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=========================================================================
Date:         Mon, 1 Oct 2001 10:47:08 -0400
Reply-To:     Reconstruction Forum 
Sender:       Reconstruction Forum 
From:         Eric Foner 
Subject:      Introductory Statement from Eric Foner
MIME-Version: 1.0
Content-Transfer-Encoding: quoted-printable
Content-Type: text/plain; charset=ISO-8859-1

Welcome to the History Matters forum on teaching Reconstruction.  A
century and a quarter after it came to a close, Reconstruction remains
perhaps the most controversial and least understood era of American
history.  The term itself applies both to a specific period of the nation's
past and to a prolonged and difficult process by which Americans
sought to reunite a nation sundered by the Civil War, and come to
terms with the destruction of slavery.  As a chronological period,
Reconstruction is usually said to have begun in 1865, with the Union's
victory in the Civil War, although in reality steps toward reuniting the
nation and recasting Southern life began during the war itself.  In
political terms, the era of Reconstruction ended in 1877, when the
federal government irrevocably abandoned the idea of intervening in
the South to protect the rights of black citizens.  As a historical process
through which sectional reconciliation was achieved and a new
system of labor and race relations devised to replace the shattered
world of slavery, Reconstruction lasted at least to the end of the
nineteenth century.  If Reconstruction is defined as the effort of
American society to come to terms with the legacy of slavery, it is still
going on.  Certainly, in debates about racial equality, the interpretation
of the Fourteenth Amendment, affirmative action, and the responsibility
of the federal government for defining and enforcing the rights of
American citizens, issues central to Reconstruction remain part of our
lives today.

Historical writing on Reconstruction began during the era itself, and
continues to the present day.  Reconstruction scholarship, one
historian has written, is a "dark and bloody ground"  a vast body of
writing marked by sharp differences of opinion and radical changes in
interpretation, especially in the last two generations.  Until the 1960s,
the prevailing interpretation viewed Reconstruction as an era of
unrelieved sordidness in political and social life.  The villains of the
piece were vindictive Radical Republicans, who sabotaged Andrew
Johnson's lenient plan for bringing the South back into the Union, and
instead fastened black supremacy upon the defeated Confederacy.
An orgy of corruption and misgovernment allegedly followed, only
brought to a close when the South's white communities banded
together to restore "home rule" (a polite euphemism for white
supremacy).  Resting on the assumption that black suffrage was the
gravest error of the entire Civil War period, this interpretation survived
for decades because it accorded with and legitimated firmly
entrenched political and social realities, including radical segregation
and the disenfranchisement of southern black voters (which lasted
from around 1900 to 1965).

Although some scholars had already challenged elements of this
point of view, it was not until the 1960s, the decade of the civil rights
revolution or "second Reconstruction," that the traditional interpretation
was entirely dismantled.  Once they discarded the assumption of
black incapacity, historians came to view Reconstruction as a
praiseworthy effort to build an interracial democracy from the ashes of
slavery.  The era was portrayed as a time of extraordinary progress in
the South; indeed, if Reconstruction was "tragic," it was because
change did not go far enough, especially in the failure to distribute
land to the former slaves.  But in the federal civil rights laws and
Fourteenth and Fifteenth Amendments enacted during the period,
Reconstruction laid the groundwork for future struggles for racial
equality.  In this scholarship, African-Americans emerged as major
historical actors, rather than victims of manipulation by others.  Their
political and religious organizations, economic aspirations, and the
social divisions among them attracted a new deal of scholarly
attention.  The economic transformation of the South and the complex
process by which various modes of free labor replaced the labor
system of slavery, became the focal point of numerous studies,
especially in the 1970s and 1980s.  Other historians sought to place
this country's adjustment to emancipation in an international context,
comparing Reconstruction in the United States with the aftermath of
slavery in the Caribbean, Brazil, and elsewhere.  Most recently,
Reconstruction scholars, like those studying many other periods of
American history, have devoted close attention to the role of gender in
Reconstruction the reconstitution of black families, how the Civil War
affected ideologies of manhood, how freedom may have had different
meanings for freed women than for their brothers and husbands.

I look forward to discussing any of the issues raised by this body of
historical literature, as well as relating to Reconstruction's relevance
for our own times.  We live today in a "post-civil rights" era in some
ways analogous to the early 20th century.  But so long as the issues
central to Reconstruction remain unresolved -- the balance of power in
the federal system, the place of black Americans in national life, the
relationship between economic and political democracy -- an
understanding of that period will remain central to our teaching of
American history as a whole.

I=92d like to conclude with a few questions to start our discussion. How
do you teach about Reconstruction and what resources do you use?
What relevance do you see in the history of Reconstruction for our
current politics and race relations? Should we think of Reconstruction
as a failure and if so, how do we explain this? Do the cycles of
Reconstruction historiography suggest that historical "truth" is
unobtainable and that historical interpretation tends to serve
immediate political ends?

Eric Foner

This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History.
=========================================================================
Date:         Mon, 1 Oct 2001 14:32:00 -0700
Reply-To:     Reconstruction Forum 
Sender:       Reconstruction Forum 
From:         Pete Haro 
Subject:      Re: Introductory Statement from Eric Foner
Mime-version: 1.0
Content-type: text/plain; charset="ISO-8859-1"
Content-transfer-encoding: quoted-printable

Dear Professor Foner: I think that I speak for all participants when I say
that I am looking forward to communicating with a historian of your stature
and achievement. My name is Peter D. Haro and I teach at Southwestern
Community College in Chula Vista, CA. I just had a student approach me and
ask if I was aware of any sources that dealt with the role of African
American women in slave culture, abolition and/or Reconstruction. Are there
any sources that you can suggest? I don't recall whether your book (A Short
History of Reconstruction) dealt with this issue. Any suggestions would be
appreciated. Thank you for your consideration in this matter.

Sincerely,


Peter D. Haro, MA

----------
>From: Eric Foner 
>To: RECONSTRUCTIONFORUM@ASHP.LISTSERV.CUNY.EDU
>Subject: Introductory Statement from Eric Foner
>Date: Mon, Oct 1, 2001, 7:47 AM
>

> Welcome to the History Matters forum on teaching Reconstruction.  A
> century and a quarter after it came to a close, Reconstruction remains
> perhaps the most controversial and least understood era of American
> history.  The term itself applies both to a specific period of the nation=
's
> past and to a prolonged and difficult process by which Americans
> sought to reunite a nation sundered by the Civil War, and come to
> terms with the destruction of slavery.  As a chronological period,
> Reconstruction is usually said to have begun in 1865, with the Union's
> victory in the Civil War, although in reality steps toward reuniting the
> nation and recasting Southern life began during the war itself.  In
> political terms, the era of Reconstruction ended in 1877, when the
> federal government irrevocably abandoned the idea of intervening in
> the South to protect the rights of black citizens.  As a historical proce=
ss
> through which sectional reconciliation was achieved and a new
> system of labor and race relations devised to replace the shattered
> world of slavery, Reconstruction lasted at least to the end of the
> nineteenth century.  If Reconstruction is defined as the effort of
> American society to come to terms with the legacy of slavery, it is still
> going on.  Certainly, in debates about racial equality, the interpretatio=
n
> of the Fourteenth Amendment, affirmative action, and the responsibility
> of the federal government for defining and enforcing the rights of
> American citizens, issues central to Reconstruction remain part of our
> lives today.
>
> Historical writing on Reconstruction began during the era itself, and
> continues to the present day.  Reconstruction scholarship, one
> historian has written, is a "dark and bloody ground"  a vast body of
> writing marked by sharp differences of opinion and radical changes in
> interpretation, especially in the last two generations.  Until the 1960s,
> the prevailing interpretation viewed Reconstruction as an era of
> unrelieved sordidness in political and social life.  The villains of the
> piece were vindictive Radical Republicans, who sabotaged Andrew
> Johnson's lenient plan for bringing the South back into the Union, and
> instead fastened black supremacy upon the defeated Confederacy.
> An orgy of corruption and misgovernment allegedly followed, only
> brought to a close when the South's white communities banded
> together to restore "home rule" (a polite euphemism for white
> supremacy).  Resting on the assumption that black suffrage was the
> gravest error of the entire Civil War period, this interpretation survive=
d
> for decades because it accorded with and legitimated firmly
> entrenched political and social realities, including radical segregation
> and the disenfranchisement of southern black voters (which lasted
> from around 1900 to 1965).
>
> Although some scholars had already challenged elements of this
> point of view, it was not until the 1960s, the decade of the civil rights
> revolution or "second Reconstruction," that the traditional interpretatio=
n
> was entirely dismantled.  Once they discarded the assumption of
> black incapacity, historians came to view Reconstruction as a
> praiseworthy effort to build an interracial democracy from the ashes of
> slavery.  The era was portrayed as a time of extraordinary progress in
> the South; indeed, if Reconstruction was "tragic," it was because
> change did not go far enough, especially in the failure to distribute
> land to the former slaves.  But in the federal civil rights laws and
> Fourteenth and Fifteenth Amendments enacted during the period,
> Reconstruction laid the groundwork for future struggles for racial
> equality.  In this scholarship, African-Americans emerged as major
> historical actors, rather than victims of manipulation by others.  Their
> political and religious organizations, economic aspirations, and the
> social divisions among them attracted a new deal of scholarly
> attention.  The economic transformation of the South and the complex
> process by which various modes of free labor replaced the labor
> system of slavery, became the focal point of numerous studies,
> especially in the 1970s and 1980s.  Other historians sought to place
> this country's adjustment to emancipation in an international context,
> comparing Reconstruction in the United States with the aftermath of
> slavery in the Caribbean, Brazil, and elsewhere.  Most recently,
> Reconstruction scholars, like those studying many other periods of
> American history, have devoted close attention to the role of gender in
> Reconstruction the reconstitution of black families, how the Civil War
> affected ideologies of manhood, how freedom may have had different
> meanings for freed women than for their brothers and husbands.
>
> I look forward to discussing any of the issues raised by this body of
> historical literature, as well as relating to Reconstruction's relevance
> for our own times.  We live today in a "post-civil rights" era in some
> ways analogous to the early 20th century.  But so long as the issues
> central to Reconstruction remain unresolved -- the balance of power in
> the federal system, the place of black Americans in national life, the
> relationship between economic and political democracy -- an
> understanding of that period will remain central to our teaching of
> American history as a whole.
>
> I=92d like to conclude with a few questions to start our discussion. How
> do you teach about Reconstruction and what resources do you use?
> What relevance do you see in the history of Reconstruction for our
> current politics and race relations? Should we think of Reconstruction
> as a failure and if so, how do we explain this? Do the cycles of
> Reconstruction historiography suggest that historical "truth" is
> unobtainable and that historical interpretation tends to serve
> immediate political ends?
>
> Eric Foner
>
> This forum is sponsored by History Matters--please visit our Web site at
> http://historymatters.gmu.edu for more resources for teaching U.S. Histor=
y.

This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History.
=========================================================================
Date:         Mon, 1 Oct 2001 21:45:50 +0100
Reply-To:     Reconstruction Forum 
Sender:       Reconstruction Forum 
From:         =?iso-8859-1?Q?Juan_Jos=E9_Cruz?= 
Subject:      Re: Introductory Statement from Eric Foner
MIME-Version: 1.0
Content-Type: text/plain; charset="iso-8859-1"
Content-Transfer-Encoding: 8bit

Dear Professor Foner:

Thank you very much  for your introductory statement. As a teacher at a
Spanish university, I  approach Reconstruction in the light of contemporary
events taking place in Cuba, a place more familiar to us, more so if  one
lives in the Canary Islands. As you suggested,  that era can extended for
much longer than 1877 -otherwise  one should not feel legitimate  then to
discuss postbellum US in say, Huck Finn or The Birth of a Nation, to name
two cultural texts raised from that experience.

I would appreciate very much if you or anyone else in the forum could point
out books or articles that relate or compare US Reconstruction with the
aftermath of  the Ten-Year War in Cuba.

Thank you for your help.

Juan José Cruz
Univesity of La Laguna, Tenerife
Spain.

----- Original Message -----
From: Eric Foner 
To: 
Sent: Monday, October 01, 2001 3:47 PM
Subject: Introductory Statement from Eric Foner


> Welcome to the History Matters forum on teaching Reconstruction.  A
> century and a quarter after it came to a close, Reconstruction remains
> perhaps the most controversial and least understood era of American
> history.  The term itself applies both to a specific period of the
nation's
> past and to a prolonged and difficult process by which Americans
> sought to reunite a nation sundered by the Civil War, and come to
> terms with the destruction of slavery.  As a chronological period,
> Reconstruction is usually said to have begun in 1865, with the Union's
> victory in the Civil War, although in reality steps toward reuniting the
> nation and recasting Southern life began during the war itself.  In
> political terms, the era of Reconstruction ended in 1877, when the
> federal government irrevocably abandoned the idea of intervening in
> the South to protect the rights of black citizens.  As a historical
process
> through which sectional reconciliation was achieved and a new
> system of labor and race relations devised to replace the shattered
> world of slavery, Reconstruction lasted at least to the end of the
> nineteenth century.  If Reconstruction is defined as the effort of
> American society to come to terms with the legacy of slavery, it is still
> going on.  Certainly, in debates about racial equality, the interpretation
> of the Fourteenth Amendment, affirmative action, and the responsibility
> of the federal government for defining and enforcing the rights of
> American citizens, issues central to Reconstruction remain part of our
> lives today.
>
> Historical writing on Reconstruction began during the era itself, and
> continues to the present day.  Reconstruction scholarship, one
> historian has written, is a "dark and bloody ground"  a vast body of
> writing marked by sharp differences of opinion and radical changes in
> interpretation, especially in the last two generations.  Until the 1960s,
> the prevailing interpretation viewed Reconstruction as an era of
> unrelieved sordidness in political and social life.  The villains of the
> piece were vindictive Radical Republicans, who sabotaged Andrew
> Johnson's lenient plan for bringing the South back into the Union, and
> instead fastened black supremacy upon the defeated Confederacy.
> An orgy of corruption and misgovernment allegedly followed, only
> brought to a close when the South's white communities banded
> together to restore "home rule" (a polite euphemism for white
> supremacy).  Resting on the assumption that black suffrage was the
> gravest error of the entire Civil War period, this interpretation survived
> for decades because it accorded with and legitimated firmly
> entrenched political and social realities, including radical segregation
> and the disenfranchisement of southern black voters (which lasted
> from around 1900 to 1965).
>
> Although some scholars had already challenged elements of this
> point of view, it was not until the 1960s, the decade of the civil rights
> revolution or "second Reconstruction," that the traditional interpretation
> was entirely dismantled.  Once they discarded the assumption of
> black incapacity, historians came to view Reconstruction as a
> praiseworthy effort to build an interracial democracy from the ashes of
> slavery.  The era was portrayed as a time of extraordinary progress in
> the South; indeed, if Reconstruction was "tragic," it was because
> change did not go far enough, especially in the failure to distribute
> land to the former slaves.  But in the federal civil rights laws and
> Fourteenth and Fifteenth Amendments enacted during the period,
> Reconstruction laid the groundwork for future struggles for racial
> equality.  In this scholarship, African-Americans emerged as major
> historical actors, rather than victims of manipulation by others.  Their
> political and religious organizations, economic aspirations, and the
> social divisions among them attracted a new deal of scholarly
> attention.  The economic transformation of the South and the complex
> process by which various modes of free labor replaced the labor
> system of slavery, became the focal point of numerous studies,
> especially in the 1970s and 1980s.  Other historians sought to place
> this country's adjustment to emancipation in an international context,
> comparing Reconstruction in the United States with the aftermath of
> slavery in the Caribbean, Brazil, and elsewhere.  Most recently,
> Reconstruction scholars, like those studying many other periods of
> American history, have devoted close attention to the role of gender in
> Reconstruction the reconstitution of black families, how the Civil War
> affected ideologies of manhood, how freedom may have had different
> meanings for freed women than for their brothers and husbands.
>
> I look forward to discussing any of the issues raised by this body of
> historical literature, as well as relating to Reconstruction's relevance
> for our own times.  We live today in a "post-civil rights" era in some
> ways analogous to the early 20th century.  But so long as the issues
> central to Reconstruction remain unresolved -- the balance of power in
> the federal system, the place of black Americans in national life, the
> relationship between economic and political democracy -- an
> understanding of that period will remain central to our teaching of
> American history as a whole.
>
> I'd like to conclude with a few questions to start our discussion. How
> do you teach about Reconstruction and what resources do you use?
> What relevance do you see in the history of Reconstruction for our
> current politics and race relations? Should we think of Reconstruction
> as a failure and if so, how do we explain this? Do the cycles of
> Reconstruction historiography suggest that historical "truth" is
> unobtainable and that historical interpretation tends to serve
> immediate political ends?
>
> Eric Foner
>
> This forum is sponsored by History Matters--please visit our Web site at
http://historymatters.gmu.edu for more resources for teaching U.S. History.

This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History.
=========================================================================
Date:         Mon, 1 Oct 2001 15:21:41 -0700
Reply-To:     Reconstruction Forum 
Sender:       Reconstruction Forum 
From:         judy adnum 
Subject:      Re: Introductory Statement from Eric Foner
In-Reply-To:  <200110012126.OAA00699@albatross.prod.itd.earthlink.net>
MIME-Version: 1.0
Content-Type: text/plain; charset=us-ascii

Hello all and let me say how happy I am to be a part
of this month's forum. I am a Curriculum Adviser in
New South Wales, Australia specifically in the fields
of teaching Australian  Civics and Citizenship and
American History. I visited your country last year to
study the Civil Rights Movement in the south and went
to two wonderful Teacher Conferences in San Antonio
and Sacramento.
In Australia, whilst we have a wealth of material on
much of American history - through all sorts of media,
reconstruction is still more a 'terminology' than an
event
I am looking forward to learning from this forum and
thank the organisers for the concept.

Judy Adnum


=====
Judy Adnum.

__________________________________________________
Do You Yahoo!?
Listen to your Yahoo! Mail messages from any phone.
http://phone.yahoo.com

This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History.
=========================================================================
Date:         Mon, 1 Oct 2001 17:36:41 -0500
Reply-To:     Reconstruction Forum 
Sender:       Reconstruction Forum 
From:         "Suvi U. Vesala" 
Subject:      Response
MIME-Version: 1.0
Content-Type: text/plain; charset="iso-8859-1"
Content-Transfer-Encoding: 7bit

Dear Professor Foner and fellow scholars,

I am a graduate student at Tulane University where I have the pleasure of
teaching the Post Civil War portion of the U.S.survey for the second time.
My concerns with Reconstruction as a topic in class thus differ quite a bit
from those who spend an entire semester on the period.

Here at Tulane and in my classroom the student body is rather evenly split
between students from Louisiana and the surrounding areas on the one hand
and those from the Northeast on the other. I find the basic chronology very
easy to teach, in fact it is mostly review since many of them already know a
good bit.

The chief difficulty is in what I call the "unteaching" of Reconstruction:
students seem to hold extremely polarized and fixed opinions on the subject.
I have a good portion of students who think very much along the lines of the
Dunning School, while others have difficulty feeling any sympathy toward the
Southerners.

My attempt to mediate these antagonistic camps so far consist of playing the
game of naming the major players. I draw boxes on the blackboard for the
North and the South. I then begin inserting different categories of people
into each box as students call them out, pausing to define some of the
characteristics of each group. With Democrats and Republicans, former slaves
and  slaveowners gradually emerging in both boxes, confusion, debate and,
thankfully, some epiphanies ensue. Despite a measure of success achieved
this way, I wonder if there would not be a better way to do this. I would
very much like to hear suggestions on different things to try, as well as
just share views on this particular challenge.

Ursula Vesala
Tulane University
New Orleans, Louisiana

This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History.
=========================================================================
Date:         Mon, 1 Oct 2001 16:27:39 -0700
Reply-To:     Reconstruction Forum 
Sender:       Reconstruction Forum 
From:         Jean Libby 
Subject:      Re: Introductory Statement from Eric Foner
MIME-version: 1.0
Content-type: text/plain; charset=iso-8859-1
Content-transfer-encoding: 7BIT

Dear Professor Foner,

My name is Jean Libby and I teach U.S. Survey History and African American
History at San Jose City College in California.  My textbook for U.S.
History is James Henretta, et al., America, A Concise History, Vol. 2 (Since
1865) and for African American History it is Herb Boyd, editor,
Autobiography of a People, Three Centuries of African American History Told
by Those Who Lived It.

The U.S. treatment of Reconstruction is comparative with the political
systems of Presidential Reconstruction, Radical Reconstruction, and
Redemption.  I usually do not teach these at all, concentrating on the
Amendments to the Constitution that occur during this time and the
development of the public education system with free education as a right to
citizens that was demanded by the freedmen.  We are in community college in
California, where classes cost $13 a unit.  I tell the students if they like
this system, they should thank the former slaves.  We have a large recent
immigrant population at the school, especially in the night class that I
teach.  I say that if people like the rights of protection of the 14th
Amendment they should thank the former slaves, too.  These students have not
studied the U.S. Civil War, and have trouble  understanding language.  I do
give open book and open note tests, and would appreciate some good short
explanations of Reconstruction.  I usually pass around a book of documents
that says what the freedmen were promised and didn't get, and also emphasize
sharecropping as an economic system that replaced slavery.

For the African American class, the time period for one semester is the
whole of the historical period of African beginnings to the present,
requiring great speed.  In the textbook, the period is John Mercer Langston,
John R. Lynch, and Samuel Larkin.  I add Susie King Taylor (have
successfully used her memoir in U.S. History as well) and Robert Smalls --
enjoying the drama of his career in slavery and in freedom -- and do a lot
with the Sea Islands population in many eras, as a continuum, with Julie
Dash's film Daughters of the Dust.

Your introduction today will be very helpful for my lecture on Wednesday, as
we are directly in the Civil War and Reconstruction period right now. The
Constitutional Amendments are also emphasized in this class, and in the same
manner -- to thank the former slaves for the public education system and the
definitions and written protections of the 14th Amendment.

My tall order:  I have to do this too fast, with a student population who
have not been adequately prepared with background either in San Jose high
schools or in foreign lands.  The great stories of people are fine, but I
really need succinct historical background that does not get into too much
political detail that requires lots of foreknowledge.

Thank you!

----- Original Message -----
From: "Eric Foner" 
To: 
Sent: Monday, October 01, 2001 7:47 AM
Subject: Introductory Statement from Eric Foner


Welcome to the History Matters forum on teaching Reconstruction.  A
century and a quarter after it came to a close, Reconstruction remains
perhaps the most controversial and least understood era of American
history.  The term itself applies both to a specific period of the nation's
past and to a prolonged and difficult process by which Americans
sought to reunite a nation sundered by the Civil War, and come to
terms with the destruction of slavery.  As a chronological period,
Reconstruction is usually said to have begun in 1865, with the Union's
victory in the Civil War, although in reality steps toward reuniting the
nation and recasting Southern life began during the war itself.  In
political terms, the era of Reconstruction ended in 1877, when the
federal government irrevocably abandoned the idea of intervening in
the South to protect the rights of black citizens.  As a historical process
through which sectional reconciliation was achieved and a new
system of labor and race relations devised to replace the shattered
world of slavery, Reconstruction lasted at least to the end of the
nineteenth century.  If Reconstruction is defined as the effort of
American society to come to terms with the legacy of slavery, it is still
going on.  Certainly, in debates about racial equality, the interpretation
of the Fourteenth Amendment, affirmative action, and the responsibility
of the federal government for defining and enforcing the rights of
American citizens, issues central to Reconstruction remain part of our
lives today.

Historical writing on Reconstruction began during the era itself, and
continues to the present day.  Reconstruction scholarship, one
historian has written, is a "dark and bloody ground"  a vast body of
writing marked by sharp differences of opinion and radical changes in
interpretation, especially in the last two generations.  Until the 1960s,
the prevailing interpretation viewed Reconstruction as an era of
unrelieved sordidness in political and social life.  The villains of the
piece were vindictive Radical Republicans, who sabotaged Andrew
Johnson's lenient plan for bringing the South back into the Union, and
instead fastened black supremacy upon the defeated Confederacy.
An orgy of corruption and misgovernment allegedly followed, only
brought to a close when the South's white communities banded
together to restore "home rule" (a polite euphemism for white
supremacy).  Resting on the assumption that black suffrage was the
gravest error of the entire Civil War period, this interpretation survived
for decades because it accorded with and legitimated firmly
entrenched political and social realities, including radical segregation
and the disenfranchisement of southern black voters (which lasted
from around 1900 to 1965).

Although some scholars had already challenged elements of this
point of view, it was not until the 1960s, the decade of the civil rights
revolution or "second Reconstruction," that the traditional interpretation
was entirely dismantled.  Once they discarded the assumption of
black incapacity, historians came to view Reconstruction as a
praiseworthy effort to build an interracial democracy from the ashes of
slavery.  The era was portrayed as a time of extraordinary progress in
the South; indeed, if Reconstruction was "tragic," it was because
change did not go far enough, especially in the failure to distribute
land to the former slaves.  But in the federal civil rights laws and
Fourteenth and Fifteenth Amendments enacted during the period,
Reconstruction laid the groundwork for future struggles for racial
equality.  In this scholarship, African-Americans emerged as major
historical actors, rather than victims of manipulation by others.  Their
political and religious organizations, economic aspirations, and the
social divisions among them attracted a new deal of scholarly
attention.  The economic transformation of the South and the complex
process by which various modes of free labor replaced the labor
system of slavery, became the focal point of numerous studies,
especially in the 1970s and 1980s.  Other historians sought to place
this country's adjustment to emancipation in an international context,
comparing Reconstruction in the United States with the aftermath of
slavery in the Caribbean, Brazil, and elsewhere.  Most recently,
Reconstruction scholars, like those studying many other periods of
American history, have devoted close attention to the role of gender in
Reconstruction the reconstitution of black families, how the Civil War
affected ideologies of manhood, how freedom may have had different
meanings for freed women than for their brothers and husbands.

I look forward to discussing any of the issues raised by this body of
historical literature, as well as relating to Reconstruction's relevance
for our own times.  We live today in a "post-civil rights" era in some
ways analogous to the early 20th century.  But so long as the issues
central to Reconstruction remain unresolved -- the balance of power in
the federal system, the place of black Americans in national life, the
relationship between economic and political democracy -- an
understanding of that period will remain central to our teaching of
American history as a whole.

I'd like to conclude with a few questions to start our discussion. How
do you teach about Reconstruction and what resources do you use?
What relevance do you see in the history of Reconstruction for our
current politics and race relations? Should we think of Reconstruction
as a failure and if so, how do we explain this? Do the cycles of
Reconstruction historiography suggest that historical "truth" is
unobtainable and that historical interpretation tends to serve
immediate political ends?

Eric Foner

This forum is sponsored by History Matters--please visit our Web site at
http://historymatters.gmu.edu for more resources for teaching U.S. History.

This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History.
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Date:         Tue, 2 Oct 2001 00:10:23 EDT
Reply-To:     Reconstruction Forum 
Sender:       Reconstruction Forum 
From:         Arica Coleman 
Subject:      Re: Introductory Statement from Eric Foner
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Dear Dr. Foner and fellow scholars:
     What a wonderful opportunity it is to share in this forum with you.  I
am looking forward to some vigorous dialogue on the issue of Reconstruction
and I certainly count it a privilege to have the opportunity to learn from
one of the greatest historians of our time --Dr. Eric Foner.  I have not yet
had the privilege to teach this subject, but I hope to do so in the near
future. Presently, I am a first year doctoral learner majoring in American
Studies with a concentration in Southern life and culture. I am a firm
believer in the saying, "Those who do not know their history are bound to
repeat it."  Thus, I was intrigued by Dr. Foner's question," What relevance
do you see in the history of Reconstruction for our current politics and race
relations?
     I believe much can be said concerning the present plight of African
American males in this country and Reconstruction.  It was during the years
immediately after emancipation that the assault on the black male image
began.  During colonial times colonizers supported the assumption that
without full submission to white authority blacks would run amuck and reap
havoc on themselves as well as society.  Fugitive slave testimony temporarily
dispelled this mind set; however, it was reasserted during the last two
decades of the nineteenth century as retrogressionist such as Philip Bruce
contended, "cut off from white society, [Blacks] had regressed to a primitive
and thus criminal state.  Bereft of the master's influence, Blacks were now
even closer to the African type than the slaves had been," (The Plantation
Negro as Freeman).  The black male was seen to be of particular risk to white
women whom Bruce asserted, "found something strangely alluring and seductive
in the appearance of white women," and his," sudden outbreak of barbarianism
included a penchant for rape."
    Simultaneously, with the creation of the black male rapist, came the
image of the inherent black male criminal.  Before emancipation, with the
exception of slaves being held over for auction, prisons were largely
occupied by whites. As Henry Bibb reported, "Most of the inmates of this
prison I have described were white men who had been sentenced there by the
law, for depredations committed by them."  In the event that a free colored
was found guilty of a crime, his or her sentence was the auction block, not
the prison cell.  However, post emancipation/reconstruction racist ideology
aided in converting the above ratio.  As Angela Davis pointed out, although
the ratification of the thirteenth amendment ended slavocracy as it was known
in antebellum American society, a loophole in the amendment provided for a
new system of slavery which simply transferred a large amount of blacks in
general, and black men in particular, from the prison of slavery to the
slavery of prison. The thirteenth amendment stated, " Neither slavery nor
involuntary servitude, except as a punishment for crime, whereof the party
shall be duly convicted, shall exist within the United States, or anyplace
subject to their jurisdiction." Ironically, the very amendment which was
thought to have abolished slavery within the United States, sanctioned a new
form of slavery later known as the convict lease system.  With Black codes
replacing the former slave codes, blacks, particularly black males, found
themselves victims of the judicial system. " The prison system established
its authority as a major institution of discipline and control for black
communities during the last two decades of the nineteenth century...,"(Davis,
Angela Davis Reader 75).  During the post Civil War era, as criminality began
to take on a black face, " the percentage of black convicts in relation to
white was often higher than ninety percent," (Davis 79).  Once again,
retrogressionist explained away this phenomenon by stating:
    Freed from the control of his owner and wickedly put on civil equality
with him...his natural lawlessness and savagery were asserted...Everyone
knows that when freed from the compelling influence of the white man he
reverts by a law of nature to the natural barbarism in which he was created
in the jungles of Africa. (Herbert Gutman, Black Family in Slavery and in
Freedom  544)
    However, Frederick Douglass refuted these accusations.  Concerning the
charge of the black male rapist Douglass argued:
     It is a charge of recent origin; a charge never heard of in the time of
slavery or in any other time in our history all through the late war [Civil
War], while the slave masters of the South were absent from their
homes...their wives, their daughters, their sisters, and their mothers were
left in absolute custody of these Negroes and during all those long four
years of terrible conflict, when the Negro had every opportunity to commit
the abominable crime now alleged against him.  He was never accused of
assault, insult, or an attempt to commit an assault upon any white woman in
the whole South.  (FD Papers, P. Foner, ed 749, 752)
    Concerning the black male's inherent criminality, Douglass contended:
    A nation is not born in a day.  It is said that the leopard cannot change
his spots nor the Ethiopian his skin, and it may be as truly said that the
character of a people, established by long years of consistent life and
testimony, cannot be very suddenly reversed.  It is improbable that this
peaceful and inoffensive class has suddenly and all at once become changed
into a class of the most daring, and repulsive criminals. (749)
    Douglass's contestations largely went ignored as Northern and Southern
politicians, historians, scientist, novelist, anthropologist and every other
"ian" and "ist" that can be named, "all chimed in with volumes of heady
research papers, articles, and scholarly opinions that [supposedly] proved
that blacks were hopelessly inferior, crime- and violence- prone defectives
from which society had to be protected," (O. Hutchinson,  Assassination of
the Black Male Image 24).
    Consequently, by playing the, "trump card of the Big Black Scare,"
(Hutchinson) retrogressionists' were successful in promoting an image in the
minds of the American public that the black male was inhuman, bestial.
Although the North played its role in the creation of this image, it was the
South's exploitation of this perception that subjected blacks to a reign of
terror which spanned almost eight decades.  During the Pre-Civil Rights era,
many black men found themselves victims of white vigilantism and judicial
hijacking.  Mob lynchings, unjust incarcerations, and death sentences handed
down on the most flimsiest evidence was the order of the day.
     The retrogressionist theories (see Gutman Appendix) which began during
the early years of Reconstruction continues to persist in this modern era.
According to the NAACP, from 1880 to 1968 approximately 4,000 blacks were
lynched and burned. Although less than ten percent of those lynched had been
accused of raping white women, the practice became synonymous with rape and
thus remains a lasting taint on the black male image.  From 1930 to 1981 of
the 455 men who were executed for rape 405 were black.  In addition, Blacks
continue to be  incarcerated in disproportionate numbers.  They are eight
times more likely to receive prison sentences than whites. African Americans
make up twelve percent of the American population; yet, they make up
fifty-five percent of the prison population.  In addition, Blacks are eleven
times more likely to receive the death penalty than whites.  The recent rise
in the killings of unarmed black men by police officers, the hanging of a
seventeen year old Mississippi boy, and racial profiling is a reminder that
the not so distant past continues to haunt us in the present.

Respectfully submitted,
Arica L. Coleman
The Union Institute Graduate College



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Dear Dr. Foner and fellow scholars:

    What a wonderful opportunity it is to share in this forum with you.  I am looking forward to some vigorous dialogue on the issue of Reconstruction and I certainly count it a privilege to have the opportunity to learn from one of the greatest historians of our time --Dr. Eric Foner.  I have not yet had the privilege to teach this subject, but I hope to do so in the near future. Presently, I am a first year doctoral learner majoring in American Studies with a concentration in Southern life and culture. I am a firm believer in the saying, "Those who do not know their history are bound to repeat it."  Thus, I was intrigued by Dr. Foner's question," What relevance do you see in the history of Reconstruction for our current politics and race relations?
    I believe much can be said concerning the present plight of African American males in this country and Reconstruction.  It was during the years immediately after emancipation that the assault on the black male image began.  During colonial times colonizers supported the assumption that without full submission to white authority blacks would run amuck and reap havoc on themselves as well as society.  Fugitive slave testimony temporarily dispelled this mind set; however, it was reasserted during the last two decades of the nineteenth century as retrogressionist such as Philip Bruce contended, "cut off from white society, [Blacks] had regressed to a primitive and thus criminal state.  Bereft of the master's influence, Blacks were now even closer to the African type than the slaves had been," (The Plantation Negro as Freeman).  The black male was seen to be of particular risk to white women whom Bruce asserted, "found something strangely alluring and seductive in the appearance of white women," and his," sudden outbreak of barbarianism included a penchant for rape."
   Simultaneously, with the creation of the black male rapist, came the image of the inherent black male criminal.  Before emancipation, with the exception of slaves being held over for auction, prisons were largely occupied by whites. As Henry Bibb reported, "Most of the inmates of this prison I have described were white men who had been sentenced there by the law, for depredations committed by them."  In the event that a free colored was found guilty of a crime, his or her sentence was the auction block, not the prison cell.  However, post emancipation/reconstruction racist ideology aided in converting the above ratio.  As Angela Davis pointed out, although the ratification of the thirteenth amendment ended slavocracy as it was known in antebellum American society, a loophole in the amendment provided for a new system of slavery which simply transferred a large amount of blacks in general, and black men in particular, from the prison of slavery to the slavery of prison. The thirteenth amendment stated, " Neither slavery nor involuntary servitude, except as a punishment for crime, whereof the party shall be duly convicted, shall exist within the United States, or anyplace subject to their jurisdiction." Ironically, the very amendment which was thought to have abolished slavery within the United States, sanctioned a new form of slavery later known as the convict lease system.  With Black codes replacing the former slave codes, blacks, particularly black males, found themselves victims of the judicial system. " The prison system established its authority as a major institution of discipline and control for black communities during the last two decades of the nineteenth century...,"(Davis, Angela Davis Reader 75).  During the post Civil War era, as criminality began to take on a black face, " the percentage of black convicts in relation to white was often higher than ninety percent," (Davis 79).  Once again, retrogressionist explained away this phenomenon by stating:
Freed from the control of his owner and wickedly put on civil equality with him...his natural lawlessness and savagery were asserted...Everyone knows that when freed from the compelling influence of the white man he reverts by a law of nature to the natural barbarism in which he was created in the jungles of Africa. (Herbert Gutman, Black Family in Slavery and in Freedom  544)      
   However, Frederick Douglass refuted these accusations.  Concerning the charge of the black male rapist Douglass argued:
It is a charge of recent origin; a charge never heard of in the time of slavery or in any other time in our history all through the late war [Civil War], while the slave masters of the South were absent from their homes...their wives, their daughters, their sisters, and their mothers were left in absolute custody of these Negroes and during all those long four years of terrible conflict, when the Negro had every opportunity to commit the abominable crime now alleged against him.  He was never accused of assault, insult, or an attempt to commit an assault upon any white woman in the whole South.  (FD Papers, P. Foner, ed 749, 752)
   Concerning the black male's inherent criminality, Douglass contended:
A nation is not born in a day.  It is said that the leopard cannot change his spots nor the Ethiopian his skin, and it may be as truly said that the character of a people, established by long years of consistent life and testimony, cannot be very suddenly reversed.  It is improbable that this peaceful and inoffensive class has suddenly and all at once become changed into a class of the most daring, and repulsive criminals. (749)
   Douglass's contestations largely went ignored as Northern and Southern politicians, historians, scientist, novelist, anthropologist and every other "ian" and "ist" that can be named, "all chimed in with volumes of heady research papers, articles, and scholarly opinions that [supposedly] proved that blacks were hopelessly inferior, crime- and violence- prone defectives from which society had to be protected," (O. Hutchinson,  Assassination of the Black Male Image 24).       
   Consequently, by playing the, "trump card of the Big Black Scare," (Hutchinson) retrogressionists' were successful in promoting an image in the minds of the American public that the black male was inhuman, bestial.  Although the North played its role in the creation of this image, it was the South's exploitation of this perception that subjected blacks to a reign of terror which spanned almost eight decades.  During the Pre-Civil Rights era, many black men found themselves victims of white vigilantism and judicial hijacking.  Mob lynchings, unjust incarcerations, and death sentences handed down on the most flimsiest evidence was the order of the day.
    The retrogressionist theories (see Gutman Appendix) which began during the early years of Reconstruction continues to persist in this modern era.  According to the NAACP, from 1880 to 1968 approximately 4,000 blacks were lynched and burned. Although less than ten percent of those lynched had been accused of raping white women, the practice became synonymous with rape and thus remains a lasting taint on the black male image.  From 1930 to 1981 of the 455 men who were executed for rape 405 were black.  In addition, Blacks continue to be  incarcerated in disproportionate numbers.  They are eight times more likely to receive prison sentences than whites. African Americans make up twelve percent of the American population; yet, they make up fifty-five percent of the prison population.  In addition, Blacks are eleven times more likely to receive the death penalty than whites.  The recent rise in the killings of unarmed black men by police officers, the hanging of a seventeen year old Mississippi boy, and racial profiling is a reminder that the not so distant past continues to haunt us in the present.

