive in the Californios when gold is discovered at Sutter's Mill, we should go back to the Manila Acapulco trade in the mid-16th Century. This allows for a broader canvas to understand globalization with competing colonial powers and different configurations of power (as defined by race, ethnicity, gender, sexuality, class, etc.). This reframing also allows us to get away from the hierarchy within Asian American studies which privileges Chinese and Japanese American history and only later deals with the "recent" immigration of larger numbers of Filipinos, South Asians, etc. But, from my experience in places like New York City or Los Angeles, it also allows us to understand the more complex migration experiences of generations of Asians moving from places such as Lima or Guyana or Cuba to cities in North America. How can we begin with the stories of many of our students and then help to contextualize what these genealogies and mappings are about. Award winning independent film/video maker Loni Ding has done a wonderful pioneering effort to capture this larger history in her three part series called "Ancestors in America" which is slated to be aired on PBS. Part One deals with this alternative Americas framing. I recommend looking at her website for the Center for Educational Telecommunications. You can look her up on google.com and find her organization site. For those of you following these postings. I sent a posting last week responding to some of the responese which for some reason did not get through. I've got to keyboard it in again and will get it out soon. ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Professor John Kuo Wei Tchen A/P/A Studies Program & Institute New York University 269 Mercer Street #609 New York, New York 10003 Phone: 212/998-3695 Fax: 212/995-4705 www.apa.nyu.edu Please note email address change: Jack.Tchen@nyu.edu ========================================================================= Date: Wed, 12 Apr 2000 23:10:11 -0400 Reply-To: Forum on Asian American History Sender: Forum on Asian American History From: John Kuo Wei Tchen Subject: oral history ideas for advanced high school and early college curriculum Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" For some reason the following message never got through. I'm responding to Maureen Murphy and Marion Brown Evashevski. Thank you both for your honest and thoughtful comments. The midwest seems to be changing dramatically. I recently went to my, dare I say it, 30th high school reunion in Park Forest, IL (Rich East). It was the subject of William H. Whyte's The Organization Man. It used to be the place that many urban white ethnics migrated to and in effect became "white" (If any of you are interested in the subfield of whiteness studies Karen Sacks Brodkin's How Jews Became White and Matthew Jacobson's Whiteness of a Different Color are well work reading). Now, demographic shifts due to a great increase of African Americans and new immigrant groups are reshuffling previous mixtures. There are few spaces within these communities for public discussion, analysis of what has been going on, and meaningful cross cultural exchanges. I strongly believe high school teachers (with the strong support of principals), colleges, museums, and other non-profits organizations such as theater groups can create dialogues spaces which can make a huge difference for students and for communities. Yet, at the same time it is an unfair burden for teachers to take on and can easily lead to accerlerated burn out. A basic and very readable history focusing on Asian and Pacific U.S. folks is Ronald Takaki's Stranger from a Different Shore. He's pulled from many local oral history projects and community studies and woven them into an accessible and compelling narrative. The book that Marion has mentioned A Different Mirror is a broader synthesis of the multicultural history of the U.S. with a major focus on racialization processes. Both books are welcome alternatives and supplements to many of the text books that have dominated many state curricula. I've found that good oral histories and short excerpts from fiction are excellent ways to begin humanizing the experiences of marginalized and stereotyped peoples. They are extremely useful ways to get students to begin to express their own life experiences. I'm very interested in hearing from efforts that people on this listserve have made. Let me share a couple of references that might be useful. Joann Faung Lee's book Asian Americans and Maria Hong's Growing Up Asian American (1993) are both worth using and have a mix of voices representing a mix of different experiences and Asian U.S. ethnic backgrounds. More specific oral/life stories of particular groups can also be found. For example: UC-Berkeley literature scholar Elaine Kim co-authored a book called East to America (1997) on Koreans in the U.S. John Tateishi has edited a collection of Japanese American redress interviews called And Justice for all (1999). Victor and Bret de Bary Nee wrote a classic study of S.F.'s Chinese called Longtime Californ (1986). Jessica Hagedorn's anthology Charlie Chan is Dead (1995) is chock full of short stories, poems, and prose from a variety of perspectives. There are also many new oral histories on Southeast Asians which I'd appreciate someone to add their assessments of. These oral history books can be used in various ways. I've assigned students to pick out one of Tateishi's redress testimonies, for example, and have students of various backgrounds present them as if they were at a redress hearing. If contextualized with historical background, such as the actually sequence leading up to Executive Order 9066 in combination perhaps with the screening of a video (check out the National Asian American Telecommunications Assn. or NAATA web site and catalogue) such a performative assignment can be very powerful. You can then have students discuss why they chose certain testimonies, how they felt presenting it to the class, and even get them involved to contact local Japanese Americans who may have had family members who were put in one of these camps to speak. Such exercises can help spark them to go out and do oral interviews or to write about their own experiences. Historian Thomas Dublin has regularly assigned his college students to write about their ethnic identities and a collection of these pieces is in Becoming American, Becoming Ethnic: College Students Explore Their Roots (1996). As I mentioned in the opening statement, I also find journalist Susan Kuklin's oral history/photo books for you adults very effective, in particular the book Speaking Out: Teenagers on Race, Sex and Idnetity (1993) quite provocative for both high school and younger college students. I'd be interesting in hearing of more teaching efforts in which the student's own personal and family experiences are brought into the center of a course or students have been involved in documentation and interviewing. Let's hear from more of you about the mix of students you have and your curricular experiments.... Best, Jack Tchen ========================================================================= Date: Thu, 13 Apr 2000 15:43:21 -0400 Reply-To: Forum on Asian American History Sender: Forum on Asian American History From: "Roy A. Rosenzweig" Subject: Re: oral history In-Reply-To: Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" ; format="flowed" Instructors thinking about oral history assignments might want to take a look at the excellent assignment in oral and family history that my colleague John Cheng has online for his Asian-American history course (http://chnm.gmu.edu/courses/h389/) (Look under assignments.) I think John is in the midst of making some changes in the site and so you might encounter a few broken links or odd pages. The assignments are being collected into an on-line archive of family and oral histories at (http://chnm.gmu.edu/AsianAm/DAA). best, Roy Rosenzweig Center for History and New Media http://chnm.gmu.edu ========================================================================= Date: Mon, 17 Apr 2000 16:58:11 -0400 Reply-To: Forum on Asian American History Sender: Forum on Asian American History From: Robert Shaffer Subject: Re: oral history ideas In-Reply-To: MIME-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII In response to John Tchen's post from April 12 on oral history resources on Asian American history, let me suggest a memoir (not an oral history per se) that I have just discussed with students in my college-level U.S. Immigration and Ethnicity class (which includes, but does not focus on, Asian Americans): Yoshiko Uchida's _Desert Exile: The Uprooting of a Japanese-American Family_ (1982), available in paperback from University of Washington Press. Uchida grew up in a middle-class, Christian Japanese American home in Berkeley, and was attending the University of California at Berkeley when World War II broke out. She describes in poignant terms the experience at the Tanforan assembly center and at the Topaz (Utah) concentration camp. What is most impressive to me as a teacher about ethnicity is her careful attention to the mix of her family's Japanese-ness and American-ness, to use less than grammatically correct terminology. I have been exploring with my students all semester the need for a more sophisticated understanding of the "Americanization" of immigrant groups than the simplistic phrases "assimilation" and "Americanization" afford, and Uchida's memoir helps