Respectfully submitted,
Arica L. Coleman
The Union Institute Graduate College  
    
--part1_13e.24eac7e.28ea982f_boundary-- This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Tue, 2 Oct 2001 09:52:47 -0400 Reply-To: Reconstruction Forum Sender: Reconstruction Forum From: "Nancy L. Zens" Subject: Introductory Statement from Erik Foner I really look forward to having the opportunity to discuss Reconstruction with such an expert in the field and with world wide colleagues puzzling over the issues. I teach the U.S. history sequence and a lower division level course on the Civil War and Reconstruction at Central Oregon Community College, Bend, Oregon (in the high desert, eastern side of Oregon). Besides the provocative questions posed by Erik Foner, there are a few additional ones that continue to puzzle me. 1. Although the old interpretation of Reconstruction painted the period as one filled with scandal and political manipulations that lined pockets rather than solving problems, there seem to be enough examples of this type of behavior to justify presenting this interpretation as one side of Reconstruction. Has new scholarship completely debunked the shadier side of Reconstruction? 2. The postwar years in the north were also scandal ridden, to the point that the Grant Administration still seems to hold the worst reputation in the nation's history for widespread graft and corruption. Does this mean that the there is a real similarity between the northern and southern experiences during the postwar atmosphere? Were so many citizens paying attention to their own personal success rather than government policy, that unusual opportunities presented themselves to the unscrupulous to manipulate laws and federal funding to foster their own ends? 3. The post WWI years seem to be similar as a war weary public turned its attention inward? Can we realistically draw comparisons between post Civil War and post WWI? The postwar period for WWII seems to be quite different, but I wonder if that is because the country moved into the Cold War. Is there a chance that national problems that arose after the Vietnam War are comparable to Reconstruction? 4. Are there any world-wide situations that demonstrate any of the problems that arose in the US during Reconstruction, or is this a uniquely USA response? 5. Lincoln's assassination meant that he would never have to answer to history for the success or failure of his Reconstruction plans. Is it safe to conclude that Andrew Johnson has received so much criticism for his leadership during Reconstruction because he was not Lincoln? During the war, Lincoln managed to keep enough of a balance between the various northern party interests to hold the union together long enough to win the war. His political skills seem highly superior to Johnson's, suggesting that Reconstruction would have been different enough under his leadership that more of the problems would have been solved. Could the political skills used during wartime be useful during peace time? 6. Did the drain of talent that resulted in such rapid western development doom Reconstruction to failure (i.e. did opportunity to start a new life elsewhere lure so many of the returning veterans that few of the "best and brightest" were left to deal with the serious postwar problems north or south)? This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Tue, 2 Oct 2001 07:24:27 -0700 Reply-To: Reconstruction Forum Sender: Reconstruction Forum From: Austin Manghan Subject: Re: Introductory Statement from Eric Foner In-Reply-To: MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Dear Friends, I suspect this question does relate to the topic... Can any of you tell me how many people were killed during the NY draft riots in the 1860's? Perhaps this was the single worst terrorist attack in NYC history. Thanks, Austin Manghan --- Eric Foner wrote: > Welcome to the History Matters forum on teaching > Reconstruction. A > century and a quarter after it came to a close, > Reconstruction remains > perhaps the most controversial and least understood > era of American > history. The term itself applies both to a specific > period of the nation's > past and to a prolonged and difficult process by > which Americans > sought to reunite a nation sundered by the Civil > War, and come to > terms with the destruction of slavery. As a > chronological period, > Reconstruction is usually said to have begun in > 1865, with the Union's > victory in the Civil War, although in reality steps > toward reuniting the > nation and recasting Southern life began during the > war itself. In > political terms, the era of Reconstruction ended in > 1877, when the > federal government irrevocably abandoned the idea of > intervening in > the South to protect the rights of black citizens. > As a historical process > through which sectional reconciliation was achieved > and a new > system of labor and race relations devised to > replace the shattered > world of slavery, Reconstruction lasted at least to > the end of the > nineteenth century. If Reconstruction is defined as > the effort of > American society to come to terms with the legacy of > slavery, it is still > going on. Certainly, in debates about racial > equality, the interpretation > of the Fourteenth Amendment, affirmative action, and > the responsibility > of the federal government for defining and enforcing > the rights of > American citizens, issues central to Reconstruction > remain part of our > lives today. > > Historical writing on Reconstruction began during > the era itself, and > continues to the present day. Reconstruction > scholarship, one > historian has written, is a "dark and bloody ground" > a vast body of > writing marked by sharp differences of opinion and > radical changes in > interpretation, especially in the last two > generations. Until the 1960s, > the prevailing interpretation viewed Reconstruction > as an era of > unrelieved sordidness in political and social life. > The villains of the > piece were vindictive Radical Republicans, who > sabotaged Andrew > Johnson's lenient plan for bringing the South back > into the Union, and > instead fastened black supremacy upon the defeated > Confederacy. > An orgy of corruption and misgovernment allegedly > followed, only > brought to a close when the South's white > communities banded > together to restore "home rule" (a polite euphemism > for white > supremacy). Resting on the assumption that black > suffrage was the > gravest error of the entire Civil War period, this > interpretation survived > for decades because it accorded with and legitimated > firmly > entrenched political and social realities, including > radical segregation > and the disenfranchisement of southern black voters > (which lasted > from around 1900 to 1965). > > Although some scholars had already challenged > elements of this > point of view, it was not until the 1960s, the > decade of the civil rights > revolution or "second Reconstruction," that the > traditional interpretation > was entirely dismantled. Once they discarded the > assumption of > black incapacity, historians came to view > Reconstruction as a > praiseworthy effort to build an interracial > democracy from the ashes of > slavery. The era was portrayed as a time of > extraordinary progress in > the South; indeed, if Reconstruction was "tragic," > it was because > change did not go far enough, especially in the > failure to distribute > land to the former slaves. But in the federal civil > rights laws and > Fourteenth and Fifteenth Amendments enacted during > the period, > Reconstruction laid the groundwork for future > struggles for racial > equality. In this scholarship, African-Americans > emerged as major > historical actors, rather than victims of > manipulation by others. Their > political and religious organizations, economic > aspirations, and the > social divisions among them attracted a new deal of > scholarly > attention. The economic transformation of the South > and the complex > process by which various modes of free labor > replaced the labor > system of slavery, became the focal point of > numerous studies, > especially in the 1970s and 1980s. Other historians > sought to place > this country's adjustment to emancipation in an > international context, > comparing Reconstruction in the United States with > the aftermath of > slavery in the Caribbean, Brazil, and elsewhere. > Most recently, > Reconstruction scholars, like those studying many > other periods of > American history, have devoted close attention to > the role of gender in > Reconstruction the reconstitution of black families, > how the Civil War > affected ideologies of manhood, how freedom may have > had different > meanings for freed women than for their brothers and > husbands. > > I look forward to discussing any of the issues > raised by this body of > historical literature, as well as relating to > Reconstruction's relevance > for our own times. We live today in a "post-civil > rights" era in some > ways analogous to the early 20th century. But so > long as the issues > central to Reconstruction remain unresolved -- the > balance of power in > the federal system, the place of black Americans in > national life, the > relationship between economic and political > democracy -- an > understanding of that period will remain central to > our teaching of > American history as a whole. > > I’d like to conclude with a few questions to start > our discussion. How > do you teach about Reconstruction and what resources > do you use? > What relevance do you see in the history of > Reconstruction for our > current politics and race relations? Should we think > of Reconstruction > as a failure and if so, how do we explain this? Do > the cycles of > Reconstruction historiography suggest that > historical "truth" is > unobtainable and that historical interpretation > tends to serve > immediate political ends? > > Eric Foner > > This forum is sponsored by History Matters--please > visit our Web site at http://historymatters.gmu.edu > for more resources for teaching U.S. History. __________________________________________________ Do You Yahoo!? Listen to your Yahoo! Mail messages from any phone. http://phone.yahoo.com This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Tue, 2 Oct 2001 09:43:19 -0400 Reply-To: Reconstruction Forum Sender: Reconstruction Forum From: "Jonathan M. Bryant" Subject: Re: Introductory Statement from Eric Foner In-Reply-To: Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed All, My name is Jonathan Bryant and I teach at Georgia Southern University. When I arrived here in 1996, a colleague who does the Civil War and Reconstruction class refused to let me teach it. So, I had to find more creative ways to teach the Reconstruction era. In a way, that colleague did me a favor, for the course I came up with is far more interesting than the traditional course. Reflecting my own interests and work I had done with Phil Curtin, I put together a course called "The Destruction of Slavery in the 19th Century Atlantic World." While fully half the course focuses on emancipation and Reconstruction in the United States, we began with the Haitian Revolution and ended with Emancipation in Cuba. (I had wanted to get to Brazil and the Suppression of Slavery in Africa, but there was just not enough time) If people wish, I would be more than glad to post the syllabus to the list. Only 12 students signed up for the course, which meant I was able to run it in a seminar format. Students read portions of works by David Geggus on Haiti, Ira Berlin on the death of Slavery in the Northern US, Robin Blackburn on British Emancipation, some of my own work on Emancipation in Georgia, and Rebecca Scott on Emancipation in Cuba. They also read completely Philip Curtin's _Rise and Fall of the Plantation Complex_, Ira Berlin et al, _Free at Last_, Eric Foner's _Nothing but Freedom_ and finally the old Howard Fast Novel, _Freedom Road_. I usually feel trapped at Georgia Southern, and find myself very frustrated by the students' lack of interest in really thinking about history. But this course was completely different. The student's varied in ability, mostly were southern, and largely accepted the Dunning understanding of Reconstruction, yet before long they were on fire about the class. The comparative context fascinated them, and classroom discussion included their reading aloud short essays about their responses to the readings. Berlin's story of emanciaption in the North was revelatory for many of the white students, and seemed to free them from lurking "guilt"(I'm not sure that is the right word) about slavery. The black students felt they were in a class that for the first time attributed agency to the emancipated slaves, and this seemed to open them up as well. By the time we reached the third chapter of Foner's _Nothing but Freedom_ I literally had trouble getting in my own comments. Finally, Howard Fast's novel worked very well both as an initiator for discussion of whether emancipation was a failure in the Atlantic world and for the "what if?" considerations of could things have gone differently. Of the works we read their favorites were Fast, the primary materials in _Free at Last_, and the third chapter of _Nothing but Freedom_. In many ways the class allowed American students to use broader considerations to reflect upon American events. I could go on and on. While my idea was not new, (see Foner's 1st chapter in Nothing But Freedom) it was new to the students, and they loved it. If student evaluations mean anything, the class got straight fives (the highest mark) from all eleven students that stuck it out to the end. This being Georgia Southern, I have not been allowed to teach the course again. I am very excited about the opportunity to talk about teaching Reconstruction with the group, and I am looking forward to a diversity of ideas about materials and teaching methods. I think this sort of discussion is very important for both the field and for the larger concept of civic education. Susan O'Donovan and I recently put together a panel proposal for the Southern Historical Association on new work in the field of American Reconstruction. As we talked with and e-mailed other historians the consensus seemed to be, "Why bother? Eric Foner figured it out, and the field is moribund." Yet, when I speak to the public or deal with my students, the old _Gone With the Wind_ understanding of Reconstruction still prevails. Intellegent, well educated adults will even use it as an example of why any Government effort to change society is inevitably oppressive and will fail. Thus, I wish to modify one of Professor Foner's questions. While we may debate forever whether Reconstruction was a failure, I think it is more important to ask whether our teaching (and writing) about Reconstruction is also a failure? Begining more than thirty years ago scholars like Eric Foner, Bill McFeely, Willie Lee Rose and others have shown us new ways to understand the period. Why hasn't this trickled out into the popular consciousness? It's more than T.B.S.'s continual re-showing of Gone With the Wind. Does it, in fact, reflect back on the "failure" of Reconstruction itself? Jonathan M. Bryant Professor Jonathan M. Bryant Department of History, Box 8054 Georgia Southern University Statesboro, Ga. 30460-8054 jbryant@ gsvms2.cc.gasou.edu Tel.: (912) 681-5818 Fax: (912) 681-0377 This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Tue, 2 Oct 2001 12:00:52 -0400 Reply-To: Reconstruction Forum Sender: Reconstruction Forum From: Ellen Noonan Subject: upcoming NYC lecture on Reconstruction Reconstruction Forum subscribers in the New York City area might be interested in this upcoming lecture sponsored by the CUNY Graduate Center: The Center for the Humanities presents The Herbert G. Gutman Memorial Lecture DAVID MONTGOMERY Yale University "American Workers' Civil War and Reconstruction Revisited" Tuesday, October 9, 2001, 6:00 P.M. Elebash Recital Hall CUNY Graduate Center 365 Fifth Avenue, at 34th Street Free and Open to the Public Co-Sponsored by Continuing Education and Public Programs For more info, call 212-817-2005 or email ch@gc.cuny.edu. This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Tue, 2 Oct 2001 11:46:30 -0700 Reply-To: Reconstruction Forum Sender: Reconstruction Forum From: Pete Haro Subject: Re: Introductory Statement from Eric Foner Mime-version: 1.0 Content-type: text/plain; charset="US-ASCII" Content-transfer-encoding: 7bit Professor Bryant: What was the comparative text that you referred to? The one that you use for your class? I would be interested to read it. Sincerely, Pete Haro. ---------- >From: "Jonathan M. Bryant" >To: RECONSTRUCTIONFORUM@ASHP.LISTSERV.CUNY.EDU >Subject: Re: Introductory Statement from Eric Foner >Date: Tue, Oct 2, 2001, 6:43 AM > > All, > > My name is Jonathan Bryant and I teach at Georgia Southern > University. When I arrived here in 1996, a colleague who does the Civil > War and Reconstruction class refused to let me teach it. So, I had to find > more creative ways to teach the Reconstruction era. In a way, that > colleague did me a favor, for the course I came up with is far more > interesting than the traditional course. > > Reflecting my own interests and work I had done with Phil Curtin, I put > together a course called "The Destruction of Slavery in the 19th Century > Atlantic World." While fully half the course focuses on emancipation and > Reconstruction in the United States, we began with the Haitian Revolution > and ended with Emancipation in Cuba. (I had wanted to get to Brazil and > the Suppression of Slavery in Africa, but there was just not enough > time) If people wish, I would be more than glad to post the syllabus to > the list. > > Only 12 students signed up for the course, which meant I was able to run it > in a seminar format. Students read portions of works by David Geggus on > Haiti, Ira Berlin on the death of Slavery in the Northern US, Robin > Blackburn on British Emancipation, some of my own work on Emancipation in > Georgia, and Rebecca Scott on Emancipation in Cuba. They also read > completely Philip Curtin's _Rise and Fall of the Plantation Complex_, Ira > Berlin et al, _Free at Last_, Eric Foner's _Nothing but Freedom_ and > finally the old Howard Fast Novel, _Freedom Road_. > > I usually feel trapped at Georgia Southern, and find myself very frustrated > by the students' lack of interest in really thinking about history. But > this course was completely different. The student's varied in ability, > mostly were southern, and largely accepted the Dunning understanding of > Reconstruction, yet before long they were on fire about the class. > > The comparative context fascinated them, and classroom discussion included > their reading aloud short essays about their responses to the > readings. Berlin's story of emanciaption in the North was revelatory for > many of the white students, and seemed to free them from lurking > "guilt"(I'm not sure that is the right word) about slavery. The black > students felt they were in a class that for the first time attributed > agency to the emancipated slaves, and this seemed to open them up as > well. By the time we reached the third chapter of Foner's _Nothing but > Freedom_ I literally had trouble getting in my own comments. Finally, > Howard Fast's novel worked very well both as an initiator for discussion of > whether emancipation was a failure in the Atlantic world and for the "what > if?" considerations of could things have gone differently. Of the works we > read their favorites were Fast, the primary materials in _Free at Last_, > and the third chapter of _Nothing but Freedom_. In many ways the class > allowed American students to use broader considerations to reflect upon > American events. > > I could go on and on. While my idea was not new, (see Foner's 1st chapter > in Nothing But Freedom) it was new to the students, and they loved it. If > student evaluations mean anything, the class got straight fives (the > highest mark) from all eleven students that stuck it out to the end. This > being Georgia Southern, I have not been allowed to teach the course again. > > I am very excited about the opportunity to talk about teaching > Reconstruction with the group, and I am looking forward to a diversity of > ideas about materials and teaching methods. I think this sort of > discussion is very important for both the field and for the larger concept > of civic education. Susan O'Donovan and I recently put together a panel > proposal for the Southern Historical Association on new work in the field > of American Reconstruction. As we talked with and e-mailed other > historians the consensus seemed to be, "Why bother? Eric Foner figured it > out, and the field is moribund." Yet, when I speak to the public or deal > with my students, the old _Gone With the Wind_ understanding of > Reconstruction still prevails. Intellegent, well educated adults will even > use it as an example of why any Government effort to change society is > inevitably oppressive and will fail. > > Thus, I wish to modify one of Professor Foner's questions. While we may > debate forever whether Reconstruction was a failure, I think it is more > important to ask whether our teaching (and writing) about Reconstruction is > also a failure? Begining more than thirty years ago scholars like Eric > Foner, Bill McFeely, Willie Lee Rose and others have shown us new ways to > understand the period. Why hasn't this trickled out into the popular > consciousness? It's more than T.B.S.'s continual re-showing of Gone With > the Wind. Does it, in fact, reflect back on the "failure" of > Reconstruction itself? > > Jonathan M. Bryant > Professor Jonathan M. Bryant > Department of History, Box 8054 > Georgia Southern University > Statesboro, Ga. 30460-8054 > jbryant@ gsvms2.cc.gasou.edu > Tel.: (912) 681-5818 > Fax: (912) 681-0377 > > This forum is sponsored by History Matters--please visit our Web site at > http://historymatters.gmu.edu for more resources for teaching U.S. History. This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Tue, 2 Oct 2001 12:10:08 -0700 Reply-To: Reconstruction Forum Sender: Reconstruction Forum From: Pete Haro Subject: Re: Introductory Statement from Eric Foner Mime-version: 1.0 Content-type: multipart/alternative; boundary="MS_Mac_OE_3084869409_415176_MIME_Part" > THIS MESSAGE IS IN MIME FORMAT. Since your mail reader does not understand this format, some or all of this message may not be legible. --MS_Mac_OE_3084869409_415176_MIME_Part Content-type: text/plain; charset="US-ASCII" Content-transfer-encoding: 7bit Dear Arica: I found your posting to be provocative and relevant. I would like to pose a question to the you and the forum participants. You point out that in the wake of Reconstruction, efforts were made to ensure that the black male was viewed as barbaric and predatory. White women were seen as objects of lust for black males. Do you believe that popular culture today serves the same role? In other words, to stereotype black males as "gangstas" or other social undesirables? Furthermore, to what extent does the African American community play a willing role in this stereotype? I have spoken with several of my African American students and they often refer to rap or hip hop as "our thing" or "for us, by us" Often, there is a lack of introspection as to how popular culture continues to stereotype the black male. Are rap and hip-hop the "new minstrelsy"? Should we view this as a "white hang-up" or should society (African Americans in particular) be more concerned about the images that continue to be shown? I look forward to hearing from you all. Sincerely, Peter D. Haro, MA ---------- From: Arica Coleman To: RECONSTRUCTIONFORUM@ASHP.LISTSERV.CUNY.EDU Subject: Re: Introductory Statement from Eric Foner Date: Mon, Oct 1, 2001, 9:10 PM Dear Dr. Foner and fellow scholars: What a wonderful opportunity it is to share in this forum with you. I am looking forward to some vigorous dialogue on the issue of Reconstruction and I certainly count it a privilege to have the opportunity to learn from one of the greatest historians of our time --Dr. Eric Foner. I have not yet had the privilege to teach this subject, but I hope to do so in the near future. Presently, I am a first year doctoral learner majoring in American Studies with a concentration in Southern life and culture. I am a firm believer in the saying, "Those who do not know their history are bound to repeat it." Thus, I was intrigued by Dr. Foner's question," What relevance do you see in the history of Reconstruction for our current politics and race relations? I believe much can be said concerning the present plight of African American males in this country and Reconstruction. It was during the years immediately after emancipation that the assault on the black male image began. During colonial times colonizers supported the assumption that without full submission to white authority blacks would run amuck and reap havoc on themselves as well as society. Fugitive slave testimony temporarily dispelled this mind set; however, it was reasserted during the last two decades of the nineteenth century as retrogressionist such as Philip Bruce contended, "cut off from white society, [Blacks] had regressed to a primitive and thus criminal state. Bereft of the master's influence, Blacks were now even closer to the African type than the slaves had been," (The Plantation Negro as Freeman). The black male was seen to be of particular risk to white women whom Bruce asserted, "found something strangely alluring and seductive in the appearance of white women," and his," sudden outbreak of barbarianism included a penchant for rape." Simultaneously, with the creation of the black male rapist, came the image of the inherent black male criminal. Before emancipation, with the exception of slaves being held over for auction, prisons were largely occupied by whites. As Henry Bibb reported, "Most of the inmates of this prison I have described were white men who had been sentenced there by the law, for depredations committed by them." In the event that a free colored was found guilty of a crime, his or her sentence was the auction block, not the prison cell. However, post emancipation/reconstruction racist ideology aided in converting the above ratio. As Angela Davis pointed out, although the ratification of the thirteenth amendment ended slavocracy as it was known in antebellum American society, a loophole in the amendment provided for a new system of slavery which simply transferred a large amount of blacks in general, and black men in particular, from the prison of slavery to the slavery of prison. The thirteenth amendment stated, " Neither slavery nor involuntary servitude, except as a punishment for crime, whereof the party shall be duly convicted, shall exist within the United States, or anyplace subject to their jurisdiction." Ironically, the very amendment which was thought to have abolished slavery within the United States, sanctioned a new form of slavery later known as the convict lease system. With Black codes replacing the former slave codes, blacks, particularly black males, found themselves victims of the judicial system. " The prison system established its authority as a major institution of discipline and control for black communities during the last two decades of the nineteenth century...,"(Davis, Angela Davis Reader 75). During the post Civil War era, as criminality began to take on a black face, " the percentage of black convicts in relation to white was often higher than ninety percent," (Davis 79). Once again, retrogressionist explained away this phenomenon by stating: Freed from the control of his owner and wickedly put on civil equality with him...his natural lawlessness and savagery were asserted...Everyone knows that when freed from the compelling influence of the white man he reverts by a law of nature to the natural barbarism in which he was created in the jungles of Africa. (Herbert Gutman, Black Family in Slavery and in Freedom 544) However, Frederick Douglass refuted these accusations. Concerning the charge of the black male rapist Douglass argued: It is a charge of recent origin; a charge never heard of in the time of slavery or in any other time in our history all through the late war [Civil War], while the slave masters of the South were absent from their homes...their wives, their daughters, their sisters, and their mothers were left in absolute custody of these Negroes and during all those long four years of terrible conflict, when the Negro had every opportunity to commit the abominable crime now alleged against him. He was never accused of assault, insult, or an attempt to commit an assault upon any white woman in the whole South. (FD Papers, P. Foner, ed 749, 752) Concerning the black male's inherent criminality, Douglass contended: A nation is not born in a day. It is said that the leopard cannot change his spots nor the Ethiopian his skin, and it may be as truly said that the character of a people, established by long years of consistent life and testimony, cannot be very suddenly reversed. It is improbable that this peaceful and inoffensive class has suddenly and all at once become changed into a class of the most daring, and repulsive criminals. (749) Douglass's contestations largely went ignored as Northern and Southern politicians, historians, scientist, novelist, anthropologist and every other "ian" and "ist" that can be named, "all chimed in with volumes of heady research papers, articles, and scholarly opinions that [supposedly] proved that blacks were hopelessly inferior, crime- and violence- prone defectives from which society had to be protected," (O. Hutchinson, Assassination of the Black Male Image 24). Consequently, by playing the, "trump card of the Big Black Scare," (Hutchinson) retrogressionists' were successful in promoting an image in the minds of the American public that the black male was inhuman, bestial. Although the North played its role in the creation of this image, it was the South's exploitation of this perception that subjected blacks to a reign of terror which spanned almost eight decades. During the Pre-Civil Rights era, many black men found themselves victims of white vigilantism and judicial hijacking. Mob lynchings, unjust incarcerations, and death sentences handed down on the most flimsiest evidence was the order of the day. The retrogressionist theories (see Gutman Appendix) which began during the early years of Reconstruction continues to persist in this modern era. According to the NAACP, from 1880 to 1968 approximately 4,000 blacks were lynched and burned. Although less than ten percent of those lynched had been accused of raping white women, the practice became synonymous with rape and thus remains a lasting taint on the black male image. From 1930 to 1981 of the 455 men who were executed for rape 405 were black. In addition, Blacks continue to be incarcerated in disproportionate numbers. They are eight times more likely to receive prison sentences than whites. African Americans make up twelve percent of the American population; yet, they make up fifty-five percent of the prison population. In addition, Blacks are eleven times more likely to receive the death penalty than whites. The recent rise in the killings of unarmed black men by police officers, the hanging of a seventeen year old Mississippi boy, and racial profiling is a reminder that the not so distant past continues to haunt us in the present. Respectfully submitted, Arica L. Coleman The Union Institute Graduate College --MS_Mac_OE_3084869409_415176_MIME_Part Content-type: text/html; charset="US-ASCII" Content-transfer-encoding: quoted-printable Re: Introductory Statement from Eric Foner Dear Arica: I found your posting to be provocative and relevant. I would li= ke to pose a question to the you and the forum participants. You point out t= hat in the wake of Reconstruction, efforts were made to ensure that the blac= k male was viewed as barbaric and predatory. White women were seen as object= s of lust for black males. Do you believe that popular culture today serves = the same role? In other words, to stereotype black males as "gangstas&q= uot; or other social undesirables? Furthermore, to what extent does the Afri= can American community play a willing role in this stereotype? I have spoken= with several of my African American students and they often refer to rap or= hip hop as "our thing" or "for us, by us" Often, there = is a lack of introspection as to how popular culture continues to stereotype= the black male. Are rap and hip-hop the "new minstrelsy"? Should = we view this as a "white hang-up" or should society (African Ameri= cans in particular) be more concerned about the images that continue to be s= hown? I look forward to hearing from you all.

Sincerely,


Peter D. Haro, MA

----------
From: Arica Coleman <Makeda4@AOL.COM>
To: RECONSTRUCTIONFORUM@ASHP.LISTSERV.CUNY.EDU
Subject: Re: Introductory Statement from Eric Foner
Date: Mon, Oct 1, 2001, 9:10 PM


Dear Dr. Foner and fellow scholars:
     What a wonderful opportunity it is to share i= n this forum with you.  I am looking forward to some vigorous dialogue = on the issue of Reconstruction and I certainly count it a privilege to have = the opportunity to learn from one of the greatest historians of our time --D= r. Eric Foner.  I have not yet had the privilege to teach this subject,= but I hope to do so in the near future. Presently, I am a first year doctor= al learner majoring in American Studies with a concentration in Southern lif= e and culture. I am a firm believer in the saying, "Those who do not kn= ow their history are bound to repeat it."  Thus, I was intrigued b= y Dr. Foner's question," What relevance do you see in the history of Re= construction for our current politics and race relations?
     I believe much can be said concerning the pre= sent plight of African American males in this country and Reconstruction. &n= bsp;It was during the years immediately after emancipation that the assault = on the black male image began.  During colonial times colonizers suppor= ted the assumption that without full submission to white authority blacks wo= uld run amuck and reap havoc on themselves as well as society.  Fugitiv= e slave testimony temporarily dispelled this mind set; however, it was reass= erted during the last two decades of the nineteenth century as retrogression= ist such as Philip Bruce contended, "cut off from white society, [Black= s] had regressed to a primitive and thus criminal state.  Bereft of the= master's influence, Blacks were now even closer to the African type than th= e slaves had been," (The Plantation Negro as Freeman).  The black = male was seen to be of particular risk to white women whom Bruce asserted, &= quot;found something strangely alluring and seductive in the appearance of w= hite women," and his," sudden outbreak of barbarianism included a = penchant for rape."
    Simultaneously, with the creation of the black male= rapist, came the image of the inherent black male criminal.  Before em= ancipation, with the exception of slaves being held over for auction, prison= s were largely occupied by whites. As Henry Bibb reported, "Most of the= inmates of this prison I have described were white men who had been sentenc= ed there by the law, for depredations committed by them."  In the = event that a free colored was found guilty of a crime, his or her sentence w= as the auction block, not the prison cell.  However, post emancipation/= reconstruction racist ideology aided in converting the above ratio.  As= Angela Davis pointed out, although the ratification of the thirteenth amend= ment ended slavocracy as it was known in antebellum American society, a loop= hole in the amendment provided for a new system of slavery which simply tran= sferred a large amount of blacks in general, and black men in particular, fr= om the prison of slavery to the slavery of prison. The thirteenth amendment = stated, " Neither slavery nor involuntary servitude, except as a punish= ment for crime, whereof the party shall be duly convicted, shall exist withi= n the United States, or anyplace subject to their jurisdiction." Ironic= ally, the very amendment which was thought to have abolished slavery within = the United States, sanctioned a new form of slavery later known as the convi= ct lease system.  With Black codes replacing the former slave codes, bl= acks, particularly black males, found themselves victims of the judicial sys= tem. " The prison system established its authority as a major instituti= on of discipline and control for black communities during the last two decad= es of the nineteenth century...,"(Davis, Angela Davis Reader 75).  = ;During the post Civil War era, as criminality began to take on a black face= , " the percentage of black convicts in relation to white was often hig= her than ninety percent," (Davis 79).  Once again, retrogressionis= t explained away this phenomenon by stating:
    Freed from the control of his owner and wickedly pu= t on civil equality with him...his natural lawlessness and savagery were ass= erted...Everyone knows that when freed from the compelling influence of the = white man he reverts by a law of nature to the natural barbarism in which he= was created in the jungles of Africa. (Herbert Gutman, Black Family in Slav= ery and in Freedom  544)      
    However, Frederick Douglass refuted these accusatio= ns.  Concerning the charge of the black male rapist Douglass argued:      It is a charge of recent origin; a charge nev= er heard of in the time of slavery or in any other time in our history all t= hrough the late war [Civil War], while the slave masters of the South were a= bsent from their homes...their wives, their daughters, their sisters, and th= eir mothers were left in absolute custody of these Negroes and during all th= ose long four years of terrible conflict, when the Negro had every opportuni= ty to commit the abominable crime now alleged against him.  He was neve= r accused of assault, insult, or an attempt to commit an assault upon any wh= ite woman in the whole South.  (FD Papers, P. Foner, ed 749, 752)
    Concerning the black male's inherent criminality, D= ouglass contended:
    A nation is not born in a day.  It is said tha= t the leopard cannot change his spots nor the Ethiopian his skin, and it may= be as truly said that the character of a people, established by long years = of consistent life and testimony, cannot be very suddenly reversed.  It= is improbable that this peaceful and inoffensive class has suddenly and all= at once become changed into a class of the most daring, and repulsive crimi= nals. (749)
    Douglass's contestations largely went ignored as No= rthern and Southern politicians, historians, scientist, novelist, anthropolo= gist and every other "ian" and "ist" that can be named, = "all chimed in with volumes of heady research papers, articles, and sch= olarly opinions that [supposedly] proved that blacks were hopelessly inferio= r, crime- and violence- prone defectives from which society had to be protec= ted," (O. Hutchinson,  Assassination of the Black Male Image 24). =       
    Consequently, by playing the, "trump card of t= he Big Black Scare," (Hutchinson) retrogressionists' were successful in= promoting an image in the minds of the American public that the black male = was inhuman, bestial.  Although the North played its role in the creati= on of this image, it was the South's exploitation of this perception that su= bjected blacks to a reign of terror which spanned almost eight decades. &nbs= p;During the Pre-Civil Rights era, many black men found themselves victims o= f white vigilantism and judicial hijacking.  Mob lynchings, unjust inca= rcerations, and death sentences handed down on the most flimsiest evidence w= as the order of the day.
     The retrogressionist theories (see Gutman App= endix) which began during the early years of Reconstruction continues to per= sist in this modern era.  According to the NAACP, from 1880 to 1968 app= roximately 4,000 blacks were lynched and burned. Although less than ten perc= ent of those lynched had been accused of raping white women, the practice be= came synonymous with rape and thus remains a lasting taint on the black male= image.  From 1930 to 1981 of the 455 men who were executed for rape 40= 5 were black.  In addition, Blacks continue to be  incarcerated in= disproportionate numbers.  They are eight times more likely to receive= prison sentences than whites. African Americans make up twelve percent of t= he American population; yet, they make up fifty-five percent of the prison p= opulation.  In addition, Blacks are eleven times more likely to receive= the death penalty than whites.  The recent rise in the killings of una= rmed black men by police officers, the hanging of a seventeen year old Missi= ssippi boy, and racial profiling is a reminder that the not so distant past = continues to haunt us in the present.

Respectfully submitted,
Arica L. Coleman
The Union Institute Graduate College  
     

--MS_Mac_OE_3084869409_415176_MIME_Part-- This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Tue, 2 Oct 2001 12:16:20 -0700 Reply-To: Reconstruction Forum Sender: Reconstruction Forum From: Pete Haro Subject: Re: Introductory Statement from Eric Foner Mime-version: 1.0 Content-type: text/plain; charset="US-ASCII" Content-transfer-encoding: 7bit Jean Libby: You are fortunate to live in the bay area because one of the most authoritative historians on the Reconstruction era is right up the road at Berkeley. Leon Litwack is an incredible teacher and scholar and won the Pulitzer Prize for his work on Reconstruction, Been in the Storm So Long. I'm probably biased because I took two of his classes when I was there. Furthermore, he is a nice man who always seems to be able to make time for students and individuals interested in history. You should contact him for further ideas on Reconstruction. Sincerely, Peter Haro, MA. ---------- >From: Jean Libby >To: RECONSTRUCTIONFORUM@ASHP.LISTSERV.CUNY.EDU >Subject: Re: Introductory Statement from Eric Foner >Date: Mon, Oct 1, 2001, 4:27 PM > > Dear Professor Foner, > > My name is Jean Libby and I teach U.S. Survey History and African American > History at San Jose City College in California. My textbook for U.S. > History is James Henretta, et al., America, A Concise History, Vol. 2 (Since > 1865) and for African American History it is Herb Boyd, editor, > Autobiography of a People, Three Centuries of African American History Told > by Those Who Lived It. > > The U.S. treatment of Reconstruction is comparative with the political > systems of Presidential Reconstruction, Radical Reconstruction, and > Redemption. I usually do not teach these at all, concentrating on the > Amendments to the Constitution that occur during this time and the > development of the public education system with free education as a right to > citizens that was demanded by the freedmen. We are in community college in > California, where classes cost $13 a unit. I tell the students if they like > this system, they should thank the former slaves. We have a large recent > immigrant population at the school, especially in the night class that I > teach. I say that if people like the rights of protection of the 14th > Amendment they should thank the former slaves, too. These students have not > studied the U.S. Civil War, and have trouble understanding language. I do > give open book and open note tests, and would appreciate some good short > explanations of Reconstruction. I usually pass around a book of documents > that says what the freedmen were promised and didn't get, and also emphasize > sharecropping as an economic system that replaced slavery. > > For the African American class, the time period for one semester is the > whole of the historical period of African beginnings to the present, > requiring great speed. In the textbook, the period is John Mercer Langston, > John R. Lynch, and Samuel Larkin. I add Susie King Taylor (have > successfully used her memoir in U.S. History as well) and Robert Smalls -- > enjoying the drama of his career in slavery and in freedom -- and do a lot > with the Sea Islands population in many eras, as a continuum, with Julie > Dash's film Daughters of the Dust. > > Your introduction today will be very helpful for my lecture on Wednesday, as > we are directly in the Civil War and Reconstruction period right now. The > Constitutional Amendments are also emphasized in this class, and in the same > manner -- to thank the former slaves for the public education system and the > definitions and written protections of the 14th Amendment. > > My tall order: I have to do this too fast, with a student population who > have not been adequately prepared with background either in San Jose high > schools or in foreign lands. The great stories of people are fine, but I > really need succinct historical background that does not get into too much > political detail that requires lots of foreknowledge. > > Thank you! > > ----- Original Message ----- > From: "Eric Foner" > To: > Sent: Monday, October 01, 2001 7:47 AM > Subject: Introductory Statement from Eric Foner > > > Welcome to the History Matters forum on teaching Reconstruction. A > century and a quarter after it came to a close, Reconstruction remains > perhaps the most controversial and least understood era of American > history. The term itself applies both to a specific period of the nation's > past and to a prolonged and difficult process by which Americans > sought to reunite a nation sundered by the Civil War, and come to > terms with the destruction of slavery. As a chronological period, > Reconstruction is usually said to have begun in 1865, with the Union's > victory in the Civil War, although in reality steps toward reuniting the > nation and recasting Southern life began during the war itself. In > political terms, the era of Reconstruction ended in 1877, when the > federal government irrevocably abandoned the idea of intervening in > the South to protect the rights of black citizens. As a historical process > through which sectional reconciliation was achieved and a new > system of labor and race relations devised to replace the shattered > world of slavery, Reconstruction lasted at least to the end of the > nineteenth century. If Reconstruction is defined as the effort of > American society to come to terms with the legacy of slavery, it is still > going on. Certainly, in debates about racial equality, the interpretation > of the Fourteenth Amendment, affirmative action, and the responsibility > of the federal government for defining and enforcing the rights of > American citizens, issues central to Reconstruction remain part of our > lives today. > > Historical writing on Reconstruction began during the era itself, and > continues to the present day. Reconstruction scholarship, one > historian has written, is a "dark and bloody ground" a vast body of > writing marked by sharp differences of opinion and radical changes in > interpretation, especially in the last two generations. Until the 1960s, > the prevailing interpretation viewed Reconstruction as an era of > unrelieved sordidness in political and social life. The villains of the > piece were vindictive Radical Republicans, who sabotaged Andrew > Johnson's lenient plan for bringing the South back into the Union, and > instead fastened black supremacy upon the defeated Confederacy. > An orgy of corruption and misgovernment allegedly followed, only > brought to a close when the South's white communities banded > together to restore "home rule" (a polite euphemism for white > supremacy). Resting on the assumption that black suffrage was the > gravest error of the entire Civil War period, this interpretation survived > for decades because it accorded with and legitimated firmly > entrenched political and social realities, including radical segregation > and the disenfranchisement of southern black voters (which lasted > from around 1900 to 1965). > > Although some scholars had already challenged elements of this > point of view, it was not until the 1960s, the decade of the civil rights > revolution or "second Reconstruction," that the traditional interpretation > was entirely dismantled. Once they discarded the assumption of > black incapacity, historians came to view Reconstruction as a > praiseworthy effort to build an interracial democracy from the ashes of > slavery. The era was portrayed as a time of extraordinary progress in > the South; indeed, if Reconstruction was "tragic," it was because > change did not go far enough, especially in the failure to distribute > land to the former slaves. But in the federal civil rights laws and > Fourteenth and Fifteenth Amendments enacted during the period, > Reconstruction laid the groundwork for future struggles for racial > equality. In this scholarship, African-Americans emerged as major > historical actors, rather than victims of manipulation by others. Their > political and religious organizations, economic aspirations, and the > social divisions among them attracted a new deal of scholarly > attention. The economic transformation of the South and the complex > process by which various modes of free labor replaced the labor > system of slavery, became the focal point of numerous studies, > especially in the 1970s and 1980s. Other historians sought to place > this country's adjustment to emancipation in an international context, > comparing Reconstruction in the United States with the aftermath of > slavery in the Caribbean, Brazil, and elsewhere. Most recently, > Reconstruction scholars, like those studying many other periods of > American history, have devoted close attention to the role of gender in > Reconstruction the reconstitution of black families, how the Civil War > affected ideologies of manhood, how freedom may have had different > meanings for freed women than for their brothers and husbands. > > I look forward to discussing any of the issues raised by this body of > historical literature, as well as relating to Reconstruction's relevance > for our own times. We live today in a "post-civil rights" era in some > ways analogous to the early 20th century. But so long as the issues > central to Reconstruction remain unresolved -- the balance of power in > the federal system, the place of black Americans in national life, the > relationship between economic and political democracy -- an > understanding of that period will remain central to our teaching of > American history as a whole. > > I'd like to conclude with a few questions to start our discussion. How > do you teach about Reconstruction and what resources do you use? > What relevance do you see in the history of Reconstruction for our > current politics and race relations? Should we think of Reconstruction > as a failure and if so, how do we explain this? Do the cycles of > Reconstruction historiography suggest that historical "truth" is > unobtainable and that historical interpretation tends to serve > immediate political ends? > > Eric Foner > > This forum is sponsored by History Matters--please visit our Web site at > http://historymatters.gmu.edu for more resources for teaching U.S. History. > > This forum is sponsored by History Matters--please visit our Web site at > http://historymatters.gmu.edu for more resources for teaching U.S. History. This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Tue, 2 Oct 2001 17:26:55 -0400 Reply-To: Reconstruction Forum Sender: Reconstruction Forum From: "Margaret S. Thompson" Organization: Syracuse University Subject: Posting messages to this forum MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit First, a brief introduction. I teach history and political science at Syracuse University and, although I don't focus exclusively (or even primarily) on Reconstruction in my teaching, I've published a book and some articles in that area and am particularly interested in questions of governance and modernization, though my more current research interests are in the areas of women and religion (specifically, Catholic sisters). As is the case with many others, I'm sure, I'm looking forward to interesting discussion in this venue. Could I make a request (ok, 2)? So far, I think all messages have come through with the subject header "RE: Introductory statement from Eric Foner." And virtually all have appended the full text of EF's remarks, and perhaps the full text of initial responses, as well. ARGH! For those of us who would like to save the substantive material from this list, might I suggest 2 procedures? 1) Please change subject headers so that they reflect the *actual* content of one's messages. 2) Please delete everything except what is necessary to provide context for one's remarks in sending material to this list. Two new lines appended to 8 repeated screens seems disproportionate.... Obviously, I have no formal role here, but I think this might make the forum more useful and manageable. In any event, unless those in charge have an objection, may I offer these friendly suggestions? Thanks, and I hope to participate more substantively in the future. Peggy Thompson -- Prof. Margaret Susan Thompson--msthomps@twcny.rr.com History Department--145 Eggers Hall Syracuse University, Syracuse, NY 13244 (315) 443-2210 (voice), 443-5876 (fax) MODPREZ website: http://classes.maxwell.syr.edu/hst341/ SisterSite: http://www.geocities.com/Wellesley/1114/ This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Tue, 2 Oct 2001 19:30:46 -0400 Reply-To: Reconstruction Forum Sender: Reconstruction Forum From: Roger Grande Subject: Re: Introductory Statement from Eric Foner In-Reply-To: Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed My name is Roger Grande, I teach history at Brookline High School in Massachusetts. The most compelling thing about Reconstruction for me is its legacy--I spend a good deal of time when I teach this unit discussing the extent to which equality has or has not been achieved. Arica Coleman's comments spoke to this issue a lot. However, I'm increasinly ambivelant about presenting the issue as an African American issue; rather inequality today--despite the fact that being Black makes you disproportionately likely to be in some form of custody or poor--functions more as a class issue. Race is a convenient means to distract us from class inequality. One article I give to students include a Boston Globe piece debating the raising of the Confederate flat over the South Carolina statehouse (2/20/97). The article points to the 1960s and 1970s as the origin of the debate, associating it with the rise of the civil rights movement, thus complicating the significance of 'preserving Southern heritage.' In particular the flag seemed to have taken on an anti-affirmative action symbolism, suggesting the conflation of race and class (fear over jobs). I also use an article from the Progressive Populist (6/15/2000) that describes the recent lawsuit against the USDA by black farmers who have disproportionately not recieved subsidies, resulting in the loss of black-owned farm land: 40 acres and a mule-redux. In 1999 there were 18,000 black farmers, down from 925,000 in 1920. In 1990, according to a congressional committee, black-owned farms were going out of business at a rate 5 times that of white farmers, predicting that by 2000 there would be no black owned farm land in the US. [Contact Food First.org and BFAA at www.coax.net/people/lwf/bfaa.htm for more info.). The unit is completed with a research project on contemporary inequality. Students research political equality (suffrage, representation), legal equality (due process, sentencing.) and economic equality (housing, income, education). In particular they analyze sentencing patterns and the correlation to disenfranchisement--clearly a step backwards from Reconstruction, etc. One might argue that the disparity in death sentencing is a form of--to borrow from Clarence Thomas--"legal lynching." If people are interested I can post the web sites my students use for research (they include the Sentencing Project, Human Rights Watch, Census, MA department of Education and Bureau of Justice). Lastly I'd appreciate more information about reconstruction/post-slavery initiatives beyond our borders that others have referred to--I know little about what happened outside of the US. Roger Grande A great resource for disenfranchisement is the 1965 Alabama Literacy Test--I'd be surprised if 5% of Americans could pass it. Available from Social Education. This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Tue, 2 Oct 2001 17:45:45 -0700 Reply-To: Reconstruction Forum Sender: Reconstruction Forum From: M Drago Subject: Re: Introductory Statement from Eric Foner MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit "Jonathan M. Bryant" wrote: > All, > > My name is Jonathan Bryant and I teach at Georgia Southern > University. When I arrived here in 1996, a colleague who does the Civil > War and Reconstruction class refused to let me teach it. So, I had to find > more creative ways to teach the Reconstruction era. In a way, that > colleague did me a favor, for the course I came up with is far more > interesting than the traditional course. > > Reflecting my own interests and work I had done with Phil Curtin, I put > together a course called "The Destruction of Slavery in the 19th Century > Atlantic World." While fully half the course focuses on emancipation and > Reconstruction in the United States, we began with the Haitian Revolution > and ended with Emancipation in Cuba. (I had wanted to get to Brazil and > the Suppression of Slavery in Africa, but there was just not enough > time) If people wish, I would be more than glad to post the syllabus to > the list. > > Only 12 students signed up for the course, which meant I was able to run it > in a seminar format. Students read portions of works by David Geggus on > Haiti, Ira Berlin on the death of Slavery in the Northern US, Robin > Blackburn on British Emancipation, some of my own work on Emancipation in > Georgia, and Rebecca Scott on Emancipation in Cuba. They also read > completely Philip Curtin's _Rise and Fall of the Plantation Complex_, Ira > Berlin et al, _Free at Last_, Eric Foner's _Nothing but Freedom_ and > finally the old Howard Fast Novel, _Freedom Road_. > > I usually feel trapped at Georgia Southern, and find myself very frustrated > by the students' lack of interest in really thinking about history. But > this course was completely different. The student's varied in ability, > mostly were southern, and largely accepted the Dunning understanding of > Reconstruction, yet before long they were on fire about the class. > > The comparative context fascinated them, and classroom discussion included > their reading aloud short essays about their responses to the > readings. Berlin's story of emanciaption in the North was revelatory for > many of the white students, and seemed to free them from lurking > "guilt"(I'm not sure that is the right word) about slavery. The black > students felt they were in a class that for the first time attributed > agency to the emancipated slaves, and this seemed to open them up as > well. By the time we reached the third chapter of Foner's _Nothing but > Freedom_ I literally had trouble getting in my own comments. Finally, > Howard Fast's novel worked very well both as an initiator for discussion of > whether emancipation was a failure in the Atlantic world and for the "what > if?" considerations of could things have gone differently. Of the works we > read their favorites were Fast, the primary materials in _Free at Last_, > and the third chapter of _Nothing but Freedom_. In many ways the class > allowed American students to use broader considerations to reflect upon > American events. > > I could go on and on. While my idea was not new, (see Foner's 1st chapter > in Nothing But Freedom) it was new to the students, and they loved it. If > student evaluations mean anything, the class got straight fives (the > highest mark) from all eleven students that stuck it out to the end. This > being Georgia Southern, I have not been allowed to teach the course again. > > I am very excited about the opportunity to talk about teaching > Reconstruction with the group, and I am looking forward to a diversity of > ideas about materials and teaching methods. I think this sort of > discussion is very important for both the field and for the larger concept > of civic education. Susan O'Donovan and I recently put together a panel > proposal for the Southern Historical Association on new work in the field > of American Reconstruction. As we talked with and e-mailed other > historians the consensus seemed to be, "Why bother? Eric Foner figured it > out, and the field is moribund." Yet, when I speak to the public or deal > with my students, the old _Gone With the Wind_ understanding of > Reconstruction still prevails. Intellegent, well educated adults will even > use it as an example of why any Government effort to change society is > inevitably oppressive and will fail. > > Thus, I wish to modify one of Professor Foner's questions. While we may > debate forever whether Reconstruction was a failure, I think it is more > important to ask whether our teaching (and writing) about Reconstruction is > also a failure? Begining more than thirty years ago scholars like Eric > Foner, Bill McFeely, Willie Lee Rose and others have shown us new ways to > understand the period. Why hasn't this trickled out into the popular > consciousness? It's more than T.B.S.'s continual re-showing of Gone With > the Wind. Does it, in fact, reflect back on the "failure" of > Reconstruction itself? > > Jonathan M. Bryant > Professor Jonathan M. Bryant > Department of History, Box 8054 > Georgia Southern University > Statesboro, Ga. 30460-8054 > jbryant@ gsvms2.cc.gasou.edu > Tel.: (912) 681-5818 > Fax: (912) 681-0377 > > This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. Professor Bryant, Could you please email the syllabus? I read your posting and your course on Reconstruction sounds interesting. Mike Drago This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Tue, 2 Oct 2001 18:49:29 -0700 Reply-To: Reconstruction Forum Sender: Reconstruction Forum From: Donna L Sharer Subject: Re: high school teaching MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit I teach high school social studies. Reconstruction, at least in Pennsylvania, is generally left for 10th or 11th grade U.S. history (Reconstruction - present). One reason you may find your college students have little knowledge of Reconstruction is it isn't covered - or isn't covered in its complexities - in high school. As you know, most high school text books are inadequate, often outdated, surveys. It would be helpful if college professors would give suggestions for high school teachers. I'm especially interested in historical fiction that could be used in a high school class. I'm also interested in how reparations are connected to the study of Reconstruction. Many of my students are interested in looking at the issues of reparations. It also brings history to the "present." Thank you, Donna Sharer This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Wed, 3 Oct 2001 06:46:06 -0400 Reply-To: Reconstruction Forum Sender: Reconstruction Forum From: "Jonathan M. Bryant" Subject: Text for Comparative Emancipations, response to Pete Haro In-Reply-To: <200110021841.LAA08425@swan.mail.pas.earthlink.net> Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed Pete and all, The only really comparative Text is Philip Curtin, The Rise and Fall of the Plantation Complex, 2nd Edition. While there may be some problems in certain areas with this book (even Curtin now feels he made too much of the medieval roots of plantation slavery) it is none the less provocative and gets students thinking. Other books that have comparative essays but would not function well as texts are Robin Blackburn, The Overthrow of Colonial Slavery, Fraganals et al, Between Slavery and Free Labor, and Knight and Palmer, eds., The Modern Caribbean. Jon Bryant Professor Jonathan M. Bryant Department of History, Box 8054 Georgia Southern University Statesboro, Ga. 30460-8054 jbryant@ gsvms2.cc.gasou.edu Tel.: (912) 681-5818 Fax: (912) 681-0377 This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Wed, 3 Oct 2001 04:57:17 -0700 Reply-To: Reconstruction Forum Sender: Reconstruction Forum From: "A. Carl Duncan" Subject: Re: Introductory Statement from Eric Foner Comments: To: ARNETT DUNCAN MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="------------E135F07683994A0FBDF399C9" --------------E135F07683994A0FBDF399C9 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit My name is Carl Duncan. I teach 8th grade social studies at Kucera Middle School in Rialto, California, about 65 miles east of Los Angeles. I teach U. S. History (colonial period to W.W.I). I am teaching and developing an Ethnic Studies course. This class is a very rare opportunity at the secondary level. Even more so at the middle school level. Using internet resources I have not been able to find another middle school that offers such a class. I have found only a very few high schools that offer an ethnic studies class in any form. Consequently, there are no textbooks. It is also important to note that I am living and working in what the census bureau calls the most integrated and culturally diverse area in the country, probably the world. I am also the coordinator of a college prep program at Kucera. I have degrees (BS, MA) in Sociology. I am ABD in Sociology. I withdrew form UC, Riverside over 10 years ago after my home was attacked after several years of plain talk about racism on campus and in the community. In this case the truth set me free. I have taught Race Relations and other sociology courses at local community colleges. I am also an ordained and active minister. I consider Reconstruction/Post Reconstruction as the seminal period in US history, and the Compromise of 1877 as the crucial event. It is here that the contradiction between the founding documents and the founding fathers intersect. At this crossroads the US is pushed, by what appears to be a logical evolution, into the real conflict with itself. The Civil War was the culmination of the nations attempts to not deal with its contradictions. Lee's surrender did not end the civil war, it just signaled the end of the legal bloodshed. The Civil War ended in 1865, but the civil war that seeks to bring together the promise and ideals of a republican democracy, with the political stresses exacerbated by class concentrated capital, was just beginning. Now our "free" society with its "open" borders must allow for more that just the coming together of two cultures conveniently identified by spurious racial definitions that legitimized separation. We (in my school district at least) must deal with the diversity of three major Asian ethnicities, at least two Latino ethnicities, three African American ethnicities, undefined and not understood Native American ethnicities, and one large and economically dominant racial group - whites, who have little realization ethnicity except for "American". When we teach about Reconstruction we are teaching about the United States that has come to be. I use a standard 8th grade US history text, The American Nation. I offer that the real threat in the South was the potential of cooperation between the whites of a destroyed (physically and culturally) South, and the resource-less but resourceful, hopeful, and highly skilled freed persons. I add a history of the KKK, an examination of propaganda as tool of race hatred and social education, and culminate the unit with Plessy vs. Ferguson as the ultimate victory of the Jeffersonian contradiction. (Jefferson would win again in 1954 and 1965.) I may be relegated to the role of listen/reader in this conversation. Time may not allow me to give up the little more than an hour that it took for me to read your stimulating comments and provide this one of my own. Arica, I appreciate your scholarship. It has all the earmarks of a student engaged. Dr. Foner, thanks for your time and this opportunity. I hope to chime in from time to time this month. Carl Duncan AVID Coordinator Kucera Middle School Rialto, CA 92377 kweliace@earthlink.net aduncan@rialto.k12.ca.us Eric Foner wrote: > Welcome to the History Matters forum on teaching Reconstruction. A > century and a quarter after it came to a close, Reconstruction remains > perhaps the most controversial and least understood era of American > history. The term itself applies both to a specific period of the nation's > past and to a prolonged and difficult process by which Americans > sought to reunite a nation sundered by the Civil War, and come to > terms with the destruction of slavery. As a chronological period, > Reconstruction is usually said to have begun in 1865, with the Union's > victory in the Civil War, although in reality steps toward reuniting the > nation and recasting Southern life began during the war itself. In > political terms, the era of Reconstruction ended in 1877, when the > federal government irrevocably abandoned the idea of intervening in > the South to protect the rights of black citizens. As a historical process > through which sectional reconciliation was achieved and a new > system of labor and race relations devised to replace the shattered > world of slavery, Reconstruction lasted at least to the end of the > nineteenth century. If Reconstruction is defined as the effort of > American society to come to terms with the legacy of slavery, it is still > going on. Certainly, in debates about racial equality, the interpretation > of the Fourteenth Amendment, affirmative action, and the responsibility > of the federal government for defining and enforcing the rights of > American citizens, issues central to Reconstruction remain part of our > lives today. > > Historical writing on Reconstruction began during the era itself, and > continues to the present day. Reconstruction scholarship, one > historian has written, is a "dark and bloody ground" a vast body of > writing marked by sharp differences of opinion and radical changes in > interpretation, especially in the last two generations. Until the 1960s, > the prevailing interpretation viewed Reconstruction as an era of > unrelieved sordidness in political and social life. The villains of the > piece were vindictive Radical Republicans, who sabotaged Andrew > Johnson's lenient plan for bringing the South back into the Union, and > instead fastened black supremacy upon the defeated Confederacy. > An orgy of corruption and misgovernment allegedly followed, only > brought to a close when the South's white communities banded > together to restore "home rule" (a polite euphemism for white > supremacy). Resting on the assumption that black suffrage was the > gravest error of the entire Civil War period, this interpretation survived > for decades because it accorded with and legitimated firmly > entrenched political and social realities, including radical segregation > and the disenfranchisement of southern black voters (which lasted > from around 1900 to 1965). > > Although some scholars had already challenged elements of this > point of view, it was not until the 1960s, the decade of the civil rights > revolution or "second Reconstruction," that the traditional interpretation > was entirely dismantled. Once they discarded the assumption of > black incapacity, historians came to view Reconstruction as a > praiseworthy effort to build an interracial democracy from the ashes of > slavery. The era was portrayed as a time of extraordinary progress in > the South; indeed, if Reconstruction was "tragic," it was because > change did not go far enough, especially in the failure to distribute > land to the former slaves. But in the federal civil rights laws and > Fourteenth and Fifteenth Amendments enacted during the period, > Reconstruction laid the groundwork for future struggles for racial > equality. In this scholarship, African-Americans emerged as major > historical actors, rather than victims of manipulation by others. Their > political and religious organizations, economic aspirations, and the > social divisions among them attracted a new deal of scholarly > attention. The economic transformation of the South and the complex > process by which various modes of free labor replaced the labor > system of slavery, became the focal point of numerous studies, > especially in the 1970s and 1980s. Other historians sought to place > this country's adjustment to emancipation in an international context, > comparing Reconstruction in the United States with the aftermath of > slavery in the Caribbean, Brazil, and elsewhere. Most recently, > Reconstruction scholars, like those studying many other periods of > American history, have devoted close attention to the role of gender in > Reconstruction the reconstitution of black families, how the Civil War > affected ideologies of manhood, how freedom may have had different > meanings for freed women than for their brothers and husbands. > > I look forward to discussing any of the issues raised by this body of > historical literature, as well as relating to Reconstruction's relevance > for our own times. We live today in a "post-civil rights" era in some > ways analogous to the early 20th century. But so long as the issues > central to Reconstruction remain unresolved -- the balance of power in > the federal system, the place of black Americans in national life, the > relationship between economic and political democracy -- an > understanding of that period will remain central to our teaching of > American history as a whole. > > I’d like to conclude with a few questions to start our discussion. How > do you teach about Reconstruction and what resources do you use? > What relevance do you see in the history of Reconstruction for our > current politics and race relations? Should we think of Reconstruction > as a failure and if so, how do we explain this? Do the cycles of > Reconstruction historiography suggest that historical "truth" is > unobtainable and that historical interpretation tends to serve > immediate political ends? > > Eric Foner > > This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. --------------E135F07683994A0FBDF399C9 Content-Type: text/html; charset=iso-8859-1 Content-Transfer-Encoding: 8bit My name is Carl Duncan. I teach 8th grade social studies at Kucera Middle School in Rialto, California, about 65 miles east of Los Angeles. I teach U. S. History (colonial period to W.W.I). I am teaching and developing an Ethnic Studies course. This class is a very rare opportunity at the secondary level. Even more so at the middle school level. Using internet resources I have not been able to find another middle school that offers such a class. I have found only a very few high schools that offer an ethnic studies class in any form. Consequently, there are no textbooks. It is also important to note that I am living and working in what the census bureau calls the most integrated and culturally diverse area in the country, probably the world. I am also the coordinator of a college prep program at Kucera.

I have degrees (BS, MA) in Sociology. I am ABD in Sociology. I withdrew form UC, Riverside over 10 years ago after my home was attacked after several years of plain talk about racism on campus and in the community. In this case the truth set me free. I have taught Race Relations and other sociology courses at local community colleges. I am also an ordained and active minister.

I consider Reconstruction/Post Reconstruction as the seminal period in US history, and the Compromise of 1877 as the  crucial event. It is here that the contradiction between the founding documents and the founding fathers intersect. At this crossroads the US is pushed, by what appears to be a logical evolution, into the real conflict with itself. The Civil War was the culmination of the nations attempts to not deal with its contradictions. Lee's surrender did not end the civil war, it just signaled the end of the legal bloodshed. The Civil War ended in 1865, but the civil war that seeks to bring together the promise and ideals of a republican democracy, with the political stresses exacerbated by class concentrated capital, was just beginning.

Now our "free" society with its "open" borders must allow for more that just the coming together of two cultures conveniently identified by spurious racial definitions that legitimized separation. We (in my school district at least) must deal with the diversity of three major Asian ethnicities, at least two Latino ethnicities, three African American ethnicities, undefined and not understood Native American ethnicities, and one large and economically dominant racial group - whites, who have little realization ethnicity except for "American". When we teach about Reconstruction we are teaching about the United States that has come to be.

I use a standard 8th grade US history text, The American Nation. I offer that the real threat in the South was the potential of cooperation between the whites of a destroyed (physically and culturally) South, and the resource-less but resourceful, hopeful, and highly skilled freed persons. I add a history of the KKK, an examination of propaganda as tool of race hatred and social education, and culminate the unit with Plessy vs. Ferguson as the ultimate victory of the Jeffersonian contradiction. (Jefferson would win again in 1954 and 1965.)

I may be relegated to the role of listen/reader in this conversation. Time may not allow me to give up the little more than an hour that it took for me to read your stimulating comments and provide this one of my own. Arica, I appreciate your scholarship. It has all the earmarks of a student engaged. Dr. Foner, thanks for your time and this opportunity. I hope to chime in from time to time this month.  

Carl Duncan
AVID Coordinator
Kucera Middle School
Rialto, CA 92377
kweliace@earthlink.net
aduncan@rialto.k12.ca.us

Eric Foner wrote:

Welcome to the History Matters forum on teaching Reconstruction.  A
century and a quarter after it came to a close, Reconstruction remains
perhaps the most controversial and least understood era of American
history.  The term itself applies both to a specific period of the nation's
past and to a prolonged and difficult process by which Americans
sought to reunite a nation sundered by the Civil War, and come to
terms with the destruction of slavery.  As a chronological period,
Reconstruction is usually said to have begun in 1865, with the Union's
victory in the Civil War, although in reality steps toward reuniting the
nation and recasting Southern life began during the war itself.  In
political terms, the era of Reconstruction ended in 1877, when the
federal government irrevocably abandoned the idea of intervening in
the South to protect the rights of black citizens.  As a historical process
through which sectional reconciliation was achieved and a new
system of labor and race relations devised to replace the shattered
world of slavery, Reconstruction lasted at least to the end of the
nineteenth century.  If Reconstruction is defined as the effort of
American society to come to terms with the legacy of slavery, it is still
going on.  Certainly, in debates about racial equality, the interpretation
of the Fourteenth Amendment, affirmative action, and the responsibility
of the federal government for defining and enforcing the rights of
American citizens, issues central to Reconstruction remain part of our
lives today.

Historical writing on Reconstruction began during the era itself, and
continues to the present day.  Reconstruction scholarship, one
historian has written, is a "dark and bloody ground"  a vast body of
writing marked by sharp differences of opinion and radical changes in
interpretation, especially in the last two generations.  Until the 1960s,
the prevailing interpretation viewed Reconstruction as an era of
unrelieved sordidness in political and social life.  The villains of the
piece were vindictive Radical Republicans, who sabotaged Andrew
Johnson's lenient plan for bringing the South back into the Union, and
instead fastened black supremacy upon the defeated Confederacy.
An orgy of corruption and misgovernment allegedly followed, only
brought to a close when the South's white communities banded
together to restore "home rule" (a polite euphemism for white
supremacy).  Resting on the assumption that black suffrage was the
gravest error of the entire Civil War period, this interpretation survived
for decades because it accorded with and legitimated firmly
entrenched political and social realities, including radical segregation
and the disenfranchisement of southern black voters (which lasted
from around 1900 to 1965).