students see this very dramatically. (And in a class which has taken as its theme the tension between Oscar Handlin's use of the phrase "the uprooted" to describe immigrant life and John Bodnar's counter-phrase of "the transplanted," students can easily see that Uchida's use of that term in her subtitle is very different from Handlin's, in that it is the U.S. government here that is doing the uprooting, not the immigration experience itself. Students can follow the idea that Japanese Americans created a "transplanted" and somewhat transformed Japanese-American culture and community here by the 1930s.) I use the whole book as the basis for a week's discussion in a college class (along with a few supplementary articles on the internment), but the book is easy enough for high school students to read as well. Teachers can easily find excerpts for presentation to classes, or assign different chapters to different students, or just use it as background reading to provide anecdotes for a presentation on the human effects and costs of the internment. By the way, I find _Desert Exile_ far superior to _Farewell to Manzanar_, mainly because the author of the latter book, Jeanne Wakatsuki Houston, was still a young child while she was in the camp, and her observations of camp life are less sophisticated. On the other hand, some may prefer _Farewell to Manzanar_ because the family there is more typical of Japanese Americans in terms of class position and educational background than the Uchida family. For my students, I point out how the Uchidas represent a minority (though a significant minority) of Japanese americans in terms of class, religion, and educational background. ========================================================================= Date: Tue, 18 Apr 2000 14:32:00 -0400 Reply-To: Forum on Asian American History Sender: Forum on Asian American History From: John Kuo Wei Tchen Subject: Anyone using "Snow Falling on Cedars"?? MIME-version: 1.0 Content-type: text/plain; charset="us-ascii" Robert Shaffer's comment on Uchida's Desert Exile is quite valuable. I was curious if people have used the recent popularity of Snow Falling on Cedars (both the novel and less popular film starring Ethan Hawke) as an entry point into the camp experience? Jack Tchen Professor John Kuo Wei Tchen A/P/A Studies Program & Institute New York University 269 Mercer Street #609 New York, New York 10003 212.998.3700 212.995.4705 (fax) www.apa.nyu.edu Jack.Tchen@nyu.edu ========================================================================= Date: Tue, 18 Apr 2000 11:54:57 -0700 Reply-To: Forum on Asian American History Sender: Forum on Asian American History From: Patricia Hart Subject: Re: Anyone using "Snow Falling on Cedars"?? In-Reply-To: MIME-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII I am teaching a 300-level American Studies course with the theme Migrations/Relocations this semester. Regarding Japanese relocation, I've used Takaki's A History of Multicultural America as a core text, supplementing with the documentary film by Lisa Yasui, A Family Gathering, and John Okada's No-No Boy (U.Wash), all Northwest sources. I was lucky that the University of Idaho, where I teach, is bringing in Snow Falling on Cedars as a diversity film, and so it will be shown free to students on campus. I have enough interest in the topic generally that a panel of final presentations is forming around the topic, with one focusing on the Minidoka camp in southern Idaho. The students and I have found the variety of sources to be reinforcing with regard to content, and provide sufficiently different perspectives to prompt new/additional questions. Patricia Hart On Tue, 18 Apr 2000, John Kuo Wei Tchen wrote: > Robert Shaffer's comment on Uchida's Desert Exile is quite valuable. I was > curious if people have used the recent popularity of Snow Falling on Cedars > (both the novel and less popular film starring Ethan Hawke) as an entry > point into the camp experience? > > Jack Tchen > > Professor John Kuo Wei Tchen > A/P/A Studies Program & Institute > New York University > 269 Mercer Street #609 > New York, New York 10003 > 212.998.3700 > 212.995.4705 (fax) > www.apa.nyu.edu > > Jack.Tchen@nyu.edu > ========================================================================= Date: Tue, 18 Apr 2000 17:22:31 -0400 Reply-To: Forum on Asian American History Sender: Forum on Asian American History From: Robert Shaffer Subject: Re: Anyone using "Snow Falling on Cedars"?? In-Reply-To: MIME-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII Re _Snow Falling on Cedars_: I haven't used the novel in my history classes, but one of my colleagues in the English Department here has used _Snow Falling on Cedars_ in her "Introduction to Fiction" class, geared to freshman and sophomore General Education students. In the process, she has invited me to attend class as a resource person for the history of the internment, to answer questions, comment on student observations, and (where appropriate) present some additional primary source documents. I certainly enjoyed the experience, and I think it was helpful to students. It also helped bring "history" and "literature" together in students' minds. I think that novel would work better in an American Studies class or an English class, rather than History, in my view. People who teach specifically Asian-American Studies classes would have to comment on whether they would to devote the necessary class time (it _is_ a long book) to a novel whose protagonist is not Asian-American. -- Robert Shaffer History Department Shippensburg University of Pennsylvania ========================================================================= Date: Tue, 18 Apr 2000 17:19:27 -0400 Reply-To: Forum on Asian American History Sender: Forum on Asian American History From: John Kuo Wei Tchen Subject: On Pacific Islander Experiences Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" There is an ongoing debate, in my estimation a very important and healthy one, regarding the inclusion of Pacific Islanders within Asian/Pacific American or Asian-Pacific Islander nomenclatures. This issue is especially intense in Hawai'i where sovereignty issues are critical. For background, one of the better basic political histories is by Noel Kent, Islands Under the Influence. It is a readable history about the history of the islands, U.S. trade and colonial interests, etc. A contemporary classic which expresses the earlier days of the sovereignty movement is Haunani Kay Trask's Notes from a Native Daughter. In the spirit of fostering more grassroots documentation and creative work on the Pacific Islander experience, I wanted to share with the history forum network the availability of grants related to the Pacific Islander experience. SOVEREIGN STORIES Pacific Islanders in Communications (PIC) is calling for proposals for national public television programs that examine and illuminate aspects of Pacific Islanders culture and life. PIC is particularly interested in how the struggle for sovereignty and native rights is impacting indigenous communities within the Pacific and continental U.S. All genres are welcome. Programs must not be less than one hour long, unless they are part of a series. Awards up to $50,000 will be given for production, post-production, or program-specific web development. $15,000 is available for research and development and scripting. Applications available at www.piccom.org or contact Annie Moriyasu, PIC, moriyasu@aloha.net, (808) 591-0059. Application deadline: May 31, 2000. Annie Moriyasu Programming Director Pacific Islanders in Communications 1221 Kapiolani Blvd. 6A4 Honolulu, HI 96814 USA 808.591.0059 808.591.1114 Fax moriyasu@aloha.net www.piccom.org MEDIA FUND 2000 APPLICATIONS AVAILABLE AT WWW.PICCOM.ORG DEADLINE IS MAY 31, 2000 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Professor John Kuo Wei Tchen A/P/A Studies Program & Institute New York University 269 Mercer Street #609 New York, New York 10003 Phone: 212/998-3695 Fax: 212/995-4705 www.apa.nyu.edu Please note email address change: Jack.Tchen@nyu.edu ========================================================================= Date: Tue, 18 Apr 2000 17:43:53 -0400 Reply-To: Forum on Asian American History Sender: Forum on Asian American History From: John Kuo Wei Tchen Subject: "Snow Falling on Cedars" & Hollywood Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" Robert Shaffer finishes his recent note on "Snow" with a critical issue that vexes Asian Americanists regarding popular representations of the Asian American experience. Yes, it has to do with the politics of race and gender and sexuality. Does the protagonist in a more popular film, as Hollywood argues, have to be a white (usually male) lead? And isn't it easier for most U.S. Americans to accept exotic/erotic Asian women when a film is meant to be sympathetic to Asian Americans or Asians. Countless films attest to such a position: "Big Trouble in Little China," "The Year of the Dragon," "Red Corner" w/Richard Gere, or even "The Joy Luck Club" directed by Asian American filmmaker Wayne Wang. Films, novels, and history pulled apart and analyzed as constructed narrative strategies seems to work well with media savvy students. Or, conversely, when films are about the danger and threat of Asian Americans or Asians stern, inscrutable Asian males are foregrounded, such as Crichton's novel turned Kaufman film, "The Rising Sun." I'm also always mindful of the sensitivities about talking about racialization, especially in multi-ethnic/racial classrooms. Many students are very aware of what is considered "p.c." (I hate this term!) and hesitate to speak out. That can create a terribly lopsided dynamic in the classroom. What have your experiences been? What have been your classroom strategies to create an open exchange of experiences and ideas? Have you been successful in rescuing confrontational situations? Making distinctions between institutional racism/sexism, etc. and interpersonal offenses? ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Professor John Kuo Wei Tchen A/P/A Studies Program & Institute New York University 269 Mercer Street #609 New York, New York 10003 Phone: 212/998-3695 Fax: 212/995-4705 www.apa.nyu.edu Please note email address change: Jack.Tchen@nyu.edu ========================================================================= Date: Tue, 18 Apr 2000 20:19:08 -0400 Reply-To: ronrico@attglobal.net Sender: Forum on Asian American History From: ronrico@ATTGLOBAL.NET Subject: Re: Anyone using "Snow Falling on Cedars"?? MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit Yes, Nor have they used the novels based on the rape of Nanking. enrique John Kuo Wei Tchen wrote: > Robert Shaffer's comment on Uchida's Desert Exile is quite valuable. I was > curious if people have used the recent popularity of Snow Falling on Cedars > (both the novel and less popular film starring Ethan Hawke) as an entry > point into the camp experience? > > Jack Tchen > > Professor John Kuo Wei Tchen > A/P/A Studies Program & Institute > New York University > 269 Mercer Street #609 > New York, New York 10003 > 212.998.3700 > 212.995.4705 (fax) > www.apa.nyu.edu > > Jack.Tchen@nyu.edu -- ----------------------------------------------------- Click here for Free Video!! http://www.gohip.com/freevideo/ ========================================================================= Date: Tue, 18 Apr 2000 20:21:14 -0400 Reply-To: ronrico@attglobal.net Sender: Forum on Asian American History From: ronrico@ATTGLOBAL.NET Subject: Re: On Pacific Islander Experiences MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit Hawaii, Puerto Rico is the Caribbean version. However, the American Congress will not grant statehood because Puerto Ricans are not willing to become an English speaking Puerto Rico. enrique John Kuo Wei Tchen wrote: > There is an ongoing debate, in my estimation a very important and healthy > one, regarding the inclusion of Pacific Islanders within Asian/Pacific > American or Asian-Pacific Islander nomenclatures. This issue is especially > intense in Hawai'i where sovereignty issues are critical. For background, > one of the better basic political histories is by Noel Kent, Islands Under > the Influence. It is a readable history about the history of the islands, > U.S. trade and colonial interests, etc. A contemporary classic which > expresses the earlier days of the sovereignty movement is Haunani Kay > Trask's Notes from a Native Daughter. > > In the spirit of fostering more grassroots documentation and creative work > on the Pacific Islander experience, I wanted to share with the history > forum network the availability of grants related to the Pacific Islander > experience. > > SOVEREIGN STORIES > > Pacific Islanders in Communications (PIC) is calling for proposals for > national public television programs that examine and illuminate aspects of > Pacific Islanders culture and life. PIC is particularly interested in how > the struggle for sovereignty and native rights is impacting indigenous > communities within the Pacific and continental U.S. > > All genres are welcome. Programs must not be less than one hour long, unless > they are part of a series. Awards up to $50,000 will be given for > production, post-production, or program-specific web development. $15,000 > is available for research and development and scripting. Applications > available at www.piccom.org or contact Annie Moriyasu, PIC, > moriyasu@aloha.net, (808) 591-0059. Application deadline: May 31, 2000. > > Annie Moriyasu > Programming Director > Pacific Islanders in Communications > 1221 Kapiolani Blvd. 6A4 > Honolulu, HI 96814 USA > 808.591.0059 > 808.591.1114 Fax > moriyasu@aloha.net www.piccom.org > > MEDIA FUND 2000 APPLICATIONS AVAILABLE AT WWW.PICCOM.ORG > DEADLINE IS MAY 31, 2000 > > ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ > Professor John Kuo Wei Tchen > A/P/A Studies Program & Institute > New York University > 269 Mercer Street #609 > New York, New York 10003 > Phone: 212/998-3695 > Fax: 212/995-4705 > www.apa.nyu.edu > > Please note email address change: Jack.Tchen@nyu.edu -- ----------------------------------------------------- Click here for Free Video!! http://www.gohip.com/freevideo/ ========================================================================= Date: Tue, 18 Apr 2000 20:22:39 -0400 Reply-To: ronrico@attglobal.net Sender: Forum on Asian American History From: ronrico@ATTGLOBAL.NET Subject: Re: "Snow Falling on Cedars" & Hollywood MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit View Jet Li movies. The history is well documented. The language of choice is Cantonese. enrique John Kuo Wei Tchen wrote: > Robert Shaffer finishes his recent note on "Snow" with a critical issue > that vexes Asian Americanists regarding popular representations of the > Asian American experience. Yes, it has to do with the politics of race and > gender and sexuality. Does the protagonist in a more popular film, as > Hollywood argues, have to be a white (usually male) lead? And isn't it > easier for most U.S. Americans to accept exotic/erotic Asian women when a > film is meant to be sympathetic to Asian Americans or Asians. Countless > films attest to such a position: "Big Trouble in Little China," "The Year > of the Dragon," "Red Corner" w/Richard Gere, or even "The Joy Luck Club" > directed by Asian American filmmaker Wayne Wang. Films, novels, and > history pulled apart and analyzed as constructed narrative strategies seems > to work well with media savvy students. Or, conversely, when films are > about the danger and threat of Asian Americans or Asians stern, inscrutable > Asian males are foregrounded, such as Crichton's novel turned Kaufman film, > "The Rising Sun." > > I'm also always mindful of the sensitivities about talking about > racialization, especially in multi-ethnic/racial classrooms. Many students > are very aware of what is considered "p.c." (I hate this term!) and > hesitate to speak out. That can create a terribly lopsided dynamic in the > classroom. What have your experiences been? What have been your classroom > strategies to create an open exchange of experiences and ideas? Have you > been successful in rescuing confrontational situations? Making > distinctions between institutional racism/sexism, etc. and interpersonal > offenses? > > ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ > Professor John Kuo Wei Tchen > A/P/A Studies Program & Institute > New York University > 269 Mercer Street #609 > New York, New York 10003 > Phone: 212/998-3695 > Fax: 212/995-4705 > www.apa.nyu.edu > > Please note email address change: Jack.Tchen@nyu.edu -- ----------------------------------------------------- Click here for Free Video!! http://www.gohip.com/freevideo/ ========================================================================= Date: Tue, 18 Apr 2000 20:27:03 -0400 Reply-To: ronrico@attglobal.net Sender: Forum on Asian American History From: ronrico@ATTGLOBAL.NET Subject: Re: Anyone using "Snow Falling on Cedars"?? MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit Man, I have two MA. One is from NYU's School of Education. Although Mr. M. L.Gross in his The Conspiracy of Ignorance does not think much of Schools of Education, I think I received a good education. Any openings! enrique Patricia Hart wrote: > I am teaching a 300-level American Studies course with the theme > Migrations/Relocations this semester. Regarding Japanese relocation, I've > used Takaki's A History of Multicultural America as a core text, > supplementing with the documentary film by Lisa Yasui, A Family Gathering, > and John Okada's No-No Boy (U.Wash), all Northwest sources. I was lucky > that the University of Idaho, where I teach, is bringing in Snow Falling > on Cedars as a diversity film, and so it will be shown free to students on > campus. I have enough interest in the topic generally that a panel of > final presentations is forming around the topic, with one focusing on the > Minidoka camp in southern Idaho. The students and I have found the variety > of sources to be reinforcing with regard to content, and provide > sufficiently different perspectives to prompt new/additional > questions. Patricia Hart > > On Tue, 18 Apr 2000, John Kuo Wei Tchen wrote: > > > Robert Shaffer's comment on Uchida's Desert Exile is quite valuable. I was > > curious if people have used the recent popularity of Snow Falling on Cedars > > (both the novel and less popular film starring Ethan Hawke) as an entry > > point into the camp experience? > > > > Jack Tchen > > > > Professor John Kuo Wei Tchen > > A/P/A Studies Program & Institute > > New York University > > 269 Mercer Street #609 > > New York, New York 10003 > > 212.998.3700 > > 212.995.4705 (fax) > > www.apa.nyu.edu > > > > Jack.Tchen@nyu.edu > > -- ----------------------------------------------------- Click here for Free Video!! http://www.gohip.com/freevideo/ ========================================================================= Date: Tue, 18 Apr 2000 20:29:00 -0400 Reply-To: ronrico@attglobal.net Sender: Forum on Asian American History From: ronrico@ATTGLOBAL.NET Subject: Re: oral history ideas MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit Second coming of American Apartheid. The first, reservations. Chinese the second group to experience American slavery. enrique Robert Shaffer wrote: > In response to John Tchen's post from April 12 on oral history resources > on Asian American history, let me suggest a memoir (not an oral history > per se) that I have just discussed with students in my college-level U.S. > Immigration and Ethnicity class (which includes, but does not focus on, > Asian Americans): Yoshiko Uchida's _Desert Exile: The Uprooting of a > Japanese-American Family_ (1982), available in paperback from University > of Washington Press. Uchida grew up in a middle-class, Christian Japanese > American home in Berkeley, and was attending the University of California > at Berkeley when World War II broke out. She describes in poignant terms > the experience at the Tanforan assembly center and at the Topaz (Utah) > concentration camp. What is most impressive to me as a teacher about > ethnicity is her careful attention to the mix of her family's > Japanese-ness and American-ness, to use less than grammatically correct > terminology. I have been exploring with my students all semester the need > for a more sophisticated understanding of the "Americanization" of > immigrant groups than the simplistic phrases "assimilation" and > "Americanization" afford, and Uchida's memoir helps students see this very > dramatically. (And in a class which has taken as its theme the tension > between Oscar Handlin's use of the phrase "the uprooted" to describe > immigrant life and John Bodnar's counter-phrase of "the transplanted," > students can easily see that Uchida's use of that term in her subtitle is > very different from Handlin's, in that it is the U.S. government here that > is doing the uprooting, not the immigration experience itself. Students > can follow the idea that Japanese Americans created a "transplanted" and > somewhat transformed Japanese-American culture and community here by the > 1930s.) > I use the whole book as the basis for a week's discussion in a > college class (along with a few supplementary articles on the internment), > but the book is easy enough for high school students to read as well. > Teachers can easily find excerpts for presentation to classes, or assign > different chapters to different students, or just use it as background > reading to provide anecdotes for a presentation on the human effects and > costs of the internment. > By the way, I find _Desert Exile_ far superior to _Farewell to > Manzanar_, mainly because the author of the latter book, Jeanne Wakatsuki > Houston, was still a young child while she was in the camp, and her > observations of camp life are less sophisticated. On the other hand, some > may prefer _Farewell to Manzanar_ because the family there is more typical > of Japanese Americans in terms of class position and educational > background than the Uchida family. For my students, I point out how the > Uchidas represent a minority (though a significant minority) of Japanese > americans in terms of class, religion, and educational background. -- ----------------------------------------------------- Click here for Free Video!! http://www.gohip.com/freevideo/ ========================================================================= Date: Wed, 19 Apr 2000 05:53:41 -0700 Reply-To: Forum on Asian American History Sender: Forum on Asian American History From: Gayle Olson-Raymer Subject: Re: Anyone using "Snow Falling on Cedars"?? In-Reply-To: Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" In regard to Patricia Hart's response, I have not used "Snow Falling on Cedars," but have used Lisa Yasui's excellent film, "A Family Gathering" after my students have read "Stubborn Twig" by Lauren Kessler. Kessler's book is the story of the Yasui family's experience in Oregon from the late 1800s to the 1970s. I use both these sources in my upper division, University level history course entitled "Historical concepts in American History." In this class, we take four weeks to discuss immigration during which we highlight the Japanese American experience. Both the book and the movie have been well received, and I have assigned "Snow" for extra credit. So far, students have been lukewarm on the movie and book and feel that "Subborn Twig" is far better. Gayle Olson-Raymer, Humboldt State University ========================================================================= Date: Wed, 19 Apr 2000 09:38:25 -0400 Reply-To: Forum on Asian American History Sender: Forum on Asian American History From: "Margaret M. Manchester" Subject: Snow Falling on Cedars Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" I have used Guterson's novel several times in an AMS course on War and the American Family. Students also read some oral histories, some secondary sources such as Matsumoto's essay on Japanese American women and the camp experience and Daniels' essay on the incarceration of Japanese Americans.I also provided links to some wonderful websites (the Manzanar slide shows are particularly compelling). Students were required to use all of these sources to evaluate the historical accuracy of the novel. It has worked really well--students have truly enjoyed the novel. From my point of view, the novel has been a great teaching tool, generating great discussions and thoughtful essays. Margaret M. Manchester, Ph.D. Assistant Professor of History/ Director, American Studies Program Providence College Phillips Memorial Library 316 Providence, RI 02918 email: mmanch@providence.edu ========================================================================= Date: Wed, 19 Apr 2000 12:40:48 -0400 Reply-To: Forum on Asian American History Sender: Forum on Asian American History From: Randy Kaplan Subject: Japanese American Internment Experience Resources Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" Hello, Professor Tchen, > >I teach Asian and Asian American theatre and drama at SUNY-Geneseo. Since >I am in a School of Performing Arts, I don't have much occasion to utilize >films and novels (though I thought the silent scene in which the Japanese >American population was marched out to the boats in SNOW FALLING ON CEDARS >was stunning -- visually and aurally -- and a play would be hard pressed to >reproduced those effects given the limitations of live theatre), I rely a >lot upon Japanese American internent plays like Wakako Yamauchi's 12-1-A, >and other works like Lane Nishikawa's GILA RIVER and Philip Kan Gotanda's >SISTERS MATSUMOTO (both unpublished). Having students take the roles in >class, whether they can act or not, has proven incredibly valuable. In the >context of other Asian American historical issues, we have David Henry >Hwang's THE DANCE AND THE RAILROAD and Elizabeth Wong's LETTERS TO A >STUDENT REVOLUTIONARY. Harder works,less comfortable, shall we say, works >like Rob Shinn's THE ART OF WAITING and Elizabeth's KIM CHEE AND CHITLINS >examine cross racial conflicts between Korean Americans and African >Americans. > >Using Asian American drama is often not considered as an option, maybe >because people lack theatre experience. But there are now five >multi-author anthologies published with more on the way plus single >scripts. The possibilities are endless! > >I also use internment plays and other plays by Asian American authors even >for acting and directing classes in which I have no Asian American >students. It forces students who would otherwise avoid Asian American >history to confront it, both in terms of the research process and in terms >of rendering it as live theatre. > >Randy Barbara Kaplan > >p.s. Just by way of an "FYI": We have started a new Asian American >Playreading Series here at Geneseo this semester which the students have >christened GENseng. Each semester we produce a staged reading of an Asian >American script, cast race-specifically, as the authors intend. Last >semester, we produced Ralph Pena's FLIPZOIDS; next week, the curtain goes >up on Kitty Chen's EATING CHICKEN FEET and Diana Son's R.A.W., 'CAUSE I'M A >WOMAN. My goal is to develop Asian American student directors and actors. >All too often, students of color view performing arts departments as places >in which they are not welcome, by virtue of their race or ethnicity. If >all goes according to plan, our first Asian American student director, a >young woman of South Asian Indian descent, will make her directing debut >next year with an Indian American script still to be determined! >Eventually I hope to see her direct all manner of plays in addition to >those written by Asian American dramatists. ========================================================================= Date: Wed, 19 Apr 2000 12:54:32 -0400 Reply-To: Forum on Asian American History Sender: Forum on Asian American History From: Randy Kaplan Subject: Re: "Snow Falling on Cedars" & Hollywood In-Reply-To: Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" Dear Colleagues, Regarding Professor Tchen's letter, I can use all the help I can get! Geneseo is a predominantly Caucasian campus, although Asian American constitute the largest non-white "minority" and of those, Chinese Americans constitute the largest percentage. I am currently teaching 12 Caucasian, Christian students in American Theatre History. We are looking at the African American theatre experience this week, though Asian American is coming up next. No one wants to say anything. They believe that everybody is the same (and when they look around, that's exactly what they see). We don't have confrontational experiences, we have silent ones! I'd love to hear what folks on this listserve are doing in this area with this issue. Racial and sexual stereotypes in film aside: There is another angle to this issue, worth exchanging ideas about, I think, which has to do with implications, intended or not, in non-traditional casting. Given the history of film and theatre in our country, is it ever possible to cast an Asian American woman as the love interest in a play opposite a Caucasian man - and I'm not talking about a variation on MISS SAIGON, let's say, for argument's sake, it's ROMEO AND JULIET. Can an Asian American man play an evil character, say, Richard III, without the history of Fu Manchu and RISING SUN intruding? Does our Asian American Juliet automatically become the sexually objectified Asian woman by virtue of her race unless an Asian American Romeo is cast opposite her? If she is cast as Lady Macbeth, will audiences conditioned to seeing Rita Repulsa and evil Asian women automatically lay that history on top our Asian American Lady Macbeth? I hear arguments about this from students all the time, but I'd be interested in hearing responses from educators, too. Thanks, Randy Barbara Kaplan >Robert Shaffer finishes his recent note on "Snow" with a critical issue >that vexes Asian Americanists regarding popular representations of the >Asian American experience. Yes, it has to do with the politics of race and >gender and sexuality. Does the protagonist in a more popular film, as >Hollywood argues, have to be a white (usually male) lead? And isn't it >easier for most U.S. Americans to accept exotic/erotic Asian women when a >film is meant to be sympathetic to Asian Americans or Asians. Countless >films attest to such a position: "Big Trouble in Little China," "The Year >of the Dragon," "Red Corner" w/Richard Gere, or even "The Joy Luck Club" >directed by Asian American filmmaker Wayne Wang. Films, novels, and >history pulled apart and analyzed as constructed narrative strategies seems >to work well with media savvy students. Or, conversely, when films are >about the danger and threat of Asian Americans or Asians stern, inscrutable >Asian males are foregrounded, such as Crichton's novel turned Kaufman film, >"The Rising Sun." > >I'm also always mindful of the sensitivities about talking about >racialization, especially in multi-ethnic/racial classrooms. Many students >are very aware of what is considered "p.c." (I hate this term!) and >hesitate to speak out. That can create a terribly lopsided dynamic in the >classroom. What have your experiences been? What have been your classroom >strategies to create an open exchange of experiences and ideas? Have you >been successful in rescuing confrontational situations? Making >distinctions between institutional racism/sexism, etc. and interpersonal >offenses? > > > >~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ >Professor John Kuo Wei Tchen >A/P/A Studies Program & Institute >New York University >269 Mercer Street #609 >New York, New York 10003 >Phone: 212/998-3695 >Fax: 212/995-4705 >www.apa.nyu.edu > >Please note email address change: Jack.Tchen@nyu.edu ========================================================================= Date: Thu, 20 Apr 2000 08:34:34 -0600 Reply-To: Forum on Asian American History Sender: Forum on Asian American History From: April Schultz Subject: Materials In-Reply-To: Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" Hi, I teach in the history department at Illinois Wesleyan University where I teach both the survey and an immigration history course. In the survey, I've used the documentary, "A Family Gathering", about a very successful Northwest Japanese-American family whose father is arrested after Pearl Harbor. The rest of the family is soon taken to internment camps. It is a stunning documentary --actually a memoir of the documetarist (is that a word?). My usually bored, Midwestern students, sit stunned at the end. I'd recommend it. After reading the posts on the list, I think I'll order "Desert Exile" for the fall as well. In the immigration history class, I've shown the film, "Double Happiness", and the documentary, "My America: Honk if You Love Buddha". Both demonstrate very effectively, humorously, and movingly the contradictions and ethnic and racial identity for second-generation Asian Americans. have any of you used these films? How do you like them? I'm thinking of ordering the book, "Of Orphans and Warriors". I don't have it here with me and can't remember the author. But if anyone is familiar with it, I'd appreciate any comments about its effectiveness for undergraduates. April Schultz April Schultz Associate Professor, History Illinois Wesleyan University Bloomington, IL 61702 309-556-3414 aschultz@titan.iwu.edu ========================================================================= Date: Thu, 20 Apr 2000 10:06:12 -0400 Reply-To: Forum on Asian American History Sender: Forum on Asian American History From: Randy Kaplan Subject: Video Resources Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" Dear All, Not all of these do not refer to the immigrant experience, but you might be interested in them anyway. Lane Nishikawa, who is a sansei actor, director, and performance poet, has written a wonderful play called GATE OF HEAVEN, which is about a nisei soldier who liberates Dachau concentration camp and meets a Jewish survivor with whom he becomes close friends for all their lives. The play is published in Brian Nelson, ed., ASIAN AMERICAN THEATRE: NINE PLAYS FROM THE MULTICULTURAL LANDSCAPE, which also has Rob Shinn's THE ART OF WAITING, a searing comedy about racism. Anyway, Lane is in the process of making his play into a film which he has called WHEN WE WERE WARRIORS. It might be available for purchase, at least Part I. I have seen it, it is lovely. If you are interested in it, write to me. I am going to see Lane this weekend when he performs at Cornell University (anybody reading this within driving distance of Cornell, Lane will perform I'M ON A MISSION FROM BUDDHA, his one-man show about stereotyping Asian American men, at 8 p.m. in the Film Forum, Department of Theatre, Cornell, IT IS A MUST-SEE.) When I talk to Lane, I'll ask him if I can distribute his phone number -- he doesn't have e-mail. He is also available to come to universities and talk, perform, workshop. We have hosted him twice at SUNY-Geneseo, both times with incredible success. Other videos you might be interested in are by Philip Kan Gotanda, who is considered to be a major Asian American playwright. I will speak with Phil and give him this listserve address, maybe he has something he can mail out to all of you. Students love his work and respond well to it. Randy Barbara Kaplan ========================================================================= Date: Thu, 20 Apr 2000 11:59:49 -0400 Reply-To: Forum on Asian American History Sender: Forum on Asian American History From: Tracey Weis Subject: Comparative Diasporas MIME-Version: 1.0 Content-Type: text/plain; charset="windows-1252" Hello, I teach US History at Millersville University (MU) and also coordinate the MU New Media Classroom Regional Center. The recent discussion on the list about various media resources prompts me to alert you to another resource for teaching Asian-American history and culture: an NEH-funded faculty/curriculum development program aimed at helping educators incorporate new media resources into their teaching and/or interpetation. I have pasted in some more information about the workshop below and would welcome applicants from forum subscribers. If you have any questions about the workshop, please do not hesitate to contact me. Thank you. Tracey Weis **************************************************************************** *********************************** 2000 New Media Classroom Summer Institute "Comparative Diasporas" at Millersville University June 25-30, 2000 The American Social History Project (CUNY) and the American Studies Association's Crossroads Project announce that the Millersville University (MU) will, for a third consecutive year, host one of the regional summer seminars funded by the National Endowment for the Humanities. Located in Lancaster County, PA, the New Media Classroom Regional Center at Millersville University is dedicated to bringing educators together to systematically investigate and implement the effective incorporation of print and electronic media in various teaching and learning environments. The 2000-2001 MU-NMC summer institute, organized around the theme of "Comparative Diasporas," will build on the previous MU-NMC summer institutes' thematic emphasis on the centrality of migration. It will expand the existing MU-NMC network of educators from diverse sites (schools, colleges and universities, community centers, museums, historic sites, and other historical and cultural institutions) to include participants from the 2000-2001 institute program. The program at Millersville includes a five-day summer institute (Sunday, June 25 through Friday June 30, 2000), a yearlong on-line seminar, and follow-up meetings focusing on the successful implementation of new media based instruction and interpretation. Working to enhance investigation and interpretation at their own