Although some scholars had already challenged elements of this
point of view, it was not until the 1960s, the decade of the civil rights
revolution or "second Reconstruction," that the traditional interpretation
was entirely dismantled.  Once they discarded the assumption of
black incapacity, historians came to view Reconstruction as a
praiseworthy effort to build an interracial democracy from the ashes of
slavery.  The era was portrayed as a time of extraordinary progress in
the South; indeed, if Reconstruction was "tragic," it was because
change did not go far enough, especially in the failure to distribute
land to the former slaves.  But in the federal civil rights laws and
Fourteenth and Fifteenth Amendments enacted during the period,
Reconstruction laid the groundwork for future struggles for racial
equality.  In this scholarship, African-Americans emerged as major
historical actors, rather than victims of manipulation by others.  Their
political and religious organizations, economic aspirations, and the
social divisions among them attracted a new deal of scholarly
attention.  The economic transformation of the South and the complex
process by which various modes of free labor replaced the labor
system of slavery, became the focal point of numerous studies,
especially in the 1970s and 1980s.  Other historians sought to place
this country's adjustment to emancipation in an international context,
comparing Reconstruction in the United States with the aftermath of
slavery in the Caribbean, Brazil, and elsewhere.  Most recently,
Reconstruction scholars, like those studying many other periods of
American history, have devoted close attention to the role of gender in
Reconstruction the reconstitution of black families, how the Civil War
affected ideologies of manhood, how freedom may have had different
meanings for freed women than for their brothers and husbands.

I look forward to discussing any of the issues raised by this body of
historical literature, as well as relating to Reconstruction's relevance
for our own times.  We live today in a "post-civil rights" era in some
ways analogous to the early 20th century.  But so long as the issues
central to Reconstruction remain unresolved -- the balance of power in
the federal system, the place of black Americans in national life, the
relationship between economic and political democracy -- an
understanding of that period will remain central to our teaching of
American history as a whole.

I’d like to conclude with a few questions to start our discussion. How
do you teach about Reconstruction and what resources do you use?
What relevance do you see in the history of Reconstruction for our
current politics and race relations? Should we think of Reconstruction
as a failure and if so, how do we explain this? Do the cycles of
Reconstruction historiography suggest that historical "truth" is
unobtainable and that historical interpretation tends to serve
immediate political ends?

Eric Foner

This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History.

--------------E135F07683994A0FBDF399C9-- This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Wed, 3 Oct 2001 08:12:26 -0400 Reply-To: Reconstruction Forum Sender: Reconstruction Forum From: "Jonathan M. Bryant" Subject: Re: Arica Coleman's posting on law and emancipation In-Reply-To: <13e.24eac7e.28ea982f@aol.com> Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed Arica, Others will probably comment on this as well, but slaves were largely kept outside the formal legal system in most slave societies, and certainly in the American South. Thus, very few blacks would be found in any southern penitentary prior to the Civil War because the process of plantation discipline kept punishment of crimes by slaves within the private sphere. In other words, if a slave stole, punishment was under the control of the master, not of the state. If someone's slave stole from you, you sued his or her owner, you did not prosecute the slave. With emancipation white elites realized that what had been handled by plantation discipline would now have to be handled in the public sphere through the formal legal system. In fact, many states created special courts to handle the flood of criminal and civil litigation they expected would follow this change, and even the Freedmen's Bureau Courts to some extent responded to this transformation. The legal system replaced the plantation as the means by which many white elites hoped to control the freed people. The story actually becomes quite complex, and you can learn more of how this played out in a plantation community in my book, How Curious a Land, (UNC Press, 1996). Jonathan Bryant Professor Jonathan M. Bryant Department of History, Box 8054 Georgia Southern University Statesboro, Ga. 30460-8054 jbryant@ gsvms2.cc.gasou.edu Tel.: (912) 681-5818 Fax: (912) 681-0377 This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Wed, 3 Oct 2001 06:40:39 -0700 Reply-To: holton@gwu.edu Sender: Reconstruction Forum From: Jim Holton Subject: Reconstruction in the schools MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Greetings, I am Jim Holton, a Ph.D. candidate at the George Washington University and an adjunct professor at two colleges in central Florida. As per the question: "What relevance do you see in the history of Reconstruction for our current politics and race relations? I have a self-serving example. I am currently completing my dissertation, a social history of school integration in Polk County, Florida. I have seen a lot of parallels between Reconstruction in the late 1800s and the effort to ensure integration in American schools in the 1960s to the present. First of all, we see an effort to reconstruct the way Americans think of education. Southern school districts and many outside the South predicated their staff and student assignments on the assumption that blacks and whites couldn't share a classroom. Allocation of resources was made likewise, primarily favored whites despite "separate but equal." Second, desegregation and integration involved the intervention of the federal courts and the support of federal authority. Under Kennedy and LBJ, integration became enshrined in federal policy. Nixon tried to reverse or limit this ability, but the case law became a force unto itself. The first few years of desegregation were largely under local control, and largely a joke. School systems enacted policies that allowed white students to opt out of integrated schools, for example. Only after important court cases in 1967-1968 did the court system require effective programs to integrate. Third, the fight for integration involved a belief that it was the best way to ensure equal rights and opportunity. On the reverse side, anti-integrationists condemned court-sponsored integration as an unlawful interference in local authority, and contributing to a decline in educational standards. My research for this county shows that the local white backlash against integration revolved around three major point: complaints about federal courts overreaching their authority; fears that the effective integration of black students into formerly all-white schools would lead to a decline in educational standards; and the fear that the black cultural presence would necessarily lead to a decline in morality. One of the most prominent concerns was that white girls would be victimized by lusty black boys. Some whites argued that blacks needed to remain segregated until their educational standards "caught up" to white standards. Integration of faculty led to the dispersal of black teachers and the destruction of black leadership in administration--black principals were demoted to vice principals or "kicked upstairs" to dead-end jobs. Black students found themselves tracked to lower-performing classes. And few in the formerly all-white school system considered that black teachers might have anything new or innovative in a pedagogical sense to contribute. Fourth and lastly, I see eerie similarities in the legal and political movement to end court-ordered integration or to ensure that schools are not resegregated (this time by class as well as race). Many people, even well-meaning liberals, consider "forced" integration or "forced" busing a mistake. They want a return to local control, even if that means black and white kids may not go to school together. Conservatives have always believed so, and do not recognize how integration forced many school districts (including the one I'm studying) to equalize funding and make sure that no school has an inherent advantage. We also see similarities in criticisms about integration and Reconstruction. The myth of "gleaming bayonets" for example, translates into criticisms of "forced" busing. However, most school children were already on school buses; only now they were driving one or two miles further (in your smaller districts) to reach schools in black neighborhoods. And then there's the fear of black male sexuality and overzealous disciplne that singled out black students. Even many blacks find comfort in the thought that "separate but equal" might work in the 21st century. There's s sort of moral exhaustion with the process and a rethinking about what was once a noble goal. School vouchers, "freedom of choice" demands for standardized testing to separate good schools from bad, are not good signs for the future of equal opportunity in education. Regards, ...Jim Holton holton@gwu.edu __________________________________________________ Do You Yahoo!? Listen to your Yahoo! Mail messages from any phone. http://phone.yahoo.com This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Wed, 3 Oct 2001 11:11:43 -0700 Reply-To: Reconstruction Forum Sender: Reconstruction Forum From: "Brown, Joshua" Subject: Re: 1863 Draft Riot In-Reply-To: <20011002142427.10874.qmail@web20006.mail.yahoo.com> Mime-version: 1.0 Content-type: text/plain; charset="US-ASCII" Content-transfer-encoding: 7bit Contemporary accounts of the 1863 Draft Riot claimed that the violence claimed nearly one thousand lives. But combing official records and news accounts, subsequent scholarship has documented 119 deaths. The riot was the worst and most extensive civil disorder in U.S. history. A new Web site called "Virtual New York," produced at the City University Graduate Center, will feature an extensive and detailed account of the 1863 riot, including many primary visual and text resources. The site will be inaugurated later this month and will be accessible through the American Social History Project's Web site (http://www.ashp.cuny.edu -- click on the "New Media Lab" button). Josh Brown American Social History Project > From: Austin Manghan > Reply-To: Reconstruction Forum > Date: Tue, 2 Oct 2001 07:24:27 -0700 > To: RECONSTRUCTIONFORUM@ASHP.LISTSERV.CUNY.EDU > Subject: Re: Introductory Statement from Eric Foner > > Dear Friends, > > I suspect this question does relate to the topic... > > Can any of you tell me how many people were killed > during the NY draft riots in the 1860's? Perhaps this > was the single worst terrorist attack in NYC history. > > Thanks, > Austin Manghan > > --- Eric Foner wrote: >> Welcome to the History Matters forum on teaching >> Reconstruction. A >> century and a quarter after it came to a close, >> Reconstruction remains >> perhaps the most controversial and least understood >> era of American >> history. The term itself applies both to a specific >> period of the nation's >> past and to a prolonged and difficult process by >> which Americans >> sought to reunite a nation sundered by the Civil >> War, and come to >> terms with the destruction of slavery. As a >> chronological period, >> Reconstruction is usually said to have begun in >> 1865, with the Union's >> victory in the Civil War, although in reality steps >> toward reuniting the >> nation and recasting Southern life began during the >> war itself. In >> political terms, the era of Reconstruction ended in >> 1877, when the >> federal government irrevocably abandoned the idea of >> intervening in >> the South to protect the rights of black citizens. >> As a historical process >> through which sectional reconciliation was achieved >> and a new >> system of labor and race relations devised to >> replace the shattered >> world of slavery, Reconstruction lasted at least to >> the end of the >> nineteenth century. If Reconstruction is defined as >> the effort of >> American society to come to terms with the legacy of >> slavery, it is still >> going on. Certainly, in debates about racial >> equality, the interpretation >> of the Fourteenth Amendment, affirmative action, and >> the responsibility >> of the federal government for defining and enforcing >> the rights of >> American citizens, issues central to Reconstruction >> remain part of our >> lives today. >> >> Historical writing on Reconstruction began during >> the era itself, and >> continues to the present day. Reconstruction >> scholarship, one >> historian has written, is a "dark and bloody ground" >> a vast body of >> writing marked by sharp differences of opinion and >> radical changes in >> interpretation, especially in the last two >> generations. Until the 1960s, >> the prevailing interpretation viewed Reconstruction >> as an era of >> unrelieved sordidness in political and social life. >> The villains of the >> piece were vindictive Radical Republicans, who >> sabotaged Andrew >> Johnson's lenient plan for bringing the South back >> into the Union, and >> instead fastened black supremacy upon the defeated >> Confederacy. >> An orgy of corruption and misgovernment allegedly >> followed, only >> brought to a close when the South's white >> communities banded >> together to restore "home rule" (a polite euphemism >> for white >> supremacy). Resting on the assumption that black >> suffrage was the >> gravest error of the entire Civil War period, this >> interpretation survived >> for decades because it accorded with and legitimated >> firmly >> entrenched political and social realities, including >> radical segregation >> and the disenfranchisement of southern black voters >> (which lasted >> from around 1900 to 1965). >> >> Although some scholars had already challenged >> elements of this >> point of view, it was not until the 1960s, the >> decade of the civil rights >> revolution or "second Reconstruction," that the >> traditional interpretation >> was entirely dismantled. Once they discarded the >> assumption of >> black incapacity, historians came to view >> Reconstruction as a >> praiseworthy effort to build an interracial >> democracy from the ashes of >> slavery. The era was portrayed as a time of >> extraordinary progress in >> the South; indeed, if Reconstruction was "tragic," >> it was because >> change did not go far enough, especially in the >> failure to distribute >> land to the former slaves. But in the federal civil >> rights laws and >> Fourteenth and Fifteenth Amendments enacted during >> the period, >> Reconstruction laid the groundwork for future >> struggles for racial >> equality. In this scholarship, African-Americans >> emerged as major >> historical actors, rather than victims of >> manipulation by others. Their >> political and religious organizations, economic >> aspirations, and the >> social divisions among them attracted a new deal of >> scholarly >> attention. The economic transformation of the South >> and the complex >> process by which various modes of free labor >> replaced the labor >> system of slavery, became the focal point of >> numerous studies, >> especially in the 1970s and 1980s. Other historians >> sought to place >> this country's adjustment to emancipation in an >> international context, >> comparing Reconstruction in the United States with >> the aftermath of >> slavery in the Caribbean, Brazil, and elsewhere. >> Most recently, >> Reconstruction scholars, like those studying many >> other periods of >> American history, have devoted close attention to >> the role of gender in >> Reconstruction the reconstitution of black families, >> how the Civil War >> affected ideologies of manhood, how freedom may have >> had different >> meanings for freed women than for their brothers and >> husbands. >> >> I look forward to discussing any of the issues >> raised by this body of >> historical literature, as well as relating to >> Reconstruction's relevance >> for our own times. We live today in a "post-civil >> rights" era in some >> ways analogous to the early 20th century. But so >> long as the issues >> central to Reconstruction remain unresolved -- the >> balance of power in >> the federal system, the place of black Americans in >> national life, the >> relationship between economic and political >> democracy -- an >> understanding of that period will remain central to >> our teaching of >> American history as a whole. >> >> I d like to conclude with a few questions to start >> our discussion. How >> do you teach about Reconstruction and what resources >> do you use? >> What relevance do you see in the history of >> Reconstruction for our >> current politics and race relations? Should we think >> of Reconstruction >> as a failure and if so, how do we explain this? Do >> the cycles of >> Reconstruction historiography suggest that >> historical "truth" is >> unobtainable and that historical interpretation >> tends to serve >> immediate political ends? >> >> Eric Foner >> >> This forum is sponsored by History Matters--please >> visit our Web site at http://historymatters.gmu.edu >> for more resources for teaching U.S. History. > > > __________________________________________________ > Do You Yahoo!? > Listen to your Yahoo! Mail messages from any phone. > http://phone.yahoo.com > > This forum is sponsored by History Matters--please visit our Web site at > http://historymatters.gmu.edu for more resources for teaching U.S. History. This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Wed, 3 Oct 2001 11:39:23 -0400 Reply-To: Reconstruction Forum Sender: Reconstruction Forum From: Hal Morris Subject: Re: Reconstruction in the schools In-Reply-To: <20011003134039.2206.qmail@web20502.mail.yahoo.com> MIME-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII I do not teach, except through my web site (see below), but have, on the basis of it, gotten many letters from students of all ages, indicating they had learned something from it. Though I haven't studied reconstruction nearly as intensely as I have the (roughly) "Jacksonian" era, it has fascinated me, and I've fantasized about something like the following: * Assign half of a class of students a list of readings from the point of view that Reconstruction was a good and important idea that was not really carried out (maybe that is not exactly how you would phrase a sympathetic view of Reconstruction, but it is my interpretation). * Assign half of the class a list of readings that portray Reconstruction in the negative terms that were popular until recently. * After the readings, have a debate, lasting over several days, and see if any consensus can be drawn. It seems to me that an excellant text to use would be _A Fool's Errand, by One of the Fools_, by Albion Torgee. Writen in 1879 based on the author's experience, it is a fictionalized portrait of ex-slaves and sympathetic whites being terrorized, and a very readible, if melodramatic, story. It is out of print, though I'm considering doing something about that. Among used book listings, I was startled by the following characterization: Anonymously published, the most famous novel of this Ohio carpetbagger who became an unpopular judge in North Carolina during Reconstruction and who enriched him self through a corrupt administration. An important American political novel, with much on conditions and politics in the South during Reconstruction, including the KKK. This printing was done from plates of the first printing and thus has the origi nal text. There were many alterations in the text in later printings, and there was an expanded and retitled edition (THE INVISIBLE EMPIRE) in 1880. See BAL 20346. For those who know anything about it, it might be a good topic to discuss here -- is there any truth to the claim that Tourgee "enriched him self through a corrupt administration?" What can be known about his actual experiences, and how accurate might his description be? It seems to me there is a parallel, which I perceived from reading _A Fool's Errand_, between Reconstruction, and other post-war situations where the defeated party is taken apart -- especially in the case of a pathological society where the pathology is a major reason why the war occurred in the first place, and a lasting and just peace will depend on reformation of those pathologies. After World War II, the victors (in the Western sphere of influence) successfully helped produce better societies. After World War I, this was not done. In the recent "Desert Storm", and some other recent interventions in the middle east, the U.S. has reacted in "hit and run" fashion, and taken no responsibility for the lives of the ordinary people who were swept up in the cyclone. In the near future, we may be faced with a very similar situation w.r.t. Afghanistan. Will we, after achieving our immediate goals, leave the country in a state of chaos, or try, as dangerous as it may be, to foster development of a sane society that puts the safety and welfare of the people there first? These examples are clearly very different from one another, but I think there is an important common element. Hal Morris: hal@panix.com -- Editor of: * H-SHEAR Web pages: http://www.h-net.msu.edu/~shear * Jacksonian Miscellanies: Free sources & commentary (email for info). * Tales of the Early Republic web site: http://WWW.EarlyRepublic.net This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Wed, 3 Oct 2001 12:17:06 -0500 Reply-To: Reconstruction Forum Sender: Reconstruction Forum From: Joe Berry Subject: Re: Response MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit Colleagues, Not to nitpick, since I really like the contributions so far, but I hope in the future we not refer to "Southerners" when what is really mean is white southerners. The fact that many white southerners use this formulation is no excuse at all and is really the beginning of the difficulty of talking about the subject with many whites, southern and otherwise. I currently teach Reconstruction as part of US survey at Malcolm X College in Chicago and as part of survey of labor history for Indiana University Labor Studies in Gary. To me, there is no substitute, at least when teaching working class students, white, Black or other, for emphasizing the class aspect of Recon and its betrayal. DuBois is simply essential here. I have also had good luck using Howard Fast's Freedom Road and turing the final meeting scene, where the exslave Congressman reports back to his folks, Black and white, on the plantations community about what they have done and how they have been betrayed, to be a wonderful thing to do as oral reading or enactment in class. I have never used the film w/Muhammed Ali, but that might be good to use too. I find that simulations in class, with groups of students taking the part of groups in Recon (Freedpeople(incl Union War vets), poor white farmers, planters, Freedman Bureau folks, including teachers, etc.) works really well. The core question to ask them to deal with is "What are your main demands or interests?" and then who must this demand be directed at? In other words, who is the enemy who has power to grant or deny the demands? Then who are your allies potentially in this struggle to get your demands? This has also worked well in teaching the origins of Black life racial slavery in the aftermath of Bacon's Rebellion. I would welcome comments on this. Joe Berry "Suvi U. Vesala" wrote: > > Dear Professor Foner and fellow scholars, > > I am a graduate student at Tulane University where I have the pleasure of > teaching the Post Civil War portion of the U.S.survey for the second time. > My concerns with Reconstruction as a topic in class thus differ quite a bit > from those who spend an entire semester on the period. > > Here at Tulane and in my classroom the student body is rather evenly split > between students from Louisiana and the surrounding areas on the one hand > and those from the Northeast on the other. I find the basic chronology very > easy to teach, in fact it is mostly review since many of them already know a > good bit. > > The chief difficulty is in what I call the "unteaching" of Reconstruction: > students seem to hold extremely polarized and fixed opinions on the subject. > I have a good portion of students who think very much along the lines of the > Dunning School, while others have difficulty feeling any sympathy toward the > Southerners. > > My attempt to mediate these antagonistic camps so far consist of playing the > game of naming the major players. I draw boxes on the blackboard for the > North and the South. I then begin inserting different categories of people > into each box as students call them out, pausing to define some of the > characteristics of each group. With Democrats and Republicans, former slaves > and slaveowners gradually emerging in both boxes, confusion, debate and, > thankfully, some epiphanies ensue. Despite a measure of success achieved > this way, I wonder if there would not be a better way to do this. I would > very much like to hear suggestions on different things to try, as well as > just share views on this particular challenge. > > Ursula Vesala > Tulane University > New Orleans, Louisiana > > This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. -- Joe Berry 1453 W. Flournoy, #3F Chicago, IL 60607 Phone/fax: 312-733-2172 Email This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Wed, 3 Oct 2001 10:28:00 -0700 Reply-To: Reconstruction Forum Sender: Reconstruction Forum From: Barbara Egypt Subject: Re: Introductory Statement from Eric Foner In-Reply-To: <3BBA5FB9.D08E441@earthlink.net> MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Professor Bryant, I,too,would appreciate a copy of the syllabus. Thanks! Barbara A.Egypt, Ph.D., begypt@yahoo.com --- M Drago wrote: > "Jonathan M. Bryant" wrote: > > > All, > > > > My name is Jonathan Bryant and I teach at Georgia > Southern > > University. When I arrived here in 1996, a > colleague who does the Civil > > War and Reconstruction class refused to let me > teach it. So, I had to find > > more creative ways to teach the Reconstruction > era. In a way, that > > colleague did me a favor, for the course I came up > with is far more > > interesting than the traditional course. > > > > Reflecting my own interests and work I had done > with Phil Curtin, I put > > together a course called "The Destruction of > Slavery in the 19th Century > > Atlantic World." While fully half the course > focuses on emancipation and > > Reconstruction in the United States, we began with > the Haitian Revolution > > and ended with Emancipation in Cuba. (I had > wanted to get to Brazil and > > the Suppression of Slavery in Africa, but there > was just not enough > > time) If people wish, I would be more than glad > to post the syllabus to > > the list. > > > > Only 12 students signed up for the course, which > meant I was able to run it > > in a seminar format. Students read portions of > works by David Geggus on > > Haiti, Ira Berlin on the death of Slavery in the > Northern US, Robin > > Blackburn on British Emancipation, some of my own > work on Emancipation in > > Georgia, and Rebecca Scott on Emancipation in > Cuba. They also read > > completely Philip Curtin's _Rise and Fall of the > Plantation Complex_, Ira > > Berlin et al, _Free at Last_, Eric Foner's > _Nothing but Freedom_ and > > finally the old Howard Fast Novel, _Freedom Road_. > > > > I usually feel trapped at Georgia Southern, and > find myself very frustrated > > by the students' lack of interest in really > thinking about history. But > > this course was completely different. The > student's varied in ability, > > mostly were southern, and largely accepted the > Dunning understanding of > > Reconstruction, yet before long they were on fire > about the class. > > > > The comparative context fascinated them, and > classroom discussion included > > their reading aloud short essays about their > responses to the > > readings. Berlin's story of emanciaption in the > North was revelatory for > > many of the white students, and seemed to free > them from lurking > > "guilt"(I'm not sure that is the right word) about > slavery. The black > > students felt they were in a class that for the > first time attributed > > agency to the emancipated slaves, and this seemed > to open them up as > > well. By the time we reached the third chapter of > Foner's _Nothing but > > Freedom_ I literally had trouble getting in my own > comments. Finally, > > Howard Fast's novel worked very well both as an > initiator for discussion of > > whether emancipation was a failure in the Atlantic > world and for the "what > > if?" considerations of could things have gone > differently. Of the works we > > read their favorites were Fast, the primary > materials in _Free at Last_, > > and the third chapter of _Nothing but Freedom_. > In many ways the class > > allowed American students to use broader > considerations to reflect upon > > American events. > > > > I could go on and on. While my idea was not new, > (see Foner's 1st chapter > > in Nothing But Freedom) it was new to the > students, and they loved it. If > > student evaluations mean anything, the class got > straight fives (the > > highest mark) from all eleven students that stuck > it out to the end. This > > being Georgia Southern, I have not been allowed to > teach the course again. > > > > I am very excited about the opportunity to talk > about teaching > > Reconstruction with the group, and I am looking > forward to a diversity of > > ideas about materials and teaching methods. I > think this sort of > > discussion is very important for both the field > and for the larger concept > > of civic education. Susan O'Donovan and I > recently put together a panel > > proposal for the Southern Historical Association > on new work in the field > > of American Reconstruction. As we talked with and > e-mailed other > > historians the consensus seemed to be, "Why > bother? Eric Foner figured it > > out, and the field is moribund." Yet, when I > speak to the public or deal > > with my students, the old _Gone With the Wind_ > understanding of > > Reconstruction still prevails. Intellegent, well > educated adults will even > > use it as an example of why any Government effort > to change society is > > inevitably oppressive and will fail. > > > > Thus, I wish to modify one of Professor Foner's > questions. While we may > > debate forever whether Reconstruction was a > failure, I think it is more > > important to ask whether our teaching (and > writing) about Reconstruction is > > also a failure? Begining more than thirty years > ago scholars like Eric > > Foner, Bill McFeely, Willie Lee Rose and others > have shown us new ways to > > understand the period. Why hasn't this trickled > out into the popular > > consciousness? It's more than T.B.S.'s continual > re-showing of Gone With > > the Wind. Does it, in fact, reflect back on the > "failure" of > > Reconstruction itself? > > > > Jonathan M. Bryant > > Professor Jonathan M. Bryant > > Department of History, Box 8054 > > Georgia Southern University > > Statesboro, Ga. 30460-8054 > > jbryant@ gsvms2.cc.gasou.edu > > Tel.: (912) 681-5818 > > Fax: (912) 681-0377 > > > > This forum is sponsored by History Matters--please > visit our Web site at http://historymatters.gmu.edu > for more resources for teaching U.S. History. > > Professor Bryant, > > Could you please email the syllabus? I read your > posting and your course > on Reconstruction sounds interesting. > Mike Drago > > This forum is sponsored by History Matters--please > visit our Web site at http://historymatters.gmu.edu > for more resources for teaching U.S. History. __________________________________________________ Do You Yahoo!? Listen to your Yahoo! Mail messages from any phone. http://phone.yahoo.com This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Wed, 3 Oct 2001 14:44:39 -0400 Reply-To: Reconstruction Forum Sender: Reconstruction Forum From: Len Rabinowitz Subject: Re: high school teaching MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit Donna: I really agree with you about the inadequacy of high school texts regarding Reconstruction. I often think it is purposeful because they don't want kids to have something really meaty to think about- can't question the social structure too much! Might I make a suggestion? Most high school history texts are "wriiten" by college professors- or at least their names are slapped on them. We should amke suggestions to those who write the texts, not the other way around. Approaching the textbook companies would also be a good idea. Just my two cents. I'd be curious to know how other high school people go about it. We seem to be a little rare on this forum to date. Len Rabinowitz Ashland High School Ashland, MA ----- Original Message ----- From: "Donna L Sharer" To: Sent: Tuesday, October 02, 2001 9:49 PM Subject: Re: high school teaching > I teach high school social studies. Reconstruction, at least in > Pennsylvania, is generally left for 10th or 11th grade U.S. history > (Reconstruction - present). One reason you may find your college > students have little knowledge of Reconstruction is it isn't covered - > or isn't covered in its complexities - in high school. As you know, > most high school text books are inadequate, often outdated, surveys. It > would be helpful if college professors would give suggestions for high > school teachers. I'm especially interested in historical fiction that > could be used in a high school class. > > I'm also interested in how reparations are connected to the study of > Reconstruction. Many of my students are interested in looking at the > issues of reparations. It also brings history to the "present." > > Thank you, > > Donna Sharer > > This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. > This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Wed, 3 Oct 2001 14:31:53 -0400 Reply-To: Reconstruction Forum Sender: Reconstruction Forum From: Len Rabinowitz Subject: Re: Introductory Statement from Eric Foner MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit To all: I don't know how many high school teachers there are on this forum. As one myself, I find teaching about Reconstruction fascinating but difficult. I think in many ways it is more important than the war itself, but the texts don't teach it that way and students have a hard time grasping that. They tend to think that Appomatox ended everything, and the idea that with the Appomatox surrender a more difficlut problem than the war in some ways had now presented itself. In a certain way I like to see Reconstruction as a beginning, rather than an ending. I see it as a combination of successes and failures. I have mixed feelings about how high school textbooks present it. The are better than they were. I spent some time this summer at Harvard's Guttman library which has an enormous collection of old textbooks. I was curious to see how the handled the subject. Most of it was as Professor Foner says, but one of them stated that after the Emancipation Proclamation most slaves stayed on the plantation since they didn't want freedom. However, the Emancipation Proclamation made white northerners fight harder to end slavery! Which seemed to me to make both groups look pretty idiotic. Books are better these days- they all strive for the "balanced" point of view. And yet that bothers me too- as if all historical points of view or events are of equal value or worth. I don't think the KKK deserves as much time as the efforts that blacks made to exercise what freedom meant to them. I am currently working my way through Professor Foner's book on Reconstruction- the long one, not the short version! Anyone have any teaching materials or ideas to go with it? Len Rabinowitz Ashland High School Ashland, MA ----- Original Message ----- From: "Eric Foner" To: Sent: Monday, October 01, 2001 10:47 AM Subject: Introductory Statement from Eric Foner Welcome to the History Matters forum on teaching Reconstruction. A century and a quarter after it came to a close, Reconstruction remains perhaps the most controversial and least understood era of American history. The term itself applies both to a specific period of the nation's past and to a prolonged and difficult process by which Americans sought to reunite a nation sundered by the Civil War, and come to terms with the destruction of slavery. As a chronological period, Reconstruction is usually said to have begun in 1865, with the Union's victory in the Civil War, although in reality steps toward reuniting the nation and recasting Southern life began during the war itself. In political terms, the era of Reconstruction ended in 1877, when the federal government irrevocably abandoned the idea of intervening in the South to protect the rights of black citizens. As a historical process through which sectional reconciliation was achieved and a new system of labor and race relations devised to replace the shattered world of slavery, Reconstruction lasted at least to the end of the nineteenth century. If Reconstruction is defined as the effort of American society to come to terms with the legacy of slavery, it is still going on. Certainly, in debates about racial equality, the interpretation of the Fourteenth Amendment, affirmative action, and the responsibility of the federal government for defining and enforcing the rights of American citizens, issues central to Reconstruction remain part of our lives today. Historical writing on Reconstruction began during the era itself, and continues to the present day. Reconstruction scholarship, one historian has written, is a "dark and bloody ground" a vast body of writing marked by sharp differences of opinion and radical changes in interpretation, especially in the last two generations. Until the 1960s, the prevailing interpretation viewed Reconstruction as an era of unrelieved sordidness in political and social life. The villains of the piece were vindictive Radical Republicans, who sabotaged Andrew Johnson's lenient plan for bringing the South back into the Union, and instead fastened black supremacy upon the defeated Confederacy. An orgy of corruption and misgovernment allegedly followed, only brought to a close when the South's white communities banded together to restore "home rule" (a polite euphemism for white supremacy). Resting on the assumption that black suffrage was the gravest error of the entire Civil War period, this interpretation survived for decades because it accorded with and legitimated firmly entrenched political and social realities, including radical segregation and the disenfranchisement of southern black voters (which lasted from around 1900 to 1965). Although some scholars had already challenged elements of this point of view, it was not until the 1960s, the decade of the civil rights revolution or "second Reconstruction," that the traditional interpretation was entirely dismantled. Once they discarded the assumption of black incapacity, historians came to view Reconstruction as a praiseworthy effort to build an interracial democracy from the ashes of slavery. The era was portrayed as a time of extraordinary progress in the South; indeed, if Reconstruction was "tragic," it was because change did not go far enough, especially in the failure to distribute land to the former slaves. But in the federal civil rights laws and Fourteenth and Fifteenth Amendments enacted during the period, Reconstruction laid the groundwork for future struggles for racial equality. In this scholarship, African-Americans emerged as major historical actors, rather than victims of manipulation by others. Their political and religious organizations, economic aspirations, and the social divisions among them attracted a new deal of scholarly attention. The economic transformation of the South and the complex process by which various modes of free labor replaced the labor system of slavery, became the focal point of numerous studies, especially in the 1970s and 1980s. Other historians sought to place this country's adjustment to emancipation in an international context, comparing Reconstruction in the United States with the aftermath of slavery in the Caribbean, Brazil, and elsewhere. Most recently, Reconstruction scholars, like those studying many other periods of American history, have devoted close attention to the role of gender in Reconstruction the reconstitution of black families, how the Civil War affected ideologies of manhood, how freedom may have had different meanings for freed women than for their brothers and husbands. I look forward to discussing any of the issues raised by this body of historical literature, as well as relating to Reconstruction's relevance for our own times. We live today in a "post-civil rights" era in some ways analogous to the early 20th century. But so long as the issues central to Reconstruction remain unresolved -- the balance of power in the federal system, the place of black Americans in national life, the relationship between economic and political democracy -- an understanding of that period will remain central to our teaching of American history as a whole. I'd like to conclude with a few questions to start our discussion. How do you teach about Reconstruction and what resources do you use? What relevance do you see in the history of Reconstruction for our current politics and race relations? Should we think of Reconstruction as a failure and if so, how do we explain this? Do the cycles of Reconstruction historiography suggest that historical "truth" is unobtainable and that historical interpretation tends to serve immediate political ends? Eric Foner This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Wed, 3 Oct 2001 16:19:28 -0400 Reply-To: Reconstruction Forum Sender: Reconstruction Forum From: Natalie Hefter Subject: Introduction MIME-version: 1.0 Content-type: text/plain; charset=iso-8859-1 Content-transfer-encoding: 7bit Good afternoon. I have enjoyed all of the introductions and have finally found time to send mine. I work at the Coastal Discovery Museum on Hilton Head Island, SC. As the history educator at the Museum, my role includes training our docents, leading public programs and teaching school programs (mostly elementary and middle school students). I am very interested in the discussions about Reconstruction as I would like to expand how we interpret our area's history. Hilton Head Island was occupied by the Union from November 1861 through the end of the Civil War. The effects of this occupation on the slave population is a topic that I have recently begun to investigate. In addition, the island was home to Mitchelville, a town created in 1862 for the slaves, or contrabands as they were called at the time. According to recent research, this town had the first compulsory education law in the state of South Carolina. The unique conditions that existed on Hilton Head Island during the occupation had a deep impact upon those families who remained after the War. I hope to expand my research to examine the role of Reconstruction on the Island and in the area. I expect that I'll gain a great deal of information from this forum to assist me in reaching this goal. Thank you, Natalie Hefter Vice President of History Coastal Discovery Museum P. O. Box 23497 Hilton Head Island, SC 29925 843-689-6767, ext. 225 www.coastaldiscovery.org This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Wed, 3 Oct 2001 19:47:48 -0400 Reply-To: Reconstruction Forum Sender: Reconstruction Forum From: Lisa auslander Subject: Reconstruction in Middle Schools MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit Hi- I am an 8th grade Social Studies teacher at I.S. 311 in Brooklyn. I also like others have said feel a great urgency to teach about Reconstruction to my students. I have taken Dr. Foner's statement seriously when he refers to it as the first Civil Rights movement. I tell the students this and I feel it piques their interest and gets them involved in a real discussion - We later do a unit on the Civil Rights movement and I try to make connections and lead them to the connections as much as possible. Any further suggestions on how to set this up will be wonderful. Also I teach the novel in my history clsass Out from this Place by Joyce Hanson which is set at the end of the Civil War and exposes the paradox of "freedom" after the war's end for a "family" of former enslaved people who run to the North. I think the book is a great way for eighth graders to discuss the ideas because it has real life characters going through the trials and tribulations this time period brought African Americans. I am also not supposed to spend so much on Reconstruction but I do devote 6 weeks to it including a review of the Civil War because I feel it is such an important prelude to the other in depth units we study. I look forward to reading more. lisa auslander brooklyn, NY This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Wed, 3 Oct 2001 18:56:00 -0700 Reply-To: Reconstruction Forum Sender: Reconstruction Forum From: Austin Manghan Subject: Re: high school teaching In-Reply-To: <003d01c14c3b$75da3260$1ae97ad1@kablen> MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii In response to Len Rabinowitz, I'm a HS teacher. I assume that most of my students don't read the text book. I provide them with as much primary source material as I can. Austin Manghan Longwood HS Middle Island NY __________________________________________________ Do You Yahoo!? NEW from Yahoo! GeoCities - quick and easy web site hosting, just $8.95/month. http://geocities.yahoo.com/ps/info1 This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Wed, 3 Oct 2001 20:47:34 -0400 Reply-To: Reconstruction Forum Sender: Reconstruction Forum From: "Margaret D. Blough" <102505.271@COMPUSERVE.COM> Subject: Introductory Statement from Eric Foner MIME-Version: 1.0 Content-Transfer-Encoding: 7bit Content-Type: text/plain; charset=us-ascii Message text written by Reconstruction Forum > Id like to conclude with a few questions to start our discussion. How do you teach about Reconstruction and what resources do you use? What relevance do you see in the history of Reconstruction for our current politics and race relations? Should we think of Reconstruction as a failure and if so, how do we explain this? Do the cycles of Reconstruction historiography suggest that historical "truth" is unobtainable and that historical interpretation tends to serve immediate political ends? Eric Foner< My name is Margaret Blough. I am an attorney with the Pennsylvania Human Relations Commission, although I'm participating in this, personally, rather than as an official representative of the PHRC. I don't teach, as such. However, while the PHRC investigates and litigates complaints of discrimination, another important part of the its work is in education and community services, both in responding to and to preventing racial tension situations. Understanding the history of and the forces that have affected race relations in this country, both for good and for ill, is an important part of this work. It is why the PHRC allowed me to attend last year's NPS Ford's Theater symposium on expanding interpretation at Civil War sites on agency time, rather than my having to use earned leave . I hope to learn a great deal from the participants in this forum. Margaret D. Blough This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Thu, 4 Oct 2001 09:56:42 -0400 Reply-To: Reconstruction Forum Sender: Reconstruction Forum From: Eric Foner Subject: Re: Introductory Statement from Eric Foner In-Reply-To: <200110032049_MC3-E226-E088@compuserve.com> MIME-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII To members of the Reconstruction Forum: Many thanks for the fascinating messages that have opened our discussion. Many questions raised by one individual have already been answered by another. Let me offer the following prelimiary comments on some of the issues. (You will see that I am not addressing issues of high school and 8th grade teaching methods and materials -- not because I have no interest in this, far from it, but because I defer to those with far more experience in this aspect of teaching than I.) Let me begin by saying that while I am delighted that my books on Reconstruction are widely used, no one should think for a moment that as a result of my work the field is "moribund" or that no new issues need to be addressed. Important new work continues to appear -- on gender relations in Reconstruction, local politics,the aftermath of Reconstruction, etc., etc. No work of history is ever the last word. In response to some specific questions let me direct respondents to the forllowing: on African American women in slavery and Reconstruction, the work of Deborah White on slave women, Dorthy Sterling, We are Your Sisters on black women in the 19th century, Laura Edwards on gender in Reconstruction, and the Freedmen and Southern Society Project's published volumes (under tht title Freedom) for documents from both women and men during this era. On Cuba and Reconstruction, Rebecca Scott has written important articles in the recent issue of Past and Present, and a fairly recent one orf the American Historical Review. She is shortly coming out with a world-wide bibliography of emancipation and its aftermath, which should be of value to everyone. I myself often find that the last thirty years of scholarship have not affected the view of the era among the general public. It takes a long time for these viewes to percolate outwards. I have tried to do my best by curating a museum exhibit on Reconstruction that traveled to several states (the catalog, with many illustrations from the period, is available from LSU Press with the title, America's Reconstruction). The Dunning schooll view has an amazing resiliency, and some participants have suggested. I often find, at least at the college level, however, that the main problem is simple ignorance of Reconstruction, not inaccurate views. This goes backs to textbooks and coverage in high school courses, as many participants have noted. On corruption -- this was certainly a feature of Reconstruction government and needs to be discussed and placed in context. In the long version of my Reconstruction history I try to put it in context. The main point, I think, is to dispel the older idea that corruption meant that blacks were not capable of intelligently exercising the right to vote. Here is where mention of the Tweed ring, Grant administration scandals, etc is useful -- to show that corruption was national, and not a byproduct of black suffrage in the South. Let's leave reparations to another time, although it is certainly useful to know that this idea did not emerge yesterday, 40 acres and a mule was in effect a kind of reparations demand, although the term was not used in the 1860s. Thanks to all for their very interesting and helpful comments. Eric Foner This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Thu, 4 Oct 2001 11:16:04 -0400 Reply-To: Reconstruction Forum Sender: Reconstruction Forum From: "Margaret S. Thompson" Organization: Syracuse University Subject: Re: Reconstruction corruption MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit Eric Foner wrote: > > On corruption -- this was certainly a feature of Reconstruction > government and needs to be discussed and placed in context. In the long > version of my Reconstruction history I try to put it in context. The main > point, I think, is to dispel the older idea that corruption meant that > blacks were not capable of intelligently exercising the right to vote. > Here is where mention of the Tweed ring, Grant administration scandals, > etc is useful -- to show that corruption was national, and not a byproduct > of black suffrage in the South. While corruption was certainly a reality, might it not also be said that the reputation for corruption (both contemporary and in a lot of the relevant historiography) is also a result of uncertainty and confusion over what was part of the larger phenomenon of political modernization? Anyway, I hope so--at least, that is a major aspect of what I tried to argue in my book (_The 'Spider Web': Congress and Lobbying in the Age of Grant_ [Cornell Univ. Press, 1985]) and in at least one article ("Corruption--or Confusion? Lobbying and Congressional Government in the Early Gilded Age." _Congress and the Presidency_, Fall 1983; reprinted in _The United States Congress in a Partisan Political Nation, 1841-1896_, ed. Joel H. Silbey, Brooklyn: Carlson Publishing, Inc., 1991, Vol. III). I guess my point here is that--like much of the other stereotyping that characterizes too much of Reconstruction historiography, it might be worth looking at the matter of corruption in this respect, as well. Margaret Thompson -- Prof. Margaret Susan Thompson--msthomps@twcny.rr.com History Department--145 Eggers Hall Syracuse University, Syracuse, NY 13244 (315) 443-2210 (voice), 443-5876 (fax) MODPREZ website: http://classes.maxwell.syr.edu/hst341/ SisterSite: http://www.geocities.com/Wellesley/1114/ This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Thu, 4 Oct 2001 11:24:24 -0400 Reply-To: Reconstruction Forum Sender: Reconstruction Forum From: Jim Hart Subject: Accessing and Locating Scholarly Works Hello, all. By way of introduction, I am a doctoral candidate at Oklahoma State U. My wife and five of my brothers and sisters-in-law are teachers, ranging from high school math, to middle school social studies, to elementary. I am extremely interested in teaching 19th century history at the university level someday, and am very sympathetic to the conditions faced by primary and secondary teachers in Oklahoma and elsewhere. Regarding the teaching of Reconstruction (actually, of all history) in high schools, my experience leads me to believe that academic preparation for teachers at the college level should be strengthened. This statement is not a disparagement of teachers (many of whom do their best to increase their knowledge on their own, as evidenced by their level of participation in this forum), but a criticism of the way history ed. programs are structured. In Oklahoma (which ranks very high nationally in teacher preparation, but virtually last in teacher compensation), prospective history teachers take surveys in US history, an Oklahoma history course, and a smattering of period courses. In my view, this only scratches the surface of the material and cannot be considered adequate. University professors in Oklahoma routinely disparage the job our high school teachers do in preparing students for college-level courses, but they have to know that the problem begins with their own department's method of training teachers. One of the greatest aids that I can think of for increasing an educator's knowledge of history (particularly in interpretation of areas such as Reconstruction) would be access to the orals reading lists required of doctoral candidates at universities such as Oklahoma State. Before beginning my doctoral work and being introduced to OSU's lists, I found it extremely difficult to identify the most important works in many areas. These are not works, after all, that make any bestseller lists and are not usually on the shelves at Barnes & Noble. My question is why more universities don't give the public access to these lists via the internet, or at least make it known to the students in their history education programs that they are available. Columbia was one of the few to have their orals lists on the internet, but they have recently removed them from public access (at least, I can no longer locate them). These lists would be a tremendous help to all teachers and would help to provide university professors with better-prepared students for their own classes. Jim Hart This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Thu, 4 Oct 2001 12:03:09 -0400 Reply-To: Reconstruction Forum Sender: Reconstruction Forum From: Hal Morris Subject: Re: Reconstruction corruption In-Reply-To: <3BBC7D34.7EEDFC8C@twcny.rr.com> MIME-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII Prof Foner's comments on putting corruption in context are well taken. Also, isn't it likely that the idea of "carpetbagger corruption" can be largely traced to attacks on Reconstruction by angry pro-secession Southerners? An interesting question for advanced students to try to resolve -- following the trail of footnotes back to newspaper articles, and then perhaps trying to resolve whether there is was biased selection of newspaper articles whose affects were perpetuated over the decades. Hal Morris: hal@panix.com -- Editor of: * H-SHEAR Web pages: http://www.h-net.msu.edu/~shear * Jacksonian Miscellanies: Free sources & commentary (email for info). * Tales of the Early Republic web site: http://WWW.EarlyRepublic.net On Thu, 4 Oct 2001, Margaret S. Thompson wrote: > Eric Foner wrote: > > > > On corruption -- this was certainly a feature of Reconstruction > > government and needs to be discussed and placed in context. In the long > > version of my Reconstruction history I try to put it in context. The main > > point, I think, is to dispel the older idea that corruption meant that > > blacks were not capable of intelligently exercising the right to vote. > > Here is where mention of the Tweed ring, Grant administration scandals, > > etc is useful -- to show that corruption was national, and not a byproduct > > of black suffrage in the South. > > While corruption was certainly a reality, might it not also be said that > the reputation for corruption (both contemporary and in a lot of the > relevant historiography) is also a result of uncertainty and confusion > over what was part of the larger phenomenon of political modernization? > Anyway, I hope so--at least, that is a major aspect of what I tried to > argue in my book (_The 'Spider Web': Congress and Lobbying in the Age of > Grant_ [Cornell Univ. Press, 1985]) and in at least one article > ("Corruption--or Confusion? Lobbying and Congressional Government in the > Early Gilded Age." _Congress and the Presidency_, Fall 1983; reprinted > in _The United States Congress in a Partisan Political Nation, > 1841-1896_, ed. Joel H. Silbey, Brooklyn: Carlson Publishing, Inc., > 1991, Vol. III). > > I guess my point here is that--like much of the other stereotyping that > characterizes too much of Reconstruction historiography, it might be > worth looking at the matter of corruption in this respect, as well. > > Margaret Thompson > -- > Prof. Margaret Susan Thompson--msthomps@twcny.rr.com > History Department--145 Eggers Hall > Syracuse University, Syracuse, NY 13244 > (315) 443-2210 (voice), 443-5876 (fax) > MODPREZ website: http://classes.maxwell.syr.edu/hst341/ > SisterSite: http://www.geocities.com/Wellesley/1114/ > > This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. > This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Thu, 4 Oct 2001 12:18:37 -0500 Reply-To: SethW@Maine.edu Sender: Reconstruction Forum From: "Seth M. Wigderson" Subject: Reconstruction and the US History Survey Course In-Reply-To: MIME-Version: 1.0 Content-type: text/plain; charset=US-ASCII Content-transfer-encoding: 7BIT Dear Friends, Let me join with others in introducing myself. I teach US History at the University of Maine at Augusta as well as moderate the H-Labor list. I occasionally get to teach a Civil War-Rconstruction course, but my min teaching responsibility is the two semester US History Survey course. Since my school's students are mostly nontraditional, my classes meet only once a week for 2 3/4 hours. My dilemma is that I either have to deal with Reconstruction as the last meeting of US History I, or the first meeting of US History II. With US History I, students are at least familiar with some of the basic questions and players, and have read the textbook and some documents. But that last meeting of the semester is often hectic. Even worse is the first meeting of US History II. Most of the students have not taken US History I, and have done no reading. Furthermore, since we continue to divide US history at Civil War/Reconstruction, and since time has a nasty habit of marching on, US History II includes an ever longer time span. [When I first taught it in 1977, Jimmy Carter had just won the Presidency from Gerald Ford who had defeated Ronald Reagan for the GOP nomination.] This means that I do not have the luxury of using the first week as introductory and then tackling Reconstruction in the second week. Any suggestions, particularly based on personal experience, will be much appreciated. Seth Wigderson This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Thu, 4 Oct 2001 14:16:49 -0400 Reply-To: Reconstruction Forum Sender: Reconstruction Forum From: Jim Hart Subject: Re: Accessing and Locating Scholarly Works I was reading back over my prior post and became concerned that it sounded like I was criticizing high school teachers. Please know that I had no such intention. I have the highest regard for the job secondary teachers are doing in the field of history. Several of the posts by high school teachers on this forum so far show how hard they are working and the innovative methods they are using to try to teach their students difficult concepts. The message I meant to convey is simply that I do not understand why universities do not make their reading lists more accessible. It would cost the universities very little, would not hurt their enrollments, and would be very helpful to all who are trying to teach or to learn. If I offended anybody, it was unintentional, and I apologize. Jim Hart This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Thu, 4 Oct 2001 14:40:25 -0400 Reply-To: Reconstruction Forum Sender: Reconstruction Forum From: Susan O'Donovan Subject: Re: Reconstruction and the US History Survey Course Dear Colleagues: Let me introduce myself. I teach Afro-American Studies and History at Harvard; for the past eight years, I was an editor on the Freedmen & Southern Society Project at the University of Maryland. In teaching Reconstruction, I like to kick off with a section devoted the multiple and often conflicting meanings of freedom. Rather than lecture, however, I use four documents, all produced in 1865, to lay out the larger positions. The documents include a rather unilateral labor contract drawn up the summer of 1865 by a Texas planter in which he hires the services of what appears to be his entire former slave force, binding them to finish out the season working for him. He expects them to work as "heretofore," pledges them to obedience, and promises to pay whatever he thinks they're worth at the end of the year. Document number two is a speech by a Union officer to Virginia freedpeople articulating an employer's version of Northern free-labor ideology and the officer's own sense of former slaves' responsibilities as free men. Document number three is one of the two petitions written by former slaves on Edisto Island, S.C., protesting the federal government's retreat from promises of land. Document number four is letter from several Georgia freedpeople explaining that they have no inherent objection to making a living as wage workers, but that they expect to have a part in determining the terms of their employment (which offers a nice response to the Texas contract). These documents not only set up discussions about the politics of land and labor in Reconstruction, they also serve as provocative springboards into other discussions--including but certainly not limited to questions of gender, of community, of the changing relationship between individuals and the state, and of looming national debates about workers more generally. On days when I'm feeling especially inventive, I'll use the Texas contract to read "backwards" into slavery. Indeed, when I use these materials, I find that I keep referring back them as the course moves out of the South and into the waning years of the nineteenth century. I have used these documents successfully in high school classes as well as in upper and lower level college history courses. I've also used them with secondary educators at a summer teachers' institute. By way of a little, self-serving plug, all of the aforementioned documents (and many many others) will soon be available in a new volume of Freedom: A Documentary History of Emancipation, Land and Labor, 1865, forthcoming from Cambridge University Press. Susan O'Donovan Assistant Professor Afro-American Studies and History Harvard University Cambridge, MA 02138 This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Thu, 4 Oct 2001 13:46:03 -0500 Reply-To: Reconstruction Forum Sender: Reconstruction Forum From: Joe Berry Subject: Re: Reconstruction in Middle Schools MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit Just one additional note on relevant novels. Besides my previously mentioned Freedom Road by Fast, the other truly great novel of Recon, IMO, is Jubilee by Margaret Walker (Alexander), who also wrote a very good booklet called How I Wrote Jubilee. She is one of the great intellects culturally of the African-American community, and of the US, of the 20th century and greatly underrated.The novel started as her dissertation-equivalent about her grandmother for the Writers Workshop at U of Iowa, which was not a unformly friendly place to her, needless to say. She recently died in Jackson, MI, where she taught for years at Jackson State. This is the novel that Alex Haley partly used as a model for Roots and is fact was sued for it by her (suit lost due to lack of direct quotations). The book has gone in and out of print a few times, but I believe it is back in print now. Together with her booklet on it, it could make a very good unit, or one could use selected chapters only. The links to the present then would just jump out. BTW, her son, Firnist Alexander, became a civil rights lawyer in the 1960's in Jackson and practiced there for decades. Joe Berry Lisa auslander wrote: > > Hi- > I am an 8th grade Social Studies teacher at I.S. 311 in Brooklyn. I also > like others have said feel a great urgency to teach about Reconstruction to > my students. I have taken Dr. Foner's statement seriously when he refers to > it as the first Civil Rights movement. I tell the students this and I feel > it piques their interest and gets them involved in a real discussion - We > later do a unit on the Civil Rights movement and I try to make connections > and lead them to the connections as much as possible. Any further > suggestions on how to set this up will be wonderful. > > Also I teach the novel in my history clsass Out from this Place by Joyce > Hanson which is set at the end of the Civil War and exposes the paradox of > "freedom" after the war's end for a "family" of former enslaved people who > run to the North. I think the book is a great way for eighth graders to > discuss the ideas because it has real life characters going through the > trials and tribulations this time period brought African Americans. > > I am also not supposed to spend so much on Reconstruction but I do devote 6 > weeks to it including a review of the Civil War because I feel it is such an > important prelude to the other in depth units we study. > > I look forward to reading more. > > lisa auslander > brooklyn, NY > > This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. -- Joe Berry 1453 W. Flournoy, #3F Chicago, IL 60607 Phone/fax: 312-733-2172 Email This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Thu, 4 Oct 2001 15:18:13 -0700 Reply-To: Reconstruction Forum Sender: Reconstruction Forum From: Pete Haro Subject: Re: Reconstruction and the US History Survey Course Mime-version: 1.0 Content-type: text/plain; charset="US-ASCII" Content-transfer-encoding: 7bit Susan: Could you elaborate on what outcomes you are trying to achieve when you introduce the aforementioned primary sources on Reconstruction. Sincerely, Peter D. Haro. ---------- >From: Susan O'Donovan >To: RECONSTRUCTIONFORUM@ASHP.LISTSERV.CUNY.EDU >Subject: Re: Reconstruction and the US History Survey Course >Date: Thu, Oct 4, 2001, 11:40 AM > > Dear Colleagues: > > Let me introduce myself. I teach Afro-American Studies and History at > Harvard; for the past eight years, I was an editor on the Freedmen & > Southern Society Project at the University of Maryland. > > In teaching Reconstruction, I like to kick off with a section devoted the > multiple and often conflicting meanings of freedom. Rather than lecture, > however, I use four documents, all produced in 1865, to lay out the larger > positions. The documents include a rather unilateral labor contract drawn > up the summer of 1865 by a Texas planter in which he hires the services of > what appears to be his entire former slave force, binding them to finish > out the season working for him. He expects them to work as "heretofore," > pledges them to obedience, and promises to pay whatever he thinks they're > worth at the end of the year. Document number two is a speech by a Union > officer to Virginia freedpeople articulating an employer's version of > Northern free-labor ideology and the officer's own sense of former slaves' > responsibilities as free men. Document number three is one of the two > petitions written by former slaves on Edisto Island, S.C., protesting the > federal government's retreat from promises of land. Document number four > is letter from several Georgia freedpeople explaining that they have no > inherent objection to making a living as wage workers, but that they expect > to have a part in determining the terms of their employment (which offers a > nice response to the Texas contract). > > These documents not only set up discussions about the politics of land and > labor in Reconstruction, they also serve as provocative springboards into > other discussions--including but certainly not limited to questions of > gender, of community, of the changing relationship between individuals and > the state, and of looming national debates about workers more generally. > On days when I'm feeling especially inventive, I'll use the Texas contract > to read "backwards" into slavery. Indeed, when I use these materials, I > find that I keep referring back them as the course moves out of the South > and into the waning years of the nineteenth century. > > I have used these documents successfully in high school classes as well as > in upper and lower level college history courses. I've also used them with > secondary educators at a summer teachers' institute. > > By way of a little, self-serving plug, all of the aforementioned documents > (and many many others) will soon be available in a new volume of Freedom: A > Documentary History of Emancipation, Land and Labor, 1865, forthcoming from > Cambridge University Press. > > Susan O'Donovan > Assistant Professor > Afro-American Studies and History > Harvard University > Cambridge, MA 02138 > > This forum is sponsored by History Matters--please visit our Web site at > http://historymatters.gmu.edu for more resources for teaching U.S. History. This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Fri, 5 Oct 2001 07:55:20 -0400 Reply-To: Reconstruction Forum Sender: Reconstruction Forum From: Susan O'Donovan Subject: Re: Reconstruction and the US History Survey Course Comments: To: Pete Haro Man am I embarrassed! Having been an associate editor for years, I managed to accidently promote myself to "associate professor" in my last post. Please excuse my error. I'm an assistant professor, and will be for some time to come. Susan This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Fri, 5 Oct 2001 07:38:54 -0400 Reply-To: Reconstruction Forum Sender: Reconstruction Forum From: Susan E O'Donovan Subject: Re: Reconstruction and the US History Survey Course In-Reply-To: <200110042212.PAA03186@harrier.mail.pas.earthlink.net> MIME-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII Dear Peter and colleagues: My apologies, I should have anticipated this question in my earlier post. In using documents to teach the early moments of Reconstruction my goals are multiple. At the pedagogical level, my students use the documents to hone their analytical skills. I usually display the document using an overhead projector and then the students take turns reading aloud. We work our way slowly through the document, line-by-line, statement-by-statement, asking questions of it, probing implications, and considering how the document relates to the broader context. As we all know, these are skills students can apply to any number of pursuits. But in struggling to historicize these particular documents, the students transform themselves into historians of the Reconstruction era. For example, in using the labor contract I described, the dateline itself prompts the first question-what does it mean that it was drawn up in July 1865 in Texas where we know there was no Freedmen's Bureau presence until the fall? Why would the planter even bother? On the flip side, why do the former slaves accept the agreement (the text of the document indicates they do accept and do stay)? Each clause prompts more questions. What does the phrase "work as heretofore" mean? What's the significance of including a termination date? Why would the planter want to limit the movement of his workers on and off his plantation? What role did the workers have in establishing the terms of the contract? What does it mean that there's only one signature at the bottom (the planter's)? Finally, the big one: what sort of freedom does the author envision, and in the case of this contract, is he envisioning a new slavery or something else? We repeat these general steps with each document. (Depending on the length of the class period, I sometimes spread this work out over several class meetings.) By the time we've worked through them one thing is clear. The meaning of freedom is not self-evident, that the different meanings people ascribe are often conflicting, and that those differences arise out of past experiences as much as out of the present turmoil. Since I deliberately use documents drawn from 1865, I can then use them to set up more general discussions about Presidential Reconstruction, the black codes, and freedpeople's efforts to challenge both through political mobilization, institution building, and a reliance on family and community connections, which if I'm on the ball, allows me to segue neatly into Radical Reconstruction. On a more practical level, documents engage the students in ways rarely done by textbooks and monographs and permit them opportunity to hone their analytical and critical thinking skills. (Before anyone asks, of course I assign secondary literature, there's no escaping that!) Susan O'Donovan Associate Professor Afro-American Studies and History Harvard University Cambridge MA 02138 This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Thu, 4 Oct 2001 23:34:32 -0400 Reply-To: Reconstruction Forum Sender: Reconstruction Forum From: Roger Grande Subject: Re: Reconstruction and the US History Survey Course In-Reply-To: Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed Susan O'Donovan: Your use of the documents sounds great--any possibility you could post them? Roger Grande Brookline HS At 02:40 PM 10/4/2001 -0400, you wrote: >Dear Colleagues: > >Let me introduce myself. I teach Afro-American Studies and History at >Harvard; for the past eight years, I was an editor on the Freedmen & >Southern Society Project at the University of Maryland. > >In teaching Reconstruction, I like to kick off with a section devoted the >multiple and often conflicting meanings of freedom. Rather than lecture, >however, I use four documents, all produced in 1865, to lay out the larger >positions. The documents include a rather unilateral labor contract drawn >up the summer of 1865 by a Texas planter in which he hires the services of >what appears to be his entire former slave force, binding them to finish >out the season working for him. He expects them to work as "heretofore," >pledges them to obedience, and promises to pay whatever he thinks they're >worth at the end of the year. Document number two is a speech by a Union >officer to Virginia freedpeople articulating an employer's version of >Northern free-labor ideology and the officer's own sense of former slaves' >responsibilities as free men. Document number three is one of the two >petitions written by former slaves on Edisto Island, S.C., protesting the >federal government's retreat from promises of land. Document number four >is letter from several Georgia freedpeople explaining that they have no >inherent objection to making a living as wage workers, but that they expect >to have a part in determining the terms of their employment (which offers a >nice response to the Texas contract). > >These documents not only set up discussions about the politics of land and >labor in Reconstruction, they also serve as provocative springboards into >other discussions--including but certainly not limited to questions of >gender, of community, of the changing relationship between individuals and >the state, and of looming national debates about workers more generally. >On days when I'm feeling especially inventive, I'll use the Texas contract >to read "backwards" into slavery. Indeed, when I use these materials, I >find that I keep referring back them as the course moves out of the South >and into the waning years of the nineteenth century. > >I have used these documents successfully in high school classes as well as >in upper and lower level college history courses. I've also used them with >secondary educators at a summer teachers' institute. > >By way of a little, self-serving plug, all of the aforementioned documents >(and many many others) will soon be available in a new volume of Freedom: A >Documentary History of Emancipation, Land and Labor, 1865, forthcoming from >Cambridge University Press. > >Susan O'Donovan >Assistant Professor >Afro-American Studies and History >Harvard University >Cambridge, MA 02138 > >This forum is sponsored by History Matters--please visit our Web site at >http://historymatters.gmu.edu for more resources for teaching U.S. History. This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Fri, 5 Oct 2001 11:28:28 -0400 Reply-To: Reconstruction Forum Sender: Reconstruction Forum From: "Jonathan M. Bryant" Subject: Re: high school teaching In-Reply-To: <003d01c14c3b$75da3260$1ae97ad1@kablen> Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed Clearly, Len Rabinowitz, Donna Sharer, and others are trying very hard to teach innovatively about the Reconstruction period, and are hungry for materials they can use. Those of us who teach in Universities often don't realize how constrained public school teachers are in obtaining and using materials for their classes. Also, they face the problem of parental/administrative response if they present too "radical" a perspective in class. Thus, teachers can often feel trapped by prevailing understandings and unequiped with materials to challenge those understandings. Textbooks offer little help. James W. Lowen in _Lies My Teacher Told Me: Everything Your American History Textbook Got Wrong_ laid out a devestating and cogent critique of the leading High School History Texts. It also provides wonderful information, so at the least a teacher can get a copy of Lowen's book and discuss in class some of the issues he raises. If a teacher does have the opportunity to use new books in a unit on the Civil War and Reconstruction, one of the best available is the New Press's _Freedom's Unfinished Revolution: An Inquiry into the Civil War and Reconstruction_ (A volume to which Professor Foner contributed - perhaps he is qualified to discuss these issues?) This work provides some primary materials for the students and discussion of leading questions, all aimed at a High School audience. I recommend it very highly, though I suspect it is used only in AP classes and the like. Finally, the ongoing Freedom Project that Professor O'Donovan mentioned has published a remarkable collection of primary sources that I constantly raid for my own survey class. Sadly, they only go through 1867, but none the less are excellent. A few minutes xeroxing and you can have the entire class discussing some of the most interesting materials from the National Archive. Jon Bryant Professor Jonathan M. Bryant Department of History, Box 8054 Georgia Southern University Statesboro, Ga. 30460-8054 jbryant@ gsvms2.cc.gasou.edu Tel.: (912) 681-5818 Fax: (912) 681-0377 This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Fri, 5 Oct 2001 14:46:04 -0400 Reply-To: Reconstruction Forum Sender: Reconstruction Forum From: Len Rabinowitz Subject: Re: high school teaching MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit I am a strong believer in the primary documents approach. I think they really help to bring history to life. They tell students that these events were real- they weren't born in a book. I think also that role playing can help secondary students get a handle on this. I have done exercises where students have role-played the various interest groups and tried to generate a Reconstruction plan. It can serve to highlight the difficulties. The hardest thing I find for students to get over is that it's not over when the war is over. That's a tough one for younger students. I don't want to be too hard on texts and administrators- history textbooks have an impossible task, as do school administrators. Loewen's book is a few years out of date now, and although it is very instructive there are new texts and the older ones have changed. Many have primary sources right in the textbook or websites that can lead to primary sources. I'm kind of interested in something I mentioned earlier- Reconstruction as a beginning, not an ending or afterthought. Separate it from the war. Related to that, I am very interested in teh area of textbooks, actually- would antbody know where I could turn to work on or help write a more primary source and research based textbook? Would anyone be interested in such a project? Perhaps Professor Foner knows where we might find Reconstruction primary source documents on the web- particularly those of a visual nature good for younger students? I'm kind of interested in how this transitions into 19th century racial views, and even into Social Darwinism and Imperialism. Len Rabinowitz Ashland High School Ashland, MA kablen@massed.net ----- Original Message ----- From: "Jonathan M. Bryant" To: Sent: Friday, October 05, 2001 11:28 AM Subject: Re: high school teaching > Clearly, Len Rabinowitz, Donna Sharer, and others are trying very hard to > teach innovatively about the Reconstruction period, and are hungry for > materials they can use. Those of us who teach in Universities often don't > realize how constrained public school teachers are in obtaining and using > materials for their classes. Also, they face the problem of > parental/administrative response if they present too "radical" a > perspective in class. Thus, teachers can often feel trapped by prevailing > understandings and unequiped with materials to challenge those understandings. > > Textbooks offer little help. James W. Lowen in _Lies My Teacher Told Me: > Everything Your American History Textbook Got Wrong_ laid out a devestating > and cogent critique of the leading High School History Texts. It also > provides wonderful information, so at the least a teacher can get a copy of > Lowen's book and discuss in class some of the issues he raises. > > If a teacher does have the opportunity to use new books in a unit on the > Civil War and Reconstruction, one of the best available is the New Press's > _Freedom's Unfinished Revolution: An Inquiry into the Civil War and > Reconstruction_ (A volume to which Professor Foner contributed - perhaps he > is qualified to discuss these issues?) This work provides some primary > materials for the students and discussion of leading questions, all aimed > at a High School audience. I recommend it very highly, though I suspect it > is used only in AP classes and the like. > > Finally, the ongoing Freedom Project that Professor O'Donovan mentioned has > published a remarkable collection of primary sources that I constantly raid > for my own survey class. Sadly, they only go through 1867, but none the > less are excellent. A few minutes xeroxing and you can have the entire > class discussing some of the most interesting materials from the National > Archive. > > Jon Bryant > > Professor Jonathan M. Bryant > Department of History, Box 8054 > Georgia Southern University > Statesboro, Ga. 30460-8054 > jbryant@ gsvms2.cc.gasou.edu > Tel.: (912) 681-5818 > Fax: (912) 681-0377 > > This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. > This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Fri, 5 Oct 2001 14:27:15 -0500 Reply-To: Reconstruction Forum Sender: Reconstruction Forum From: michael fitzgerald Subject: Introductory Statement from Eric Foner Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" >X-Sender: fitz@stolaf.edu >X-Mailer: QUALCOMM Windows Eudora Light Version 3.0.5 (32) >Date: Wed, 03 Oct 2001 14:48:37 -0500 >To: fitz >From: michael fitzgerald >Subject: Introductory Statement from Eric Foner > > >> >>I’d like to conclude with a few questions to start our discussion. How >>do you teach about Reconstruction and what resources do you use? >>What relevance do you see in the history of Reconstruction for our >>current politics and race relations? Should we think of Reconstruction >>as a failure and if so, how do we explain this? Do the cycles of >>Reconstruction historiography suggest that historical "truth" is >>unobtainable and that historical interpretation tends to serve >>immediate political ends? >> >>Eric Foner >> Hello, everyone, I'm Mike Fitzgerald, and I teach at St. Olaf College, a liberal arts college here in Minnesota. I teach African American and Southern history, specifically courses on the Civil War era, the second half of the US survey, and a one semester (!) African American history course. Reconstruction is my primary scholarly focus. In reference to Prof. Foner's opening questions quoted above: I've been frustrated over the years trying to teach Reconstruction to undergraduates. Much as I love the topic, and like Prof. Foner's _Short History of Reconstruction_ as a text, I've had great difficulty getting them to engage fully with the topic. The social history of emancipation they generally find interesting, but throwing in the political dimension seems to confuse them. I've tried everything I could think of by way of a text: this semester I'm indeed trying Tourgee's _A Fool's Errand_, we'll see how it goes. The problem may be that the political complexity of the events is inherently difficult, and that this generation of undergraduates tend not to take the formal political process as all that urgent a concern. As a Reconstruction scholar, I of course see the relevance of the topic for contemporary racial concerns. But I think one problem in communicating this to undergraduates is that the analogy to the southern civil rights movement is losing some of its effect. For decades after the 1960s, this analogy animated much of the popular and scholarly interest in the topic, but America has moved on to other civil rights issues. At least, that's my sense of things nowadays. At any event, I've enjoyed hearing everyone's sense of what works well teaching in this field, what readings work best. But I do have one substantive issue I'd like to comment on. People should take the corruption issue seriously; having worked extensively on Reconstruction in Alabama, my sense is these governments had serious problems of fraud and corporate influence and fraud. Good as the Reconstruction governments were on the overriding civil rights issue, and typical as this problem was at the national level, people shouldn't just dismiss the corruption issue as a smokescreen. That issue had much to do with the overthrow of Reconstruction and the toxic legacy its defeat left behind. Thanks, Mike Fitzgerald St. Olaf College This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Sat, 6 Oct 2001 07:18:47 -0500 Reply-To: Reconstruction Forum Sender: Reconstruction Forum From: Rosemary Hopkins Subject: Re: Introductory Statement from Eric Foner MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit I am interested in the sites your students use. Rosemary Hopkins Nerinx Hall High School ----- Original Message ----- From: "Roger Grande" To: Sent: Tuesday, October 02, 2001 6:30 PM Subject: Re: Introductory Statement from Eric Foner > My name is Roger Grande, I teach history at Brookline High School in > Massachusetts. > > The most compelling thing about Reconstruction for me is its legacy--I > spend a good deal of time when I teach this unit discussing the extent to > which equality has or has not been achieved. Arica Coleman's comments > spoke to this issue a lot. However, I'm increasinly ambivelant about > presenting the issue as an African American issue; rather inequality > today--despite the fact that being Black makes you disproportionately > likely to be in some form of custody or poor--functions more as a class > issue. Race is a convenient means to distract us from class inequality. > > One article I give to students include a Boston Globe piece debating the > raising of the Confederate flat over the South Carolina statehouse > (2/20/97). The article points to the 1960s and 1970s as the origin of the > debate, associating it with the rise of the civil rights movement, thus > complicating the significance of 'preserving Southern heritage.' In > particular the flag seemed to have taken on an anti-affirmative action > symbolism, suggesting the conflation of race and class (fear over jobs). > > I also use an article from the Progressive Populist (6/15/2000) that > describes the recent lawsuit against the USDA by black farmers who have > disproportionately not recieved subsidies, resulting in the loss of > black-owned farm land: 40 acres and a mule-redux. In 1999 there were > 18,000 black farmers, down from 925,000 in 1920. In 1990, according to a > congressional committee, black-owned farms were going out of business at a > rate 5 times that of white farmers, predicting that by 2000 there would be > no black owned farm land in the US. [Contact Food First.org and BFAA at > www.coax.net/people/lwf/bfaa.htm for more info.). > > The unit is completed with a research project on contemporary > inequality. Students research political equality (suffrage, > representation), legal equality (due process, sentencing.) and economic > equality (housing, income, education). In particular they analyze > sentencing patterns and the correlation to disenfranchisement--clearly a > step backwards from Reconstruction, etc. One might argue that the > disparity in death sentencing is a form of--to borrow from Clarence > Thomas--"legal lynching." If people are interested I can post the web > sites my students use for research (they include the Sentencing Project, > Human Rights Watch, Census, MA department of Education and Bureau of > Justice). > > Lastly I'd appreciate more information about reconstruction/post-slavery > initiatives beyond our borders that others have referred to--I know little > about what happened outside of the US. > > Roger Grande > > > A great resource for disenfranchisement is the 1965 Alabama Literacy > Test--I'd be surprised if 5% of Americans could pass it. Available from > Social Education. > > This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Sat, 6 Oct 2001 10:49:17 -0400 Reply-To: Reconstruction Forum Sender: Reconstruction Forum From: Eric Foner In-Reply-To: MIME-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII Dear colleagues, With regard to a few issues raised in the last several days: 1- Corruption. Mike Fitzgerald is correct that corruption in Reconstruction was real. However, for most states, the evidence now rests solely on the accusations and investigations by Reconstruction's opponents and in some cases is wildly exaggerated. It is also important, as has been noted, to see how the issue of corruption was used by Democrats and future historians (as well as how it resonated with Northerners moving away from support of Reconstruction). Anew book by Heather Richardson, The End of Reconstruction, is very good on this last point. 2- Novels. Toni Morison's Beloved is interesting in a way since although it primarily deals with slavery it is set during the Reconstruction period,but has nothing to say about events in the South. It seems to suggest that an erasure of Refconstruction is part of coming to terms with the memory of slavery. 3- Teaching. I don't feel that qualified to comment on instructional materials. On the web are very good Reconstruction images at thw website of the Schomburg Center of the New York Public Library, and the Library of Congress's collectioon of political cartoons and engravings of the 19th century. I used a bunch of images for a course I taught last year; I believe the site should be accessible via the Columbia home page and then the history department -- it is History W3122y from last spring. Harpweek, the online Harpers Weekly, has a free site of images related to Reconstruction. The catalogue for my old Reconstruction exhibit ("America's Reconstruction") has many images -- it was published by LSU Press. There are many documents at the website of the Freedmen and Southern Society Project. I strongly favor using original documents from the period. The ones Prof. O'Donovan used are excellent. Last year I gave a minicourse at Columbia for some minority high school students in the NYC public schools who we were trying to interest in going to college. We spent half an hour on the one Edisto Island petition, which opens up numerous issues about the transition from slavery to freedom. Eric Foner This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Sat, 6 Oct 2001 09:04:30 -0700 Reply-To: Reconstruction Forum Sender: Reconstruction Forum From: Jean Libby Subject: Re: Introductory Statement from Eric Foner MIME-version: 1.0 Content-type: text/plain; charset=iso-8859-1 Content-transfer-encoding: 7BIT This is in response to Roger Grande's posting. I teach at San Jose City College, where there is a large percentage of Vietnamese immigrants as residents and students. Recently the U.S. Post Office, in an effort to be "user friendly", posted pictures of national flags around the world representing languages understood at the Post Office. The national flag of Vietnam represents the side of the enemy to most Vietnamese in San Jose, who hold antiCommunist vigils every April 30 and sometimes boycott class when the Vietnam War is discussed. So I tell students that flying the Confederate flag on official buildings in the South creates comparable feelings among black and white Americans who believe that the North won the Civil War, and should have won the Civil War. These were the traitors. This brings interest on the part of the students, and as there are many negative isses between black students and Asian students, particularly Vietnamese, it brings understanding to both groups. We are rapidly losing black residents in our District (and entire state, but especially urban areas in northern California) so that the example may soon be "academic", unless some abolition fire can be aroused in white students (also a minority in U.S. History classes in San Jose). There is an interesting article by David Brion Davis in the New York Times Review of August 26, 2001, entitled "Why the South Won the Civil War." Can't let this pass by: the statement by Clarence Thomas was "high-tech lynching," not "legal lynching," during his confirmation hearings. Thanks for interesting discussion, everyone, especially Professor Foner. Jean Libby ----- Original Message ----- From: "Rosemary Hopkins" To: Sent: Saturday, October 06, 2001 5:18 AM Subject: Re: Introductory Statement from Eric Foner > I am interested in the sites your students use. > Rosemary Hopkins > Nerinx Hall High School > ----- Original Message ----- > From: "Roger Grande" > To: > Sent: Tuesday, October 02, 2001 6:30 PM > Subject: Re: Introductory Statement from Eric Foner > > > > My name is Roger Grande, I teach history at Brookline High School in > > Massachusetts. > > > > The most compelling thing about Reconstruction for me is its legacy--I > > spend a good deal of time when I teach this unit discussing the extent to > > which equality has or has not been achieved. Arica Coleman's comments > > spoke to this issue a lot. However, I'm increasinly ambivelant about > > presenting the issue as an African American issue; rather inequality > > today--despite the fact that being Black makes you disproportionately > > likely to be in some form of custody or poor--functions more as a class > > issue. Race is a convenient means to distract us from class inequality. > > > > One article I give to students include a Boston Globe piece debating the > > raising of the Confederate flat over the South Carolina statehouse > > (2/20/97). The article points to the 1960s and 1970s as the origin of the > > debate, associating it with the rise of the civil rights movement, thus > > complicating the significance of 'preserving Southern heritage.' In > > particular the flag seemed to have taken on an anti-affirmative action > > symbolism, suggesting the conflation of race and class (fear over jobs). > > > > I also use an article from the Progressive Populist (6/15/2000) that > > describes the recent lawsuit against the USDA by black farmers who have > > disproportionately not recieved subsidies, resulting in the loss of > > black-owned farm land: 40 acres and a mule-redux. In 1999 there were > > 18,000 black farmers, down from 925,000 in 1920. In 1990, according to a > > congressional committee, black-owned farms were going out of business at a > > rate 5 times that of white farmers, predicting that by 2000 there would be > > no black owned farm land in the US. [Contact Food First.org and BFAA at > > www.coax.net/people/lwf/bfaa.htm for more info.). > > > > The unit is completed with a research project on contemporary > > inequality. Students research political equality (suffrage, > > representation), legal equality (due process, sentencing.) and economic > > equality (housing, income, education). In particular they analyze > > sentencing patterns and the correlation to disenfranchisement--clearly a > > step backwards from Reconstruction, etc. One might argue that the > > disparity in death sentencing is a form of--to borrow from Clarence > > Thomas--"legal lynching." If people are interested I can post the web > > sites my students use for research (they include the Sentencing Project, > > Human Rights Watch, Census, MA department of Education and Bureau of > > Justice). > > > > Lastly I'd appreciate more information about reconstruction/post-slavery > > initiatives beyond our borders that others have referred to--I know little > > about what happened outside of the US. > > > > Roger Grande > > > > > > A great resource for disenfranchisement is the 1965 Alabama Literacy > > Test--I'd be surprised if 5% of Americans could pass it. Available from > > Social Education. > > > > This forum is sponsored by History Matters--please visit our Web site at > http://historymatters.gmu.edu for more resources for teaching U.S. History. > > This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. > This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Sat, 6 Oct 2001 09:18:18 -0700 Reply-To: Reconstruction Forum Sender: Reconstruction Forum From: Shayne Klein Subject: Re: Introductory Statement from Eric Foner In-Reply-To: MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii > I’d like to conclude with a few questions to start > our discussion. How > do you teach about Reconstruction and what resources > do you use? > What relevance do you see in the history of > Reconstruction for our > current politics and race relations? Should we think > of Reconstruction > as a failure and if so, how do we explain this? Do > the cycles of > Reconstruction historiography suggest that > historical "truth" is > unobtainable and that historical interpretation > tends to serve > immediate political ends? > > Eric Foner > My name is Shayne Klein and I teach AP US History at Raleigh Charter HS in Raleigh, NC. One of my favorite things about teaching about Reconstruction is that it allows me to teach about historiography and to engage Prof. Foner's last question with students. We discuss whether it is possible to get at the historical "truth" and the difference between good and bad history in terms of methodology. To get at this issue I have students read the last chapter of DuBois' _Black Reconstruction_ as well as some excerpts from Dunning, Rhodes and Claude Bowers' _The Tragic Era_. Since we need to fly in order to cover the history of the US in a year, I never find enough time to teach about Reconstruction in a completely satisfying way. However, I find that documents from _Free At Last, the Documentary History of Emancipation_ and examples from my own undergraduate work on Reconstruction in South Carolina help students see what the period was like on the ground in the South including the optimism and the violence. I also tell them that during a trip to Columbia, SC a few years ago I went to the state history museum and Reconstruction isn't mentioned at all in the exhibit on the history of the state. It skips from a Civil War display of Confederate and Union uniforms to a display on sharecropping and a one-room schoolhouse. ===== Shayne Klein History Teacher and Deparment Chair Raleigh Charter High School 919-839-0600 seklein@yahoo.com __________________________________________________ Do You Yahoo!? NEW from Yahoo! GeoCities - quick and easy web site hosting, just $8.95/month. http://geocities.yahoo.com/ps/info1 This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Sat, 6 Oct 2001 12:44:42 -0400 Reply-To: Reconstruction Forum Sender: Reconstruction Forum From: Ranjit S Dighe Subject: Re: high school teaching In-Reply-To: <5.0.0.25.1.20011005102922.05870de8@gsvms2.cc.gasou.edu> MIME-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII I'd like to second Prof. Bryant's recommendation of James Loewen's LIES MY TEACHER TOLD ME, which does a masterful job of puncturing the myths about Reconstruction as an era of corrupt "Negro rule," while providing lots of specifics about the positive accomplishments of that era. For those who haven't read the book, the key chapter is the one on "the invisibility of anti-racism" in high-school history textbooks. I'm actually using Loewen's book as a supplementary text this semester in two different college courses (American Economic History Before 1900, Introduction to Social Science). I don't doubt the contention raised by someone else (sorry, I don't have your name handy) that Loewen's general criticism of HS textbooks is a bit dated, but I would expect that many of the 12 texts he looked at are still being used. Also, even if dated, the blind nationalism that most of those textbooks offer is what most of us were probably fed while growing up, and much of the now-embarrassing material in those texts reflected the dominant views of mainstream academic historians. (Loewen, for example, quotes a textbook written by the great historians Morison and Commager that said, "As for Sambo, whose wrongs moved the abolitionists to tears, there is reason to believe that he suffered less than anyone else from the South's 'peculiar institution' of slavery." As Christopher Hitchens has noted, I would not want to be without that quote, since it reveals a lot about America in the *twentieth* century, when such textbooks were used.) Also, I just want to say that it's great to be in a forum with so many thoughtful and obviously talented high-school history teachers. Just from remembering my own dismal experience in HS history class twenty years ago (not the teacher's fault, however) and from the general impression one gets from various parents' complaints, it's easy to forget how many really terrific history teachers there actually are in our public schools. I pose this next question to any public-school history teachers in this forum, esp. those at the HS level, because I'm really curious to know the answer: How much discretion do school officials (administration, school board, etc.) and parents give you in choosing your history textbooks and course supplements, and in what you do in the classroom? Thanks, Ranjit Dighe **************************************************** Ranjit S. Dighe 315-312-3480 (office) Assistant Professor 315-342-5383 (home) Department of Economics home address: SUNY-Oswego P.O. Box 3010 Oswego, NY 13126 Oswego, NY 13126 E-mail: dighe@oswego.edu Fax: 315-312-5444 **************************************************** This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Sat, 6 Oct 2001 21:56:08 EDT Reply-To: Reconstruction Forum Sender: Reconstruction Forum From: Arica Coleman Subject: Re: high school teaching MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="part1_b0.1b64038f.28f11038_boundary" --part1_b0.1b64038f.28f11038_boundary Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit Ranjit and fellow colleagues: I too strongly believe that Loewen's book is an excellent resource for high school teachers, but I find his chapter on antiracism in America problematic. First, what Loewen interprets as an antiracism effort in America begs a definition which he never supplies. Defining antiracism in terms of the efforts of abolitionists is insufficient as it has been well documented that abolitionism did not equal antiracism. Note Frederick Douglass's severed ties with William Lloyd Garrison. Abolitionist did a wonderful job opposing slavery, but they did little as advocates of antiracism. Now, Loewen's initial position is that high school textbook's heroification of national figures obscures their complexity as human beings. However, in the chapter on antiracism, he falls into this very trap in his interpretation of Mr. Lincoln. To refer to Lincoln as, "a racial idealist," (197) misconstrues the fact that the former president was indeed a white supremacist, who not only favored segregation of the races, but also was a strong supporter of the American Colonization society. To champion him as a supporter of antiracism diminishes the ambiguity of a man who was torn between his internalization of the racist views of the day, his career as a politician, and his own moral conscience. Yes, Lincoln signed the Emancipation Proclamation, which declared slaves in the rebellious states, "thenceforward and forever free," but this was done as a military necessity. A point Loewen neglects in this chapter. Now here is where primary documents can certainly be of good use. The Douglass/Lincoln Debates as well as other speeches given by the former president on the slavery question will certainly demonstrate the complexity of the man and the decisions he faced. Also, the Emancipation Proclamation which spells out the regions in which the declaration went into effect would certainly spark a vigorous class discuss. Loewen concludes by saying, "Antiracism is one of America's great gifts to the world....Antiracism led to a 'new birth of freedom' after the Civil War... (198)." Huh, if it had, we would be having a different conversation about Reconstruction in this forum and maybe the question posed my Dr. Foner concerning the failure of Reconstruction would be irrelevant. Arica L. Coleman The Union Institute Graduate College --part1_b0.1b64038f.28f11038_boundary Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: 7bit Ranjit and fellow colleagues:
    I too strongly believe that Loewen's book is an excellent resource for high school teachers, but I find his chapter on antiracism in America problematic.  First, what Loewen interprets as an antiracism effort in America begs a definition which he never supplies. Defining antiracism in terms of the efforts of abolitionists is insufficient as it has been well documented that abolitionism did not equal antiracism.  Note Frederick Douglass's severed ties with William Lloyd Garrison.  Abolitionist did a wonderful job opposing slavery, but they did little as advocates of antiracism.
    Now, Loewen's initial position is that high school textbook's heroification of national figures obscures their complexity as human beings.  However, in the chapter on antiracism, he falls into this very trap in his interpretation of Mr. Lincoln.  To refer to Lincoln as, "a racial idealist," (197) misconstrues the fact that the former president was indeed a white supremacist, who not only favored segregation of the races, but also was a strong supporter of the American Colonization society.  To champion him as a supporter of antiracism diminishes the ambiguity of a man who was torn between his internalization of the racist views of the day, his career as a politician, and his own moral conscience.  Yes, Lincoln signed the Emancipation Proclamation, which declared slaves in the rebellious states, "thenceforward and forever free," but this was done as a military necessity.  A point Loewen neglects in this chapter.  Now here is where primary documents can certainly be of good use.  The Douglass/Lincoln Debates as well as other speeches given by the former president on the slavery question will certainly demonstrate the complexity of the man and the decisions he faced.  Also, the Emancipation Proclamation which spells out the regions in which the declaration went into effect would certainly spark a vigorous class discuss.
    Loewen concludes by saying, "Antiracism is one of America's great gifts to the world....Antiracism led to a 'new birth of freedom' after the Civil War... (198)."  Huh, if it had, we would be having a different conversation about Reconstruction in this forum and maybe the question posed my Dr. Foner concerning the failure of Reconstruction would be irrelevant.      

Arica L. Coleman
The Union Institute Graduate College
--part1_b0.1b64038f.28f11038_boundary-- This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Sun, 7 Oct 2001 00:02:54 -0500 Reply-To: Reconstruction Forum Sender: Reconstruction Forum From: Alan Bloom Subject: Re: high school teaching MIME-Version: 1.0 Content-Type: TEXT/PLAIN; CHARSET=US-ASCII Hello, My name is Alan Bloom. I'm a lecturer at Valparaiso University, and I frequently teach our class on the Civil War and Reconstruction. I wanted to address the following point by Len Rabinowitz : "The hardest thing I find for students to get over is that it's not over when the war is over. That's a tough one for younger students." I agree wholeheartedly with this sentiment, and in my class I attempt to do two things to overcome this hurdle. First, I try to frame my course so that students see that the antebellum era, the war, and the reconstruction era are inextricably connected. To help create this structure I begin the course with the aphorism: "all wars start before they start." On the whole, as you know, students clearly see that themes from the antebellum era connect to the Civil War, since the issues leading up to the war are framed so firmly in the language of cause and effect. The trickier task, as Mr. Rabinowitz has stated, is making the transition at the end of the war to the post-1865 reconstruction era. At this point, in order to frame my unit on reconstruction I tweak the old aphorism from above just a bit and posit: "all wars end after they end." Here, depending on the level of your students, you can make such connections between the American Revolution and the War of 1812, World War I and II, and more recently, the Gulf War and the attack of 9/11/01. You also can discuss what happens after a defeat (or victory) in personal or sports terms. You can even take a (gang?) fight on the playground as an example. When defeated, do people just quit or do they come up with new tactics for a new day? Or you can ask if defeat (or victory) can be total over an opponent? The goal here is in part to show how inextricably connected these different events can be and that the war didn't simply end with the firm resolution of a Hollywood sunset. Also, I try to point out that war is an extension of politics and diplomacy, and with defeat (or victory), postwar peace demands that goals and tactics have to change. Second, I ask my students to consider the following question: we know who won the war, but who won the peace? The answers to this question can be as nuanced as you have time for and they also can embrace group identities rather than national terms. It also gives you a chance to discuss the fact that the issues that helped create the war are not fully resolved by the Union's victory over the Confederacy (here students can discuss such issues as the meaning of freedom and the role of government). Thanks for sharing, folks. ABloom ----------------------------------------- Alan Bloom, Ph.D. Lecturer in History and the Humanities Valparaiso University Email: Alan.Bloom@valpo.edu This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Sat, 6 Oct 2001 17:15:56 -0400 Reply-To: Reconstruction Forum Sender: Reconstruction Forum From: Len Rabinowitz Subject: Re: high school teaching MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit I wish to respond to Ranjit Dighe's comments. That was me you were responding to- Len Rabinowitz! First let me state that I am a fan of James Loewen. I've read Lies twice, I've read his new book, I've seen him speak, and I've used his materials in class. Every history teacher should read those books. Many of the books are still being used- but there has been some updating. Thanks, in large part, to Jim Loewen. The "Sambo" comment is a famous one, and I can guarantee that no textbook publisher would ever do such a thing today. I am currently working on a textbook project for a publisher and I have a pre-publication copy, with editorial notes. They jump on anything that could possibly offend anybody. Frankly, it at times is done to the point of getting at another complaint he has- the blandness and lack of flair to the writing that is partially a result of this. As for the nationalism, you are absolutely correct. I have done a very small amount of research into looking at high school history texts as primary source documents of their day. Reconstruction is one of the subjects that suffers the most in this. It is always portrayed as less important than the war, and I am starting to think that is exactly backwards. Texts of 1950's-1960's vintage (Civil Rights Era) are better, but they still tend to stress that anything decent was done by whites. Newer books do tend to stress at some of the black role. It boils down to not wanting younger students to think about or analyze anything to complex- and there is plenty of complexity in Reconstruction! I think that the war brought freedom, but Reconstruction asks us to think about what freedom means- a much more difficult and interesting question. And a question that not everyone wants children to really think about too much. Which leads to your last comment- best answer is that it varies from district to district and state. Most states are turning to graduation tests as a requirement and this is forcing a lot of change. Reconstruction does not get a lot of attention in these tests. Finally, thank you for your compliments. In recent years here in Massachusetts public school teachers have been publicly portrayed by some as a pretty stupid and incompetent lot. We are not, and we really aoppreciate when someone recognizes that. Len Rabinowitz Ashland High School Ashland, MA ----- Original Message ----- From: "Ranjit S Dighe" To: Sent: Saturday, October 06, 2001 12:44 PM Subject: Re: high school teaching > I'd like to second Prof. Bryant's recommendation of James Loewen's LIES MY > TEACHER TOLD ME, which does a masterful job of puncturing the myths about > Reconstruction as an era of corrupt "Negro rule," while providing lots of > specifics about the positive accomplishments of that era. For those who > haven't read the book, the key chapter is the one on "the invisibility of > anti-racism" in high-school history textbooks. I'm actually using > Loewen's book as a supplementary text this semester in two different > college courses (American Economic History Before 1900, Introduction to > Social Science). > > I don't doubt the contention raised by someone else (sorry, I don't have > your name handy) that Loewen's general criticism of HS textbooks is a bit > dated, but I would expect that many of the 12 texts he looked at are still > being used. Also, even if dated, the blind nationalism that most of those > textbooks offer is what most of us were probably fed while growing up, and > much of the now-embarrassing material in those texts reflected the > dominant views of mainstream academic historians. (Loewen, for example, > quotes a textbook written by the great historians Morison and Commager > that said, "As for Sambo, whose wrongs moved the abolitionists to tears, > there is reason to believe that he suffered less than anyone else from the > South's 'peculiar institution' of slavery." As Christopher Hitchens has > noted, I would not want to be without that quote, since it reveals a lot > about America in the *twentieth* century, when such textbooks were used.) > > Also, I just want to say that it's great to be in a forum with so many > thoughtful and obviously talented high-school history teachers. Just from > remembering my own dismal experience in HS history class twenty years ago > (not the teacher's fault, however) and from the general impression one > gets from various parents' complaints, it's easy to forget how many really > terrific history teachers there actually are in our public schools. I > pose this next question to any public-school history teachers in this > forum, esp. those at the HS level, because I'm really curious to know the > answer: > > How much discretion do school officials (administration, school board, > etc.) and parents give you in choosing your history textbooks and course > supplements, and in what you do in the classroom? > > Thanks, > Ranjit Dighe > > **************************************************** > > Ranjit S. Dighe 315-312-3480 (office) > Assistant Professor 315-342-5383 (home) > Department of Economics home address: > SUNY-Oswego P.O. Box 3010 > Oswego, NY 13126 Oswego, NY 13126 > E-mail: dighe@oswego.edu > Fax: 315-312-5444 > > **************************************************** > > This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. > This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Sat, 6 Oct 2001 21:43:38 -0400 Reply-To: Reconstruction Forum Sender: Reconstruction Forum From: Len Rabinowitz Subject: Re: high school teaching MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit That's one heck of an assumption. Why do you assume it? Do you assign the book? If you do, surely some must read it. If you don't assign it, why have it? What role does it play? I find that many texts are quite good at providing basic factual data, and that many primary source documents need that factual context. Len Rabinowitz Ashland High School Ashland, MA ----- Original Message ----- From: "Austin Manghan" To: Sent: Wednesday, October 03, 2001 9:56 PM Subject: Re: high school teaching > In response to Len Rabinowitz, > > I'm a HS teacher. I assume that most of my students > don't read the text book. I provide them with as much > primary source material as I can. > > > > > Austin Manghan > Longwood HS > Middle Island NY > > __________________________________________________ > Do You Yahoo!? > NEW from Yahoo! GeoCities - quick and easy web site hosting, just $8.95/month. > http://geocities.yahoo.com/ps/info1 > > This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. > This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Sat, 6 Oct 2001 16:53:12 -0700 Reply-To: Reconstruction Forum Sender: Reconstruction Forum From: dwight Subject: Re: high school teaching In-Reply-To: MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Ranjit Dighe wrote: > How much discretion do school officials > (administration, school board, > etc.) and parents give you in choosing your history > textbooks and course > supplements, and in what you do in the classroom? As the reliance on high stakes testing goes up, less and less. -Dwight Forquignon student teacher in NYC __________________________________________________ Do You Yahoo!? NEW from Yahoo! GeoCities - quick and easy web site hosting, just $8.95/month. http://geocities.yahoo.com/ps/info1 This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Sun, 7 Oct 2001 11:25:29 -0400 Reply-To: Reconstruction Forum Sender: Reconstruction Forum From: Len Rabinowitz Subject: Re: high school teaching MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit Perhaps a way to think of it is this: The war settled the questions of whose the boss ( the feds are ) and are we one nation or many ( we are one ). It may have asked the question "what is the meaning of freedom?" and I'm not sure we have answered that to this day. On the Lincoln discussion: It's quite true that he held racial views that are repugnant to most of us today and were repugnant to some at the time. But still, in the end he was able to see that the war for union had to become the war for freedom. I know as well as any of you what the Emancipation Proclamation says, and I've read his speeches and things. He issued it as a military order because he had little other choice beyond a constitutional amendment which would have taken a great deal of time and might have pushed out the union slave states. I think that it did end slavery in the sense that people were well aware that was the end of it- how could it survive in isolated pockets with African-Americans in the Union Army? (Yes, I know how they were treated. It represents improvement, not perfection.) It's the ability to grow, learn, and lead that is worthy of at least some modicum of respect. I'm no fan of blind, unthinking nationalism, but I do find some aspects of the modern Lincoln debate somewhat self-destructive. I don't know about you, but I would rather someone evaluate me on my strengths and accomplishments rather than on my weaknesses and failures. I think I'm a pretty good guy, but I have no idea what the standards will be 136 years from now, so to judge me on their standards seems somewhat unfair. In the end, I'm not sure that we will really will move forward the cause of social justice today by stressing the negative aspects of Lincoln and de-emphasizing his (in my opinion) far more important accomplishments. You couldn't address the racial issue until you addressed the slavery one, obviously. Sometimes I see people that I think are using history for their own purposes and not for the purposes of historical study. It seems that it is often done to stir people up about something- and it is convienient because the historical figures are not here to speak for themselves. I am certain that my comments will provoke response- the fun of the forum! Len Rabinowitz Ashland High School Ashland, MA ----- Original Message ----- From: "Alan Bloom" To: Sent: Sunday, October 07, 2001 1:02 AM Subject: Re: high school teaching > Hello, > My name is Alan Bloom. I'm a lecturer at > Valparaiso University, and I frequently teach our class on > the Civil War and Reconstruction. > I wanted to address the following point by Len > Rabinowitz : "The hardest thing I find for students to get > over is that it's not over when the war is over. That's a > tough one for younger students." I agree wholeheartedly > with this sentiment, and in my class I attempt to do two > things to overcome this hurdle. > First, I try to frame my course so that students > see that the antebellum era, the war, and the > reconstruction era are inextricably connected. To help > create this structure I begin the course with the aphorism: > "all wars start before they start." On the whole, as you > know, students clearly see that themes from the antebellum > era connect to the Civil War, since the issues leading up > to the war are framed so firmly in the language of cause > and effect. > The trickier task, as Mr. Rabinowitz has stated, is > making the transition at the end of the war to the > post-1865 reconstruction era. At this point, in order to > frame my unit on reconstruction I tweak the old aphorism > from above just a bit and posit: "all wars end after they > end." Here, depending on the level of your students, you > can make such connections between the American Revolution > and the War of 1812, World War I and II, and more recently, > the Gulf War and the attack of 9/11/01. You also can > discuss what happens after a defeat (or victory) in > personal or sports terms. You can even take a (gang?) > fight on the playground as an example. When defeated, do > people just quit or do they come up with new tactics for a > new day? Or you can ask if defeat (or victory) can be > total over an opponent? The goal here is in part to show > how inextricably connected these different events can be > and that the war didn't simply end with the firm resolution > of a Hollywood sunset. Also, I try to point out that war > is an extension of politics and diplomacy, and with > defeat (or victory), postwar peace demands that goals and > tactics have to change. > Second, I ask my students to consider the following > question: we know who won the war, but who won the peace? > The answers to this question can be as nuanced as you have > time for and they also can embrace group identities rather > than national terms. It also gives you a chance to discuss > the fact that the issues that helped create the war are not > fully resolved by the Union's victory over the Confederacy > (here students can discuss such issues as the > meaning of freedom and the role of government). > > Thanks for sharing, folks. > ABloom > > > ----------------------------------------- > Alan Bloom, Ph.D. > Lecturer in History and the Humanities > Valparaiso University > Email: Alan.Bloom@valpo.edu > > This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. > This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Sun, 7 Oct 2001 13:44:55 -0500 Reply-To: Reconstruction Forum Sender: Reconstruction Forum From: Rosemary Hopkins Subject: Re: high school teaching MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit An earlier post asked for ideas on approaching Reconstruction that would show the students the varying viewpoints of northerners, southerners, freedmen, etc. I have successfully used a lesson from the Magazine of History put out by the OAH. It appeared in the winter 1989 issue devoted to Reonstruction. The lesson includes a series of 10 questions on issues: what should be done with ex-Confederate officials? What should be the fate of the freedmen, etc. Students are divided into 6 groups, ranging from Radical Republicans, to Radical southern rebels and freedmen. They have to answer the questions as their group would. Sometimes I have assigned editorial cartoons or letters to the editor as part of the exercise. This year I plan on using some excerpts from Gone with the Wind with some primary sources about the Klan. Rosemary Hopkins Nerinx Hall High School This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Sun, 7 Oct 2001 13:50:00 -0700 Reply-To: Reconstruction Forum Sender: Reconstruction Forum From: Jean Libby Subject: Re: high school teaching MIME-version: 1.0 Content-type: multipart/alternative; boundary="Boundary_(ID_VWwqecQC042VuTi/SBLdHA)" This is a multi-part message in MIME format. --Boundary_(ID_VWwqecQC042VuTi/SBLdHA) Content-type: text/plain; charset=iso-8859-1 Content-transfer-encoding: 7BIT This is a response to Arica Coleman's comments on abolitionists and antiracism. I am in strong agreement with James Loewen that abolitionists were opposed to racism, and did much to improve both legal and personal racist practices following the Civil War. The best examples of these improvements are the "Reconstruction Amendments" to the U.S. Constitution, the abolishing of slavery (which was introduced by Abraham Lincoln while he was president), the definition of citizenship, which had been removed from black people in America by the Dred Scott decision of the Supreme Court in 1857 (and opposition to which was the foundation of Abraham Lincoln's political career from 1858 to his assassination in 1865), and the right to vote not to be prohibited or infringed due to race. The success of all these Amendments are due in no small part to white and black abolitionists in the United States before and during the Civil War. An important aspect of the proceedings of virtually all the AntiSlavery Societies, their publications (edited by both whites and blacks), the Liberty Party, the Black Conventions, the independent African churches, the independent abolition churches, the organized and extralegal defense against reenslavement (the Underground Railroad), the secret Liberty Leagues, and the organizations that attempted to remove people from slavery (particularly that developed by John Brown) into a state of citizenship is one of antiracism. I have recently been immersed in abolition studies (and studies of abolitionists) in preparation for publication of the documents of abolition written or published by John Brown, in order to place him in historical context. That context has been greatly skewed by the "revisionist" ideas of history, that there must be shorthand labels for everything, that a person such as Garrison who opposes a relationship with the slaveholding states in the Union and wants to form a more perfect union without them is somehow representing racism because he, and Frederick Douglass (and John Brown) disagree about the best means to achieve the end of slavery in the United States. Instead of looking at the ideas that these activist reformers were arguing and defining, they are looked at only for the color of their skins. The labeling of leaders who changed our country, who brought an end to slavery and waged war on those who would continue and extend it, is done by "picking" one statement or circumstance, at one time, and defining them with a label that may be accurate for another time, whether three years later in theirs, or one hundred twenty-five years later in ours. What James Loewen does is look at the outcome of Abraham Lincoln's influence on both slavery and racism, and that has to be emancipation and amelioration. As I have been hearing the shorthand "racist Lincoln" from some teachers since beginning university education (in middle age) in the 1980s, it has to go in that memorable category, "Lies My Teachers Told Me." With the 200th anniversary of Lincoln's birth fast approaching, the new books are being written now, and hopefully will bring renewed insight into his life and times. As this forum is very interestingly becoming an exchange of recommended readings both for our students and for ourselves, I would like to add two books to the mix, books on abolitionists that bring the context and the complexity of the black and white abolitionists into our understanding of the Reconstruction Era, and who are directly involved as actors and movers in the events of it. They are: Robert S. Levine, Martin Delany, Frederick Douglass and the Politics of Representative Identity (The University of North Carolina Press, 1997) Douglas M. Strong. Perfectionist Politics, Abolitionism and the Religious Tensions of American Democracy (Syracuse University Press, 1999). Jean Libby San Jose City College ----- Original Message ----- From: Arica Coleman To: RECONSTRUCTIONFORUM@ASHP.LISTSERV.CUNY.EDU Sent: Saturday, October 06, 2001 6:56 PM Subject: Re: high school teaching Ranjit and fellow colleagues: I too strongly believe that Loewen's book is an excellent resource for high school teachers, but I find his chapter on antiracism in America problematic. First, what Loewen interprets as an antiracism effort in America begs a definition which he never supplies. Defining antiracism in terms of the efforts of abolitionists is insufficient as it has been well documented that abolitionism did not equal antiracism. Note Frederick Douglass's severed ties with William Lloyd Garrison. Abolitionist did a wonderful job opposing slavery, but they did little as advocates of antiracism. Now, Loewen's initial position is that high school textbook's heroification of national figures obscures their complexity as human beings. However, in the chapter on antiracism, he falls into this very trap in his interpretation of Mr. Lincoln. To refer to Lincoln as, "a racial idealist," (197) misconstrues the fact that the former president was indeed a white supremacist, who not only favored segregation of the races, but also was a strong supporter of the American Colonization society. To champion him as a supporter of antiracism diminishes the ambiguity of a man who was torn between his internalization of the racist views of the day, his career as a politician, and his own moral conscience. Yes, Lincoln signed the Emancipation Proclamation, which declared slaves in the rebellious states, "thenceforward and forever free," but this was done as a military necessity. A point Loewen neglects in this chapter. Now here is wher e primary documents ca Loewen concludes by saying, "Antiracism is one of America's great gifts to the world....Antiracism led to a 'new birth of freedom' after the Civil War... (198)." Huh, if it had, we would be having a different conversation about Reconstruction in this forum and maybe the question posed my Dr. Foner concerning the failure of Reconstruction would be irrelevant. Arica L. Coleman The Union Institute Graduate College --Boundary_(ID_VWwqecQC042VuTi/SBLdHA) Content-type: text/html; charset=iso-8859-1 Content-transfer-encoding: 7BIT
This is a response to Arica Coleman's comments on abolitionists and antiracism.  I am in strong agreement with James Loewen that abolitionists were opposed to racism, and did much to improve both legal and personal racist practices following the Civil War.  The best examples of these improvements are the "Reconstruction Amendments" to the U.S. Constitution, the abolishing of slavery (which was introduced by Abraham Lincoln while he was president), the definition of citizenship, which had been removed from black people in America by the Dred Scott decision of the Supreme Court in 1857 (and opposition to which was the foundation of Abraham Lincoln's political career from 1858 to his assassination in 1865), and the right to vote not to be prohibited or infringed due to race.  The success of all these Amendments are due in no small part to white and black abolitionists in the United States before and during the Civil War. 
 