sites, institute participants will explore relevant print and electronic resources that will enable them to elaborate connections between local histories, national histories, and world or global histories. Drawing on digital archives and museum exhibits, educators from diverse institutions will collaborate to develop instructional and interpretive activities and programs geared to the particularities of their own settings. The summer seminar will enable participating educators to: a) promote the ability of students and other learners to construct knowledge and make connections in multi-media, text, images and sound; b) explore a range of new humanities resources available on CD-ROM and the World Wide Web; c) integrate technology into individual courses, school curricula, and public interpretive programs; d) work with scholars and educators who have pioneered in developing new media applications; and e) build an ever- widening community of educators committed to exploring what it means to learn, teach, and interpret in technology-enhanced sites. Returning to their institutions for the 2000-2001 school year, participating faculty will test the strategies they developed during the summer institute while continuing a seminar dialogue on-line. By the end of the institute, we anticipate participants leaving with tangible products: * Web-based and CD-ROM activities that they have developed * Approaches for using e-mail, listservs and/or educational software to facilitate writing and inquiry across the curriculum * Skills in web-authoring and searching as tools for the construction of knowledge * Lists of resources, electronic archives, Web sites, educational software, etc * Strategies for increasing access to computer hardware and software * Plans for widening the circle and promoting the New Media Classroom at their institution/site * An ongoing network of new media practitioners who, meeting both electronically and sometimes face-to-face, will (1) sum-up a growing body of experience, (2) problem-solve, and (3) build support systems. We invite applications from educators at high schools, colleges, universities, community centers, historical sites and organizations. Applications submitted by Friday, April 21, 2000 will receive first priority, but applications submitted after that date will also be considered. Applicants should have a background in one of the following: 1) teaching US or World history courses, interdisciplinary humanities/social sciences courses, or ESL courses; 2) developing curricula, programs and/or exhibits for museums, historic sites or other historical and cultural organizations. Applicants can apply as individuals or a team (two to four persons) from their institution. Access to and some rudimentary facility with the Internet is a minimal requirement for participation; application forms are available on the World Wide Web at: http://www.millersville.edu/~tweis/2000.html However, high-level technological skills and extensive use of new media in interpretation are NOT (repeat: not) requirements for application. Instructional and interpretive goals will drive the use of technology in the institute, not vice versa. Graduate credit (3.0) is available through Millersville University. For more information, contact Tracey Weis. Tracey Weis MU New Media Classroom Regional Center Department of History Millersville University P.O. Box 1002 Millersville, PA 17551 717/871-2025 (phone) 717/871-2485 (fax) Tracey.Weis@millersv.edu Visit the Summer Program website at http://www.millersv.edu/~newmedia/ > ---------- > From: April Schultz > Reply To: Forum on Asian American History > Sent: Thursday, April 20, 2000 10:34 AM > To: ASIANAMERICANFORUM@ASHP.LISTSERV.CUNY.EDU > Subject: Materials > > Hi, I teach in the history department at Illinois Wesleyan University > where > I teach both the survey and an immigration history course. In the survey, > I've used the documentary, "A Family Gathering", about a very successful > Northwest Japanese-American family whose father is arrested after Pearl > Harbor. The rest of the family is soon taken to internment camps. It is > a > stunning documentary --actually a memoir of the documetarist (is that a > word?). My usually bored, Midwestern students, sit stunned at the end. > I'd recommend it. After reading the posts on the list, I think I'll order > "Desert Exile" for the fall as well. > > In the immigration history class, I've shown the film, "Double Happiness", > and the documentary, "My America: Honk if You Love Buddha". Both > demonstrate very effectively, humorously, and movingly the contradictions > and ethnic and racial identity for second-generation Asian Americans. > have > any of you used these films? How do you like them? > > I'm thinking of ordering the book, "Of Orphans and Warriors". I don't > have > it here with me and can't remember the author. But if anyone is familiar > with it, I'd appreciate any comments about its effectiveness for > undergraduates. > > April Schultz > > April Schultz > Associate Professor, History > Illinois Wesleyan University > Bloomington, IL 61702 > 309-556-3414 > aschultz@titan.iwu.edu > > ========================================================================= Date: Thu, 20 Apr 2000 22:13:58 -0400 Reply-To: Forum on Asian American History Sender: Forum on Asian American History From: Becky Berk Subject: Re: Snow Falling on Cedars MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit Hi professor, I teach in a high school not so far from your neck of the woods. I have a student compiling a research paper on the Japanese experiences in the camps. Would you please send a bit more detail on the Matsumoto essay so that he can track it down. Are there some other sources you would recommend? Thank you. Bruce Berk Derryfield School Manchester, NH "Margaret M. Manchester" wrote: > I have used Guterson's novel several times in an AMS course on War and the > American Family. Students also read some oral histories, some secondary > sources such as Matsumoto's essay on Japanese American women and the camp > experience and Daniels' essay on the incarceration of Japanese Americans.I > also provided links to some wonderful websites (the Manzanar slide shows > are particularly compelling). Students were required to use all of these > sources to evaluate the historical accuracy of the novel. It has worked > really well--students have truly enjoyed the novel. From my point of view, > the novel has been a great teaching tool, generating great discussions and > thoughtful essays. > Margaret M. Manchester, Ph.D. > Assistant Professor of History/ > Director, American Studies Program > Providence College > Phillips Memorial Library 316 > Providence, RI 02918 > email: mmanch@providence.edu ========================================================================= Date: Fri, 21 Apr 2000 10:43:56 -0400 Reply-To: Forum on Asian American History Sender: Forum on Asian American History From: Robert Shaffer Subject: Re: Snow Falling on Cedars In-Reply-To: <38FFB965.FAD7CEA7@mediaone.net> MIME-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII I am not the professor to whom Bruce Berk refers, but the Valerie Matsumoto essay mentioned undoubtedly is "Japanese American Women during World War II," which was originally published in the journal _Frontiers_ vol 8 (1984), but which is probably more conveniently found in _Unequal Sisters: A Multicultural Reader in U.S. Women's History_, ed. by Ellen Carol DuBois and Vicki Ruiz, published by Routledge. There are two editions of the DuBois-Ruiz collection, the first published in 1990, and the Matsumoto article is in both of these editions. It is a useful article, but (in my opinion) no more so than any number of other books or articles. Other recent works that may be useful to Bruce Berk's student might be Gary Okihiro's _Whispered Silences_ (University of Washington Press), which combines photographs, primary source excerpts, and commentary, and Sandra Taylor's in-depth study of the Topaz camp in Utah, entitled _Jewel of the Desert_. (The latter book has been criticized in some reviews for some of its terminology and other things, but as an in-depth study of one camp, I think it is useful.) -- Robert Shaffer History Department Shippensburg University of Pennsylvania On Thu, 20 Apr 2000, Becky Berk wrote: > Hi professor, > > I teach in a high school not so far from your neck of the woods. I have a > student compiling a research paper on the Japanese experiences in the camps. > Would you please send a bit more detail on the Matsumoto essay so that he can > track it down. Are there some other sources you would recommend? Thank you. > > Bruce Berk > Derryfield School > Manchester, NH > > "Margaret M. Manchester" wrote: > > > I have used Guterson's novel several times in an AMS course on War and the > > American Family. Students also read some oral histories, some secondary > > sources such as Matsumoto's essay on Japanese American women and the camp > > experience and Daniels' essay on the incarceration of Japanese Americans.I > > also provided links to some wonderful websites (the Manzanar slide shows > > are particularly compelling). Students were required to use all of these > > sources to evaluate the historical accuracy of the novel. It has worked > > really well--students have truly enjoyed the novel. From my point of view, > > the novel has been a great teaching tool, generating great discussions and > > thoughtful essays. > > Margaret M. Manchester, Ph.D. > > Assistant Professor