An important aspect of the proceedings of virtually all the AntiSlavery Societies, their publications (edited by both whites and blacks), the Liberty Party, the Black Conventions, the independent African churches, the independent abolition churches, the organized and extralegal defense against reenslavement (the Underground Railroad), the secret Liberty Leagues, and the organizations that attempted to remove people from slavery (particularly that developed by John Brown) into a state of citizenship is one of antiracism.  
 
I have recently been immersed in abolition studies (and studies of abolitionists) in preparation for publication of the documents of abolition written or published by John Brown, in order to place him in historical context.  That context has been greatly skewed by the "revisionist" ideas of history, that there must be shorthand labels for everything, that a person such as Garrison who opposes a relationship with the slaveholding states in the Union and wants to form a more perfect union without them is somehow representing racism because he, and Frederick Douglass (and John Brown) disagree about the best means to achieve the end of slavery in the United States. Instead of looking at the ideas that these activist reformers were arguing and defining, they are looked at only for the color of their skins.    
 
The labeling of leaders who changed our country, who brought an end to slavery and waged war on those who would continue and extend it, is done by "picking" one statement or circumstance, at one time, and defining them with a label that may be accurate for another time, whether three years later in theirs, or one hundred twenty-five years later in ours.   
 
What James Loewen does is look at the outcome of Abraham Lincoln's influence on both slavery and racism, and that has to be emancipation and amelioration.  As I have been hearing the shorthand "racist Lincoln" from some teachers since beginning university education (in middle age) in the 1980s,  it has to go in that memorable category, "Lies My Teachers Told Me."  With the 200th anniversary of Lincoln's birth fast approaching, the new books are being written now, and hopefully will bring renewed insight into his life and times. 
           
As this forum is very interestingly becoming an exchange of recommended readings both for our students and for ourselves, I would like to add two books to the mix, books on abolitionists that bring the context and the complexity of the black and white abolitionists into our understanding of the Reconstruction Era, and who are directly involved as actors and movers in the events of it.  They are:
 
Robert S. Levine, Martin Delany, Frederick Douglass and the Politics of Representative Identity  (The University of North Carolina Press, 1997)
 
Douglas M. Strong. Perfectionist Politics, Abolitionism and the Religious Tensions of American Democracy (Syracuse University Press, 1999).
 
 
Jean Libby
San Jose City College
 
 
 
    
----- Original Message -----
Sent: Saturday, October 06, 2001 6:56 PM
Subject: Re: high school teaching

Ranjit and fellow colleagues:
    I too strongly believe that Loewen's book is an excellent resource for high school teachers, but I find his chapter on antiracism in America problematic.  First, what Loewen interprets as an antiracism effort in America begs a definition which he never supplies. Defining antiracism in terms of the efforts of abolitionists is insufficient as it has been well documented that abolitionism did not equal antiracism.  Note Frederick Douglass's severed ties with William Lloyd Garrison.  Abolitionist did a wonderful job opposing slavery, but they did little as advocates of antiracism.
    Now, Loewen's initial position is that high school textbook's heroification of national figures obscures their complexity as human beings.  However, in the chapter on antiracism, he falls into this very trap in his interpretation of Mr. Lincoln.  To refer to Lincoln as, "a racial idealist," (197) misconstrues the fact that the former president was indeed a white supremacist, who not only favored segregation of the races, but also was a strong supporter of the American Colonization society.  To champion him as a supporter of antiracism diminishes the ambiguity of a man who was torn between his internalization of the racist views of the day, his career as a politician, and his own moral conscience.  Yes, Lincoln signed the Emancipation Proclamation, which declared slaves in the rebellious states, "thenceforward and forever free," but this was done as a military necessity.  A point Loewen neglects in this chapter.  Now here is wher e primary documents ca
    Loewen concludes by saying, "Antiracism is one of America's great gifts to the world....Antiracism led to a 'new birth of freedom' after the Civil War... (198)."  Huh, if it had, we would be having a different conversation about Reconstruction in this forum and maybe the question posed my Dr. Foner concerning the failure of Reconstruction would be irrelevant.      

Arica L. Coleman
The Union Institute Graduate College
--Boundary_(ID_VWwqecQC042VuTi/SBLdHA)-- This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Sun, 7 Oct 2001 21:33:23 EDT Reply-To: Reconstruction Forum Sender: Reconstruction Forum From: Arica Coleman Subject: Re: high school teaching MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="part1_147.2b8caa9.28f25c63_boundary" --part1_147.2b8caa9.28f25c63_boundary Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit May I also add to the list Leon Bennett's Forced into Glory? Arica --part1_147.2b8caa9.28f25c63_boundary Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: 7bit May I also add to the list Leon Bennett's Forced into Glory?
Arica
--part1_147.2b8caa9.28f25c63_boundary-- This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Mon, 8 Oct 2001 11:16:26 -0500 Reply-To: Reconstruction Forum Sender: Reconstruction Forum From: michael fitzgerald Subject: Re: Website addresses In-Reply-To: Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" Dear Friends, I noticed several people referred to various websites in the discussion. It might make it easier on everybody if people gave the actual addresses for their favorites. Toward this end, I might suggest that the Freedmen and Southern Society papers project at the University of Maryland has a nice set of primary documents illustrating emancipation. I've used this website for class with good effect. Some of the documents reflect an African American point of view and they are often pretty moving. The address is: http://www.inform.umd.edu/EdRes/Colleges/ARHU/Depts/History/Freedman/sampdoc s.htm (In theory, this address should work) Thanks, Mike Fitzgerald St. Olaf College This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Mon, 8 Oct 2001 12:18:28 -0500 Reply-To: Reconstruction Forum Sender: Reconstruction Forum From: Alecia Long Subject: Reconstruction in Louisiana MIME-Version: 1.0 Content-Type: text/plain I've been following the discussion with interest, especially the posts on teaching about Reconstruction. My name is Alecia Long and I'm historian at the Louisiana State Museum in New Orleans. I don't "teach" about Reconstruction in the ways that I suspect most people on this list do, that is in a classroom, but, in my role as a public historian, I've found, just as Dr. Foner suggests, that adult groups respond very well to lectures on Reconstruction that include many 19th-century images. For good or for ill, I have the outrageous history of Reconstruction in Louisiana to work from, and I argue to groups of adults that in many significant ways events in New Orleans and Louisiana helped to drive the course of Reconstruction nationwide. There are plenty of Harper's illustations that help me to make this point, and the groups I speak to really seem to respond to them. Of course that's not an original idea (see for instance Ted Tunnell's book Crucible of Reconstruction), but it seems to work pretty well in generating discussion among adults. One other thing that I use is the history of the Liberty Place monument. I draw on Sanford Levinson's interpretation from Written in Stone to help show them how widely interpretations of the "Battle of Liberty Place" have changed over the years, and how those changes have literally been inscribed on the monument. They pick up on how that speaks to and reflects the changing historiography of Reconstruction without me having to beat them over the head with it. Going back to a couple of Professor Foner's early questions, I find that the adults I speak to (most of them community groups, tour guides, or docents in training) immeidately make the connection between Reconstruction politics and our current politics and race relations. I certainly guide them in that direction, but I've been heartened by how many of them embrace and connect with the "Unifinished Revolution" idea rather than clinging to a "Moonlight and Magnolias/Damned Yankees" approach that many of them bring with them to the lecture. The victories are small, but if you can make a chink in someone's long-held ideas, and get them curious, I find people who are interested in history generally, are very interested to learn more about Reconstruction once the subject is opened up to them. I hope we can get into the question of whether the cycles of Reconstruction historiography suggest that historical truth is unobtainable and that historical interpretation tends to serve immediate political ends, but I think I'll let someone else fire the initial salvo in that debate. Look forward to more discussion. Alecia P. Long, Ph.D. Historian Louisiana State Museum 1-800-568-6968/along@crt.state.la.us > This forum is sponsored by History Matters--please visit our Web site at > http://historymatters.gmu.edu for more resources for teaching U.S. > History. This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Tue, 9 Oct 2001 08:45:19 -0700 Reply-To: Reconstruction Forum Sender: Reconstruction Forum From: Jean Libby Subject: Re: high school teaching MIME-version: 1.0 Content-type: multipart/alternative; boundary="Boundary_(ID_vYyKDcsBmw6kZvPov+4hIA)" This is a multi-part message in MIME format. --Boundary_(ID_vYyKDcsBmw6kZvPov+4hIA) Content-type: text/plain; charset=iso-8859-1 Content-transfer-encoding: 7BIT Arica, the author's name is Lerone Bennett, not Leon. The correct reference for a list would be: Lerone Bennett, Jr. Forced Into Glory; Abraham Lincoln's White Dream (Chicago: Johnson Publishing Co., 2000). Jean ----- Original Message ----- From: Arica Coleman To: RECONSTRUCTIONFORUM@ASHP.LISTSERV.CUNY.EDU Sent: Sunday, October 07, 2001 6:33 PM Subject: Re: high school teaching May I also add to the list Leon Bennett's Forced into Glory? Arica --Boundary_(ID_vYyKDcsBmw6kZvPov+4hIA) Content-type: text/html; charset=iso-8859-1 Content-transfer-encoding: 7BIT
Arica, the author's name is Lerone Bennett, not Leon.  The correct reference for a list would be:  Lerone Bennett, Jr.  Forced Into Glory; Abraham Lincoln's White Dream (Chicago: Johnson Publishing Co., 2000).     Jean
----- Original Message -----
Sent: Sunday, October 07, 2001 6:33 PM
Subject: Re: high school teaching

May I also add to the list Leon Bennett's Forced into Glory?
Arica
--Boundary_(ID_vYyKDcsBmw6kZvPov+4hIA)-- This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Tue, 9 Oct 2001 14:26:08 -0400 Reply-To: Reconstruction Forum Sender: Reconstruction Forum From: Eric Foner Subject: Re: high school teaching In-Reply-To: <000b01c150d9$66a99680$6401a8c0@pacbell.net> MIME-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII Dear colleagues, I have found the dfiscussion of teaching Reconstruction most interesting. Here are a few further thoughts, inspired by recent messages: 1- It might be worth asking students to consider why Reconstruction is so absent from our public history, especially compared to the Civil War. There are almost no monuments to Reconstruction leaders, no museums of Reconstruction, no National Parks Service site focusing on Reconstruction (except Andrew Johnson's homestead, which takes the Bowers approach). Even Ken Burns' tv series jumped right over Reconstruction to race to the veterans' reunions in his final episode. Obviously, this is a period we as a nation have difficult dealing with. 2- I wrote a review of Bennett's book on Lincoln in the Los Angeles Times last year. It's probably floating around the internet somewhere for those who are interested. I agree with the writer who emphasizes Lincoln's capacity for growth, especially in the last two years of the war. Whenver I lecture on Reconstruction, I am asked what difference it made the L. was assassinated. This is impossible to answer, but surely he would not have pursued a policy, as Johnson did, that alienated the entire Republican party. 3- I also find Loewen's books valuable but dated, or at least one-sided. The textbooks I see (college ones, admittedly) do not suffer from most of the flaws he identifies (although labor history remains almost totally ingored). Reconstruction is treated well in the ones I see. And in Lies Across America, a critique of monuments and museums, he gives no attention to efforts at many places to modernize the presentation of history. 4- Connections between the present and Reconstruction might also consider the retreat from Reconstruction and the era we have been living in since the civil rights movement -- the role of the Supreme Court, arguments against big government, special favoritism to one group, social Darwinism and laissez-faire as excuses for abandoning the struggle for equality. etc. The decline of social movements and egalitarian impulses is worth considering as much as the struggles for equality in the 1860s and 1960s. Eric Foner This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Tue, 9 Oct 2001 14:50:05 -0400 Reply-To: Reconstruction Forum Sender: Reconstruction Forum From: "Ranjit S. Dighe" Subject: Re: high school teaching In-Reply-To: MIME-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII A couple responses to Prof. Foner's most recent comments: * I bet if someone pitched the idea of a documentary on Reconstruction to Ken Burns, he'd do it, and would do a good job with it. Any idea on how to get in touch with him? * James Loewen says in LIES MY TEACHER TOLD ME that college history courses and textbooks tend to be a much different, and better, animal high school history textbooks are. But many of the people here are HS history teachers and have to choose from a limited list of approved HS history texts, and, as noted, many of those books are still being used. So I think Loewen's general point about "feel-good history" is well taken and very relevant to this discussion. rsd ***************************************************** Ranjit S. Dighe at home: Assistant Professor P.O. Box 3010 Department of Economics Oswego, NY 13126 Mahar Hall SUNY-Oswego Oswego, NY 13126 315-312-3480 Fax: 315-312-5444 E-mail: dighe@oswego.edu Home page: http://www.oswego.edu/~dighe/ Office hours: Tues. & Thurs. 2-4 ***************************************************** On Tue, 9 Oct 2001, Eric Foner wrote: > Dear colleagues, > > I have found the dfiscussion of teaching Reconstruction most interesting. > Here are a few further thoughts, inspired by recent messages: > > 1- It might be worth asking students to consider why Reconstruction is so > absent from our public history, especially compared to the Civil War. > There are almost no monuments to Reconstruction leaders, no museums of > Reconstruction, no National Parks Service site focusing on Reconstruction > (except Andrew Johnson's homestead, which takes the Bowers approach). > Even Ken Burns' tv series jumped right over Reconstruction to race to the > veterans' reunions in his final episode. Obviously, this is a period we > as a nation have difficult dealing with. > > 2- I wrote a review of Bennett's book on Lincoln in the Los Angeles > Times last year. It's probably floating around the internet somewhere for > those who are interested. I agree with the writer who emphasizes > Lincoln's capacity for growth, especially in the last two years of the > war. Whenver I lecture on Reconstruction, I am asked what difference it > made the L. was assassinated. This is impossible to answer, but surely he > would not have pursued a policy, as Johnson did, that alienated the entire > Republican party. > > 3- I also find Loewen's books valuable but dated, or at least one-sided. > The textbooks I see (college ones, admittedly) do not suffer from most of > the flaws he identifies (although labor history remains almost totally > ingored). Reconstruction is treated well in the ones I see. And in Lies > Across America, a critique of monuments and museums, he gives no attention > to efforts at many places to modernize the presentation of history. > > 4- Connections between the present and Reconstruction might also consider > the retreat from Reconstruction and the era we have been living in since > the civil rights movement -- the role of the Supreme Court, arguments > against big government, special favoritism to one group, social Darwinism > and laissez-faire as excuses for abandoning the struggle for equality. > etc. The decline of social movements and egalitarian impulses is worth > considering as much as the struggles for equality in the 1860s and 1960s. > > Eric Foner > > This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. > This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Tue, 9 Oct 2001 21:16:13 +0100 Reply-To: Reconstruction Forum Sender: Reconstruction Forum From: =?iso-8859-1?q?donald=20campbell?= Subject: Re: high school teaching In-Reply-To: MIME-Version: 1.0 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit Hi I am a student at Aberdeen University, Scotland. I have been following the flow on reconstruction and I find it interesting that you are drawing parallells with the wars of the last century and indeed in this one. Can I first of all speak up for people like Abraham Lincoln. To call this towering, courageous man a racist really is outrageous. One of the most important things I have come to appreciate is not judging historical people and events with to-day's values. There probably are some events (like the hollocaust) which will be monsterous for ever.Surely this great American, this great protector of the Union who was greatly saddened by the carnage created during the war is one of the great statesmen of all times. He was faced with a dreadful national crisis and he made his tortured decision well. Lets hope his modern equivalent is such a man. Don Campbell --- Alan Bloom wrote: > Hello, > My name is Alan Bloom. I'm a lecturer at > Valparaiso University, and I frequently teach our > class on > the Civil War and Reconstruction. > I wanted to address the following point by > Len > Rabinowitz : "The hardest thing I find for students > to get > over is that it's not over when the war is over. > That's a > tough one for younger students." I agree > wholeheartedly > with this sentiment, and in my class I attempt to do > two > things to overcome this hurdle. > First, I try to frame my course so that > students > see that the antebellum era, the war, and the > reconstruction era are inextricably connected. To > help > create this structure I begin the course with the > aphorism: > "all wars start before they start." On the whole, > as you > know, students clearly see that themes from the > antebellum > era connect to the Civil War, since the issues > leading up > to the war are framed so firmly in the language of > cause > and effect. > The trickier task, as Mr. Rabinowitz has > stated, is > making the transition at the end of the war to the > post-1865 reconstruction era. At this point, in > order to > frame my unit on reconstruction I tweak the old > aphorism > from above just a bit and posit: "all wars end > after they > end." Here, depending on the level of your students, > you > can make such connections between the American > Revolution > and the War of 1812, World War I and II, and more > recently, > the Gulf War and the attack of 9/11/01. You also can > discuss what happens after a defeat (or victory) in > personal or sports terms. You can even take a > (gang?) > fight on the playground as an example. When > defeated, do > people just quit or do they come up with new tactics > for a > new day? Or you can ask if defeat (or victory) can > be > total over an opponent? The goal here is in part to > show > how inextricably connected these different events > can be > and that the war didn't simply end with the firm > resolution > of a Hollywood sunset. Also, I try to point out > that war > is an extension of politics and diplomacy, and with > defeat (or victory), postwar peace demands that > goals and > tactics have to change. > Second, I ask my students to consider the > following > question: we know who won the war, but who won the > peace? > The answers to this question can be as nuanced as > you have > time for and they also can embrace group identities > rather > than national terms. It also gives you a chance to > discuss > the fact that the issues that helped create the war > are not > fully resolved by the Union's victory over the > Confederacy > (here students can discuss such issues as the > meaning of freedom and the role of government). > > Thanks for sharing, folks. > ABloom > > > ----------------------------------------- > Alan Bloom, Ph.D. > Lecturer in History and the Humanities > Valparaiso University > Email: Alan.Bloom@valpo.edu > > This forum is sponsored by History Matters--please > visit our Web site at http://historymatters.gmu.edu > for more resources for teaching U.S. History. ____________________________________________________________ Do You Yahoo!? Get your free @yahoo.co.uk address at http://mail.yahoo.co.uk or your free @yahoo.ie address at http://mail.yahoo.ie This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Tue, 9 Oct 2001 17:18:41 -0700 Reply-To: Reconstruction Forum Sender: Reconstruction Forum From: Pete Haro Subject: Re: high school teaching Mime-version: 1.0 Content-type: text/plain; charset="US-ASCII" Content-transfer-encoding: 7bit Dear Forum Participants: I found Ranjit Dighe's comment (quoting Loewen) that "college history courses and textbooks tend to be much different, and better, than high school history textbooks" interesting although somewhat misinformed. I hate to burst your bubble, but as a community college teacher, I encounter these types of texts all the time. In fact, I deliberately use them to spark critical debate and thinking among my students whenever possible. Without mentioning names and authors, I have used (and still do) college level history textbooks that STILL proclaim that "the founding fathers were 'riding the tiger' with respect to slavery and did not know how to get off" or that Japanese-Americans have put the trauma of internment behind them and have gone on to "become professionals of the highest caliber" (why the author included statements such as this are still somewhat confusing to me although I have had students suggest that he is telling members of other minority groups to "get over" past discrimination and move on with their lives). I have seen another author proclaim that our interventions in the third world have been the result of either anti-communism or responding to "chaotic situations" that mandated our sending troops abroad. There is no mention of the influence of U.S. corporations in our foreign policy. Hopefully, the participants in this forum realize that there is much more to issues such as these. I mention this because I think that as historians, we have to be careful not to be too self-congratulatory. Historical distortion and self-service continue at all levels of the profession. Let's not fool ourselves that all historians are wonderfully enlightened products of the sixties free speech or civil rights movements. There are plenty of authors who would love nothing better than for college level students to believe that our country has ALWAYS honored and respected civil rights, self-determination and is the beacon of freedom for the entire world. It is uncritical thinking such as this that has often led us, as a nation, down the road of folly more than once. Peter D. Haro Southwestern College. ---------- >From: "Ranjit S. Dighe" >To: RECONSTRUCTIONFORUM@ASHP.LISTSERV.CUNY.EDU >Subject: Re: high school teaching >Date: Tue, Oct 9, 2001, 11:50 AM > > A couple responses to Prof. Foner's most recent comments: > > * I bet if someone pitched the idea of a documentary on Reconstruction to > Ken Burns, he'd do it, and would do a good job with it. Any idea on how > to get in touch with him? > > * James Loewen says in LIES MY TEACHER TOLD ME that college history > courses and textbooks tend to be a much different, and better, animal > high school history textbooks are. But many of the people here are HS > history teachers and have to choose from a limited list of approved HS > history texts, and, as noted, many of those books are still being used. > So I think Loewen's general point about "feel-good history" is well taken > and very relevant to this discussion. > > rsd > > ***************************************************** > > Ranjit S. Dighe at home: > > Assistant Professor P.O. Box 3010 > Department of Economics Oswego, NY 13126 > Mahar Hall > SUNY-Oswego > Oswego, NY 13126 > 315-312-3480 > Fax: 315-312-5444 > > E-mail: dighe@oswego.edu > Home page: http://www.oswego.edu/~dighe/ > Office hours: Tues. & Thurs. 2-4 > > ***************************************************** > > On Tue, 9 Oct 2001, Eric Foner wrote: > >> Dear colleagues, >> >> I have found the dfiscussion of teaching Reconstruction most interesting. >> Here are a few further thoughts, inspired by recent messages: >> >> 1- It might be worth asking students to consider why Reconstruction is so >> absent from our public history, especially compared to the Civil War. >> There are almost no monuments to Reconstruction leaders, no museums of >> Reconstruction, no National Parks Service site focusing on Reconstruction >> (except Andrew Johnson's homestead, which takes the Bowers approach). >> Even Ken Burns' tv series jumped right over Reconstruction to race to the >> veterans' reunions in his final episode. Obviously, this is a period we >> as a nation have difficult dealing with. >> >> 2- I wrote a review of Bennett's book on Lincoln in the Los Angeles >> Times last year. It's probably floating around the internet somewhere for >> those who are interested. I agree with the writer who emphasizes >> Lincoln's capacity for growth, especially in the last two years of the >> war. Whenver I lecture on Reconstruction, I am asked what difference it >> made the L. was assassinated. This is impossible to answer, but surely he >> would not have pursued a policy, as Johnson did, that alienated the entire >> Republican party. >> >> 3- I also find Loewen's books valuable but dated, or at least one-sided. >> The textbooks I see (college ones, admittedly) do not suffer from most of >> the flaws he identifies (although labor history remains almost totally >> ingored). Reconstruction is treated well in the ones I see. And in Lies >> Across America, a critique of monuments and museums, he gives no attention >> to efforts at many places to modernize the presentation of history. >> >> 4- Connections between the present and Reconstruction might also consider >> the retreat from Reconstruction and the era we have been living in since >> the civil rights movement -- the role of the Supreme Court, arguments >> against big government, special favoritism to one group, social Darwinism >> and laissez-faire as excuses for abandoning the struggle for equality. >> etc. The decline of social movements and egalitarian impulses is worth >> considering as much as the struggles for equality in the 1860s and 1960s. >> >> Eric Foner >> >> This forum is sponsored by History Matters--please visit our Web site at > http://historymatters.gmu.edu for more resources for teaching U.S. History. >> > > This forum is sponsored by History Matters--please visit our Web site at > http://historymatters.gmu.edu for more resources for teaching U.S. History. This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Tue, 9 Oct 2001 23:22:49 -0400 Reply-To: Reconstruction Forum Sender: Reconstruction Forum From: Ranjit S Dighe Subject: Re: high school teaching In-Reply-To: <200110100013.RAA26600@gull.mail.pas.earthlink.net> MIME-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII I am grateful to Pete Haro for bursting my bubble (and Prof. Foner's too, I suppose) about the state of college U.S. history textbooks. I guess I've just been lucky with the books I've been assigned and that I've picked up lately. (I can't speak for Prof. Foner, but I would guess that he is very selective with regard to textbooks and, as one of the best and most prolific researchers I know of, he has very little time to look at bad ones. So his perspective on textbooks might understandably be a bit skewed.) Anyway, I know that in my field, economics, the only common denominator among textbooks is that they're all overpriced; the quality ranges from good to bad to ugly, so I suppose I was a bit naive in assuming that college history textbooks were generally good. While the four I've used heavily have all been good and balanced and non-nationalistic, they're by no means a random sample. Still, my expectation is that a randomly selected college history textbook *would* be vastly better than a typical HS history textbook. Most of all, a halfway decent college history text will discuss disagreements among historians and will focus a lot on Why and How questions, instead of just who what when where. And, a college professor has a lot more freedom to eschew bad textbooks in favor of good ones (or perhaps not use a textbook at all), so it's again a pretty different situation from that of the HS's. To conclude on a minor tangent: I was about to put in another good word for all the HS teachers in this forum who "teach against the text," and then I stopped to think that no matter how good one's text is, a teacher with an inquiring mind is probably going to find himself or herself teaching against the text some of the time, no matter how good the text is. Real history is all about interpretation, and how many historians are going to have the exact same interpretation of everything? 'Scuse my rambling. It's late, and I'm tired. rsd **************************************************** Ranjit S. Dighe 315-312-3480 (office) Assistant Professor 315-342-5383 (home) Department of Economics home address: SUNY-Oswego P.O. Box 3010 Oswego, NY 13126 Oswego, NY 13126 E-mail: dighe@oswego.edu Fax: 315-312-5444 **************************************************** On Tue, 9 Oct 2001, Pete Haro wrote: > Dear Forum Participants: I found Ranjit Dighe's comment (quoting Loewen) > that "college history courses and textbooks tend to be much different, and > better, than high school history textbooks" interesting although somewhat > misinformed. > > I hate to burst your bubble, but as a community college teacher, I encounter > these types of texts all the time. In fact, I deliberately use them to spark > critical debate and thinking among my students whenever possible. Without > mentioning names and authors, I have used (and still do) college level > history textbooks that STILL proclaim that "the founding fathers were > 'riding the tiger' with respect to slavery and did not know how to get off" > or that Japanese-Americans have put the trauma of internment behind them and > have gone on to "become professionals of the highest caliber" (why the > author included statements such as this are still somewhat confusing to me > although I have had students suggest that he is telling members of other > minority groups to "get over" past discrimination and move on with their > lives). I have seen another author proclaim that our interventions in the > third world have been the result of either anti-communism or responding to > "chaotic situations" that mandated our sending troops abroad. There is no > mention of the influence of U.S. corporations in our foreign policy. > Hopefully, the participants in this forum realize that there is much more to > issues such as these. > > I mention this because I think that as historians, we have to be careful not > to be too self-congratulatory. Historical distortion and self-service > continue at all levels of the profession. Let's not fool ourselves that all > historians are wonderfully enlightened products of the sixties free speech > or civil rights movements. There are plenty of authors who would love > nothing better than for college level students to believe that our country > has ALWAYS honored and respected civil rights, self-determination and is the > beacon of freedom for the entire world. It is uncritical thinking such as > this that has often led us, as a nation, down the road of folly more than > once. > > Peter D. Haro > Southwestern College. > > ---------- > >From: "Ranjit S. Dighe" > >To: RECONSTRUCTIONFORUM@ASHP.LISTSERV.CUNY.EDU > >Subject: Re: high school teaching > >Date: Tue, Oct 9, 2001, 11:50 AM > > > > > A couple responses to Prof. Foner's most recent comments: > > > > * I bet if someone pitched the idea of a documentary on Reconstruction to > > Ken Burns, he'd do it, and would do a good job with it. Any idea on how > > to get in touch with him? > > > > * James Loewen says in LIES MY TEACHER TOLD ME that college history > > courses and textbooks tend to be a much different, and better, animal > > high school history textbooks are. But many of the people here are HS > > history teachers and have to choose from a limited list of approved HS > > history texts, and, as noted, many of those books are still being used. > > So I think Loewen's general point about "feel-good history" is well taken > > and very relevant to this discussion. > > > > rsd > > > > ***************************************************** > > > > Ranjit S. Dighe at home: > > > > Assistant Professor P.O. Box 3010 > > Department of Economics Oswego, NY 13126 > > Mahar Hall > > SUNY-Oswego > > Oswego, NY 13126 > > 315-312-3480 > > Fax: 315-312-5444 > > > > E-mail: dighe@oswego.edu > > Home page: http://www.oswego.edu/~dighe/ > > Office hours: Tues. & Thurs. 2-4 > > > > ***************************************************** > > > > On Tue, 9 Oct 2001, Eric Foner wrote: > > > >> Dear colleagues, > >> > >> I have found the dfiscussion of teaching Reconstruction most interesting. > >> Here are a few further thoughts, inspired by recent messages: > >> > >> 1- It might be worth asking students to consider why Reconstruction is so > >> absent from our public history, especially compared to the Civil War. > >> There are almost no monuments to Reconstruction leaders, no museums of > >> Reconstruction, no National Parks Service site focusing on Reconstruction > >> (except Andrew Johnson's homestead, which takes the Bowers approach). > >> Even Ken Burns' tv series jumped right over Reconstruction to race to the > >> veterans' reunions in his final episode. Obviously, this is a period we > >> as a nation have difficult dealing with. > >> > >> 2- I wrote a review of Bennett's book on Lincoln in the Los Angeles > >> Times last year. It's probably floating around the internet somewhere for > >> those who are interested. I agree with the writer who emphasizes > >> Lincoln's capacity for growth, especially in the last two years of the > >> war. Whenver I lecture on Reconstruction, I am asked what difference it > >> made the L. was assassinated. This is impossible to answer, but surely he > >> would not have pursued a policy, as Johnson did, that alienated the entire > >> Republican party. > >> > >> 3- I also find Loewen's books valuable but dated, or at least one-sided. > >> The textbooks I see (college ones, admittedly) do not suffer from most of > >> the flaws he identifies (although labor history remains almost totally > >> ingored). Reconstruction is treated well in the ones I see. And in Lies > >> Across America, a critique of monuments and museums, he gives no attention > >> to efforts at many places to modernize the presentation of history. > >> > >> 4- Connections between the present and Reconstruction might also consider > >> the retreat from Reconstruction and the era we have been living in since > >> the civil rights movement -- the role of the Supreme Court, arguments > >> against big government, special favoritism to one group, social Darwinism > >> and laissez-faire as excuses for abandoning the struggle for equality. > >> etc. The decline of social movements and egalitarian impulses is worth > >> considering as much as the struggles for equality in the 1860s and 1960s. > >> > >> Eric Foner > >> > >> This forum is sponsored by History Matters--please visit our Web site at > > http://historymatters.gmu.edu for more resources for teaching U.S. History. > >> > > > > This forum is sponsored by History Matters--please visit our Web site at > > http://historymatters.gmu.edu for more resources for teaching U.S. History. > > This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. > This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Wed, 10 Oct 2001 07:27:56 -0500 Reply-To: Reconstruction Forum Sender: Reconstruction Forum From: Mary Lopez Subject: High School Teacher MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="----=_NextPart_000_0015_01C1515D.149063E0" This is a multi-part message in MIME format. ------=_NextPart_000_0015_01C1515D.149063E0 Content-Transfer-Encoding: quoted-printable Content-Type: text/plain; charset="iso-8859-1" Hello Colleagues, =20 I am a high school history teacher in Schaumburg, IL, in suburban = Chicagoland. I've been reading the postings on this list with great = interest. I did not intend to comment but simply to listen, but I think = that I need to add my two cents' worth on a few issues. First of all, = the issue of Reconstruction does often get sacrificed in the planning of = high school curriculum. We face so many external demands, such as = preparing for testing, skills work, etc., that often this issue goes out = the window. I find that many of the middle school teachers focus = largely on the Civil War, but often exclude Reconstruction. I reteach = much of the social history of Reconstruction as a foil to the 1920s, in = terms of the comparison/contrast with the post-WWI issues. As to the issue of Lies My Teacher Told Me, that may have been relevant = ten years ago, but in my district we phased out those books long ago. = On an interesting note, my Department Chair asked me to dig up a = pre-1970 textbook. I did, and reviewed it, expecting such generalities = found in Lies to be present. In fact, they were not; the book = addressred rather well the issues of morality at play in American = actions and the issue of hippocracy on the part of the Founding Father. = Although bad textbooks can be found, they are far from the mainstream. = I graduated from High School in 1991 and have been teaching all levels = of history since 1995, and that book was unlike any situation I've = encountered. On a personal note, I'd like to thank Professor Foner and the rest of = you for your wonderful postings. It's truly a joy to continue my = learning. Mary Lopez Schaumburg ------=_NextPart_000_0015_01C1515D.149063E0 Content-Transfer-Encoding: quoted-printable Content-Type: text/html; charset="iso-8859-1"
Hello = Colleagues,
 
I am a high school history = teacher in=20 Schaumburg, IL, in suburban Chicagoland.  I've been reading the = postings on=20 this list with great interest. I did not intend to comment but = simply to=20 listen, but I think that I need to add my two cents' worth on a few=20 issues.  First of all, the issue of Reconstruction does often get=20 sacrificed in the planning of high school curriculum.  We face so = many=20 external demands, such as preparing for testing, skills work, etc., that = often=20 this issue goes out the window.  I find that many of the middle = school=20 teachers focus largely on the Civil War, but often exclude = Reconstruction. =20 I reteach much of the social history of Reconstruction as a foil to the = 1920s,=20 in terms of the comparison/contrast with the post-WWI = issues.
 
As to the issue of = Lies My=20 Teacher Told Me, that may have been relevant ten years ago, = but in my=20 district we phased out those books long ago.  On an interesting = note, my=20 Department Chair asked me to dig up a pre-1970 textbook.  I = did, and=20 reviewed it, expecting such generalities found in Lies to be=20 present.  In fact, they were not; the book addressred rather well = the=20 issues of morality at play in American actions and the issue of = hippocracy on=20 the part of the Founding Father.  Although bad textbooks can be = found, they=20 are far from the mainstream.  I graduated from High School in 1991 = and have=20 been teaching all levels of history since 1995, and that book was unlike = any=20 situation I've encountered.
 
On a personal note, I'd like = to thank=20 Professor Foner and the rest of you for your wonderful postings.  = It's=20 truly a joy to continue my learning.
 
Mary Lopez
Schaumburg
------=_NextPart_000_0015_01C1515D.149063E0-- This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Wed, 10 Oct 2001 07:41:26 -0500 Reply-To: LouAnn Everett Sender: Reconstruction Forum From: LouAnn Everett Organization: Trinity Valley Community College Subject: textbooks comment MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="----=_NextPart_000_0014_01C1515E.F7737840" This is a multi-part message in MIME format. ------=_NextPart_000_0014_01C1515E.F7737840 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable I'd like to comment on the "good, bad, and ugly" textbooks. Once, when = teaching world geography, I was shocked to find that my state approved = text had 2 answers for how many continents there were on this = planet--depending on what chapter you were reading. I began to notice = many other errors and took note. By Christmas I faxed about 35 pages of = corrections (gramatical, factual, spelling, etc) to a very irate editor = who assured me that the text had been proof-read by teachers of my = state. In response tp the fax, I received a nice Christmas card and a = job offer. I never trust a text completely and structure my lectures = from my studies and outside sources. Lou Ann Everett Social Studies Instructor Trinity Valley Community College Terrell, Texas everett@tvcc.cc.tx.us ------=_NextPart_000_0014_01C1515E.F7737840 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable
I'd like to comment on the "good, bad, = and ugly"=20 textbooks.  Once, when teaching world geography, I was shocked to = find that=20 my state approved text had 2 answers for how many continents there were = on this=20 planet--depending on what chapter you were reading.  I began to = notice many=20 other errors and took note.  By Christmas I faxed about 35 pages of = corrections (gramatical, factual, spelling, etc) to a very irate editor = who=20 assured me that the text had been proof-read by teachers of my = state.  In=20 response tp the fax, I received a nice Christmas card and a job = offer.  I=20 never trust a text completely and structure my lectures from my studies = and=20 outside sources.
 
Lou Ann Everett
Social Studies Instructor
Trinity Valley Community = College
Terrell, Texas
everett@tvcc.cc.tx.us
 
------=_NextPart_000_0014_01C1515E.F7737840-- This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Wed, 10 Oct 2001 15:39:41 -0700 Reply-To: Reconstruction Forum Sender: Reconstruction Forum From: judy adnum Subject: Textbooks and "Truth" In-Reply-To: MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii I have been following this forum with interest but not commenting mainly due to the fact that I am a curriculum adviser in History and Civics in Australia. I visited schools, classrooms and conferences in the US this time last year on a Fulbright Scholarship to look at the methodology and content used by teachers and university teacher trainers in the area of Civics and American History.I felt it was about time I commented on a few of the issues raised in regard to the use of textbooks and 'truth' in history. I think many history teachers are well past the use of a set textbook or textbooks as the main knowledge base of teaching history. While they may be used as a foundation, they seem to lead the way to critical analysis of issues rather than being the gospel. Old texts are great in that they often reflect the sociology of the time and this in itself is a lesson in thinking. For many history students the most important lesson is to learn to empathise with the people of the time. When they ask," How could this have happened?" they only have to see the thinking of the time to see that often, it was the mainstream way of thinking or a consequence of events of the time. It is important to know that textbooks have their place as a springboard into the deeper issues and critical analysis is one of these issues. Without rambling on for too much longer, I think it also important to know that 'true' history is a controversial area. I'm sure it is significant that students realise that not all people view the history of the world or indeed a nation through white. European or male eyes. Yes there are unquestionable factual events that occured but each player in those events would undoubtedly view this through their own perspectives and experiences- just as we do with daily events in our lives. Judy Adnum --- Ranjit S Dighe wrote: > I am grateful to Pete Haro for bursting my bubble > (and Prof. Foner's too, > I suppose) about the state of college U.S. history > textbooks. I guess > I've just been lucky with the books I've been > assigned and that I've > picked up lately. (I can't speak for Prof. Foner, > but I would guess that > he is very selective with regard to textbooks and, > as one of the best > and most prolific researchers I know of, he has > very little time to look > at bad ones. So his perspective on textbooks might > understandably be a bit > skewed.) > > Anyway, I know that in my field, economics, the only > common denominator > among textbooks is that they're all overpriced; the > quality ranges from > good to bad to ugly, so I suppose I was a bit naive > in assuming that > college history textbooks were generally good. > While the four I've used > heavily have all been good and balanced and > non-nationalistic, they're by > no means a random sample. > > Still, my expectation is that a randomly selected > college history > textbook *would* be vastly better than a typical HS > history > textbook. Most of all, a halfway decent college > history text will discuss > disagreements among historians and will focus a lot > on Why and How > questions, instead of just who what when where. > And, a college professor > has a lot more freedom to eschew bad textbooks in > favor of good ones (or > perhaps not use a textbook at all), so it's again a > pretty different > situation from that of the HS's. > > To conclude on a minor tangent: I was about to put > in another good word > for all the HS teachers in this forum who "teach > against the text," and > then I stopped to think that no matter how good > one's text is, a teacher > with an inquiring mind is probably going to find > himself or herself > teaching against the text some of the time, no > matter how good the text > is. Real history is all about interpretation, and > how many historians are > going to have the exact same interpretation of > everything? > > 'Scuse my rambling. It's late, and I'm tired. > > rsd > > **************************************************** > > Ranjit S. Dighe 315-312-3480 (office) > Assistant Professor 315-342-5383 (home) > Department of Economics home address: > SUNY-Oswego P.O. Box 3010 > Oswego, NY 13126 Oswego, NY 13126 > E-mail: dighe@oswego.edu > Fax: 315-312-5444 > > **************************************************** > > On Tue, 9 Oct 2001, Pete Haro wrote: > > > Dear Forum Participants: I found Ranjit Dighe's > comment (quoting Loewen) > > that "college history courses and textbooks tend > to be much different, and > > better, than high school history textbooks" > interesting although somewhat > > misinformed. > > > > I hate to burst your bubble, but as a community > college teacher, I encounter > > these types of texts all the time. In fact, I > deliberately use them to spark > > critical debate and thinking among my students > whenever possible. Without > > mentioning names and authors, I have used (and > still do) college level > > history textbooks that STILL proclaim that "the > founding fathers were > > 'riding the tiger' with respect to slavery and did > not know how to get off" > > or that Japanese-Americans have put the trauma of > internment behind them and > > have gone on to "become professionals of the > highest caliber" (why the > > author included statements such as this are still > somewhat confusing to me > > although I have had students suggest that he is > telling members of other > > minority groups to "get over" past discrimination > and move on with their > > lives). I have seen another author proclaim that > our interventions in the > > third world have been the result of either > anti-communism or responding to > > "chaotic situations" that mandated our sending > troops abroad. There is no > > mention of the influence of U.S. corporations in > our foreign policy. > > Hopefully, the participants in this forum realize > that there is much more to > > issues such as these. > > > > I mention this because I think that as historians, > we have to be careful not > > to be too self-congratulatory. Historical > distortion and self-service > > continue at all levels of the profession. Let's > not fool ourselves that all > > historians are wonderfully enlightened products of > the sixties free speech > > or civil rights movements. There are plenty of > authors who would love > > nothing better than for college level students to > believe that our country > > has ALWAYS honored and respected civil rights, > self-determination and is the > > beacon of freedom for the entire world. It is > uncritical thinking such as > > this that has often led us, as a nation, down the > road of folly more than > > once. > > > > Peter D. Haro > > Southwestern College. > > > > ---------- > > >From: "Ranjit S. Dighe" > > >To: RECONSTRUCTIONFORUM@ASHP.LISTSERV.CUNY.EDU > > >Subject: Re: high school teaching > > >Date: Tue, Oct 9, 2001, 11:50 AM > > > > > > > > A couple responses to Prof. Foner's most recent > comments: > > > > > > * I bet if someone pitched the idea of a > documentary on Reconstruction to > > > Ken Burns, he'd do it, and would do a good job > with it. Any idea on how > > > to get in touch with him? > > > > > > * James Loewen says in LIES MY TEACHER TOLD ME > that college history > > > courses and textbooks tend to be a much > different, and better, animal > > > high school history textbooks are. But many of > the people here are HS > > > history teachers and have to choose from a > limited list of approved HS > > > history texts, and, as noted, many of those > books are still being used. > > > So I think Loewen's general point about > "feel-good history" is well taken > > > and very relevant to this discussion. > > > > > > rsd > > > > > > > ***************************************************** > > > > > > Ranjit S. Dighe at home: > > > > > > Assistant Professor P.O. Box 3010 > > > Department of Economics Oswego, NY 13126 > > > Mahar Hall > > > SUNY-Oswego > > > Oswego, NY 13126 > > > 315-312-3480 > > > Fax: 315-312-5444 > > > > > > E-mail: dighe@oswego.edu > > > Home page: http://www.oswego.edu/~dighe/ > > > Office hours: Tues. & Thurs. 2-4 > > > > > > > ***************************************************** > > > > > > On Tue, 9 Oct 2001, Eric Foner wrote: > > > > > >> Dear colleagues, > > >> > > >> I have found the dfiscussion of teaching > Reconstruction most interesting. > > >> Here are a few further thoughts, inspired by > recent === message truncated === ===== Judy Adnum. __________________________________________________ Do You Yahoo!? Make a great connection at Yahoo! Personals. http://personals.yahoo.com This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Wed, 10 Oct 2001 19:04:05 -0400 Reply-To: Reconstruction Forum Sender: Reconstruction Forum From: Len Rabinowitz Subject: Re: high school teaching MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit All: College textbooks are somewhat less mish-mash than high school ones, but there have been similar criticims of them as well. It's a plague of any general survey text- they can't do well at everything and "please all of the people all of the time." Len Rabinowitz Ashland High School Ashland, MA ----- Original Message ----- From: "Pete Haro" To: Sent: Tuesday, October 09, 2001 8:18 PM Subject: Re: high school teaching > Dear Forum Participants: I found Ranjit Dighe's comment (quoting Loewen) > that "college history courses and textbooks tend to be much different, and > better, than high school history textbooks" interesting although somewhat > misinformed. > > I hate to burst your bubble, but as a community college teacher, I encounter > these types of texts all the time. In fact, I deliberately use them to spark > critical debate and thinking among my students whenever possible. Without > mentioning names and authors, I have used (and still do) college level > history textbooks that STILL proclaim that "the founding fathers were > 'riding the tiger' with respect to slavery and did not know how to get off" > or that Japanese-Americans have put the trauma of internment behind them and > have gone on to "become professionals of the highest caliber" (why the > author included statements such as this are still somewhat confusing to me > although I have had students suggest that he is telling members of other > minority groups to "get over" past discrimination and move on with their > lives). I have seen another author proclaim that our interventions in the > third world have been the result of either anti-communism or responding to > "chaotic situations" that mandated our sending troops abroad. There is no > mention of the influence of U.S. corporations in our foreign policy. > Hopefully, the participants in this forum realize that there is much more to > issues such as these. > > I mention this because I think that as historians, we have to be careful not > to be too self-congratulatory. Historical distortion and self-service > continue at all levels of the profession. Let's not fool ourselves that all > historians are wonderfully enlightened products of the sixties free speech > or civil rights movements. There are plenty of authors who would love > nothing better than for college level students to believe that our country > has ALWAYS honored and respected civil rights, self-determination and is the > beacon of freedom for the entire world. It is uncritical thinking such as > this that has often led us, as a nation, down the road of folly more than > once. > > Peter D. Haro > Southwestern College. > > ---------- > >From: "Ranjit S. Dighe" > >To: RECONSTRUCTIONFORUM@ASHP.LISTSERV.CUNY.EDU > >Subject: Re: high school teaching > >Date: Tue, Oct 9, 2001, 11:50 AM > > > > > A couple responses to Prof. Foner's most recent comments: > > > > * I bet if someone pitched the idea of a documentary on Reconstruction to > > Ken Burns, he'd do it, and would do a good job with it. Any idea on how > > to get in touch with him? > > > > * James Loewen says in LIES MY TEACHER TOLD ME that college history > > courses and textbooks tend to be a much different, and better, animal > > high school history textbooks are. But many of the people here are HS > > history teachers and have to choose from a limited list of approved HS > > history texts, and, as noted, many of those books are still being used. > > So I think Loewen's general point about "feel-good history" is well taken > > and very relevant to this discussion. > > > > rsd > > > > ***************************************************** > > > > Ranjit S. Dighe at home: > > > > Assistant Professor P.O. Box 3010 > > Department of Economics Oswego, NY 13126 > > Mahar Hall > > SUNY-Oswego > > Oswego, NY 13126 > > 315-312-3480 > > Fax: 315-312-5444 > > > > E-mail: dighe@oswego.edu > > Home page: http://www.oswego.edu/~dighe/ > > Office hours: Tues. & Thurs. 2-4 > > > > ***************************************************** > > > > On Tue, 9 Oct 2001, Eric Foner wrote: > > > >> Dear colleagues, > >> > >> I have found the dfiscussion of teaching Reconstruction most interesting. > >> Here are a few further thoughts, inspired by recent messages: > >> > >> 1- It might be worth asking students to consider why Reconstruction is so > >> absent from our public history, especially compared to the Civil War. > >> There are almost no monuments to Reconstruction leaders, no museums of > >> Reconstruction, no National Parks Service site focusing on Reconstruction > >> (except Andrew Johnson's homestead, which takes the Bowers approach). > >> Even Ken Burns' tv series jumped right over Reconstruction to race to the > >> veterans' reunions in his final episode. Obviously, this is a period we > >> as a nation have difficult dealing with. > >> > >> 2- I wrote a review of Bennett's book on Lincoln in the Los Angeles > >> Times last year. It's probably floating around the internet somewhere for > >> those who are interested. I agree with the writer who emphasizes > >> Lincoln's capacity for growth, especially in the last two years of the > >> war. Whenver I lecture on Reconstruction, I am asked what difference it > >> made the L. was assassinated. This is impossible to answer, but surely he > >> would not have pursued a policy, as Johnson did, that alienated the entire > >> Republican party. > >> > >> 3- I also find Loewen's books valuable but dated, or at least one-sided. > >> The textbooks I see (college ones, admittedly) do not suffer from most of > >> the flaws he identifies (although labor history remains almost totally > >> ingored). Reconstruction is treated well in the ones I see. And in Lies > >> Across America, a critique of monuments and museums, he gives no attention > >> to efforts at many places to modernize the presentation of history. > >> > >> 4- Connections between the present and Reconstruction might also consider > >> the retreat from Reconstruction and the era we have been living in since > >> the civil rights movement -- the role of the Supreme Court, arguments > >> against big government, special favoritism to one group, social Darwinism > >> and laissez-faire as excuses for abandoning the struggle for equality. > >> etc. The decline of social movements and egalitarian impulses is worth > >> considering as much as the struggles for equality in the 1860s and 1960s. > >> > >> Eric Foner > >> > >> This forum is sponsored by History Matters--please visit our Web site at > > http://historymatters.gmu.edu for more resources for teaching U.S. History. > >> > > > > This forum is sponsored by History Matters--please visit our Web site at > > http://historymatters.gmu.edu for more resources for teaching U.S. History. > > This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. > This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Wed, 10 Oct 2001 20:46:41 -0400 Reply-To: Reconstruction Forum Sender: Reconstruction Forum From: M Drago Subject: Reconstruction Historiography Professor Foner, Could you please comment more on where you see the field Reconstruction history going? I've read in your earlier postings that you think the issue of gender and Reconstruction needs to be explored. What else? Thanks Mike Drago This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Wed, 10 Oct 2001 17:44:54 -0700 Reply-To: Reconstruction Forum Sender: Reconstruction Forum From: Pete Haro Subject: Re: high school teaching Mime-version: 1.0 Content-type: text/plain; charset="US-ASCII" Content-transfer-encoding: 7bit Dear Len: Your point about "pleasing all of the people all of the time" is well taken. That is a problem with many texts but one that creates opportunities for instructors to create lively and stimulating debate in their classrooms using outside material. I should mention that I have used Howard Zinn's "A People's History of the United States" and this is definitely one text that doesn't have the aforementioned problem. Although Zinn certainly has a leftist/socialist perspective on different issues in American History, for a change it's quite refreshing to find an author who isn't afraid to tackle difficult issues in a survey text and for lack of a better term, "piss people off" about different issues. Let's be honest. There are too many high school and college teachers unwilling to tackle controversial issues because they fear a backlash from parents or administrators. I think that this is part of the reason that history tends to be viewed as a very bland and useless subject by students everywhere. Teachers who do this perform a tremendous disservice for their students and the profession at large. Peter D. Haro Southwestern Community College ---------- >From: Len Rabinowitz >To: RECONSTRUCTIONFORUM@ASHP.LISTSERV.CUNY.EDU >Subject: Re: high school teaching >Date: Wed, Oct 10, 2001, 4:04 PM > > All: > > College textbooks are somewhat less mish-mash than high school ones, but > there have been similar criticims of them as well. It's a plague of any > general survey text- they can't do well at everything and "please all of the > people all of the time." > > Len Rabinowitz > Ashland High School > Ashland, MA > > ----- Original Message ----- > From: "Pete Haro" > To: > Sent: Tuesday, October 09, 2001 8:18 PM > Subject: Re: high school teaching > > >> Dear Forum Participants: I found Ranjit Dighe's comment (quoting Loewen) >> that "college history courses and textbooks tend to be much different, and >> better, than high school history textbooks" interesting although somewhat >> misinformed. >> >> I hate to burst your bubble, but as a community college teacher, I > encounter >> these types of texts all the time. In fact, I deliberately use them to > spark >> critical debate and thinking among my students whenever possible. Without >> mentioning names and authors, I have used (and still do) college level >> history textbooks that STILL proclaim that "the founding fathers were >> 'riding the tiger' with respect to slavery and did not know how to get > off" >> or that Japanese-Americans have put the trauma of internment behind them > and >> have gone on to "become professionals of the highest caliber" (why the >> author included statements such as this are still somewhat confusing to me >> although I have had students suggest that he is telling members of other >> minority groups to "get over" past discrimination and move on with their >> lives). I have seen another author proclaim that our interventions in the >> third world have been the result of either anti-communism or responding to >> "chaotic situations" that mandated our sending troops abroad. There is no >> mention of the influence of U.S. corporations in our foreign policy. >> Hopefully, the participants in this forum realize that there is much more > to >> issues such as these. >> >> I mention this because I think that as historians, we have to be careful > not >> to be too self-congratulatory. Historical distortion and self-service >> continue at all levels of the profession. Let's not fool ourselves that > all >> historians are wonderfully enlightened products of the sixties free speech >> or civil rights movements. There are plenty of authors who would love >> nothing better than for college level students to believe that our country >> has ALWAYS honored and respected civil rights, self-determination and is > the >> beacon of freedom for the entire world. It is uncritical thinking such as >> this that has often led us, as a nation, down the road of folly more than >> once. >> >> Peter D. Haro >> Southwestern College. >> >> ---------- >> >From: "Ranjit S. Dighe" >> >To: RECONSTRUCTIONFORUM@ASHP.LISTSERV.CUNY.EDU >> >Subject: Re: high school teaching >> >Date: Tue, Oct 9, 2001, 11:50 AM >> > >> >> > A couple responses to Prof. Foner's most recent comments: >> > >> > * I bet if someone pitched the idea of a documentary on Reconstruction > to >> > Ken Burns, he'd do it, and would do a good job with it. Any idea on how >> > to get in touch with him? >> > >> > * James Loewen says in LIES MY TEACHER TOLD ME that college history >> > courses and textbooks tend to be a much different, and better, animal >> > high school history textbooks are. But many of the people here are HS >> > history teachers and have to choose from a limited list of approved HS >> > history texts, and, as noted, many of those books are still being used. >> > So I think Loewen's general point about "feel-good history" is well > taken >> > and very relevant to this discussion. >> > >> > rsd >> > >> > ***************************************************** >> > >> > Ranjit S. Dighe at home: >> > >> > Assistant Professor P.O. Box 3010 >> > Department of Economics Oswego, NY 13126 >> > Mahar Hall >> > SUNY-Oswego >> > Oswego, NY 13126 >> > 315-312-3480 >> > Fax: 315-312-5444 >> > >> > E-mail: dighe@oswego.edu >> > Home page: http://www.oswego.edu/~dighe/ >> > Office hours: Tues. & Thurs. 2-4 >> > >> > ***************************************************** >> > >> > On Tue, 9 Oct 2001, Eric Foner wrote: >> > >> >> Dear colleagues, >> >> >> >> I have found the dfiscussion of teaching Reconstruction most > interesting. >> >> Here are a few further thoughts, inspired by recent messages: >> >> >> >> 1- It might be worth asking students to consider why Reconstruction is > so >> >> absent from our public history, especially compared to the Civil War. >> >> There are almost no monuments to Reconstruction leaders, no museums of >> >> Reconstruction, no National Parks Service site focusing on > Reconstruction >> >> (except Andrew Johnson's homestead, which takes the Bowers approach). >> >> Even Ken Burns' tv series jumped right over Reconstruction to race to > the >> >> veterans' reunions in his final episode. Obviously, this is a period > we >> >> as a nation have difficult dealing with. >> >> >> >> 2- I wrote a review of Bennett's book on Lincoln in the Los Angeles >> >> Times last year. It's probably floating around the internet somewhere > for >> >> those who are interested. I agree with the writer who emphasizes >> >> Lincoln's capacity for growth, especially in the last two years of the >> >> war. Whenver I lecture on Reconstruction, I am asked what difference > it >> >> made the L. was assassinated. This is impossible to answer, but surely > he >> >> would not have pursued a policy, as Johnson did, that alienated the > entire >> >> Republican party. >> >> >> >> 3- I also find Loewen's books valuable but dated, or at least > one-sided. >> >> The textbooks I see (college ones, admittedly) do not suffer from most > of >> >> the flaws he identifies (although labor history remains almost totally >> >> ingored). Reconstruction is treated well in the ones I see. And in > Lies >> >> Across America, a critique of monuments and museums, he gives no > attention >> >> to efforts at many places to modernize the presentation of history. >> >> >> >> 4- Connections between the present and Reconstruction might also > consider >> >> the retreat from Reconstruction and the era we have been living in > since >> >> the civil rights movement -- the role of the Supreme Court, arguments >> >> against big government, special favoritism to one group, social > Darwinism >> >> and laissez-faire as excuses for abandoning the struggle for equality. >> >> etc. The decline of social movements and egalitarian impulses is worth >> >> considering as much as the struggles for equality in the 1860s and > 1960s. >> >> >> >> Eric Foner >> >> >> >> This forum is sponsored by History Matters--please visit our Web site > at >> > http://historymatters.gmu.edu for more resources for teaching U.S. > History. >> >> >> > >> > This forum is sponsored by History Matters--please visit our Web site at >> > http://historymatters.gmu.edu for more resources for teaching U.S. > History. >> >> This forum is sponsored by History Matters--please visit our Web site at > http://historymatters.gmu.edu for more resources for teaching U.S. History. >> > > This forum is sponsored by History Matters--please visit our Web site at > http://historymatters.gmu.edu for more resources for teaching U.S. History. This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Thu, 11 Oct 2001 01:24:56 -0700 Reply-To: Reconstruction Forum Sender: Reconstruction Forum From: nathan riley Subject: Democrats and Jim Crow MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii I am enjoying this discussion of reconstruction, and I would like to make certain points from the perspective of an interested lay person: 1. The civil war settled the question of secession, and the unity of the United States. As such, it helped the United States grow in importance both economically and as a factor in international affairs. It didn't provide a satisfactory peace to the ex-slaves. 2. The question of what is a satisfactory peace is upon us once again as we deal the attacks on the Pentagon and the World Trade Center. The most obvious example of a failed peace is World War One. The most obvious example of a successful peace is World War II in relation to Japan and Germany. 3. Reconstruction, I think, is both -- a successful and an unsuccessful peace. A political problem, can the United States endure half free and half slave, was settled as a practical matter. However, Blacks were almost, but not completely, abandoned. Despite the vicious history of repression against blacks in the post civil war era, I think it can still be argued that even within the unjust confines of Jim Crow America that partial freedom gave some blacks more opportunity, but the limitations are extreme, and simply not good enough. 4. Why did the Blacks lose? I don't propose a total answer, but I think it is useful to look at the politicals needs of the Democratic Party, -- the party cobbled together a majority by representing white males from the North and the South. In Jean Baker's fascinating biography of Mary Todd Lincoln, she points out that Stephen Foster was a strong Democrat and his ministral shows songs (including of course "Dixie") were written to soothe white concerns about the plight of Blacks. It was part of an effort to make it plausible that they could enjoy their degraded position. The view that blacks are really happy pervaded discourse until the civil rights movement and black protests rendered it absurd. The legal version of the fiction of the happy black is "separate but equal." The movie version is "Gone with the Wind" and during the Democratic Administration of Woodrow Wilson, it was the silent films of Griffith. I find people are surprised that political decisions affect popular novels, films etc. But in fact many of the most popular books, e.g. Tom Clancy, have huge political content. __________________________________________________ Do You Yahoo!? Make a great connection at Yahoo! Personals. http://personals.yahoo.com This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Thu, 11 Oct 2001 09:25:49 -0500 Reply-To: Reconstruction Forum Sender: Reconstruction Forum From: Joe Berry Subject: Re: high school teaching and more MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit I think Peter has raised a a very important point that can stand some expansion. As a student in the 1950's and 1960's (BA class of 1970), I always wondered why no history class got beyond WWII. Now, in retrospect, and rememberting my teacher-father, I realize it was because many HS teachers either did not want to teach the Cold War lies that dominated the final chapters of the books or were afraid to deal with recent history at all, or both. These fears were well founded. For instance, when anti-war protests reached my Iowa high school in 1965, those of us with teacher-parents were given to understand that our participation in the later-to-be-famous black armband demo (Tinker vs. Bd of Ed of Des Moines, US Supreme Court) would put our parent's jobs at risk. In college now, the majority of people teaching college courses, including history, are not on the tenure track and have no job security and hence no real academic freedom to speak frankly about very hot matters like this. I think it is very important that our discussion of teaching Recon in secondary schools and colleges be informed by this reality. Teachers, as a group, are no more courageous or cowardly than any other group, but we are more public in our work which itself is very political and ideological in nature. As an organizer of contingent college faculty for over 20 years, I can say that fear is the single biggest factor hindering both organization for action and the teaching of potentially "dangerous" issues that might lead to action or current comment. Many teachers won't admit this up front, for obvious psychological reasons, but underneath, few will disagree with the statement that we all (non tenured) teach our classes somewhat differently than we would if we had real job security. I would love to hear reactions to these observations. Joe Berry, adjunct college teacher, labor educator, PhD candidate (ex public school history teacher and son of same). Pete Haro wrote: > > Dear Len: Your point about "pleasing all of the people all of the time" is > well taken. That is a problem with many texts but one that creates > opportunities for instructors to create lively and stimulating debate in > their classrooms using outside material. > > I should mention that I have used Howard Zinn's "A People's History of the > United States" and this is definitely one text that doesn't have the > aforementioned problem. Although Zinn certainly has a leftist/socialist > perspective on different issues in American History, for a change it's quite > refreshing to find an author who isn't afraid to tackle difficult issues in > a survey text and for lack of a better term, "piss people off" about > different issues. Let's be honest. There are too many high school and > college teachers unwilling to tackle controversial issues because they fear > a backlash from parents or administrators. I think that this is part of the > reason that history tends to be viewed as a very bland and useless subject > by students everywhere. Teachers who do this perform a tremendous disservice > for their students and the profession at large. > > Peter D. Haro > Southwestern Community College > > Joe Berry 1453 W. Flournoy, #3F Chicago, IL 60607 Phone/fax: 312-733-2172 Email This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Fri, 12 Oct 2001 04:44:23 -0700 Reply-To: Reconstruction Forum Sender: Reconstruction Forum From: "A. Carl Duncan" Subject: Reconstruction as Practical History: A Plea for Useful Information MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit I have been reading the various dialogues and debates with great interest. However, I was hopeful that some of the information would be less macro focused. The big picture is being ignored because everyone is looking at the issue from too broad a perspective. History will replay the protests of Osama bin Laden, the planes flying into the WTC, it crashing to the ground, President Bush speaking to the joint session of Congress, and the destroyed terrorist camps. But the real story that reveals the human condition lie in the stories of what happened inside the WTC, on board the planes, in the Palestinian mosques, etc. I have found some of the oral history, and family stories fascinating which regard to what people were doing at "ground zero," during the Reconstruction era. I note that several of these stories speak of how blacks and whites, both poor, one with a way of life destroyed and the other with an opportunity to have a life, found a basis for cooperation. They weren't offering their sons and daughters for marriage but they found a common bond in their similar dilemma: What do we do now? How do we rebuild under these new social and economic circumstances? Can, will, anyone address this level of interaction? Wasn't some of the local action of White Citizen Councils, and the urgency of the 1877 compromise, a reaction to the these new interpersonal possibilities? What was happening in Boston, Trenton, and Dover while all this was going on? I will read with interest. C. Duncan This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Fri, 12 Oct 2001 13:19:16 -0400 Reply-To: Reconstruction Forum Sender: Reconstruction Forum From: Eric Foner Subject: Re: Reconstruction Historiography In-Reply-To: MIME-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII Dear colleagues, Here are some further thoughts inspired by recent postings: 1. tv documentar on Reconstruction. I'm not sure Ken Burns is the guy for this, given how he treated Reconstruction (or failed to do so) in his Civil War series. See my essay, "Ken Burns and the Romance of Reunion," in Ken Burns' Civil War, edited by Robert B. Toplin. Actually, I know of at least two Reconstruction documentatry series in the works, pending adequate funding. 2. Textbooks. I still believe that most college texts are pretty up to date on Reconstruction. I stand corrected on high school and jjunior high texts, especially older ones still in use. The discussion of using texts is most interesting. Here is a little secret. My current project is to expand my recent book, The Story of American Freedom into a text that can be used in introductory college surveys, by adding a lot of historical information not in the book but trying to keep the interpretive focus on struggles around the definition of freedom. I am definitely trying to avoid the kitchen sink approach that has made no many current texts distended and incoherent. Any advice would be welcome. 3. The idea of comparing Reconstruction with other peace arrangements and postwar periods offers some interesting gtrounds for comparison. Eric McKitrick, in Anddrew Johnson and Reconstruction does this vis a vis American treatment of postwar Germany and Japan in 1945. A recent book by Jay Winik on April 1865 claims, inaccurately, I think, that the South's willingness to accept the reality of defeat saved the nation from years of bloddy guerilla struggle. The problem is that when it came to black rights, the white south was hardly accepting and a kind of guerilla war was in fact waged. This undermines his underlying argument that America is excpetional in its postwar aftermaths. In the next posting I will try to respond to the question about recent trends in Reconstruction historiography. Eric Foner This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Fri, 12 Oct 2001 16:25:19 -0400 Reply-To: Reconstruction Forum Sender: Reconstruction Forum From: Len Rabinowitz Subject: Re: Reconstruction Historiography MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit Professor Foner: I think it is a wonderful idea to use your book "American Freedom" as a textbook. I have it but I have only just started reading it. Not to shill for myself, but I would JUMP at the chance to help with such a project in any way possible. I've done a lot of work with AP History in high schools, and that uses all college texts. I'd like also to respond to the discussion of the Cold War history books. When I was doing some research into this, Reconstruction and the Cold War were two areas I looked into- i.e. how are controversial subjects handled? Some of the Cold War material was scary. One book from the 1960's talked about the need to fight for American values, and some had that infamous world map showing the Communist countries in blood red. I wondered how many kids read that and ended up dead in the rice patties of Vietnam a few years later... I doubt the connection would be that causal but still it struck me... Reconstruction in the 60's books gets a fairly good shake because of the Civil Rights Movement, but in the old books it's frightening what was written. Len Rabinowitz ----- Original Message ----- From: "Eric Foner" To: Sent: Friday, October 12, 2001 1:19 PM Subject: Re: Reconstruction Historiography > Dear colleagues, > > Here are some further thoughts inspired by recent postings: > > 1. tv documentar on Reconstruction. I'm not sure Ken Burns is the guy > for this, given how he treated Reconstruction (or failed to do so) in his > Civil War series. See my essay, "Ken Burns and the Romance of Reunion," > in Ken Burns' Civil War, edited by Robert B. Toplin. Actually, I know of > at least two Reconstruction documentatry series in the works, pending > adequate funding. > > 2. Textbooks. I still believe that most college texts are pretty up to > date on Reconstruction. I stand corrected on high school and jjunior high > texts, especially older ones still in use. The discussion of using texts > is most interesting. Here is a little secret. My current project is to > expand my recent book, The Story of American Freedom into a text that can > be used in introductory college surveys, by adding a lot of historical > information not in the book but trying to keep the interpretive focus on > struggles around the definition of freedom. I am definitely trying to > avoid the kitchen sink approach that has made no many current texts > distended and incoherent. Any advice would be welcome. > > 3. The idea of comparing Reconstruction with other peace arrangements and > postwar periods offers some interesting gtrounds for comparison. Eric > McKitrick, in Anddrew Johnson and Reconstruction does this vis a vis > American treatment of postwar Germany and Japan in 1945. A recent book by > Jay Winik on April 1865 claims, inaccurately, I think, that the South's > willingness to accept the reality of defeat saved the nation from years of > bloddy guerilla struggle. The problem is that when it came to black > rights, the white south was hardly accepting and a kind of guerilla war > was in fact waged. This undermines his underlying argument that America > is excpetional in its postwar aftermaths. > > In the next posting I will try to respond to the question about recent > trends in Reconstruction historiography. > Eric Foner > > This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. > This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Sat, 13 Oct 2001 16:38:57 -0700 Reply-To: Reconstruction Forum Sender: Reconstruction Forum From: Donna L Sharer Subject: Re: African Am. political leadership/ African Am. church MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit Thanks to everyone who has shared ideas and resources. I'm a high school teacher. When I first started teaching (1992), I did not have textbooks. I found many resources though Soc. Studies School Service, local libraries, etc. It was extremely time consuming (and expensive) but I think my students and I benefited. I still teach in the same large urban school district. We have textbooks but many are old (12 - 15 years) and boring. There is nothing worse than a history class where students read and answer questions and/or hear an adult talk for 50 or more minutes. I'd like information on: African American political leaders during Reconstruction and the role of the African American church. I realize these are broad topics but someone may know of resources appropriate for high school students. I have some information on African American political leaders (there are general African American History texts that include the information). I'm particularly interested in the role the African American church played in supporting the African American political leaders. This obviously had connections for today. Thanks, Donna Sharer Phila., PA This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Sun, 14 Oct 2001 10:22:02 -0400 Reply-To: Reconstruction Forum Sender: Reconstruction Forum From: Eric Foner Subject: Re: Reconstruction Historiography In-Reply-To: <002501c1535c$03e1a260$3f66accf@kablen> MIME-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII Dear colleagues, As promised, here are a few thoughts on recent writings on Reconstruction. First, let me say that no work of history is ever the final word on a subject. One day, someone will publish an account of the period that diverges in many ways from mine. But since that has not happened yet, recent work has tended to take on one or another slice of the subject, or add to existing knowledge on a particular state or issue, rather than proposing an entirely new take on the period. However, I understand that Michael Holt of the University of Virginia is writing a new book on Reconstruction which will see it more as a national political crisis than a social conflict in the South. This may reorient thinking when it appears. One important recent bo0ok is The Trial of Democracy, by Wang Xi. This is a study of Republicans and black suffrage. It was a dissertation done under my direction but differs from me in taking a much more cynical approach to the Republican support for black suffrage. It also takes the story to the 1890s, showing how the party abandoned the issue. I have also mentioned Heather Richardson's The End of Reconstruction, just published, which focuses on class conflict in the North as a reason for the abandonment of Reconstruction. Michael Perman's recent book on black disenfranchisement in the 1890s (I can't recall the precise title) is after Reconstruction but brings this part of the story to a close. But I think that the area that has received the most important attention has to do with the gender aspects of Reconstruction. Tera Hunter's To Joy My Freedom examines black working women in Atlanta after the Civil War and suggests how black women's conceptions of freedom, and actions to expand it, differed in some ways from men's. Victoria Bynum's Divided Houses sees Reconsurtcion, in one part of North Carolina, as a crisis in gender relations, among other things, showing how divorce rates rose among whites and examining the motives of both men and women who filed for divorce (ironically using the liberalized divorce laws of Reconstruction for very varied purposes). She also looks at how Reconstruction affected the status of men and women in black families. Laura Edwards, in Gendered Strife and Confusion, similarly examines how Reconsurction affected gender relations. If anyone has used the findings of these books in teaching, it would be useful to hear how they can be integrated into the traditional narrative of Reconstruction, or whether they require some alteration in that narrative. Best wishes, Eric Foner This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Fri, 12 Oct 2001 18:53:59 EDT Reply-To: Reconstruction Forum Sender: Reconstruction Forum From: "Maggi M. Morehouse" Subject: A new textbook MIME-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit Professor Foner: At the risk of suggesting something you already know, I have successfully used the American Social History Project's compilation of primary source documents _Freedom's Unfinished Revolution: An Inquiry into the Civil War and Reconstruction_, (forward by Eric Foner), in my African American history survey and US history survey courses. The documents in this compilation allow students to analyze primary sources, a valuable lesson and worthwhile skill to acquire. If you then provided your typical cogent interpretations the new text would be a terrific addition to the field. One other point to share--in both of those survey courses rather than teach a section called "Reconstruction" I taught around the theme "the Search for Equality" and I took the history from the end of the Civil War (where these surveys start) through all of the civil rights legislation of the 20th century. I tried to incorporate narratives of freedom that would demonstrate the ways that African Americans were active in their search for equality. My lectures and readings focused on protest and change in political, social, and cultural arenas. In that way I hoped to demonstrate ways in which the past was relevant to today. Looking forward to your next monograph! Regards, Maggi M. Morehouse UC Berkeley In a message dated 10/12/01 3:56:43 PM, ef17@COLUMBIA.EDU writes: << 2. Textbooks. .. Here is a little secret. My current project is to expand my recent book, The Story of American Freedom into a text that can be used in introductory college surveys, by adding a lot of historical information not in the book but trying to keep the interpretive focus on struggles around the definition of freedom. I am definitely trying to avoid the kitchen sink approach that has made no many current texts distended and incoherent. Any advice would be welcome. >> This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Sun, 14 Oct 2001 15:24:12 -0400 Reply-To: Reconstruction Forum Sender: Reconstruction Forum From: Len Rabinowitz Subject: Re: African Am. political leadership/ African Am. church MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit Donna: Professor Foner provided us with a good resource the other day. Go to the New York Public Library's website: www.nypl.org Go to the Schomburg Center link. It has a very visually oriented set of materials on African Americans in the 19th century- very suitable to high school students. ( I'm a high school teacher myself. ) It is broken down by topic. One of the topics is political, and I think there are cultural and social topics as well, which might contain religious materials. Len Rabinowitz Ashland High School Ashland, MA ----- Original Message ----- From: "Donna L Sharer" To: Sent: Saturday, October 13, 2001 7:38 PM Subject: Re: African Am. political leadership/ African Am. church > Thanks to everyone who has shared ideas and resources. I'm a high school > teacher. When I first started teaching (1992), I did not have textbooks. > I found many resources though Soc. Studies School Service, local > libraries, etc. It was extremely time consuming (and expensive) but I > think my students and I benefited. I still teach in the same large urban > school district. We have textbooks but many are old (12 - 15 years) and > boring. There is nothing worse than a history class where students read > and answer questions and/or hear an adult talk for 50 or more minutes. > > I'd like information on: African American political leaders during > Reconstruction and the role of the African American church. I realize > these are broad topics but someone may know of resources appropriate for > high school students. I have some information on African American > political leaders (there are general African American History texts that > include the information). I'm particularly interested in the role the > African American church played in supporting the African American > political leaders. This obviously had connections for today. > > Thanks, > > Donna Sharer > Phila., PA > > This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. > This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Mon, 15 Oct 2001 00:08:51 -0400 Reply-To: Jim Holton Sender: Reconstruction Forum From: Jim Holton Subject: African American Church Leaders and Reconstruction Comments: cc: dalsharer@JUNO.COM MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit Evidencing a little parochialism, I can recommend the following recent book on Florida: Laborers in the Vineyard of the Lord: The Beginnings of the AME Church in Florida, 1865-1895 by Larry E. Rivers and Canter Brown, Jr. (University Press of Florida, 2001). The book is primarily a history of the denomination, but includes the effects of the "chilling winds" brought on by the end of Reconstruction. Also included is a discussion on the denomination's increased insularity as a result of political turmoil. Regards, ...Jim Holton holton@gwu.edu _________________________________________________________ Do You Yahoo!? Get your free @yahoo.com address at http://mail.yahoo.com This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Mon, 15 Oct 2001 10:25:49 -0400 Reply-To: Reconstruction Forum Sender: Reconstruction Forum From: Ellen Noonan Subject: Using Images to teach Reconstruction Dear Reconstruction Forum, Participant Len Rabinowitz, a high school teacher, wanted to share some images with you that he uses in the classroom. I have posted them at: http://www.ashp.cuny.edu/reconsimages.html I would ask Len to post a message explaining how he uses these images with students, and what their responses are. I hope others will look at these images and comment on their classroom use, or provide examples of how you use other images in your classes. Many thanks, Ellen Noonan Ellen Noonan American Social History Project/Center for Media and Learning The Graduate Center, City University of New York 365 Fifth Avenue, Rm. 7301.10 New York, NY 10016 (212) 817-1969 http://www.ashp.cuny.edu enoonan@gc.cuny.edu This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Mon, 15 Oct 2001 09:31:34 -0400 Reply-To: Reconstruction Forum Sender: Reconstruction Forum From: "Jonathan M. Bryant" Subject: Re: Textbooks and others In-Reply-To: Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii"; format=flowed Colleagues, Jeffrey Young, a colleague of mine at Ga. Southern, used Professor Foner's _The Story of American Freedom_ as THE text in a college level survey. He lectured to provide the needed context. While the students' reviews were mixed (Aren't they allways if you attempt something different?), he says the results were quite good and that student essays and discussion were often superior to those a typical class. He plans to use the book again. I have used Zinn's _A People's History_ off and on for the past three years. The better students appreciate the different viewpoint even if they don't agree with Zinn's politics. The poorer students usually detest the book because it is a narrative, has no pictures, and no real study aids. In other words, they have to really read the book and try to undertand an argument that develops over several pages. I am not being dismissive of my students by saying this, but for many of them this is a real challenge. Most have no experience in reading an extended narrative and following its argument. (Poll your classes, and find out how many students have ever really read an entire book before, much less a non-fiction book. You may find the response distressing) Both books provide a fuller presentation of Reconstruction than traditional texts, and both provide some of the local details that one participant has asked for. High School teachers, however, will probably not find these books on approved lists. However, perhaps the revised version Professor Foner mentions could make it onto such lists. Professor Jonathan M. Bryant Department of History, Box 8054 Georgia Southern University Statesboro, Ga. 30460-8054 jbryant@ gsvms2.cc.gasou.edu Tel.: (912) 681-5818 Fax: (912) 681-0377 This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Mon, 15 Oct 2001 08:22:17 -0700 Reply-To: Reconstruction Forum Sender: Reconstruction Forum From: Barbara Egypt Subject: Reconsruction Images MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="0-623227935-1003159337=:13388" --0-623227935-1003159337=:13388 Content-Type: text/plain; charset=us-ascii Hi, All, I found the images fascinating and would be very interested to know how they are used. In my own university teaching (back in the day) I found B. A. Botkin's photos in Lay My Burden Down useful. These were images of post Civil war survivors. Frankly, I am a little leery of implementing stereotypic images, particularly if they just might be used to justify/rationalize a white student's preconceived notions regarding African Americans regardless of the teachers input. There is nothing more painful for an African American student than to witness the expressions on the faces of their white counterparts when these facial expressions expose their silent affirmations. The MA'AFA website has compelling though horrific images,too. In a local (New Jersey) high school one of the social study teachers has placed large posters on his bulletin board : one poster depicts a Sambo image and the other a snarling Native American image. His rationalization is that he is simply showing how these "races" are depicted. However, he would not like it if his own ethnicity were depicted in such a manner. The point here is that the posters remain up all year, year after year. Images can be used in negative ways and certainly require a sensitive approach. Great discussion! begypt@yahoo.com --------------------------------- Do You Yahoo!? Make a great connection at Yahoo! Personals. --0-623227935-1003159337=:13388 Content-Type: text/html; charset=us-ascii

Hi, All,

I found the images fascinating and would be very interested to know how they are used.  In  my own university teaching (back in the day) I found B. A. Botkin's photos in Lay My Burden Down useful. These were images of post Civil war survivors.  Frankly, I am a little leery of implementing stereotypic images, particularly if they just might be used to justify/rationalize a white student's preconceived notions regarding African Americans regardless of the teachers input. There is nothing more painful for an African American student than to witness the expressions on the faces of their white counterparts when these  facial expressions expose their silent affirmations. The MA'AFA  website has compelling though horrific images,too.

In a local (New Jersey) high school one of the social study teachers has placed large posters on his bulletin board : one poster depicts a Sambo image and the other a snarling Native American image. His rationalization is that he is simply showing how these "races" are depicted. However, he would not like it if his own ethnicity were depicted in such a manner. The point here is that the posters remain up all year, year after year.

Images can be used in negative ways and certainly require a sensitive approach.

Great discussion! begypt@yahoo.com



Do You Yahoo!?
Make a great connection at Yahoo! Personals. --0-623227935-1003159337=:13388-- This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Mon, 15 Oct 2001 10:24:26 -0700 Reply-To: Reconstruction Forum Sender: Reconstruction Forum From: Barbara Egypt Subject: Images (oops!) MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="0-1169976236-1003166666=:2837" --0-1169976236-1003166666=:2837 Content-Type: text/plain; charset=us-ascii Sorry, all The African American Holocaust website is www.Maafa.org. The first image is relevant and shows the KKK.The others take up lynching through the 1950's. I just now checked it again and found that there is a link to the Cornell University Africana web page that may be of interest relative to images. In the Cornell U. website go to African American Odyssey: A Quest for Full Citizenship, Sec. V. Reconstruction. There's a section on the Black Exodus to Kansas which notes that "resentment from the county's white settlers" caused many of these African American pioneers to leave. They didn't just leave. Schools and crops were burned. Threats, terror, killings.They were forced out through what was called "white-capping." I forget the name of the work on the Black Exodus that discusses this, but I'll find it and get back to you, or maybe somebody there is using it? After the war there were several African American communities among them Nicodemus, Kansas and Mound Bayou, Mississippi which have survived. begypt@yahoo.com True glory takes deep root and spreads its branches wide. But all pretences soon fade and fall to the ground like fragile flowers, and nothing counterfeit can be lasting. Cicero --------------------------------- Do You Yahoo!? Make a great connection at Yahoo! Personals. --0-1169976236-1003166666=:2837 Content-Type: text/html; charset=us-ascii

Sorry, all

The African American Holocaust website is www.Maafa.org. The first image is relevant and shows the  KKK.The others take up lynching through the 1950's. I just now checked it again and found that there is a link to the Cornell University Africana web page that may be of interest relative to images. In the Cornell U. website go to African American Odyssey: A Quest for Full Citizenship, Sec. V. Reconstruction. There's a section on the Black Exodus to Kansas which notes that "resentment from the county's white settlers" caused many of these African American pioneers to leave. 

They didn't just leave. Schools and crops were burned. Threats, terror, killings.They were forced out through what was called "white-capping." I forget the name of the work on the Black Exodus that discusses this, but I'll find it and get back to you, or maybe somebody there is using it? After the war there were several African American communities among them Nicodemus, Kansas and Mound Bayou, Mississippi which have survived. begypt@yahoo.com



True glory takes deep root and spreads its branches wide. But all pretences soon fade and fall to the ground like fragile flowers, and nothing counterfeit can be lasting. Cicero



Do You Yahoo!?
Make a great connection at Yahoo! Personals. --0-1169976236-1003166666=:2837-- This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Mon, 15 Oct 2001 15:38:36 -0400 Reply-To: Reconstruction Forum Sender: Reconstruction Forum From: Len Rabinowitz Subject: Re: Using Images to teach Reconstruction MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit Thank you, Ellen. I should state that these are really more post-Reconstruction, late 19th century white views of African Americans. These things can tie into lots of things- social darwinism and the justifications for imperialism, for example. As far as classroom activities are concerned, there are a lot of possibilities. They could be part of a document based question. I would probably have some kind of discussion activity. I usually start with asking kids just to describe the visual. I might then go into context- how does this fit into what you know about race relations in 1890, say, or what information that they have read could be related to or connected to this, how might it justify Social Darwinism or Imperialism. I'd probably end with some kind of discussion or project on racial stereotyping or profiling today and how that can drive social behavior. Current issues about arab-Americans come to mind. There's a lot that could be done with this- that's probably the tack that I would take. If I could find the music, I'd play it. Len Rabinowitz Ashland High School Ashland, MA ----- Original Message ----- From: "Ellen Noonan" To: Sent: Monday, October 15, 2001 10:25 AM Subject: Using Images to teach Reconstruction > Dear Reconstruction Forum, > > Participant Len Rabinowitz, a high school teacher, wanted to share > some images with you that he uses in the classroom. I have posted > them at: > > http://www.ashp.cuny.edu/reconsimages.html > > I would ask Len to post a message explaining how he uses these > images with students, and what their responses are. I hope others > will look at these images and comment on their classroom use, or > provide examples of how you use other images in your classes. > > Many thanks, > > Ellen Noonan > > > > Ellen Noonan > American Social History Project/Center for Media and Learning > The Graduate Center, City University of New York > 365 Fifth Avenue, Rm. 7301.10 > New York, NY 10016 > (212) 817-1969 > http://www.ashp.cuny.edu > enoonan@gc.cuny.edu > > This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. > This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Mon, 15 Oct 2001 15:41:41 -0400 Reply-To: Reconstruction Forum Sender: Reconstruction Forum From: Len Rabinowitz Subject: Re: Using Images to teach Reconstruction MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit One more thing- kids love this kind of activity. The visuals are very memorable, and tend to provoke a lot of thought-provoking and deep conversation. Very focused and on-track.I think students really have a lot to say on the issue of stereotyping. These could also be used as a kind of compare contrast- the successes of Reconstruction versus the failures, as shown here. Len Rabinowitz Ashland High School Ashland, MA Len Rabinowitz ----- Original Message ----- From: "Ellen Noonan" To: Sent: Monday, October 15, 2001 10:25 AM Subject: Using Images to teach Reconstruction > Dear Reconstruction Forum, > > Participant Len Rabinowitz, a high school teacher, wanted to share > some images with you that he uses in the classroom. I have posted > them at: > > http://www.ashp.cuny.edu/reconsimages.html > > I would ask Len to post a message explaining how he uses these > images with students, and what their responses are. I hope others > will look at these images and comment on their classroom use, or > provide examples of how you use other images in your classes. > > Many thanks, > > Ellen Noonan > > > > Ellen Noonan > American Social History Project/Center for Media and Learning > The Graduate Center, City University of New York > 365 Fifth Avenue, Rm. 7301.10 > New York, NY 10016 > (212) 817-1969 > http://www.ashp.cuny.edu > enoonan@gc.cuny.edu > > This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. > This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Mon, 15 Oct 2001 15:44:45 -0400 Reply-To: Reconstruction Forum Sender: Reconstruction Forum From: Len Rabinowitz Subject: Re: Reconsruction Images MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="----=_NextPart_000_0024_01C15590.501CC980" This is a multi-part message in MIME format. ------=_NextPart_000_0024_01C15590.501CC980 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable I guess I should add to this that of course you use it as a vehicle for = discussing how wrong and insulting these images are- and get students to = think about what it means when, for example, they say something is "gay" = meaning it's bad. Len Rabinowitz Ashland High School Ashland, MA ----- Original Message -----=20 From: Barbara Egypt=20 To: RECONSTRUCTIONFORUM@ASHP.LISTSERV.CUNY.EDU=20 Sent: Monday, October 15, 2001 11:22 AM Subject: Reconsruction Images Hi, All, I found the images fascinating and would be very interested to know = how they are used. In my own university teaching (back in the day) I = found B. A. Botkin's photos in Lay My Burden Down useful. These were = images of post Civil war survivors. Frankly, I am a little leery of = implementing stereotypic images, particularly if they just might be used = to justify/rationalize a white student's preconceived notions regarding = African Americans regardless of the teachers input. There is nothing = more painful for an African American student than to witness the = expressions on the faces of their white counterparts when these facial = expressions expose their silent affirmations. The MA'AFA website has = compelling though horrific images,too.=20 In a local (New Jersey) high school one of the social study teachers = has placed large posters on his bulletin board : one poster depicts a = Sambo image and the other a snarling Native American image. His = rationalization is that he is simply showing how these "races" are = depicted. However, he would not like it if his own ethnicity were = depicted in such a manner. The point here is that the posters remain up = all year, year after year. Images can be used in negative ways and certainly require a sensitive = approach. Great discussion! begypt@yahoo.com -------------------------------------------------------------------------= ----- Do You Yahoo!? Make a great connection at Yahoo! Personals. ------=_NextPart_000_0024_01C15590.501CC980 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable
I guess I should add to this that of = course you use=20 it as a vehicle for discussing how wrong and insulting these images are- = and get=20 students to think about what it means when, for example, they say = something is=20 "gay" meaning it's bad.
 
Len Rabinowitz
Ashland High School
Ashland, MA
----- Original Message -----
From:=20 Barbara = Egypt=20
To: RECONSTRUCTION= FORUM@ASHP.LISTSERV.CUNY.EDU=20
Sent: Monday, October 15, 2001 = 11:22=20 AM
Subject: Reconsruction = Images

Hi, All,

I found the images fascinating and would be very interested to know = how=20 they are used.  In  my own university teaching (back in the = day) I=20 found B. A. Botkin's photos in Lay My Burden Down useful. These = were=20 images of post Civil war survivors.  Frankly, I am a little leery = of=20 implementing stereotypic images, particularly if they just might be = used to=20 justify/rationalize a white student's preconceived notions regarding = African=20 Americans regardless of the teachers input. There is nothing more = painful for=20 an African American student than to witness the expressions on the = faces of=20 their white counterparts when these  facial expressions = expose their=20 silent affirmations. The MA'AFA  website has compelling though = horrific=20 images,too.

In a local (New Jersey) high school one of the social study = teachers has=20 placed large posters on his bulletin board : one poster depicts a = Sambo image=20 and the other a snarling Native American image. His rationalization is = that he=20 is simply showing how these "races" are depicted. However, he would = not like=20 it if his own ethnicity were depicted in such a manner. The point here = is that=20 the posters remain up all year, year after year.

Images can be used in negative ways and certainly require a = sensitive=20 approach.

Great discussion! begypt@yahoo.com



Do You Yahoo!?
Make a great connection at Yahoo!=20 Personals. ------=_NextPart_000_0024_01C15590.501CC980-- This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Mon, 15 Oct 2001 17:04:42 -0700 Reply-To: Reconstruction Forum Sender: Reconstruction Forum From: "Brown, Joshua" Subject: Re: Reconsruction Images In-Reply-To: <002701c155b1$d7c57960$1d66accf@kablen> Mime-version: 1.0 Content-type: multipart/alternative; boundary="MS_Mac_OE_3086010282_1686418_MIME_Part" > This message is in MIME format. Since your mail reader does not understand this format, some or all of this message may not be legible. --MS_Mac_OE_3086010282_1686418_MIME_Part Content-type: text/plain; charset="US-ASCII" Content-transfer-encoding: 7bit The discussion about using images has been very helpful in pointing out the opportunities and pitfalls of visual evidence. Recent work about 19th-century visual depictions of African Americans--most notably Kirk Savage's Standing Soldiers, Kneeling Slaves: Race, War, and Monument in Nineteenth-Century America (Princeton, 1997)--has demonstrated how the *representation* of the promise of equality was a subject of struggle and ultimate defeat. But it is the question of struggle that I think can be most useful and enlightening to students. While freedpeople had little control over the pictures and other art that purported to depict their lives, Reconstruction marks a period where the visual record left to us includes, along with cruel and vicious stereotypes, remarkable portraits, engravings, and lithographs of both new African-American leaders and "ordinary" freedpeople working, celebrating, and organizing. In a 1870 letter to Louis Prang, the proprietor of one of the country's leading lithography houses, which published a series of portraits of black statesmen, Frederick Douglass wrote (referring to one portrait of Senator Hiram Revels): "Whatever may be the prejudices of those who may look upon it, they will be compelled to admit that the Mississippi Senator is a man, and one who will easily pass for a man among men. We colored men so often see ourselves described and painted as monkeys, that we think it a great piece of good fortune to find an exception to this general rule." Perhaps, Douglass continued, black Americans could now benefit from the virtues of pictorial representation enjoyed by white citizens: "Heretofore, colored Americans have thought little of adorning their parlors with pictures. They have had to do with the stern, and I may say, the ugly realities of life. Pictures come not with slavery and oppression and destitution, but with liberty, fair play, leisure, and refinement. These conditions are now possible to colored American citizens, and I think the walls of their houses will soon begin to bear evidences of their altered relations to the people about them." That dream was, in the long run, betrayed--as the popular pictorial image of African Americans grew more grotesque through the 1880s and 90s. But the struggle to redress that particular form of expressive/representative inequality runs throughout that era. It can be found in little-known illustrated publications like the Indianapolis Freeman (see Marvin D. Jeter, "H. J. Lewis, Freeman Artist: A Working Paper," Black History News and Notes [Indiana Historical Society], 41 [August 1990]) and in fascinating instances such as an March 1874 pictorial "duel" between Thomas Nast's stereotyped Harper's Weekly cartoon of southern black Republican legislators versus an amazing New York Daily Graphic cover entitled "I Wonder How Harper's Artist Likes to Be Offensively Caricatured Himself?" (both available in Who Built America?, Volume 1, pp. 683-84 or Freedom's Unfinished Revolution, pp. 219, 235 -- and shortly on the History Matters Web site). Josh Brown American Social History Project --MS_Mac_OE_3086010282_1686418_MIME_Part Content-type: text/html; charset="US-ASCII" Content-transfer-encoding: quoted-printable Re: Reconsruction Images
The discussion about using images has been very helpful in pointing out = the opportunities and pitfalls of visual evidence.  Recent work = about 19th-century visual depictions of African Americans--most notably = Kirk Savage's Standing Soldiers, Kneeling Slaves: Race, War, and = Monument in Nineteenth-Century America (Princeton, 1997)--has = demonstrated how the *representation* of the promise of equality was a = subject of struggle and ultimate defeat.  But it is the question = of struggle that I think can be most useful and enlightening to = students.  

While freedpeople had little control over the pictures and other art = that purported to depict their lives, Reconstruction marks a period = where the visual record left to us includes, along with cruel and = vicious stereotypes, remarkable portraits, engravings, and lithographs = of both new African-American leaders and "ordinary" = freedpeople working, celebrating, and organizing.  In a 1870 = letter to Louis Prang, the proprietor of one of the country's leading = lithography houses, which published a series of portraits of black = statesmen, Frederick Douglass wrote (referring to one portrait of = Senator Hiram Revels): "Whatever may be the prejudices of those = who may look upon it, they will be compelled to admit that the = Mississippi Senator is a man, and one who will easily pass for a man = among men.  We colored men so often see ourselves described and = painted as monkeys, that we think it a great piece of good fortune to = find an exception to this general rule."  Perhaps, Douglass = continued, black Americans could now benefit from the virtues of = pictorial representation enjoyed by white citizens: "Heretofore, = colored Americans have thought little of adorning their parlors with = pictures.  They have had to do with the stern, and I may say, the = ugly realities of life.  Pictures come not with slavery and = oppression and destitution, but with liberty, fair play, leisure, and = refinement.  These conditions are now possible to colored American = citizens, and I think the walls of their houses will soon begin to bear = evidences of their altered relations to the people about = them."

That dream was, in the long run, betrayed--as the popular pictorial = image of African Americans grew more grotesque through the 1880s and = 90s.  But the struggle to redress that particular form of = expressive/representative inequality runs throughout that era.  It = can be found in little-known illustrated publications like the = Indianapolis Freeman (see Marvin D. Jeter, "H. J. Lewis, = Freeman Artist: A Working Paper," Black History News and = Notes [Indiana Historical Society],  41 [August 1990]) and in = fascinating instances such as an March 1874 pictorial "duel" = between Thomas Nast's stereotyped Harper's Weekly cartoon of = southern black Republican legislators versus an amazing New York Daily = Graphic cover entitled "I Wonder How Harper's Artist Likes = to Be Offensively Caricatured Himself?" (both available in Who = Built America?, Volume 1, pp. 683-84 or Freedom's Unfinished = Revolution, pp. 219, 235 -- and shortly on the History = Matters Web site).

Josh Brown
American Social History Project


--MS_Mac_OE_3086010282_1686418_MIME_Part-- This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Mon, 15 Oct 2001 17:44:46 -0700 Reply-To: Reconstruction Forum Sender: Reconstruction Forum From: Wendy C Horikoshi Subject: Re: Textbooks and others MIME-Version: 1.0 Content-Type: multipart/alternative; boundary=--__JNP_000_5142.5837.1043 This message is in MIME format. Since your mail reader does not understand this format, some or all of this message may not be legible. ----__JNP_000_5142.5837.1043 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit Dear Professor Bryant, Inserted within text I had a comment regarding using narrative texts in the classroom. On Mon, 15 Oct 2001 09:31:34 -0400 "Jonathan M. Bryant" writes: > Colleagues, > > Jeffrey Young, a colleague of mine at Ga. Southern, used Professor > Foner's > _The Story of American Freedom_ as THE text in a college level > survey. He > lectured to provide the needed context. While the students' reviews > were > mixed (Aren't they allways if you attempt something different?), he > says > the results were quite good and that student essays and discussion > were > often superior to those a typical class. He plans to use the book > again. > > I have used Zinn's _A People's History_ off and on for the past > three > years. The better students appreciate the different viewpoint even > if they > don't agree with Zinn's politics. The poorer students usually > detest the > book because it is a narrative, has no pictures, and no real study > aids. In other words, they have to really read the book and try to > undertand an argument that develops over several pages. I am not > being > dismissive of my students by saying this, but for many of them this > is a > real challenge. Most have no experience in reading an extended > narrative and following its argument. (Poll your classes, and find out how > many students have ever really read an entire book before, much less a > non-fiction book. You may find the response distressing. I think there's a great deal of truth about students really reading an entire book, but you may also be interested to know that the majority of U.S. adults (over 73%) and high school students have learning preferences where they take in information through the 5 senses--therefore pictures, diagrams, study aids assist in how they prefer to learn new things. This is in contrast with those with a learning preference which sees the broad patterns and associations, making it easier for them to learn through a narrative. I have sensing learning preference, but believe it is important to be exposed to narrative texts and differing perspectives, such as in Zinn's book, which aren't as common in mainstream history classes. I was never exposed to differing perspectives until taking ethnic studies classes and then on my own, reading such books as Zinn's, Takaki's -A Different Mirror & Strangers from a Different Shore, Loewen's book, and Omi and Winant's book-Racial Formation in the U.S.) > Both books provide a fuller presentation of Reconstruction than > traditional texts, and both provide some of the local details that one > participant has asked for. High School teachers, however, will probably not find > these books on approved lists. However, perhaps the revised version > Professor Foner mentions could make it onto such lists. > > Professor Jonathan M. Bryant > Department of History, Box 8054 > Georgia Southern University > Statesboro, Ga. 30460-8054 > jbryant@ gsvms2.cc.gasou.edu > Tel.: (912) 681-5818 > Fax: (912) 681-0377 I have been enjoying this dialogue. I used to teach school, worked in youth development for 13 years, and am now a consultant in diversity and inclusion, primarily in the non-profit and business world. (I currently teach a class in the cross-cultural counseling class at JF Kennedy University (Orinda, CA), on the using of the Myers-Briggs Type Indicator with diverse clientele.) Thank you for all of your contributions to this. I find Reconstruction to be an extremely important topic in our history to talk about the foundation of race relations in the U.S. As a parent, I have tried to assist the schools in selecting literature from diverse authors and equally as important, from diverse perspectives. Reviewing what is actually taught about American history in my children's middle and high schools seems often sketchy in presenting diverse perspectives, but I must say that it's much better than when I went to school and when I taught. Wendy C. Horikoshi, Consultant & Trainer WendyChiyo@juno.com (510) 769-9714 Phone and Fax > > This forum is sponsored by History Matters--please visit our Web site > at http://historymatters.gmu.edu for more resources for teaching > U.S. History. > ----__JNP_000_5142.5837.1043 Content-Type: text/html; charset=us-ascii Content-Transfer-Encoding: quoted-printable
Dear Professor Bryant,
 
Inserted within text I had a comment regarding = using=20 narrative texts in the classroom. 
 