of History/ > > Director, American Studies Program > > Providence College > > Phillips Memorial Library 316 > > Providence, RI 02918 > > email: mmanch@providence.edu > ========================================================================= Date: Fri, 21 Apr 2000 08:50:22 -0700 Reply-To: Forum on Asian American History Sender: Forum on Asian American History From: Patricia Hart Subject: Re: Snow Falling on Cedars In-Reply-To: Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" Frontiers: A Journal of Women Studies is now published under the editorship of Sue Armitage at Washington State University. Should you have any trouble finding this article where you teach, please give us a call at 509-335-7268 or email at frontier@wsu.edu--we can give permission to copy for classroom use over the phone and are happy to do so. Patricia Hart, Managing Editor At 10:43 AM 4/21/00 -0400, you wrote: >I am not the professor to whom Bruce Berk refers, but the Valerie >Matsumoto essay mentioned undoubtedly is "Japanese American Women during >World War II," which was originally published in the journal _Frontiers_ >vol 8 (1984), but which is probably more conveniently found in _Unequal >Sisters: A Multicultural Reader in U.S. Women's History_, ed. by Ellen >Carol DuBois and Vicki Ruiz, published by Routledge. There are two >editions of the DuBois-Ruiz collection, the first published in 1990, and >the Matsumoto article is in both of these editions. It is a useful >article, but (in my opinion) no more so than any number of other books or >articles. Other recent works that may be useful to Bruce Berk's student >might be Gary Okihiro's _Whispered Silences_ (University of Washington >Press), which combines photographs, primary source excerpts, and >commentary, and Sandra Taylor's in-depth study of the Topaz camp in Utah, >entitled _Jewel of the Desert_. (The latter book has been criticized in >some reviews for some of its terminology and other things, but as an >in-depth study of one camp, I think it is useful.) > >-- Robert Shaffer >History Department >Shippensburg University of Pennsylvania > >On Thu, 20 Apr 2000, Becky Berk wrote: > >> Hi professor, >> >> I teach in a high school not so far from your neck of the woods. I have a >> student compiling a research paper on the Japanese experiences in the camps. >> Would you please send a bit more detail on the Matsumoto essay so that he can >> track it down. Are there some other sources you would recommend? Thank you. >> >> Bruce Berk >> Derryfield School >> Manchester, NH >> >> "Margaret M. Manchester" wrote: >> >> > I have used Guterson's novel several times in an AMS course on War and the >> > American Family. Students also read some oral histories, some secondary >> > sources such as Matsumoto's essay on Japanese American women and the camp >> > experience and Daniels' essay on the incarceration of Japanese Americans.I >> > also provided links to some wonderful websites (the Manzanar slide shows >> > are particularly compelling). Students were required to use all of these >> > sources to evaluate the historical accuracy of the novel. It has worked >> > really well--students have truly enjoyed the novel. From my point of view, >> > the novel has been a great teaching tool, generating great discussions and >> > thoughtful essays. >> > Margaret M. Manchester, Ph.D. >> > Assistant Professor of History/ >> > Director, American Studies Program >> > Providence College >> > Phillips Memorial Library 316 >> > Providence, RI 02918 >> > email: mmanch@providence.edu >> > > ========================================================================= Date: Sat, 22 Apr 2000 01:22:21 -0700 Reply-To: Forum on Asian American History Sender: Forum on Asian American History From: "Jeffrey A. Ow" Subject: Teaching Japanese American Internment In-Reply-To: Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed How I recently facilitated a discussion on Japanese Internment for an intro to AAS at UC Berkeley was with the use of various collections of published photographs, namely Ansel Adams, "Manzanar," Mieth and Hagel's photos, "The Heart Mountain Story," and the Conrat's collection of Lange photos, "Executive Order 9066." Playing an outlandish "devil's advocate," I tried to convince the students who had already read Takaki's _Strangers_ , watched documentaries about Internment, listened to guest lectures on Japanese Peruvian redress, that internment wasn't all that terrible by showing them all the artful b/w photos of smiling people and spacious barracks. Tho one student critically pointed out, "This is a cheap way to get us talking," this exercise enabled the students to think about Japanese internment on various complex levels: the subjectivity of photography, public relations and media manipulation, the sanitization of Asian American. The students noted that the first two photograph collections do not show guard towers or military personnel with rifles, show patriotic 442nd veterans, but no discussion of camp resistance and No-no boys. As some of these photographs were used in Time/Life magazines, we then had a discussion about hegemonic forces, how the military and the media started pushing this other view of internment to convince the general public that everything was just fine in the camps. Although my class is EXCLUSIVELY Asian American (tho I wish there was more diversity!), I think this way of presenting internment moves away from the discourse of shocking photos of angry white folks with signs "Jap go home" where white students may feel that they are to racially identify with these people, to one that looks at how government and media "spin doctors" are able to sway public opinion. HOWEVER, I do have a question that keeps me up at night. After acknowledging a lot of the "bad things" that have occurred in the US to Asians, students will respond in journals, "But still, America is the best country in the world because...[fill in the blank]," and I find myself at a loss how to respond, especially when watching the daily news. How can one get students to break out of this uncritical "American nationalism?" Jeff ************************************************************** Jeffrey A. Ow Comparative Ethnic Studies 506 Barrows Hall University of California, Berkeley Berkeley, CA 94720-2570 jeffow@ocf.berkeley.edu, jeffow@uclink4.berkeley.edu ************************************************************** ========================================================================= Date: Mon, 24 Apr 2000 07:49:49 -0700 Reply-To: Forum on Asian American History Sender: Forum on Asian American History From: Gayle Olson-Raymer Subject: Re: New Resources??? In-Reply-To: Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" Dear Fellow Subscribers - I have introduced myself in previous correspondence as a history professor at Humboldt State University in Northern California. I will be teaching an upper division course next semester in which I will spend four weeks discussing immigration issues and I plan to focus primarily on Asian Americans. I currently plan to use "Stubborn Twig" as my historical required reading - although I am reading several of the books suggested in the course of this excellent dialog to see if I should consider replacing Kessler's book. I am also looking for a more contemporary book dealing with immigration issues among the Hmong in America. Since this four-week unit will begin with the colonial era and continue to the present, I would like my students to read something that really grabs them in terms of current issues for groups about whom they know very little. Any suggestions? Also, I have a student who plans to graduate next year and is really interested in going on to graduate school - probably first for an MA and possibly for a Ph.D. He wants to focus on Asian History, or maybe even Asian American history. Any suggestions for good graduate programs? Thanks for your thoughts. Gayle Olson-Raymer, Ph.D. Dept. of History, Humboldt State University (707) 826-4788 go1@axe.humboldt.edu ========================================================================= Date: Mon, 24 Apr 2000 13:31:10 -0500 Reply-To: Forum on Asian American History Sender: Forum on Asian American History From: "P.D. Swiney" Subject: Re: Teaching Japanese American Internment Mime-Version: 1.0 Content-type: text/plain; charset=us-ascii Re Jeffrey Ow's last comment-how do we get students to quit writing (or thinking) " but America is still the best country in the world because (fill in the blank) I think Professor Ow has touched upon something that has concerned me for a long time. Despite their treatment, in WWII or otherwise, minorities will still volunteer to fight, still claim the "American" identitiy that is often denied them, still think America is the best country in the world. Maybe they need to. Maybe we all need to. Despite thirty five years of revisionist history, maybe we need to reconsider a human need to love one's country. I am not advocating the presentation of a rosy view--I think it imperative to view ourselves warts and all. But the study of warts might be excluding a full view of the face, and the emphasis on acknowledging "the dark side" doesn't recognize the appeal this country still holds for its citizens. We need to think about how to present a clear picture, and a well rounded one, but after a most fruitful period of re-examination, we might be returning to a reconsideration that there is still a consensus among the many groups and experiences of American history. pds ========================================================================= Date: Fri, 28 Apr 2000 10:26:06 -0400 Reply-To: Forum on Asian American History Sender: Forum on Asian American History From: John Kuo Wei Tchen Subject: "The Bloodhound Gang" Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" Greetings all, I wanted to share with the listserve the lyrics of a group that is making the college circuit. Jack Tchen Colleagues and friends, Below is info and lyrics about an up and coming band "The Bloodhound Gang" who despite racist and homophobic lyrics, they are doing well on MTV. We are concerned about their racist lyrics. Students at University fo Maryland have been working to raise awareness following a performance on their campus. At this point in the band's career, they are performing at various university and college campuses- please bring this to the attention of those doing campus programming. Thank you! >Yellow Fever > >Are those numchucks in your pants or are you just happy to see me? >Let me take you back to the day that I met my China girl >When I landed a 'Pam' like on the San Fran Real World >I was sweating like a vegetable inside of a wok >I'd never been to Asia Minor but I was gonna Bangkok >Like Kristy Yamaguchi I had to break the ice >Should I talk about Mothra M*A*S*H or shrimp-fried rice? >I was sharp as a Chinese star but it's a line I threw >Just thirty seconds over Tokyo and this Johnny would Woo >I took a shot like Jeanette Lee put on my moves like Bruce Lee >I told he every Soon Yi needs a little Woody >She said for all the tea in China my vagina's not free >But my love will linger longer than the Ming Dynasty >I said I needed her to do and her to do my laundry >I knew she needed a way to stay legally within the country >She was made in Taiwan I said I'm O.K. with that >Just promise me you'll never try to eat my cat >Chinky chinky bang bang I love you >Chinky chinky bang bang I know you love me too >In Japan the hand is used as a knife >In Japan a man's wife's hand job than can cost him his life >But now this Captain Kirk has his own Sulu >I'll shampoo her Foo Man Chu with Lo Hung Wang Goo >Cause I ride my slant-eyed slope like a brand new Kawasaki >Oh me chinky she's so kinky got me hot like Nagasaki >Burnin' up like Napalm burstin' like an A-bomb >I think I got that jungle fever but I caught it in 'Nam >She's like an oriental rug cause I lay her where I please >Then I blindfold her with dental floss and get down on her knees >I'm a diving Kamikaze eating out Chinese >First I'll have the poo-poo platter than some tuna sushi >She'll be screaming like Godzilla and kickin' like Jackie Chan >I'll get her redder than China wetter than the Sea of Japan >Like the Chinese New Year she's gonna see fireworks >Now be a good chinky and press Jimmy's shirts >Chinky chinky bang bang I love you >Chinky chinky bang bang I know you love me too >Sing chinky sing >One more time >Chinky chinky bang bang I love you >Chinky chinky bang bang I know you love me too >Chinky chinky bang bang chinky bang >Chinky chinky bang biddily biddily biddily bang > > > ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Professor John Kuo Wei Tchen A/P/A Studies Program & Institute New York University 269 Mercer Street #609 New York, New York 10003 Phone: 212/998-3695 Fax: 212/995-4705 www.apa.nyu.edu Please note email address change: Jack.Tchen@nyu.edu ========================================================================= Date: Fri, 28 Apr 2000 10:54:28 -0400 Reply-To: Forum on Asian American History Sender: Forum on Asian American History From: John Kuo Wei Tchen Subject: cross cultural clashes///Southeast Asian books/videos Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" One of the best books I've come across illustrating cross-cultural clashes has been journalist Anne Fadiman's "When the Spirit Catches You and You Fall Down." It chronicles the experiences of a Hmong family in Merced, California and their daughter born of epilepsy. She is caught between two cultures, the Hmong world in which she is viewed as having a special place in the community and a potential future healer and, of course, U.S.-Western centered medical practices which have a set of pre-established universal protocols on how to diagnose and medicate people in such conditions. Fadiman manages to represent all parties involved in a complex, multifaceted, and conflicted way which is quite remarkable. I've used chapters of the book in class and have found it very useful to spark complex and insightful discussions, especially among immigrant students. I must also mention the remarkable work of Bay area-based videomaker Spencer Nakasato. He's work with Southeast Asian youth for the past decade or so and given them camcorders for long periods of time in which they basically document their own lives. Two have come out for general release, "a.k.a. Don Bonus" and "Kelley Loves Tony." One gets very moving insights into their worlds and dilemmas. Bonus is Cambodian and Kelley and Tony are Lu Mien. Both have been aired on PBS and are available via the National Asian American Telecommunications Assoc. (NAATA) in S.F. These films can be teamed up with oral histories and essays contextualizing the wars in Southeast Asia which established "refugee" status immigration policies. I'm interested in anyone who has used these materials or have suggestions of complementary materials to use with them. ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Professor John Kuo Wei Tchen A/P/A Studies Program & Institute New York University 269 Mercer Street #609 New York, New York 10003 Phone: 212/998-3695 Fax: 212/995-4705 www.apa.nyu.edu Please note email address change: Jack.Tchen@nyu.edu ========================================================================= Date: Fri, 28 Apr 2000 11:07:12 -0400 Reply-To: Forum on Asian American History Sender: Forum on Asian American History From: Randy Kaplan Subject: Re: CROSS CULTURAL CLASHES Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" Colleagues, See also Rob Shinn's play THE ART OF WAITING about African-American/Korean/Asian American clashes in Brian Nelson, ed., ASIAN AMERICAN THEATRE: NINE PLAYS FROM THE MULTICULTURAL LANDSCAPE, and Elizabeth Wong's play KIM CHEE AND CHITLINS, about the African-American/Korean conflicts in NYC in Roberta Uno., ed., UNBROKEN THREAD: PLAYS BY ASIAN AMERICAN WOMEN. Randy Kaplan ========================================================================= Date: Fri, 28 Apr 2000 11:11:19 -0400 Reply-To: Forum on Asian American History Sender: Forum on Asian American History From: Randy Kaplan Subject: Re: Lane Nishikawa's WHEN WE WERE WARRIORS Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" Colleagues, I've spoken with Lane Nishikawa about marketing his videotaped version of GATE OF HEAVEN. Since he doesn't have e-mail, he prefers not to give out his private phone number on a listserve, understandably. He is in the process of setting up a website for the film, about a nisei soldier and the Jewish man he liberates from Dachau. It's not operational yet, but when it comes workable, I'll let you know. It will be www.goforbroke.com No word yet from Mr. Gotanda about distributing his internment play SISTERS MATSUMOTO. I will report back to this listserve when I find out any news. Randy Barbara Kaplan SUNY Geneseo ========================================================================= Date: Fri, 28 Apr 2000 11:22:59 -0400 Reply-To: Forum on Asian American History Sender: Forum on Asian American History From: Scott Tang Subject: Re: Materials Dear Prof. Schultz, I read Of Orphans and Warriors as a dissertation. I think your students will enjoy it. Another new book you might want to consider is David Yoo's Growing Up Nisei. In addition, I would like to recommend the film Rabbit in the Moon for your unit on the Japanese American experience during the Second World War. I think the film is very good at capturing the different Nikkei responses to wartime internment. Sincerely, Scott Tang Ph.D. candidate Department of History University of California, Berkeley On Thu, 20 Apr 2000 08:34:34 -0600, April Schultz wrote: >Hi, I teach in the history department at Illinois Wesleyan University where >I teach both the survey and an immigration history course. In the survey, >I've used the documentary, "A Family Gathering", about a very successful >Northwest Japanese-American family whose father is arrested after Pearl >Harbor. The rest of the family is soon taken to internment camps. It is a >stunning documentary --actually a memoir of the documetarist (is that a >word?). My usually bored, Midwestern students, sit stunned at the end. >I'd recommend it. After reading the posts on the list, I think I'll order >"Desert Exile" for the fall as well. > >In the immigration history class, I've shown the film, "Double Happiness", >and the documentary, "My America: Honk if You Love Buddha". Both >demonstrate very effectively, humorously, and movingly the contradictions >and ethnic and racial identity for second-generation Asian Americans. have >any of you used these films? How do you like them? > >I'm thinking of ordering the book, "Of Orphans and Warriors". I don't have >it here with me and can't remember the author. But if anyone is familiar >with it, I'd appreciate any comments about its effectiveness for >undergraduates. > >April Schultz > >April Schultz >Associate Professor, History >Illinois Wesleyan University >Bloomington, IL 61702 >309-556-3414 >aschultz@titan.iwu.edu