On Mon, 15 Oct 2001 09:31:34 -0400 "Jonathan M. Bryant" <jbryant@GSVMS2.CC.GASOU.EDU= >=20 writes:
> Colleagues,
>
> Jeffrey Young, a colleague of = mine=20 at Ga. Southern, used Professor
> Foner's
> _The Story of = American=20 Freedom_ as THE text in a college level
> survey.  He
>=20 lectured to provide the needed context.  While the students' reviews=20
> were
> mixed (Aren't they allways if you attempt something=20 different?), he
> says
> the results were quite good and that= =20 student essays and discussion
> were
> often superior to those= a=20 typical class.  He plans to use the book
> again.
>
&= gt; I=20 have used Zinn's _A People's History_ off and on for the past
>=20 three
> years.  The better students appreciate the different=20 viewpoint even
> if they
> don't agree with Zinn's politics.&= nbsp;=20 The poorer students usually
> detest the
> book because it is = a=20 narrative, has no pictures, and no real study
> aids.  In other= =20 words, they have to really read the book and try to
> undertand an=20 argument that develops over several pages.  I am not
> being>=20 dismissive of my students by saying this, but for many of them this
>= ; is=20 a
> real challenge.  Most have no experience in reading an = extended=20
> narrative and following its argument.  (Poll your classes, = and=20 find out how
> many students have ever really read an entire book = before,=20 much less a
> non-fiction book.  You may find the response=20 distressing.  I think there's a great deal = of=20 truth about students really reading an entire book, but you may also be=20 interested to know that the majority of U.S. adults (over 73%) and high = school=20 students have learning preferences where they take in information through = the 5=20 senses--therefore pictures, diagrams, study aids assist in how they prefer = to=20 learn new things.  This is in contrast with those with a learning=20 preference which sees the broad patterns and associations, making it easier= for=20 them to learn through a narrative.  I have sensing learning=20 preference, but believe it is important to be exposed to narrative texts=20 and differing perspectives, such as in Zinn's book, which= =20 aren't as common in mainstream history classes.  I=20 was never exposed to differing perspectives until = taking=20 ethnic studies classes and then on my own, reading such books as Zinn's,=20 Takaki's -A Different Mirror & Strangers from a Different= =20 Shore, Loewen's book, and Omi and Winant's book-Racial Formation = in=20 the U.S.)

> Both books provide a fuller presentation of=20 Reconstruction than
> traditional  texts, and both provide some= of=20 the local details that one
> participant has  asked for.  = High=20 School teachers, however, will probably not find
> these  books= on=20 approved lists.  However, perhaps the revised version
>=20 Professor  Foner mentions could make it onto such lists.
>
&= gt;=20 Professor Jonathan  M.  Bryant
> Department of History, Box= =20 8054
> Georgia Southern University
> Statesboro, Ga.=20 30460-8054
> jbryant@ gsvms2.cc.gasou.edu
> Tel.: (912)=20 681-5818
> Fax:  (912) 681-0377
I have been enjoying this dialogue.  I used= to=20 teach school, worked in youth development for 13 years, and am now a = consultant=20 in diversity and inclusion, primarily in the non-profit and business=20 world.  (I currently teach a class in the cross-cultural counseling = class=20 at JF Kennedy University (Orinda, CA), on the using of the Myers-= Briggs=20 Type Indicator with diverse clientele.)  Thank you for all of = your=20 contributions to this.  I find Reconstruction to be an=20 extremely important topic in our history to talk about the = foundation=20 of race relations in the U.S.  As a parent, I have tried to assist the= =20 schools in selecting literature from diverse authors and equally as=20 important, from diverse perspectives.  Reviewing what is actually=20 taught about American history in my children's middle and high=20 schools seems often sketchy in presenting diverse perspectives, = but I=20 must say that it's much better than when I went to school and when I=20 taught.    
 
Wendy C. Horikoshi, Consultant &=20 Trainer
WendyChiyo@juno.com
(510) 769-9714  Phone and Fax
>
> This forum is sponsored by History Matters--please visit= our=20 Web site
> at http://historymatters.gmu.edu = for more=20 resources for teaching
> U.S. History.
>
 
----__JNP_000_5142.5837.1043-- This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Tue, 16 Oct 2001 15:17:52 -0700 Reply-To: Reconstruction Forum Sender: Reconstruction Forum From: Pete Haro Subject: Re: Reconsruction Images Mime-version: 1.0 Content-type: multipart/alternative; boundary="MS_Mac_OE_3086090272_416116_MIME_Part" > THIS MESSAGE IS IN MIME FORMAT. Since your mail reader does not understand this format, some or all of this message may not be legible. --MS_Mac_OE_3086090272_416116_MIME_Part Content-type: text/plain; charset="US-ASCII" Content-transfer-encoding: 7bit Dear forum members: I'm glad that Josh Brown has addressed the issue of racial stereotypes through images both during and after Reconstruction. I too had addressed this question earlier in the forum but no one seemed willing to respond to my question so I shall try again. Certainly, people should feel revolted when they see images from the Reconstruction era which depicted Blacks as monkeys, savages or lustful. Except for racial extremist, few people today (hopefully) would regard these as realistic or desirable. However, when we as teachers try to address the relevance of these images to students, isn't it possible that the images in popular culture of rap artists today serves the same function as it did during Reconstruction? It never ceases to amaze me that every time I see a rap music video or other depictions in popular culture, Black artists are portrayed as "gangstas" who wear baggy clothes, refer to women as "bitches and ho's", engage in boorish behavior, and have gold enameled teeth adorned with the Playboy Bunny or dollar signs. I would submit that this image is precisely the one that millions of Americans are comfortable with. I would be interested to hear from other forum participants if they see any connections between the two portrayals and how they would try to present this issue before a class. Sincerely, Peter D. Haro Southwestern College ---------- From: "Brown, Joshua" To: RECONSTRUCTIONFORUM@ASHP.LISTSERV.CUNY.EDU Subject: Re: Reconsruction Images Date: Mon, Oct 15, 2001, 5:04 PM The discussion about using images has been very helpful in pointing out the opportunities and pitfalls of visual evidence. Recent work about 19th-century visual depictions of African Americans--most notably Kirk Savage's Standing Soldiers, Kneeling Slaves: Race, War, and Monument in Nineteenth-Century America (Princeton, 1997)--has demonstrated how the *representation* of the promise of equality was a subject of struggle and ultimate defeat. But it is the question of struggle that I think can be most useful and enlightening to students. While freedpeople had little control over the pictures and other art that purported to depict their lives, Reconstruction marks a period where the visual record left to us includes, along with cruel and vicious stereotypes, remarkable portraits, engravings, and lithographs of both new African-American leaders and "ordinary" freedpeople working, celebrating, and organizing. In a 1870 letter to Louis Prang, the proprietor of one of the country's leading lithography houses, which published a series of portraits of black statesmen, Frederick Douglass wrote (referring to one portrait of Senator Hiram Revels): "Whatever may be the prejudices of those who may look upon it, they will be compelled to admit that the Mississippi Senator is a man, and one who will easily pass for a man among men. We colored men so often see ourselves described and painted as monkeys, that we think it a great piece of good fortune to find an exception to this general rule." Perhaps, Douglass continued, black Americans could now benefit from the virtues of pictorial representation enjoyed by white citizens: "Heretofore, colored Americans have thought little of adorning their parlors with pictures. They have had to do with the stern, and I may say, the ugly realities of life. Pictures come not with slavery and oppression and destitution, but with liberty, fair play, leisure, and refinement. These conditions are now possible to colored American citizens, and I think the walls of their houses will soon begin to bear evidences of their altered relations to the people about them." That dream was, in the long run, betrayed--as the popular pictorial image of African Americans grew more grotesque through the 1880s and 90s. But the struggle to redress that particular form of expressive/representative inequality runs throughout that era. It can be found in little-known illustrated publications like the Indianapolis Freeman (see Marvin D. Jeter, "H. J. Lewis, Freeman Artist: A Working Paper," Black History News and Notes [Indiana Historical Society], 41 [August 1990]) and in fascinating instances such as an March 1874 pictorial "duel" between Thomas Nast's stereotyped Harper's Weekly cartoon of southern black Republican legislators versus an amazing New York Daily Graphic cover entitled "I Wonder How Harper's Artist Likes to Be Offensively Caricatured Himself?" (both available in Who Built America?, Volume 1, pp. 683-84 or Freedom's Unfinished Revolution, pp. 219, 235 -- and shortly on the History Matters Web site). Josh Brown American Social History Project --MS_Mac_OE_3086090272_416116_MIME_Part Content-type: text/html; charset="US-ASCII" Content-transfer-encoding: quoted-printable Re: Reconsruction Images Dear forum members: I'm glad that Josh Brown has addressed the issue of rac= ial stereotypes through images both during and after Reconstruction. I too h= ad addressed this question earlier in the forum but no one seemed willing to= respond to my question so I shall try again. Certainly, people should feel = revolted when they see images from the Reconstruction era which depicted Bla= cks as monkeys, savages or lustful. Except for racial extremist, few people = today (hopefully) would regard these as realistic or desirable.

However, when we as teachers try to address the relevance of these images t= o students, isn't it possible that the images in popular culture of rap arti= sts today serves the same function as it did during Reconstruction? It never= ceases to amaze me that every time I see a rap music video or other depicti= ons in popular culture, Black artists are portrayed as "gangstas" = who wear baggy clothes, refer to women as "bitches and ho's", enga= ge in boorish behavior, and have gold enameled teeth adorned with the Playbo= y Bunny or dollar signs. I would submit that this image is precisely the one= that millions of Americans are comfortable with. I would be interested to h= ear from other forum participants if they see any connections between the tw= o portrayals and how they would try to present this issue before a class.
Sincerely,

Peter D. Haro
Southwestern College

----------
From: "Brown, Joshua" <JBrown@GC.CUNY.EDU>
To: RECONSTRUCTIONFORUM@ASHP.LISTSERV.CUNY.EDU
Subject: Re: Reconsruction Images
Date: Mon, Oct 15, 2001, 5:04 PM



The discussion about using images has been very helpful in pointing out the= opportunities and pitfalls of visual evidence.  Recent work about 19th= -century visual depictions of African Americans--most notably Kirk Savage's = Standing Soldiers, Kneeling Slaves: Race, War, and Monument in Nineteenth= -Century America (Princeton, 1997)--has demonstrated how the *representa= tion* of the promise of equality was a subject of struggle and ultimate defe= at.  But it is the question of struggle that I think can be most useful= and enlightening to students.  

While freedpeople had little control over the pictures and other art that p= urported to depict their lives, Reconstruction marks a period where the visu= al record left to us includes, along with cruel and vicious stereotypes, rem= arkable portraits, engravings, and lithographs of both new African-American = leaders and "ordinary" freedpeople working, celebrating, and organ= izing.  In a 1870 letter to Louis Prang, the proprietor of one of the c= ountry's leading lithography houses, which published a series of portraits o= f black statesmen, Frederick Douglass wrote (referring to one portrait of Se= nator Hiram Revels): "Whatever may be the prejudices of those who may l= ook upon it, they will be compelled to admit that the Mississippi Senator is= a man, and one who will easily pass for a man among men.  We colored m= en so often see ourselves described and painted as monkeys, that we think it= a great piece of good fortune to find an exception to this general rule.&qu= ot;  Perhaps, Douglass continued, black Americans could now benefit fro= m the virtues of pictorial representation enjoyed by white citizens: "H= eretofore, colored Americans have thought little of adorning their parlors w= ith pictures.  They have had to do with the stern, and I may say, the u= gly realities of life.  Pictures come not with slavery and oppression a= nd destitution, but with liberty, fair play, leisure, and refinement.  = These conditions are now possible to colored American citizens, and I think = the walls of their houses will soon begin to bear evidences of their altered= relations to the people about them."

That dream was, in the long run, betrayed--as the popular pictorial image o= f African Americans grew more grotesque through the 1880s and 90s.  But= the struggle to redress that particular form of expressive/representative i= nequality runs throughout that era.  It can be found in little-known il= lustrated publications like the Indianapolis Freeman (see Marvin D. J= eter, "H. J. Lewis, Freeman Artist: A Working Paper," Black His= tory News and Notes [Indiana Historical Society],  41 [August 1990]= ) and in fascinating instances such as an March 1874 pictorial "duel&qu= ot; between Thomas Nast's stereotyped Harper's Weekly cartoon of sout= hern black Republican legislators versus an amazing New York Daily Graphic c= over entitled "I Wonder How Harper's Artist Likes to Be Offensiv= ely Caricatured Himself?" (both available in Who Built America?,= Volume 1, pp. 683-84 or Freedom's Unfinished Revolution, pp. 219, 23= 5 -- and shortly on the History Matters Web site).

Josh Brown
American Social History Project



--MS_Mac_OE_3086090272_416116_MIME_Part-- This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Tue, 16 Oct 2001 19:29:24 EDT Reply-To: Reconstruction Forum Sender: Reconstruction Forum From: Donald Nathanson Subject: Re: Reconstruction Historiography MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="part1_f6.10d4e2b6.28fe1cd4_boundary" --part1_f6.10d4e2b6.28fe1cd4_boundary Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit I am responding to Prof. Foner's "little secret" that he is planning a new text based on his book, "The Story of American Freedom." I am a lecturer at Cal State DH and when I taught the basic U.S. history survey course, I did not use the book but rather structured the course on the changing definition of freedom as illustrated in the book. I did use a standard college text along with the 2 volumes of Taking Sides (Madaras and SoRelle). I believe the course was more effective than usual for the following reasons. Material that is somewhat repetitive to students (although presented at a more sophisticated level) had more meaning with a thematic approach. Students were challenged on issues they hadn't previously considered or thought were easily definable and one-sided. From the start I realized it was necessary to explore students' own perceptions of freedom and to get them to understand the complexity of the definition. I did this with a strong dose of Socratic methodology a la Prof. Arthur Miller. More germaine to the issues of Reconstruction, I engaged the class first in a discussion of whether in contemporary society, as a generality, different racial and ethnic groups have differing notions of freedom. This was a great lead in to some of the outcomes of the Reconstruction Era. Donald Nathanson --part1_f6.10d4e2b6.28fe1cd4_boundary Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: 7bit    I am responding to Prof. Foner's "little secret" that he is planning a new text based on his book, "The Story of American Freedom."  I am a lecturer at Cal State DH and when I taught the basic U.S. history survey course, I did not use the book but rather structured the course on the changing definition of freedom as illustrated in the book.  I did use a standard college text along with the 2  volumes of Taking Sides (Madaras and SoRelle).
    I believe the course was more effective than usual for the following reasons. Material that is somewhat repetitive to students (although presented at a more sophisticated level) had more meaning with a thematic approach.  Students were challenged on issues they hadn't previously considered or thought were easily definable and one-sided.
   From the start I realized it was necessary to explore students' own perceptions of freedom and to get them to understand the complexity of the definition.  I did this with a strong dose of Socratic methodology a la Prof. Arthur Miller.  More germaine to the issues of Reconstruction, I engaged the class first in a discussion of whether in contemporary society, as a generality, different racial and ethnic groups have differing notions of freedom.  This was a great lead in to some of the outcomes of the Reconstruction Era.

                                          Donald Nathanson
--part1_f6.10d4e2b6.28fe1cd4_boundary-- This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Tue, 16 Oct 2001 20:08:58 -0400 Reply-To: Reconstruction Forum Sender: Reconstruction Forum From: Len Rabinowitz Subject: Re: Reconsruction Images MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="----=_NextPart_000_0006_01C1567E.63C4E280" This is a multi-part message in MIME format. ------=_NextPart_000_0006_01C1567E.63C4E280 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Re: Reconsruction ImagesPeter: I think this is a very important idea, and would make a great lesson. I = see a lot of white suburban kids "acting black" in that sense and I = think it could be used to tell them that they may have done something as = offensive as these pictures. I get even more disturbed when I = occassionally see African-American kids acting this way, because they = have been fed the same trash. You could also tie it to the other shows- = the blacks as "hapless buffoons" shows that still seem to crop up and = that Spike Lee has spoken out against in the last year or so. I would do it comparatively- is our racial streotyping really an = improvement over theirs? This comes up repeatedly in American history. = There is a some commonality between how some in the 1920's saw the = "Jewish Jazz" (!) of the day and how some perceive hip hop and rap = today. Len Rabinowitz Ashland High School Ashland, MA ----- Original Message -----=20 From: Pete Haro=20 To: RECONSTRUCTIONFORUM@ASHP.LISTSERV.CUNY.EDU=20 Sent: Tuesday, October 16, 2001 6:17 PM Subject: Re: Reconsruction Images Dear forum members: I'm glad that Josh Brown has addressed the issue = of racial stereotypes through images both during and after = Reconstruction. I too had addressed this question earlier in the forum = but no one seemed willing to respond to my question so I shall try = again. Certainly, people should feel revolted when they see images from = the Reconstruction era which depicted Blacks as monkeys, savages or = lustful. Except for racial extremist, few people today (hopefully) would = regard these as realistic or desirable.=20 However, when we as teachers try to address the relevance of these = images to students, isn't it possible that the images in popular culture = of rap artists today serves the same function as it did during = Reconstruction? It never ceases to amaze me that every time I see a rap = music video or other depictions in popular culture, Black artists are = portrayed as "gangstas" who wear baggy clothes, refer to women as = "bitches and ho's", engage in boorish behavior, and have gold enameled = teeth adorned with the Playboy Bunny or dollar signs. I would submit = that this image is precisely the one that millions of Americans are = comfortable with. I would be interested to hear from other forum = participants if they see any connections between the two portrayals and = how they would try to present this issue before a class.=20 Sincerely,=20 Peter D. Haro Southwestern College ---------- From: "Brown, Joshua" To: RECONSTRUCTIONFORUM@ASHP.LISTSERV.CUNY.EDU Subject: Re: Reconsruction Images Date: Mon, Oct 15, 2001, 5:04 PM The discussion about using images has been very helpful in pointing = out the opportunities and pitfalls of visual evidence. Recent work = about 19th-century visual depictions of African Americans--most notably = Kirk Savage's Standing Soldiers, Kneeling Slaves: Race, War, and = Monument in Nineteenth-Century America (Princeton, 1997)--has = demonstrated how the *representation* of the promise of equality was a = subject of struggle and ultimate defeat. But it is the question of = struggle that I think can be most useful and enlightening to students. =20 While freedpeople had little control over the pictures and other art = that purported to depict their lives, Reconstruction marks a period = where the visual record left to us includes, along with cruel and = vicious stereotypes, remarkable portraits, engravings, and lithographs = of both new African-American leaders and "ordinary" freedpeople working, = celebrating, and organizing. In a 1870 letter to Louis Prang, the = proprietor of one of the country's leading lithography houses, which = published a series of portraits of black statesmen, Frederick Douglass = wrote (referring to one portrait of Senator Hiram Revels): "Whatever may = be the prejudices of those who may look upon it, they will be compelled = to admit that the Mississippi Senator is a man, and one who will easily = pass for a man among men. We colored men so often see ourselves = described and painted as monkeys, that we think it a great piece of good = fortune to find an exception to this general rule." Perhaps, Douglass = continued, black Americans could now benefit from the virtues of = pictorial representation enjoyed by white citizens: "Heretofore, colored = Americans have thought little of adorning their parlors with pictures. = They have had to do with the stern, and I may say, the ugly realities of = life. Pictures come not with slavery and oppression and destitution, = but with liberty, fair play, leisure, and refinement. These conditions = are now possible to colored American citizens, and I think the walls of = their houses will soon begin to bear evidences of their altered = relations to the people about them." That dream was, in the long run, betrayed--as the popular pictorial = image of African Americans grew more grotesque through the 1880s and = 90s. But the struggle to redress that particular form of = expressive/representative inequality runs throughout that era. It can = be found in little-known illustrated publications like the Indianapolis = Freeman (see Marvin D. Jeter, "H. J. Lewis, Freeman Artist: A Working = Paper," Black History News and Notes [Indiana Historical Society], 41 = [August 1990]) and in fascinating instances such as an March 1874 = pictorial "duel" between Thomas Nast's stereotyped Harper's Weekly = cartoon of southern black Republican legislators versus an amazing New = York Daily Graphic cover entitled "I Wonder How Harper's Artist Likes to = Be Offensively Caricatured Himself?" (both available in Who Built = America?, Volume 1, pp. 683-84 or Freedom's Unfinished Revolution, pp. = 219, 235 -- and shortly on the History Matters Web site). Josh Brown American Social History Project ------=_NextPart_000_0006_01C1567E.63C4E280 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Re: Reconsruction Images
Peter:
 
I think this is a very important idea, = and would=20 make a great lesson.  I see a lot of white suburban kids "acting = black" in=20 that sense and I think it could be used to tell them that they may have = done=20 something as offensive as these pictures.  I get even more = disturbed when I=20 occassionally see African-American kids acting this way, because they = have been=20 fed the same trash.  You could also tie it to the other shows- the = blacks=20 as "hapless buffoons" shows that still seem to crop up and that Spike = Lee has=20 spoken out against in the last year or so.
 
I would do it comparatively- is our = racial=20 streotyping really an improvement over theirs?  This comes up = repeatedly in=20 American history.  There is a some commonality between how some in = the=20 1920's saw the "Jewish Jazz" (!) of the day and how some perceive hip = hop and=20 rap today.
 
Len Rabinowitz
Ashland High School
Ashland, MA
 
----- Original Message -----
From:=20 Pete Haro=20
To: RECONSTRUCTION= FORUM@ASHP.LISTSERV.CUNY.EDU=20
Sent: Tuesday, October 16, 2001 = 6:17=20 PM
Subject: Re: Reconsruction = Images

Dear forum members: I'm glad that Josh Brown has = addressed the=20 issue of racial stereotypes through images both during and after=20 Reconstruction. I too had addressed this question earlier in the forum = but no=20 one seemed willing to respond to my question so I shall try again. = Certainly,=20 people should feel revolted when they see images from the = Reconstruction era=20 which depicted Blacks as monkeys, savages or lustful. Except for = racial=20 extremist, few people today (hopefully) would regard these as = realistic or=20 desirable.

However, when we as teachers try to address the = relevance=20 of these images to students, isn't it possible that the images in = popular=20 culture of rap artists today serves the same function as it did during = Reconstruction? It never ceases to amaze me that every time I see a = rap music=20 video or other depictions in popular culture, Black artists are = portrayed as=20 "gangstas" who wear baggy clothes, refer to women as "bitches and = ho's",=20 engage in boorish behavior, and have gold enameled teeth adorned with = the=20 Playboy Bunny or dollar signs. I would submit that this image is = precisely the=20 one that millions of Americans are comfortable with. I would be = interested to=20 hear from other forum participants if they see any connections between = the two=20 portrayals and how they would try to present this issue before a = class.=20

Sincerely,

Peter D. Haro
Southwestern=20 College

----------
From: "Brown, Joshua"=20 <JBrown@GC.CUNY.EDU>
To:=20 RECONSTRUCTIONFORUM@ASHP.LISTSERV.CUNY.EDU
Subject: Re: = Reconsruction=20 Images
Date: Mon, Oct 15, 2001, 5:04 PM



The discussion about using images has been very = helpful in=20 pointing out the opportunities and pitfalls of visual evidence. =  Recent=20 work about 19th-century visual depictions of African Americans--most = notably=20 Kirk Savage's Standing Soldiers, Kneeling Slaves: Race, War, and = Monument=20 in Nineteenth-Century America (Princeton, 1997)--has = demonstrated how=20 the *representation* of the promise of equality was a subject of = struggle=20 and ultimate defeat.  But it is the question of struggle that I = think=20 can be most useful and enlightening to students.  

While = freedpeople had little control over the pictures and other art that=20 purported to depict their lives, Reconstruction marks a period where = the=20 visual record left to us includes, along with cruel and vicious = stereotypes,=20 remarkable portraits, engravings, and lithographs of both new=20 African-American leaders and "ordinary" freedpeople working, = celebrating,=20 and organizing.  In a 1870 letter to Louis Prang, the = proprietor of one=20 of the country's leading lithography houses, which published a = series of=20 portraits of black statesmen, Frederick Douglass wrote (referring to = one=20 portrait of Senator Hiram Revels): "Whatever may be the prejudices = of those=20 who may look upon it, they will be compelled to admit that the = Mississippi=20 Senator is a man, and one who will easily pass for a man among men. =  We=20 colored men so often see ourselves described and painted as monkeys, = that we=20 think it a great piece of good fortune to find an exception to this = general=20 rule."  Perhaps, Douglass continued, black Americans could now = benefit=20 from the virtues of pictorial representation enjoyed by white = citizens:=20 "Heretofore, colored Americans have thought little of adorning their = parlors=20 with pictures.  They have had to do with the stern, and I may = say, the=20 ugly realities of life.  Pictures come not with slavery and = oppression=20 and destitution, but with liberty, fair play, leisure, and = refinement.=20  These conditions are now possible to colored American = citizens, and I=20 think the walls of their houses will soon begin to bear evidences of = their=20 altered relations to the people about them."

That dream was, = in the=20 long run, betrayed--as the popular pictorial image of African = Americans grew=20 more grotesque through the 1880s and 90s.  But the struggle to = redress=20 that particular form of expressive/representative inequality runs = throughout=20 that era.  It can be found in little-known illustrated = publications=20 like the Indianapolis Freeman (see Marvin D. Jeter, "H. J. = Lewis,=20 Freeman Artist: A Working Paper," Black History News and = Notes=20 [Indiana Historical Society],  41 [August 1990]) and in = fascinating=20 instances such as an March 1874 pictorial "duel" between Thomas = Nast's=20 stereotyped Harper's Weekly cartoon of southern black = Republican=20 legislators versus an amazing New York Daily Graphic cover entitled = "I=20 Wonder How Harper's Artist Likes to Be Offensively = Caricatured=20 Himself?" (both available in Who Built America?, Volume 1, = pp. 683-84=20 or Freedom's Unfinished Revolution, pp. 219, 235 -- and = shortly on=20 the History Matters Web site).

Josh = Brown
American=20 Social History Project

=


= ------=_NextPart_000_0006_01C1567E.63C4E280-- This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Tue, 16 Oct 2001 22:01:25 -0400 Reply-To: Reconstruction Forum Sender: Reconstruction Forum From: Eric Foner Subject: Re: Reconstruction Historiography In-Reply-To: MIME-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII Dear colleagues, Thanks again for some very interesting and valuable comments on teaching experiences and techniques. A few comments on recent postings: 1- Regarding black political leaders, let me suggest taking a look at my book, Freedom's Lawmakers (yes, I seem to have been trying to establish a monopoly on Reconstruction scholarship). This is a reference work, consisting of some 1500 brief biographies of black Rec officials, most of them utterly unknown. It can be used for many purposes -- it is indexed by state, occupation, office held, religious activity, and many other categories. 2- I admire Howard Zinn immensely but have often wondered how his People's History works in class. It does cover Reconstruction more fully than other surveys. But overall, it is so geared to history from the bottom up that it neglects what is happening at the top -- a serious problem for a rounded view of US history. But perhaps I am wrong. 3- Thanks to Josh Brown for his wise posting on the use of images in teaching and their historical context. One thought is that it might be worth comparing images of blacks in Reconstruction with those of other groups distrusted by middle class opinion. There is a book, Apes and Angels, about imagery of Irish immigrants, who often were made to appear more or less black (and animalistic) in mid-19th century iconography. Much could be done with this comparison, I think. Eric Foner This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Tue, 16 Oct 2001 21:01:20 -0400 Reply-To: Reconstruction Forum Sender: Reconstruction Forum From: Christopher Baylor Subject: Re: Reconsruction Images Mime-Version: 1.0 Content-Type: text/plain; format=flowed Peter Hero wrote >"It never ceases to amaze me that every time I see a rap music video >or >other depictions in popular culture, Black artists are portrayed >as >"gangstas" who wear baggy clothes, refer to women as "bitches and >ho's", >engage in boorish behavior, and have gold enameled teeth >adorned with the >Playboy Bunny or dollar signs. I would submit that >this image is precisely >the one that millions of Americans are >comfortable with. I would be >interested to hear from other forum >participants if they see any >connections between the two portrayals >and how they would try to present >this issue before a class." I have talked about this issue with students before and thought others on the list might be interested in my students' responses. The bottom line is that these rap artists might act this way because fans find it a lot more exciting than being well-behaved or clean cut. Almost all of the females in my class - late adolesecents, keep in mind - responded that they find "bad boys" a lot more attractive than well behaved boys. "Being bad" is fun. Getting into fights, stealing cars/car stereos, sneaking into movie theatres, and in general having an attitude, were all more interesting to my students than going to movies, getting dinner, and having innocent conversation. Wearing baggy clothes and gold teeth suggest that they are more likely to do bad things, or at least "talk the talk," which is a lot more interesting than a clean cut, "goodie two shoes." Chris Baylor Curry College _________________________________________________________________ Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Tue, 16 Oct 2001 19:58:22 -0700 Reply-To: msebeth@earthlink.net Sender: Reconstruction Forum From: "E. Yahn" Subject: Re: Reconsruction Images MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit Hi. My name is Elizabeth Yahn and I teach U.S. History at a local high school here in Sonoma County. I have been reading with interest the many postings. I have only gotten a few ideas that may work in my classroom. To keep up with covering all the Standards and get even close to Watergate before the year is over I have about two seconds to cover Reconstruction. But, enough on that. I really wanted to respond to Peter Haro's latest posting. Peter, I see the connection. I'd never considered, at least consciously, that point of view. And, it makes sense to me. I wonder if my students could make the leap. They arrive in my classroom with 3 years between U.S. History and who knows what, if anything, was done with reconstruction. I also thank those who posted the urls for the images. I'm going to do something with all this next year......I'm just finishing up the Populists and Progressives. Boy, the year is screaming by. This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Wed, 17 Oct 2001 11:39:25 -0400 Reply-To: cpitton@ae21.org Sender: Reconstruction Forum From: Charity Pitton Subject: Re: Students' responses to rap vs. "Sambo" MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit My high school students have also had definite ideas on my comparing the minstrel stereotype during the Reconstruction with the rap stereotype that exists now. (Over half my students are black.) Their view is that the two cannot be said to be the same: the stereotype created during the Reconstruction was created by whites, while the current rap stereotype is created by blacks. (In other words, blacks have the right to create whatever stereotype they want for themselves, so the current stereotype is okay, while the previous stereotype was wrong, because blacks did not choose it.) Anyone run into this argument from students? What was your response to it? From a scholarly standpoint, is that difference significant? > I have talked about this issue with students before and thought others on > the list might be interested in my students' responses. The bottom line is > that these rap artists might act this way because fans find it a lot more > exciting than being well-behaved or clean cut. > > Chris Baylor > Curry College > > _________________________________________________________________ > Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp > > This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Wed, 17 Oct 2001 11:08:16 -0700 Reply-To: Reconstruction Forum Sender: Reconstruction Forum From: "Anthony J. Silva" Subject: Reconstruction in High School Comments: To: msebeth@earthlink.net In-Reply-To: <3BCCF3CD.4B3B59AE@earthlink.net> Mime-Version: 1.0 Content-Type: multipart/alternative; boundary="============_-1208780334==_ma============" --============_-1208780334==_ma============ Content-Type: text/plain; charset="us-ascii" ; format="flowed" From Anthony J. Silva I am a substitute high school teacher in western Sonoma County, California. Posts to this list from high school teachers have sugessted that there is not enough time in a semester to present a full survey of all of U. S. history much less to adequately cover important subjects like Reconstruction, the Red Scare, labor history and others. ("about two seconds for Reconstruction," says Elizabeth Yahn.) As an example, the history text used by one of the high schools in this area covers the history of the American worker by saying that Samuel Gompers wanted more for workers, which obviously misreads Gompers. But space did not allow for the inclusion of his full desire for "more," which as most of us know, was We want more school houses and less jails; more books and less arsenals; more learning and less vice; more constant work and less crime; more leisure and less greed; more justice and less revenge; in fact, more of the opportunities to cultivate our better natures, to make manhood more noble, womanhood more beautiful and childhood more happy and bright. These in brief are the primary demands made by the Trade Unions in the name of labor. These are the demands made by labor upon modern society and in their consideration is involved the fate of civilization. (Aug. 28, 1893) The same can be said for the study of Reconstruction: there just isn't enough time in the classroom and not enough space in the textbook. What is left out my be as important as what is included. It should not be surprising that recent studies showing that a great number of high school graduates do not know enough about the history of their country and that many are uprepared for college work, have prompted Sen Byrd and others to enact legislation to that will try to correct the deficiency. I hope they consulted Professor Foner on the matter. Anthony J. Silva, member National Coalition of Independent Scholars --============_-1208780334==_ma============ Content-Type: text/html; charset="us-ascii" Reconstruction in High School
From Anthony J. Silva <ajsilva@sonic.net>

I am a substitute high school teacher in western Sonoma County, California.  Posts to this list from high school teachers have sugessted that there is not enough time in a semester to present a full survey of all of U. S. history much less to adequately cover important subjects like Reconstruction, the Red Scare, labor history and others.  ("about two seconds for Reconstruction," says Elizabeth Yahn.)  As an example, the history text used by one of the high schools in this area covers the history of the American worker by saying that Samuel Gompers wanted more for workers, which obviously misreads Gompers. But space did not allow for the inclusion of his full desire for "more," which as most of us know,  was

We want more school houses and less jails;  more books and less arsenals;  more learning and less vice;   more constant work and less crime;  more leisure and less greed;  more justice and less revenge;  in fact, more of  the opportunities to cultivate our better natures, to make manhood more noble, womanhood more beautiful and childhood more happy and bright.  These in brief are the primary demands made by the Trade Unions in the name of labor.  These are the demands made by labor upon modern society and in their consideration is involved the fate of civilization.   (Aug. 28, 1893)

The same can  be said for the study of Reconstruction:  there just isn't enough time in the classroom and not enough space in the textbook.  What is left out my be as important as what is included.

It should not be surprising that recent studies showing that a great number of high school graduates do not know enough about the history of their country and that many are uprepared for college work, have prompted Sen Byrd and others to enact legislation to that will try to correct the deficiency.  I hope they consulted Professor Foner on the matter.

Anthony J. Silva, member
National Coalition of Independent Scholars
--============_-1208780334==_ma============-- This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Wed, 17 Oct 2001 16:12:21 -0700 Reply-To: Reconstruction Forum Sender: Reconstruction Forum From: Pete Haro Subject: Re: Reconsruction Images Mime-version: 1.0 Content-type: text/plain; charset="US-ASCII" Content-transfer-encoding: 7bit Dear Chris: "Being bad" is more fun, even if it lands you in jail? I see your point but I fear for the generation that views this attitude as some kind of harmless adolescent fun. Sincerely, Peter D. Haro. ---------- >From: Christopher Baylor >To: RECONSTRUCTIONFORUM@ASHP.LISTSERV.CUNY.EDU >Subject: Re: Reconsruction Images >Date: Tue, Oct 16, 2001, 6:01 PM > > Peter Hero wrote > >>"It never ceases to amaze me that every time I see a rap music video >or >>other depictions in popular culture, Black artists are portrayed >as >>"gangstas" who wear baggy clothes, refer to women as "bitches and >ho's", >>engage in boorish behavior, and have gold enameled teeth >adorned with the >>Playboy Bunny or dollar signs. I would submit that >this image is precisely >>the one that millions of Americans are >comfortable with. I would be >>interested to hear from other forum >participants if they see any >>connections between the two portrayals >and how they would try to present >>this issue before a class." > > I have talked about this issue with students before and thought others on > the list might be interested in my students' responses. The bottom line is > that these rap artists might act this way because fans find it a lot more > exciting than being well-behaved or clean cut. > > Almost all of the females in my class - late adolesecents, keep in mind - > responded that they find "bad boys" a lot more attractive than well behaved > boys. "Being bad" is fun. Getting into fights, stealing cars/car stereos, > sneaking into movie theatres, and in general having an attitude, were all > more interesting to my students than going to movies, getting dinner, and > having innocent conversation. Wearing baggy clothes and gold teeth suggest > that they are more likely to do bad things, or at least "talk the talk," > which is a lot more interesting than a clean cut, "goodie two shoes." > > Chris Baylor > Curry College > > _________________________________________________________________ > Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp > > This forum is sponsored by History Matters--please visit our Web site at > http://historymatters.gmu.edu for more resources for teaching U.S. History. This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Wed, 17 Oct 2001 16:18:52 -0700 Reply-To: Reconstruction Forum Sender: Reconstruction Forum From: Pete Haro Subject: Re: Reconsruction Images Mime-version: 1.0 Content-type: multipart/alternative; boundary="MS_Mac_OE_3086180332_345814_MIME_Part" > THIS MESSAGE IS IN MIME FORMAT. Since your mail reader does not understand this format, some or all of this message may not be legible. --MS_Mac_OE_3086180332_345814_MIME_Part Content-type: text/plain; charset="US-ASCII" Content-transfer-encoding: 7bit Dear Len: Could you please elaborate on what you were saying about the connection between "Jewish Jazz" in the twenties and hip-hop and rap today? I'm not completely sure that I see the commonality. Thanks. Sincerely, Peter. D. Haro. ---------- From: Len Rabinowitz To: RECONSTRUCTIONFORUM@ASHP.LISTSERV.CUNY.EDU Subject: Re: Reconsruction Images Date: Tue, Oct 16, 2001, 5:08 PM Peter: I think this is a very important idea, and would make a great lesson. I see a lot of white suburban kids "acting black" in that sense and I think it could be used to tell them that they may have done something as offensive as these pictures. I get even more disturbed when I occassionally see African-American kids acting this way, because they have been fed the same trash. You could also tie it to the other shows- the blacks as "hapless buffoons" shows that still seem to crop up and that Spike Lee has spoken out against in the last year or so. I would do it comparatively- is our racial streotyping really an improvement over theirs? This comes up repeatedly in American history. There is a some commonality between how some in the 1920's saw the "Jewish Jazz" (!) of the day and how some perceive hip hop and rap today. Len Rabinowitz Ashland High School Ashland, MA ----- Original Message ----- From: Pete Haro To: RECONSTRUCTIONFORUM@ASHP.LISTSERV.CUNY.EDU Sent: Tuesday, October 16, 2001 6:17 PM Subject: Re: Reconsruction Images Dear forum members: I'm glad that Josh Brown has addressed the issue of racial stereotypes through images both during and after Reconstruction. I too had addressed this question earlier in the forum but no one seemed willing to respond to my question so I shall try again. Certainly, people should feel revolted when they see images from the Reconstruction era which depicted Blacks as monkeys, savages or lustful. Except for racial extremist, few people today (hopefully) would regard these as realistic or desirable. However, when we as teachers try to address the relevance of these images to students, isn't it possible that the images in popular culture of rap artists today serves the same function as it did during Reconstruction? It never ceases to amaze me that every time I see a rap music video or other depictions in popular culture, Black artists are portrayed as "gangstas" who wear baggy clothes, refer to women as "bitches and ho's", engage in boorish behavior, and have gold enameled teeth adorned with the Playboy Bunny or dollar signs. I would submit that this image is precisely the one that millions of Americans are comfortable with. I would be interested to hear from other forum participants if they see any connections between the two portrayals and how they would try to present this issue before a class. Sincerely, Peter D. Haro Southwestern College ---------- From: "Brown, Joshua" To: RECONSTRUCTIONFORUM@ASHP.LISTSERV.CUNY.EDU Subject: Re: Reconsruction Images Date: Mon, Oct 15, 2001, 5:04 PM The discussion about using images has been very helpful in pointing out the opportunities and pitfalls of visual evidence. Recent work about 19th-century visual depictions of African Americans--most notably Kirk Savage's Standing Soldiers, Kneeling Slaves: Race, War, and Monument in Nineteenth-Century America (Princeton, 1997)--has demonstrated how the *representation* of the promise of equality was a subject of struggle and ultimate defeat. But it is the question of struggle that I think can be most useful and enlightening to students. While freedpeople had little control over the pictures and other art that purported to depict their lives, Reconstruction marks a period where the visual record left to us includes, along with cruel and vicious stereotypes, remarkable portraits, engravings, and lithographs of both new African-American leaders and "ordinary" freedpeople working, celebrating, and organizing. In a 1870 letter to Louis Prang, the proprietor of one of the country's leading lithography houses, which published a series of portraits of black statesmen, Frederick Douglass wrote (referring to one portrait of Senator Hiram Revels): "Whatever may be the prejudices of those who may look upon it, they will be compelled to admit that the Mississippi Senator is a man, and one who will easily pass for a man among men. We colored men so often see ourselves described and painted as monkeys, that we think it a great piece of good fortune to find an exception to this general rule." Perhaps, Douglass continued, black Americans could now benefit from the virtues of pictorial representation enjoyed by white citizens: "Heretofore, colored Americans have thought little of adorning their parlors with pictures. They have had to do with the stern, and I may say, the ugly realities of life. Pictures come not with slavery and oppression and destitution, but with liberty, fair play, leisure, and refinement. These conditions are now possible to colored American citizens, and I think the walls of their houses will soon begin to bear evidences of their altered relations to the people about them." That dream was, in the long run, betrayed--as the popular pictorial image of African Americans grew more grotesque through the 1880s and 90s. But the struggle to redress that particular form of expressive/representative inequality runs throughout that era. It can be found in little-known illustrated publications like the Indianapolis Freeman (see Marvin D. Jeter, "H. J. Lewis, Freeman Artist: A Working Paper," Black History News and Notes [Indiana Historical Society], 41 [August 1990]) and in fascinating instances such as an March 1874 pictorial "duel" between Thomas Nast's stereotyped Harper's Weekly cartoon of southern black Republican legislators versus an amazing New York Daily Graphic cover entitled "I Wonder How Harper's Artist Likes to Be Offensively Caricatured Himself?" (both available in Who Built America?, Volume 1, pp. 683-84 or Freedom's Unfinished Revolution, pp. 219, 235 -- and shortly on the History Matters Web site). Josh Brown American Social History Project --MS_Mac_OE_3086180332_345814_MIME_Part Content-type: text/html; charset="US-ASCII" Content-transfer-encoding: quoted-printable Re: Reconsruction Images Dear Len: Could you please elaborate on what you were saying about the conn= ection between "Jewish Jazz" in the twenties and hip-hop and rap t= oday? I'm not completely sure that I see the commonality. Thanks.

Sincerely,


Peter. D. Haro.

----------
From: Len Rabinowitz <kablen@MASSED.NET>
To: RECONSTRUCTIONFORUM@ASHP.LISTSERV.CUNY.EDU
Subject: Re: Reconsruction Images
Date: Tue, Oct 16, 2001, 5:08 PM


Peter:
 
I think this is a very important idea, an= d would make a great lesson.  I see a lot of white suburban kids "= acting black" in that sense and I think it could be used to tell them t= hat they may have done something as offensive as these pictures.  I get= even more disturbed when I occassionally see African-American kids acting t= his way, because they have been fed the same trash.  You could also tie= it to the other shows- the blacks as "hapless buffoons" shows tha= t still seem to crop up and that Spike Lee has spoken out against in the las= t year or so.
 
I would do it comparatively- is our racia= l streotyping really an improvement over theirs?  This comes up repeate= dly in American history.  There is a some commonality between how some = in the 1920's saw the "Jewish Jazz" (!) of the day and how some pe= rceive hip hop and rap today.
 
Len Rabinowitz
Ashland High School
Ashland, MA
 
----- Original Message -----
From: Pete Haro <mailto:pkharo@EARTHLINK= .NET>  
To: RECONSTRUCTIONFORUM@ASHP.LISTSERV.CUNY.= EDU <mailto:RECONSTRUCTIONFORUM@ASHP.= LISTSERV.CUNY.EDU>  
Sent: Tuesday, October 16, 2001 6:17 PM
Subject: Re: Reconsruction Images

Dear forum members: I'm glad that Josh Brown has addressed the issue of rac= ial stereotypes through images both during and after Reconstruction. I too h= ad addressed this question earlier in the forum but no one seemed willing to= respond to my question so I shall try again. Certainly, people should feel = revolted when they see images from the Reconstruction era which depicted Bla= cks as monkeys, savages or lustful. Except for racial extremist, few people = today (hopefully) would regard these as realistic or desirable.

However, when we as teachers try to address the relevance of these images t= o students, isn't it possible that the images in popular culture of rap arti= sts today serves the same function as it did during Reconstruction? It never= ceases to amaze me that every time I see a rap music video or other depicti= ons in popular culture, Black artists are portrayed as "gangstas" = who wear baggy clothes, refer to women as "bitches and ho's", enga= ge in boorish behavior, and have gold enameled teeth adorned with the Playbo= y Bunny or dollar signs. I would submit that this image is precisely the one= that millions of Americans are comfortable with. I would be interested to h= ear from other forum participants if they see any connections between the tw= o portrayals and how they would try to present this issue before a class.
Sincerely,

Peter D. Haro
Southwestern College

----------
From: "Brown, Joshua" <JBrown@GC.CUNY= .EDU>
To: RECONSTRUCTIONFORUM@ASHP.LISTSERV.CUNY.EDU
Subject: Re: Reconsruction Images
Date: Mon, Oct 15, 2001, 5:04 PM



The discussion about using images has been very helpful in pointing out the= opportunities and pitfalls of visual evidence.  Recent work about 19th= -century visual depictions of African Americans--most notably Kirk Savage's = Standing Soldiers, Kneeling Slaves: Race, War, and Monument in Nineteenth= -Century America (Princeton, 1997)--has demonstrated how the *representa= tion* of the promise of equality was a subject of struggle and ultimate defe= at.  But it is the question of struggle that I think can be most useful= and enlightening to students.  

While freedpeople had little control over the pictures and other art that p= urported to depict their lives, Reconstruction marks a period where the visu= al record left to us includes, along with cruel and vicious stereotypes, rem= arkable portraits, engravings, and lithographs of both new African-American = leaders and "ordinary" freedpeople working, celebrating, and organ= izing.  In a 1870 letter to Louis Prang, the proprietor of one of the c= ountry's leading lithography houses, which published a series of portraits o= f black statesmen, Frederick Douglass wrote (referring to one portrait of Se= nator Hiram Revels): "Whatever may be the prejudices of those who may l= ook upon it, they will be compelled to admit that the Mississippi Senator is= a man, and one who will easily pass for a man among men.  We colored m= en so often see ourselves described and painted as monkeys, that we think it= a great piece of good fortune to find an exception to this general rule.&qu= ot;  Perhaps, Douglass continued, black Americans could now benefit fro= m the virtues of pictorial representation enjoyed by white citizens: "H= eretofore, colored Americans have thought little of adorning their parlors w= ith pictures.  They have had to do with the stern, and I may say, the u= gly realities of life.  Pictures come not with slavery and oppression a= nd destitution, but with liberty, fair play, leisure, and refinement.  = These conditions are now possible to colored American citizens, and I think = the walls of their houses will soon begin to bear evidences of their altered= relations to the people about them."

That dream was, in the long run, betrayed--as the popular pictorial image o= f African Americans grew more grotesque through the 1880s and 90s.  But= the struggle to redress that particular form of expressive/representative i= nequality runs throughout that era.  It can be found in little-known il= lustrated publications like the Indianapolis Freeman (see Marvin D. J= eter, "H. J. Lewis, Freeman Artist: A Working Paper," Black His= tory News and Notes [Indiana Historical Society],  41 [August 1990]= ) and in fascinating instances such as an March 1874 pictorial "duel&qu= ot; between Thomas Nast's stereotyped Harper's Weekly cartoon of sout= hern black Republican legislators versus an amazing New York Daily Graphic c= over entitled "I Wonder How Harper's Artist Likes to Be Offensiv= ely Caricatured Himself?" (both available in Who Built America?,= Volume 1, pp. 683-84 or Freedom's Unfinished Revolution, pp. 219, 23= 5 -- and shortly on the History Matters Web site).

Josh Brown
American Social History Project




--MS_Mac_OE_3086180332_345814_MIME_Part-- This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Wed, 17 Oct 2001 20:50:07 EDT Reply-To: Reconstruction Forum Sender: Reconstruction Forum From: Arica Coleman Subject: Re: Reconsruction Images MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="part1_117.64027bf.28ff813f_boundary" --part1_117.64027bf.28ff813f_boundary Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit Dear Colleagues: Please allow me to respond to Pete's question concerning the perpetuation of stereotypes via hiphop culture. With all due respect, I hardly find high school students, regardless of their ethnicity, an accurate resource in obtaining information concerning the complex issues of stereotyping as they lack both the historical and intellectual frame work to provide any realistic assessment. First of all, the stereotypes perpetuated in contemporary music videos are no different from the stereotypes perpetuated through the blaxploitation big screen movies which dominated the 1970s. Initially, the Black Power Movement sparked a desire amongst African Americans to create their own media outlet that would celebrate the beauty of African American culture. A few films were produced by black owned studios; however, Blacks lacked the capitol to reach a widespread audience on a continuous basis. White movie executives, seeking to capitalize on the moment, began to fund these movies and since they were putting up the money, they controlled the images projected. The violent, drug dealing, sex crazed black male pimp, and the oversexed blacked woman as his whore and partner in crime dominated these movies. Robert Townsend's movie "The Hollywood Shuffle," a satire of the blaxploitation movies, captures the complexity of Blacks operating under oppressive economic conditions in Hollywood. Townsend plays a postal worker trying to make it to the big screen. Finally, he gets his big break, but becomes disillusioned by the white directors and producers who only want him to play a gangster. The most pathetic part of the movie is when the white director is trying to coach Townsend to "act black." Whatever that is! Anyway, once the Black Power Movement frizzled out, Blacks were declared no longer in vogue; the movie executives packed their bags filled with millions of dollars of profits, most obtained from the Black community, and went home. Thus the name blaxploitation. Now history is being repeated once again, but this time through the hip hop. industry which has endured a much longer life span than the blaxploitation movie era. Initially, Rap which actually grew out of the disco dance era, was a fun filled music which sought to combine the musical styles of soul and funk with the playful poetic language of spoken word. As Toni Morrison once declared, "The most intriguing thing about African American people is how they do language." This new music adventure also began as a grassroots effort started by struggling African Americans with a burning desire to create a new sound. Rap and thus hiphop culture was not created in a studio, but rather in the streets. But once again African Americans were seduced into taking this music to the suites in the music industry and once the music industry got a hold of it, the music changed. Gone were the cool, groovy lyrics of Curtis Blow saying, "Wave your hands in the air...wave'em like you just don't care...Hey ladies..all the ladies in the house say Ah." The lyrics became infested with the voice of the angry black male "fed up with the man." The Sugar Hill Gang, who were known for there playful dance lyrics, was replaced by the group "Niggahs Wid a Attitude." Gangsta rap became popularized with videos of Black street violence, misogyny, and promiscuity. These are not new images and neither were they created by black people. As I said in an earlier response to one of Dr. Foner's questions, the image of the "bad nigger," was created during the time of reconstruction and continues to be perpetuated to this day. Now, to answer your question. You asked what role do African Americans play in the perpetuation of these stereotypes? According to W.T. Lhumn, "All peoples produce racial stereotypes about themselves and others. That is, people simplify the intellectual images they maintain of specific ethnic groups, including their own, often in cruel or damaging ways. Poor white Southerners ("Crackers") are said to be slow, red-necked, and fat. Immigrant Italians ("Wops") are said to be short, oily, and hot-tempered. Upper-class whites ("WASPs") are said to be greedy, emotionally cold, and haughty. Negroes ("Niggers") are said to be stupid, promiscuous, and happy. These generalizations are not accurate, but they are spread widely - not only by word of mouth but also through images in television, movies, newspapers, music [vidoes], comic books, talk shows, pseudoscientific research, and even textbooks. These media make stereotypes, whose dissemination was once confined to oral transmission from one person to another, seem more like factual knowledge than personal opinion. Perhaps the most chilling aspect of racial stereotyping is that members of groups being characterized sometimes come to believe the generalizations' damaging simplifications. Members of target groups may even try to fulfill the stereotypes. The media regularly depicts people of African descent as drug dealers and teen mothers, and so it is not surprising when young black artists also adopt the roles of thugs and "bitches 'n 'ho's." Even stereotypes that include positive human attributes can warp people. For instance, if the dominant culture emphasizes that men of African descent are excellent athletes or entertainers, the glamour associated with these professions may influence the youth of that group. They may try to fulfill a simplified stereotype of their potential rather than develop other traits. That is the force of stereotypes." Thus, most African American males believe that the only way for them to escape poverty in "the hood" is to either play basketball or become a rap star. Concerning hip hop, I don't think I need to go into a long discourse concerning the exploitation of the music industry, but suffice to say that once anyone, no matter his/her ethnic background, signs on the dotted line, he/she is owned and has little to no say concerning artistic or creative expression. So, Pete, I've said all of that to say, you answer lies not in the black faces that you see on the video screens, but the hidden faces behind these videos, namely music executives. Because African Americans do not have control over the capitol, they have no control over the images portrayed about them through mass media. Unfortunately, many of these young stars have to make a choice between personal dignity or being able to help put food on the family table. Our mass media bares much of the responsibility for perpetuating stereotypes, whether it is the black male gangsta, the black female whore, the white male aggressor or the white female victim. I'm done! Respectfully submitted, Arica L. Coleman The Union Institute Graduate College --part1_117.64027bf.28ff813f_boundary Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: 7bit Dear Colleagues:
    Please allow me to respond to Pete's question concerning the perpetuation of stereotypes via hiphop culture.  With all due respect, I hardly find high school students, regardless of their ethnicity, an accurate resource in obtaining information concerning the complex issues of stereotyping as they lack both the historical and intellectual frame work to provide any realistic assessment.  
    First of all, the stereotypes perpetuated in contemporary music videos are no different from the stereotypes perpetuated through the blaxploitation big screen movies which dominated the 1970s. Initially, the Black Power Movement sparked a desire amongst African Americans to create their own media outlet that would celebrate the beauty of African American culture.  A few films were produced by black owned studios; however, Blacks lacked the capitol to reach a widespread audience on a continuous basis.  White movie executives, seeking to capitalize on the moment, began to fund these movies and since they were putting up the money, they controlled the images projected.  The violent, drug dealing, sex crazed black male pimp, and the oversexed blacked woman as his whore and partner in crime dominated these movies.  
    Robert Townsend's movie "The Hollywood Shuffle," a satire of the blaxploitation movies, captures the complexity of Blacks operating under oppressive economic conditions in Hollywood.  Townsend plays a postal worker trying to make it to the big screen.  Finally, he gets his big break, but becomes disillusioned by the white directors and producers who only want him to play a gangster.  The most pathetic part of the movie is when the white director is trying to coach Townsend to "act black."  Whatever that is!  
    Anyway, once the Black Power Movement frizzled out, Blacks were declared no longer in vogue; the movie executives packed their bags filled with millions of dollars of profits, most obtained from the Black community, and went home. Thus the name blaxploitation.
    Now history is being repeated once again, but this time through the hip hop. industry which has endured a much longer life span than the blaxploitation movie era.  Initially, Rap which actually grew out of the disco dance era, was a fun filled music which sought to combine the musical styles of soul and funk with the playful poetic language of spoken word.  As Toni Morrison once declared, "The most intriguing thing about African American people is how they do language."  This new music adventure also began as a grassroots effort started by struggling African Americans with a burning desire to create a new sound.  Rap and thus hiphop culture was not created in a studio, but rather in the streets. But once again African Americans were seduced into taking this music to the suites in the music industry and once the music industry got a hold of it, the music changed. Gone were the cool, groovy lyrics of Curtis Blow saying, "Wave your hands in the air...wave'em like you just don't care...Hey ladies..all the ladies in the house say Ah."  The lyrics became infested with the voice of the angry black male "fed up with the man."  The Sugar Hill Gang, who were known for there playful dance lyrics, was replaced by the group "Niggahs Wid a Attitude." Gangsta rap became popularized with videos of Black street violence, misogyny, and promiscuity.  These are not new images and neither were they created by black people.  As I said in an earlier response to one of Dr. Foner's questions, the image of the "bad nigger," was created during the time of reconstruction and continues to be perpetuated to this day.  Now, to answer your question.      
    You asked what role do African Americans play in the perpetuation of these stereotypes? According to W.T. Lhumn, "All peoples produce racial stereotypes about themselves and others. That is, people simplify the intellectual images they maintain of specific ethnic groups, including their own, often in cruel or damaging ways. Poor white Southerners ("Crackers") are said to be slow, red-necked, and fat. Immigrant Italians ("Wops") are said to be short, oily, and hot-tempered. Upper-class whites ("WASPs") are said to be greedy, emotionally cold, and haughty. Negroes ("Niggers") are said to be stupid, promiscuous, and happy. These generalizations are not accurate, but they are spread widely - not only by word of mouth but also through images in television, movies, newspapers, music [vidoes], comic books, talk shows, pseudoscientific research, and even textbooks. These media make stereotypes, whose dissemination was once confined to oral transmission from one person to another, seem more like factual knowledge than personal opinion.

Perhaps the most chilling aspect of racial stereotyping is that members of groups being characterized sometimes come to believe the generalizations' damaging simplifications. Members of target groups may even try to fulfill the stereotypes. The media regularly depicts people of African descent as drug dealers and teen mothers, and so it is not surprising when young black artists also adopt the roles of thugs and "bitches 'n 'ho's." Even stereotypes that include positive human attributes can warp people. For instance, if the dominant culture emphasizes that men of African descent are excellent athletes or entertainers, the glamour associated with these professions may influence the youth of that group. They may try to fulfill a simplified stereotype of their potential rather than develop other traits. That is the force of stereotypes."
    Thus, most African American males believe that the only way for them to escape poverty in "the hood" is to either play basketball or become a rap star.  Concerning hip hop, I don't think I need to go into a long discourse concerning the exploitation of the music industry, but suffice to say that once anyone, no matter his/her ethnic background, signs on the dotted line, he/she is owned and has little to no say concerning artistic or creative expression.
     So, Pete, I've said all of that to say, you answer lies not in the black faces that you see on the video screens, but the hidden faces behind these videos, namely music executives.  Because African Americans do not have control over the capitol, they have no control over the images portrayed about them through mass media.  Unfortunately, many of these young stars have to make a choice between personal dignity or being able to help put food on the family table.  Our mass media bares much of the responsibility for perpetuating stereotypes, whether it is the black male gangsta, the black female whore, the white male aggressor or the white female victim.  I'm done!    
Respectfully submitted,
Arica L. Coleman
The Union Institute Graduate College




--part1_117.64027bf.28ff813f_boundary-- This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Wed, 17 Oct 2001 05:25:08 -0700 Reply-To: Reconstruction Forum Sender: Reconstruction Forum From: "A. Carl Duncan" Subject: Reconstuction as Minstrel Show MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit I really don't have the time to do this but the importance of it requires my time. The discussions about textbooks and teaching methods is very useful and quite helpful to me. But it begs the more salient questions. It does not challenge my intellect, add to my understanding of the Reconstruction era, nor give me the fodder to affect the ground I walk every day. THIS HAS BEEN AN IVORY TOWER DISCUSSION. Intellectuals talking to intellectuals intelligently. In the real world, where my students and I live, they would say, "that's stupid!" The contemporary apparatus that supports the perpetuation of negative imagery of all non whites was erected, formally, consciously, and purposefully, during the Reconstruction era. Why? Gangsta rap was promoted by record companies at the same time they were refusing to release recordings by an up and coming cadre of socially and politically conscious African American rappers. These artists questioned the status quo. The gangsta rappers not only perpetuated the status quo, but gave justification for it. These are the progeny of the sex crazed, morally degenerate, intellectually unfit, "coons" of Griffith's Reconstruction saga, "Birth of a Nation." I ask again, What was the opinion in Hartford, Boston, and Bangor during the era? How did the goings on 'down South' affect the gentile society of the North? Did they care? Did they know? Are these valid questions? If not, why? If so, does anyone have an a response them? I take Barbara Egypt and Josh Brown's response to Len Rabinowitz's "Reconstruction Images," to imply that there are so many other images to provoke discussion that the exclusive use of "sambo" images has the potential to perpetuate the negativity expressed in the images themselves. I'm not saying don't use the "sambo" pictures. Len, balance the presentation with other images too. You will find this will provoke a wider breadth of response that requires a more serious and critical evaluation of the issues involved. Peter Haro's point when first posed was ignored. My questions about Reconstruction ethnographies and what was happening interpersonally during the time has brought no response. How did the people, not theories, interact? ( I have been told that these are the kind of questions that resulted in my being forced out of my doctoral program after 5 years of work, that no one has been able to criticize with data.) This is a challenge to you all. Maybe those who can respond all too busy making an impact on the lives of real people to be able to take the time to respond. Or maybe you are so isolated, in the ivory tower of "intelligent discourse," and academic career building, that you are out of touch the people, and you can't address the issues that impact upon their daily lives. I'm listening. Carl Duncan This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Thu, 18 Oct 2001 07:57:28 -0700 Reply-To: Reconstruction Forum Sender: Reconstruction Forum From: nathan riley Subject: Re: Reconstuction as Minstrel Show In-Reply-To: <3BCD78A4.284C20FC@earthlink.net> MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii A small point, the perpetuation of negative imagery about Afro-Americans was not erected during the reconstruction era. Minstral shows were all over the United by the 1840s and Stephen Foster, one of the most prolific and popular songwriters, in U.S. history was one of the chief lyricists. He also wrote Dixie, the Southern apologists anthem. Jean Baker, in her biography of Mary Todd Lincoln says Foster was Democrat. The Democrats needed an ideology that would unite North and South, and the ministral show emphasis on happy Blacks helped create party unity. I don't know if this is generally accepted, and if it was a recurring problem. But it was not until FDR that Black voted overwhelmingly Democratic. W E B DuBois had a terrible experiences with Woodrow Wilson. The movie director, Griffith, is not a reconstruction figure but he became famous during Wilson's presidency 1912-1920. --- "A. Carl Duncan" wrote: > The contemporary apparatus that supports the > perpetuation of negative > imagery of all non whites was erected, formally, > consciously, and > purposefully, during the Reconstruction era. Why? > >> > I ask again, What was the opinion in Hartford, > Boston, and Bangor during > the era? How did the goings on 'down South' affect > the gentile society > of the North? Did they care? Did they know? Are > these valid questions? > If not, why? If so, does anyone have an a response > them? > > > Carl Duncan > > This forum is sponsored by History Matters--please > visit our Web site at http://historymatters.gmu.edu > for more resources for teaching U.S. History. __________________________________________________ Do You Yahoo!? Make a great connection at Yahoo! Personals. http://personals.yahoo.com This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Thu, 18 Oct 2001 12:48:33 -0400 Reply-To: Reconstruction Forum Sender: Reconstruction Forum From: Christopher Baylor Subject: Re: Students' responses to rap vs. "Sambo" Comments: To: cpitton@ae21.org Mime-Version: 1.0 Content-Type: text/plain; format=flowed Now, I am doing ethics, not history, but if it is wrong for one racial group to promote stereotyping of other racial groups, I think it is also wrong for members of a racial group to speak for all members of their racial group. Some racial group members may like the media's image, but that does not give them the right to promote generalizations that other members of the racial group find degrading and self-inhibiting. Of course, it is also wrong for members of the public to assume, based on the media's presentation, that images in the media accurately represent racial group members. Chris Baylor Curry College >From: Charity Pitton >Reply-To: cpitton@ae21.org >To: RECONSTRUCTIONFORUM@ASHP.LISTSERV.CUNY.EDU >Subject: Re: Students' responses to rap vs. "Sambo" >Date: Wed, 17 Oct 2001 11:39:25 -0400 > >My high school students have also had definite ideas on my comparing the >minstrel stereotype during the Reconstruction with the rap stereotype that >exists now. (Over half my students are black.) Their view is that the two >cannot be said to be the same: the stereotype created during the >Reconstruction was created by whites, while the current rap stereotype is >created by blacks. (In other words, blacks have the right to create >whatever >stereotype they want for themselves, so the current stereotype is okay, >while the previous stereotype was wrong, because blacks did not choose it.) > >Anyone run into this argument from students? What was your response to it? >From a scholarly standpoint, is that difference significant? > > > I have talked about this issue with students before and thought others >on > > the list might be interested in my students' responses. The bottom line >is > > that these rap artists might act this way because fans find it a lot >more > > exciting than being well-behaved or clean cut. > > > > Chris Baylor > > Curry College > > > > _________________________________________________________________ > > Get your FREE download of MSN Explorer at >http://explorer.msn.com/intl.asp > > > > This forum is sponsored by History Matters--please visit our Web site at >http://historymatters.gmu.edu for more resources for teaching U.S. History. > >This forum is sponsored by History Matters--please visit our Web site at >http://historymatters.gmu.edu for more resources for teaching U.S. History. _________________________________________________________________ Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Thu, 18 Oct 2001 08:58:32 -0700 Reply-To: Reconstruction Forum Sender: Reconstruction Forum From: karl miller Subject: Re: Reconsruction Images In-Reply-To: <117.64027bf.28ff813f@aol.com> MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii This is a very interesting discussion, and I have found all the comments useful. I think it is important to remember that stereotypes can work in multiple ways. In order to overcome them—as well as understand them within their particular historical context—we should try to move beyond the stereotypical image and look at what else is going on. The similarities between minstrelsy and rap are important, but as Chris Baylor’s students remind us, one shouldn’t take historical analogies too far. Music critic Nelson George, in his useful book Hip Hop America, makes the important point that while gangsta rap may rely on stereotypes of black criminality and misogyny, gangsta rap has also become a stereotype of all of hip hop. In fact, he insists, very few contemporary hip-hop artists fit the mold. Many may maintain the outward patina of the gangsta vibe--the baggy clothes, etc. (zoot suiters learned a long time ago that baggy clothes were a means of personal and community expression, as well as an excuse for white outsiders to reduce them to their wardrobe). But their art moves well beyond these stereotypes to address a multitude of concerns and issues--from pleasure and pain, sexuality and personal relationships, to electoral politics and the politics of dancing. To paint them all as bad boys perpetuating racist stereotypes reveals more about our lack of exposure than their willfully blind perpetuation of the minstrel mask. At the same time it is important to remember Arica Coleman’s point about the control the music industry continues to wield. Rap groups such as De La Soul and Digable Planets have decried major labels’ unwillingness to promote alternative visions of hip hop. This has occurred at the same time as the labels increasingly have courted young white consumers. Here the analogy with minstrelsy might be useful. From the Reconstruction era into the early 20th century, black artists worked hard to break in to the national music industry. One of the main avenues available to them was the minstrel circuit. Integrating themselves into the blackface industry, they claimed that their’s was a minstrelsy more authentic than white imitations of black culture. Blackface artists such as Bert Williams, as well as coon song authors Bob Cole and James Weldon Johnson, often worked within the confines of the mask to subvert its more derogatory depictions of black inferiority. While they played to white audiences steeped in minstrel distortions, their acts also contained new, often implicit, messages about black freedom and community and scathing critiques of white racism. I have found that students respond well to discussions of stereotypes in black music. They are able to read multiple messages out of the images. The discussion also gives me the opportunity to talk about media literacy—how artists continually struggle to say what they want within the cultural and economic constraints of the music industry. While most students do not know much about minstrelsy, many are far more articulate than I am when it comes to decoding the messages they receive from music and television. The specific politics of culture change from one era to another, yet students tend to know when they are being fed a line. I have found that when awakened to their skills as cultural critics, they can apply these skills to the past as well as the present. Karl Hagstrom Miller New York University __________________________________________________ Do You Yahoo!? Make a great connection at Yahoo! Personals. http://personals.yahoo.com This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Thu, 18 Oct 2001 13:39:42 -0400 Reply-To: Reconstruction Forum Sender: Reconstruction Forum From: Christopher Baylor Subject: Re: Reconsruction Images Mime-Version: 1.0 Content-Type: text/plain; format=flowed Thanks for your reply. I think the "being bad is fun" is a terrible trend, and has been since the 1950s. Some of the teens that believe this wind up stalking, beating girlfriends, failing out of school, going to jail, and getting killed. And they do it to be cool. I tell this to students and they say "being bad is still cool/attractive." I try to use humor to show the fallacy of this view. Hopefully they'll change. They like the idea of risking their whole life to be bad. Chris >From: Pete Haro >Reply-To: Reconstruction Forum >To: RECONSTRUCTIONFORUM@ASHP.LISTSERV.CUNY.EDU >Subject: Re: Reconsruction Images >Date: Wed, 17 Oct 2001 16:12:21 -0700 > >Dear Chris: "Being bad" is more fun, even if it lands you in jail? I see >your point but I fear for the generation that views this attitude as some >kind of harmless adolescent fun. > >Sincerely, > > >Peter D. Haro. > >---------- > >From: Christopher Baylor > >To: RECONSTRUCTIONFORUM@ASHP.LISTSERV.CUNY.EDU > >Subject: Re: Reconsruction Images > >Date: Tue, Oct 16, 2001, 6:01 PM > > > > > Peter Hero wrote > > > >>"It never ceases to amaze me that every time I see a rap music video >or > >>other depictions in popular culture, Black artists are portrayed >as > >>"gangstas" who wear baggy clothes, refer to women as "bitches and > >ho's", > >>engage in boorish behavior, and have gold enameled teeth >adorned with >the > >>Playboy Bunny or dollar signs. I would submit that >this image is >precisely > >>the one that millions of Americans are >comfortable with. I would be > >>interested to hear from other forum >participants if they see any > >>connections between the two portrayals >and how they would try to >present > >>this issue before a class." > > > > I have talked about this issue with students before and thought others >on > > the list might be interested in my students' responses. The bottom line >is > > that these rap artists might act this way because fans find it a lot >more > > exciting than being well-behaved or clean cut. > > > > Almost all of the females in my class - late adolesecents, keep in mind >- > > responded that they find "bad boys" a lot more attractive than well >behaved > > boys. "Being bad" is fun. Getting into fights, stealing cars/car >stereos, > > sneaking into movie theatres, and in general having an attitude, were >all > > more interesting to my students than going to movies, getting dinner, >and > > having innocent conversation. Wearing baggy clothes and gold teeth >suggest > > that they are more likely to do bad things, or at least "talk the talk," > > which is a lot more interesting than a clean cut, "goodie two shoes." > > > > Chris Baylor > > Curry College > > > > _________________________________________________________________ > > Get your FREE download of MSN Explorer at >http://explorer.msn.com/intl.asp > > > > This forum is sponsored by History Matters--please visit our Web site at > > http://historymatters.gmu.edu for more resources for teaching U.S. >History. > >This forum is sponsored by History Matters--please visit our Web site at >http://historymatters.gmu.edu for more resources for teaching U.S. History. _________________________________________________________________ Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Thu, 18 Oct 2001 13:15:50 -0500 Reply-To: LouAnn Everett Sender: Reconstruction Forum From: LouAnn Everett Organization: Trinity Valley Community College Subject: Nathan Riley MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="----=_NextPart_000_00D6_01C157D7.01E737C0" This is a multi-part message in MIME format. ------=_NextPart_000_00D6_01C157D7.01E737C0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Mr. Riley said in a post that Stephen Foster wrote "Dixie". Historians = credit the writing of Dixie to Daniel Decatur Emmett. Aren't there any = Southerners participating in this discussion? L. A. Everett ------=_NextPart_000_00D6_01C157D7.01E737C0 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable
Mr. Riley said in a post that Stephen = Foster wrote=20 "Dixie".  Historians credit the writing of Dixie to Daniel Decatur=20 Emmett.  Aren't there any Southerners participating in this=20 discussion?
 
L. A. Everett
 
------=_NextPart_000_00D6_01C157D7.01E737C0-- This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Thu, 18 Oct 2001 15:48:52 -0400 Reply-To: Reconstruction Forum Sender: Reconstruction Forum From: Len Rabinowitz Subject: Re: Reconsruction Images MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="----=_NextPart_000_000B_01C157EC.63011C00" This is a multi-part message in MIME format. ------=_NextPart_000_000B_01C157EC.63011C00 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Re: Reconsruction ImagesPeter: The basic idea is that they were both seen as having "corrupted" the = culture and as a threat to "proper" i.e. white culture. Of course, African Americans developed jazz, but referred to it as = "jewish jazz" because they thought it was a kind of conspiracy bewteen = Jews and blacks- the blacks did it, and the Jews made the money and = financed it. =20 There is a PBS series called "culture shock" that has an episode about = this. Len Rabinowitz Ashland High School Ashland, MA ----- Original Message -----=20 From: Pete Haro=20 To: RECONSTRUCTIONFORUM@ASHP.LISTSERV.CUNY.EDU=20 Sent: Wednesday, October 17, 2001 7:18 PM Subject: Re: Reconsruction Images Dear Len: Could you please elaborate on what you were saying about the = connection between "Jewish Jazz" in the twenties and hip-hop and rap = today? I'm not completely sure that I see the commonality. Thanks.=20 Sincerely,=20 Peter. D. Haro.=20 ---------- From: Len Rabinowitz To: RECONSTRUCTIONFORUM@ASHP.LISTSERV.CUNY.EDU Subject: Re: Reconsruction Images Date: Tue, Oct 16, 2001, 5:08 PM Peter: =20 I think this is a very important idea, and would make a great = lesson. I see a lot of white suburban kids "acting black" in that sense = and I think it could be used to tell them that they may have done = something as offensive as these pictures. I get even more disturbed = when I occassionally see African-American kids acting this way, because = they have been fed the same trash. You could also tie it to the other = shows- the blacks as "hapless buffoons" shows that still seem to crop up = and that Spike Lee has spoken out against in the last year or so. =20 I would do it comparatively- is our racial streotyping really an = improvement over theirs? This comes up repeatedly in American history. = There is a some commonality between how some in the 1920's saw the = "Jewish Jazz" (!) of the day and how some perceive hip hop and rap = today. =20 Len Rabinowitz Ashland High School Ashland, MA =20 ----- Original Message -----=20 From: Pete Haro =20 To: RECONSTRUCTIONFORUM@ASHP.LISTSERV.CUNY.EDU = =20 Sent: Tuesday, October 16, 2001 6:17 PM Subject: Re: Reconsruction Images Dear forum members: I'm glad that Josh Brown has addressed the = issue of racial stereotypes through images both during and after = Reconstruction. I too had addressed this question earlier in the forum = but no one seemed willing to respond to my question so I shall try = again. Certainly, people should feel revolted when they see images from = the Reconstruction era which depicted Blacks as monkeys, savages or = lustful. Except for racial extremist, few people today (hopefully) would = regard these as realistic or desirable.=20 However, when we as teachers try to address the relevance of these = images to students, isn't it possible that the images in popular culture = of rap artists today serves the same function as it did during = Reconstruction? It never ceases to amaze me that every time I see a rap = music video or other depictions in popular culture, Black artists are = portrayed as "gangstas" who wear baggy clothes, refer to women as = "bitches and ho's", engage in boorish behavior, and have gold enameled = teeth adorned with the Playboy Bunny or dollar signs. I would submit = that this image is precisely the one that millions of Americans are = comfortable with. I would be interested to hear from other forum = participants if they see any connections between the two portrayals and = how they would try to present this issue before a class.=20 Sincerely,=20 Peter D. Haro Southwestern College ---------- From: "Brown, Joshua" To: RECONSTRUCTIONFORUM@ASHP.LISTSERV.CUNY.EDU Subject: Re: Reconsruction Images Date: Mon, Oct 15, 2001, 5:04 PM The discussion about using images has been very helpful in = pointing out the opportunities and pitfalls of visual evidence. Recent = work about 19th-century visual depictions of African Americans--most = notably Kirk Savage's Standing Soldiers, Kneeling Slaves: Race, War, and = Monument in Nineteenth-Century America (Princeton, 1997)--has = demonstrated how the *representation* of the promise of equality was a = subject of struggle and ultimate defeat. But it is the question of = struggle that I think can be most useful and enlightening to students. =20 While freedpeople had little control over the pictures and other = art that purported to depict their lives, Reconstruction marks a period = where the visual record left to us includes, along with cruel and = vicious stereotypes, remarkable portraits, engravings, and lithographs = of both new African-American leaders and "ordinary" freedpeople working, = celebrating, and organizing. In a 1870 letter to Louis Prang, the = proprietor of one of the country's leading lithography houses, which = published a series of portraits of black statesmen, Frederick Douglass = wrote (referring to one portrait of Senator Hiram Revels): "Whatever may = be the prejudices of those who may look upon it, they will be compelled = to admit that the Mississippi Senator is a man, and one who will easily = pass for a man among men. We colored men so often see ourselves = described and painted as monkeys, that we think it a great piece of good = fortune to find an exception to this general rule." Perhaps, Douglass = continued, black Americans could now benefit from the virtues of = pictorial representation enjoyed by white citizens: "Heretofore, colored = Americans have thought little of adorning their parlors with pictures. = They have had to do with the stern, and I may say, the ugly realities of = life. Pictures come not with slavery and oppression and destitution, = but with liberty, fair play, leisure, and refinement. These conditions = are now possible to colored American citizens, and I think the walls of = their houses will soon begin to bear evidences of their altered = relations to the people about them." That dream was, in the long run, betrayed--as the popular = pictorial image of African Americans grew more grotesque through the = 1880s and 90s. But the struggle to redress that particular form of = expressive/representative inequality runs throughout that era. It can = be found in little-known illustrated publications like the Indianapolis = Freeman (see Marvin D. Jeter, "H. J. Lewis, Freeman Artist: A Working = Paper," Black History News and Notes [Indiana Historical Society], 41 = [August 1990]) and in fascinating instances such as an March 1874 = pictorial "duel" between Thomas Nast's stereotyped Harper's Weekly = cartoon of southern black Republican legislators versus an amazing New = York Daily Graphic cover entitled "I Wonder How Harper's Artist Likes to = Be Offensively Caricatured Himself?" (both available in Who Built = America?, Volume 1, pp. 683-84 or Freedom's Unfinished Revolution, pp. = 219, 235 -- and shortly on the History Matters Web site). Josh Brown American Social History Project ------=_NextPart_000_000B_01C157EC.63011C00 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Re: Reconsruction Images
Peter:
 
The basic idea is that they were both = seen as=20 having "corrupted" the culture and as a threat to "proper" i.e. white=20 culture.
 
Of course, African Americans developed = jazz, but=20 referred to it as "jewish jazz" because they thought it was a kind of = conspiracy=20 bewteen Jews and blacks- the blacks did it, and the Jews made the money = and=20 financed it. 
 
There is a PBS series called "culture = shock" that=20 has an episode about this.
 
Len Rabinowitz
Ashland High School
Ashland, MA
 
----- Original Message -----
From:=20 Pete Haro=20
To: RECONSTRUCTION= FORUM@ASHP.LISTSERV.CUNY.EDU=20
Sent: Wednesday, October 17, = 2001 7:18=20 PM
Subject: Re: Reconsruction = Images

Dear Len: Could you please elaborate on what you were = saying=20 about the connection between "Jewish Jazz" in the twenties and hip-hop = and rap=20 today? I'm not completely sure that I see the commonality. Thanks.=20

Sincerely,


Peter. D. Haro. =

----------
From: Len=20 Rabinowitz <kablen@MASSED.NET>
To: RECONSTRUCTION= FORUM@ASHP.LISTSERV.CUNY.EDU
Subject:=20 Re: Reconsruction Images
Date: Tue, Oct 16, 2001, 5:08 = PM


Peter:
 
I=20 think this is a very important idea, and would make a great lesson. =  I=20 see a lot of white suburban kids "acting black" in that sense and I = think it=20 could be used to tell them that they may have done something as = offensive as=20 these pictures.  I get even more disturbed when I occassionally = see=20 African-American kids acting this way, because they have been fed = the same=20 trash.  You could also tie it to the other shows- the blacks as = "hapless buffoons" shows that still seem to crop up and that Spike = Lee has=20 spoken out against in the last year or = so.
 
I would do it comparatively- is our = racial=20 streotyping really an improvement over theirs?  This comes up=20 repeatedly in American history.  There is a some commonality = between=20 how some in the 1920's saw the "Jewish Jazz" (!) of the day and how = some=20 perceive hip hop and rap today.
 
Len Rabinowitz
Ashland High = School
Ashland,=20 MA
 
----- Original Message -----
From: Pete Haro=20 <mailto:pkharo@EARTHLINK.NET>=20  
To: RECONSTRUCTIONFORUM@ASHP.LISTSERV.CUNY.EDU = <mailto:RECONSTRUCTIONFORUM@ASHP.LISTSERV.CUNY.EDU<= /FONT>>=20  
Sent: Tuesday, October 16, 2001 6:17=20 PM
Subject: Re: Reconsruction Images

Dear forum = members:=20 I'm glad that Josh Brown has addressed the issue of racial = stereotypes=20 through images both during and after Reconstruction. I too had = addressed=20 this question earlier in the forum but no one seemed willing to = respond to=20 my question so I shall try again. Certainly, people should feel = revolted=20 when they see images from the Reconstruction era which depicted = Blacks as=20 monkeys, savages or lustful. Except for racial extremist, few = people today=20 (hopefully) would regard these as realistic or desirable. =

However,=20 when we as teachers try to address the relevance of these images = to=20 students, isn't it possible that the images in popular culture of = rap=20 artists today serves the same function as it did during = Reconstruction? It=20 never ceases to amaze me that every time I see a rap music video = or other=20 depictions in popular culture, Black artists are portrayed as = "gangstas"=20 who wear baggy clothes, refer to women as "bitches and ho's", = engage in=20 boorish behavior, and have gold enameled teeth adorned with the = Playboy=20 Bunny or dollar signs. I would submit that this image is precisely = the one=20 that millions of Americans are comfortable with. I would be = interested to=20 hear from other forum participants if they see any connections = between the=20 two portrayals and how they would try to present this issue before = a=20 class.

Sincerely,

Peter D. Haro
Southwestern=20 College

----------
From: "Brown, Joshua" <JBrown@GC.CUNY.EDU>
To: RECONSTRUCTIONFORUM@ASHP.LISTSERV.CUNY.EDU
Subject:=20 Re: Reconsruction Images
Date: Mon, Oct 15, 2001, 5:04 = PM



The discussion about using images has been very = helpful=20 in pointing out the opportunities and pitfalls of visual = evidence.=20  Recent work about 19th-century visual depictions of = African=20 Americans--most notably Kirk Savage's Standing Soldiers, = Kneeling=20 Slaves: Race, War, and Monument in Nineteenth-Century America=20 (Princeton, 1997)--has demonstrated how the *representation* = of the=20 promise of equality was a subject of struggle and ultimate = defeat.=20  But it is the question of struggle that I think can be = most useful=20 and enlightening to students.  

While freedpeople = had little=20 control over the pictures and other art that purported to depict = their=20 lives, Reconstruction marks a period where the visual record = left to us=20 includes, along with cruel and vicious stereotypes, remarkable=20 portraits, engravings, and lithographs of both new = African-American=20 leaders and "ordinary" freedpeople working, celebrating, and = organizing.=20  In a 1870 letter to Louis Prang, the proprietor of one of = the=20 country's leading lithography houses, which published a series = of=20 portraits of black statesmen, Frederick Douglass wrote = (referring to one=20 portrait of Senator Hiram Revels): "Whatever may be the = prejudices of=20 those who may look upon it, they will be compelled to admit that = the=20 Mississippi Senator is a man, and one who will easily pass for a = man=20 among men.  We colored men so often see ourselves described = and=20 painted as monkeys, that we think it a great piece of good = fortune to=20 find an exception to this general rule."  Perhaps, Douglass = continued, black Americans could now benefit from the virtues of = pictorial representation enjoyed by white citizens: "Heretofore, = colored=20 Americans have thought little of adorning their parlors with = pictures.=20  They have had to do with the stern, and I may say, the = ugly=20 realities of life.  Pictures come not with slavery and = oppression=20 and destitution, but with liberty, fair play, leisure, and = refinement.=20  These conditions are now possible to colored American = citizens,=20 and I think the walls of their houses will soon begin to bear = evidences=20 of their altered relations to the people about = them."

That dream=20 was, in the long run, betrayed--as the popular pictorial image = of=20 African Americans grew more grotesque through the 1880s and 90s. =  But the struggle to redress that particular form of=20 expressive/representative inequality runs throughout that era. =  It=20 can be found in little-known illustrated publications like the=20 Indianapolis Freeman (see Marvin D. Jeter, "H. J. Lewis, = Freeman=20 Artist: A Working Paper," Black History News and Notes = [Indiana=20 Historical Society],  41 [August 1990]) and in fascinating=20 instances such as an March 1874 pictorial "duel" between Thomas = Nast's=20 stereotyped Harper's Weekly cartoon of southern black = Republican=20 legislators versus an amazing New York Daily Graphic cover = entitled "I=20 Wonder How Harper's Artist Likes to Be Offensively = Caricatured=20 Himself?" (both available in Who Built America?, Volume = 1, pp.=20 683-84 or Freedom's Unfinished Revolution, pp. 219, 235 = -- and=20 shortly on the History Matters Web = site).

Josh=20 Brown
American Social History Project

=



------=_NextPart_000_000B_01C157EC.63011C00-- This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Thu, 18 Oct 2001 16:08:39 -0700 Reply-To: Reconstruction Forum Sender: Reconstruction Forum From: Pete Haro Subject: Re: Reconsruction Images Mime-version: 1.0 Content-type: multipart/alternative; boundary="MS_Mac_OE_3086266119_83987_MIME_Part" > THIS MESSAGE IS IN MIME FORMAT. Since your mail reader does not understand this format, some or all of this message may not be legible. --MS_Mac_OE_3086266119_83987_MIME_Part Content-type: text/plain; charset="US-ASCII" Content-transfer-encoding: 7bit Dear Len: I see what you mean. I have to confess that I was hesitant to even address the topic of stereotyping before, during and after Reconstruction precisely because of the issue that you raise. Certainly, stereotypes of any kind need to be recognized and addressed. However, my background and perspective (upper middle class, college educated) might be different from someone who has grown up with the culture of rap and hip-hop. I suppose that what I am saying is that Blacks, other minorities and even some whites might see the portrayal of the Black rapper as perfectly acceptable and non-offensive. Let me ask you a question. Do you think that these portrayals are the "new minstrelsy" or does white society have a problem with rap and hip-hop culture because it doesn't conform to the acceptable notion of a suburban, middle class existence and everything that goes with it? What do you think? I'm interested to read your and other participant's responses. Sincerely, Pete Haro Southwestern College. ---------- From: Len Rabinowitz To: RECONSTRUCTIONFORUM@ASHP.LISTSERV.CUNY.EDU Subject: Re: Reconsruction Images Date: Thu, Oct 18, 2001, 12:48 PM Peter: The basic idea is that they were both seen as having "corrupted" the culture and as a threat to "proper" i.e. white culture. Of course, African Americans developed jazz, but referred to it as "jewish jazz" because they thought it was a kind of conspiracy bewteen Jews and blacks- the blacks did it, and the Jews made the money and financed it. There is a PBS series called "culture shock" that has an episode about this. Len Rabinowitz Ashland High School Ashland, MA ----- Original Message ----- From: Pete Haro To: RECONSTRUCTIONFORUM@ASHP.LISTSERV.CUNY.EDU Sent: Wednesday, October 17, 2001 7:18 PM Subject: Re: Reconsruction Images Dear Len: Could you please elaborate on what you were saying about the connection between "Jewish Jazz" in the twenties and hip-hop and rap today? I'm not completely sure that I see the commonality. Thanks. Sincerely, Peter. D. Haro. ---------- From: Len Rabinowitz > To: RECONSTRUCTIONFORUM@ASHP.LISTSERV.CUNY.EDU Subject: Re: Reconsruction Images Date: Tue, Oct 16, 2001, 5:08 PM Peter: I think this is a very important idea, and would make a great lesson. I see a lot of white suburban kids "acting black" in that sense and I think it could be used to tell them that they may have done something as offensive as these pictures. I get even more disturbed when I occassionally see African-American kids acting this way, because they have been fed the same trash. You could also tie it to the other shows- the blacks as "hapless buffoons" shows that still seem to crop up and that Spike Lee has spoken out against in the last year or so. I would do it comparatively- is our racial streotyping really an improvement over theirs? This comes up repeatedly in American history. There is a some commonality between how some in the 1920's saw the "Jewish Jazz" (!) of the day and how some perceive hip hop and rap today. Len Rabinowitz Ashland High School Ashland, MA ----- Original Message ----- From: Pete Haro To: RECONSTRUCTIONFORUM@ASHP.LISTSERV.CUNY.EDU Sent: Tuesday, October 16, 2001 6:17 PM Subject: Re: Reconsruction Images Dear forum members: I'm glad that Josh Brown has addressed the issue of racial stereotypes through images both during and after Reconstruction. I too had addressed this question earlier in the forum but no one seemed willing to respond to my question so I shall try again. Certainly, people should feel revolted when they see images from the Reconstruction era which depicted Blacks as monkeys, savages or lustful. Except for racial extremist, few people today (hopefully) would regard these as realistic or desirable. However, when we as teachers try to address the relevance of these images to students, isn't it possible that the images in popular culture of rap artists today serves the same function as it did during Reconstruction? It never ceases to amaze me that every time I see a rap music video or other depictions in popular culture, Black artists are portrayed as "gangstas" who wear baggy clothes, refer to women as "bitches and ho's", engage in boorish behavior, and have gold enameled teeth adorned with the Playboy Bunny or dollar signs. I would submit that this image is precisely the one that millions of Americans are comfortable with. I would be interested to hear from other forum participants if they see any connections between the two portrayals and how they would try to present this issue before a class. Sincerely, Peter D. Haro Southwestern College ---------- From: "Brown, Joshua" To: RECONSTRUCTIONFORUM@ASHP.LISTSERV.CUNY.EDU Subject: Re: Reconsruction Images Date: Mon, Oct 15, 2001, 5:04 PM The discussion about using images has been very helpful in pointing out the opportunities and pitfalls of visual evidence. Recent work about 19th-century visual depictions of African Americans--most notably Kirk Savage's Standing Soldiers, Kneeling Slaves: Race, War, and Monument in Nineteenth-Century America (Princeton, 1997)--has demonstrated how the *representation* of the promise of equality was a subject of struggle and ultimate defeat. But it is the question of struggle that I think can be most useful and enlightening to students. While freedpeople had little control over the pictures and other art that purported to depict their lives, Reconstruction marks a period where the visual record left to us includes, along with cruel and vicious stereotypes, remarkable portraits, engravings, and lithographs of both new African-American leaders and "ordinary" freedpeople working, celebrating, and organizing. In a 1870 letter to Louis Prang, the proprietor of one of the country's leading lithography houses, which published a series of portraits of black statesmen, Frederick Douglass wrote (referring to one portrait of Senator Hiram Revels): "Whatever may be the prejudices of those who may look upon it, they will be compelled to admit that the Mississippi Senator is a man, and one who will easily pass for a man among men. We colored men so often see ourselves described and painted as monkeys, that we think it a great piece of good fortune to find an exception to this general rule." Perhaps, Douglass continued, black Americans could now benefit from the virtues of pictorial representation enjoyed by white citizens: "Heretofore, colored Americans have thought little of adorning their parlors with pictures. They have had to do with the stern, and I may say, the ugly realities of life. Pictures come not with slavery and oppression and destitution, but with liberty, fair play, leisure, and refinement. These conditions are now possible to colored American citizens, and I think the walls of their houses will soon begin to bear evidences of their altered relations to the people about them." That dream was, in the long run, betrayed--as the popular pictorial image of African Americans grew more grotesque through the 1880s and 90s. But the struggle to redress that particular form of expressive/representative inequality runs throughout that era. It can be found in little-known illustrated publications like the Indianapolis Freeman (see Marvin D. Jeter, "H. J. Lewis, Freeman Artist: A Working Paper," Black History News and Notes [Indiana Historical Society], 41 [August 1990]) and in fascinating instances such as an March 1874 pictorial "duel" between Thomas Nast's stereotyped Harper's Weekly cartoon of southern black Republican legislators versus an amazing New York Daily Graphic cover entitled "I Wonder How Harper's Artist Likes to Be Offensively Caricatured Himself?" (both available in Who Built America?, Volume 1, pp. 683-84 or Freedom's Unfinished Revolution, pp. 219, 235 -- and shortly on the History Matters Web site). Josh Brown American Social History Project --MS_Mac_OE_3086266119_83987_MIME_Part Content-type: text/html; charset="US-ASCII" Content-transfer-encoding: quoted-printable Re: Reconsruction Images Dear Len: I see what you mean. I have to confess that I was hesitant to eve= n address the topic of stereotyping before, during and after Reconstruction = precisely because of the issue that you raise. Certainly, stereotypes of any= kind need to be recognized and addressed. However, my background and perspe= ctive (upper middle class, college educated) might be different from someone= who has grown up with the culture of rap and hip-hop. I suppose that what I= am saying is that Blacks, other minorities and even some whites might see t= he portrayal of the Black rapper as perfectly acceptable and non-offensive. = Let me ask you a question. Do you think that these portrayals are the "= new minstrelsy" or does white society have a problem with rap and hip-h= op culture because it doesn't conform to the acceptable notion of a suburban= , middle class existence and everything that goes with it? What do you think= ? I'm interested to read your and other participant's responses.

Sincerely,


Pete Haro
Southwestern College.

----------
From: Len Rabinowitz <kablen@MASSED.NET>
To: RECONSTRUCTIONFORUM@ASHP.LISTSERV.CUNY.EDU
Subject: Re: Reconsruction Images
Date: Thu, Oct 18, 2001, 12:48 PM


Peter:
 
The basic idea is that they were both see= n as having "corrupted" the culture and as a threat to "prope= r" i.e. white culture.
 
Of course, African Americans developed ja= zz, but referred to it as "jewish jazz" because they thought it wa= s a kind of conspiracy bewteen Jews and blacks- the blacks did it, and the J= ews made the money and financed it.  
 
There is a PBS series called "cultur= e shock" that has an episode about this.
 
Len Rabinowitz
Ashland High School
Ashland, MA
 
----- Original Message -----
From: Pete Haro <mailto:pkharo@EARTHLINK= .NET>  
To: RECONSTRUCTIONFORUM@ASHP.LISTSERV.CUNY.= EDU <mailto:RECONSTRUCTIONFORUM@ASHP.= LISTSERV.CUNY.EDU>  
Sent: Wednesday, October 17, 2001 7:18 PM
Subject: Re: Reconsruction Images

Dear Len: Could you please elaborate on what you were saying about the conn= ection between "Jewish Jazz" in the twenties and hip-hop and rap t= oday? I'm not completely sure that I see the commonality. Thanks.

Sincerely,


Peter. D. Haro.

----------
From: Len Rabinowitz <kablen@MASSED.NET <mailto:kablen@MASSED.NET> >= ;
To: RECONSTRUCTIONFORUM@ASHP.LISTSERV.CUNY.EDU= <mailto:RECONSTRUCTIONFORUM@ASHP.LISTSER= V.CUNY.EDU>
Subject: Re: Reconsruction Images
Date: Tue, Oct 16, 2001, 5:08 PM


Peter:
 
I think this is a very important idea, an= d would make a great lesson.  I see a lot of white suburban kids "= acting black" in that sense and I think it could be used to tell them t= hat they may have done something as offensive as these pictures.  I get= even more disturbed when I occassionally see African-American kids acting t= his way, because they have been fed the same trash.  You could also tie= it to the other shows- the blacks as "hapless buffoons" shows tha= t still seem to crop up and that Spike Lee has spoken out against in the las= t year or so.
 
I would do it comparatively- is our racia= l streotyping really an improvement over theirs?  This comes up repeate= dly in American history.  There is a some commonality between how some = in the 1920's saw the "Jewish Jazz" (!) of the day and how some pe= rceive hip hop and rap today.
 
Len Rabinowitz
Ashland High School
Ashland, MA
 
----- Original Message -----
From: Pete Haro <mailto:pkharo@EARTHLINK= .NET>  
To: RECONSTRUCTIONFORUM@ASHP.LISTSERV.CUNY.= EDU <mailto:RECONSTRUCTIONFORUM@ASHP.= LISTSERV.CUNY.EDU>  
Sent: Tuesday, October 16, 2001 6:17 PM
Subject: Re: Reconsruction Images

Dear forum members: I'm glad that Josh Brown has addressed the issue of rac= ial stereotypes through images both during and after Reconstruction. I too h= ad addressed this question earlier in the forum but no one seemed willing to= respond to my question so I shall try again. Certainly, people should feel = revolted when they see images from the Reconstruction era which depicted Bla= cks as monkeys, savages or lustful. Except for racial extremist, few people = today (hopefully) would regard these as realistic or desirable.

However, when we as teachers try to address the relevance of these images t= o students, isn't it possible that the images in popular culture of rap arti= sts today serves the same function as it did during Reconstruction? It never= ceases to amaze me that every time I see a rap music video or other depicti= ons in popular culture, Black artists are portrayed as "gangstas" = who wear baggy clothes, refer to women as "bitches and ho's", enga= ge in boorish behavior, and have gold enameled teeth adorned with the Playbo= y Bunny or dollar signs. I would submit that this image is precisely the one= that millions of Americans are comfortable with. I would be interested to h= ear from other forum participants if they see any connections between the tw= o portrayals and how they would try to present this issue before a class.
Sincerely,

Peter D. Haro
Southwestern College

----------
From: "Brown, Joshua" <JBrown@GC.CUNY= .EDU>
To: RECONSTRUCTIONFORUM@ASHP.LISTSERV.CUNY.EDU
Subject: Re: Reconsruction Images
Date: Mon, Oct 15, 2001, 5:04 PM



The discussion about using images has been very helpful in pointing out the= opportunities and pitfalls of visual evidence.  Recent work about 19th= -century visual depictions of African Americans--most notably Kirk Savage's = Standing Soldiers, Kneeling Slaves: Race, War, and Monument in Nineteenth= -Century America (Princeton, 1997)--has demonstrated how the *representa= tion* of the promise of equality was a subject of struggle and ultimate defe= at.  But it is the question of struggle that I think can be most useful= and enlightening to students.  

While freedpeople had little control over the pictures and other art that p= urported to depict their lives, Reconstruction marks a period where the visu= al record left to us includes, along with cruel and vicious stereotypes, rem= arkable portraits, engravings, and lithographs of both new African-American = leaders and "ordinary" freedpeople working, celebrating, and organ= izing.  In a 1870 letter to Louis Prang, the proprietor of one of the c= ountry's leading lithography houses, which published a series of portraits o= f black statesmen, Frederick Douglass wrote (referring to one portrait of Se= nator Hiram Revels): "Whatever may be the prejudices of those who may l= ook upon it, they will be compelled to admit that the Mississippi Senator is= a man, and one who will easily pass for a man among men.  We colored m= en so often see ourselves described and painted as monkeys, that we think it= a great piece of good fortune to find an exception to this general rule.&qu= ot;  Perhaps, Douglass continued, black Americans could now benefit fro= m the virtues of pictorial representation enjoyed by white citizens: "H= eretofore, colored Americans have thought little of adorning their parlors w= ith pictures.  They have had to do with the stern, and I may say, the u= gly realities of life.  Pictures come not with slavery and oppression a= nd destitution, but with liberty, fair play, leisure, and refinement.  = These conditions are now possible to colored American citizens, and I think = the walls of their houses will soon begin to bear evidences of their altered= relations to the people about them."

That dream was, in the long run, betrayed--as the popular pictorial image o= f African Americans grew more grotesque through the 1880s and 90s.  But= the struggle to redress that particular form of expressive/representative i= nequality runs throughout that era.  It can be found in little-known il= lustrated publications like the Indianapolis Freeman (see Marvin D. J= eter, "H. J. Lewis, Freeman Artist: A Working Paper," Black His= tory News and Notes [Indiana Historical Society],  41 [August 1990]= ) and in fascinating instances such as an March 1874 pictorial "duel&qu= ot; between Thomas Nast's stereotyped Harper's Weekly cartoon of sout= hern black Republican legislators versus an amazing New York Daily Graphic c= over entitled "I Wonder How Harper's Artist Likes to Be Offensiv= ely Caricatured Himself?" (both available in Who Built America?,= Volume 1, pp. 683-84 or Freedom's Unfinished Revolution, pp. 219, 23= 5 -- and shortly on the History Matters Web site).

Josh Brown
American Social History Project





--MS_Mac_OE_3086266119_83987_MIME_Part-- This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Thu, 18 Oct 2001 22:48:50 -0700 Reply-To: Reconstruction Forum Sender: Reconstruction Forum From: Pete Haro Subject: Re: Reconsruction Images Mime-version: 1.0 Content-type: multipart/alternative; boundary="MS_Mac_OE_3086290131_455755_MIME_Part" > THIS MESSAGE IS IN MIME FORMAT. Since your mail reader does not understand this format, some or all of this message may not be legible. --MS_Mac_OE_3086290131_455755_MIME_Part Content-type: text/plain; charset="US-ASCII" Content-transfer-encoding: 7bit Dear Arica: That was certainly one of the most eloquent and well thought out responses that I have read to date in this forum. Thank you for having a dialog with myself and the other forum members about this issue. However, I need to present you with a question that needs clarification. You point out that Blacks today are still the object of stereotypes that ultimately degrade and dehumanize. How would you address this issue with your students? Certainly few people disagree that "Sambo" or "happy slaves" were gross distortions. But what about the image of the young Blacks in rap and hip-hop culture? I have found that fewer and fewer students seem to take umbrage with their portrayals in pop. culture. How would you present the issue to your students, especially when many don't seem to find the images necessarily offensive? As always, I'm very interested in what you think. Sincerely, Pete Haro Southwestern College. ---------- From: Arica Coleman To: RECONSTRUCTIONFORUM@ASHP.LISTSERV.CUNY.EDU Subject: Re: Reconsruction Images Date: Wed, Oct 17, 2001, 5:50 PM Dear Colleagues: Please allow me to respond to Pete's question concerning the perpetuation of stereotypes via hiphop culture. With all due respect, I hardly find high school students, regardless of their ethnicity, an accurate resource in obtaining information concerning the complex issues of stereotyping as they lack both the historical and intellectual frame work to provide any realistic assessment. First of all, the stereotypes perpetuated in contemporary music videos are no different from the stereotypes perpetuated through the blaxploitation big screen movies which dominated the 1970s. Initially, the Black Power Movement sparked a desire amongst African Americans to create their own media outlet that would celebrate the beauty of African American culture. A few films were produced by black owned studios; however, Blacks lacked the capitol to reach a widespread audience on a continuous basis. White movie executives, seeking to capitalize on the moment, began to fund these movies and since they were putting up the money, they controlled the images projected. The violent, drug dealing, sex crazed black male pimp, and the oversexed blacked woman as his whore and partner in crime dominated these movies. Robert Townsend's movie "The Hollywood Shuffle," a satire of the blaxploitation movies, captures the complexity of Blacks operating under oppressive economic conditions in Hollywood. Townsend plays a postal worker trying to make it to the big screen. Finally, he gets his big break, but becomes disillusioned by the white directors and producers who only want him to play a gangster. The most pathetic part of the movie is when the white director is trying to coach Townsend to "act black." Whatever that is! Anyway, once the Black Power Movement frizzled out, Blacks were declared no longer in vogue; the movie executives packed their bags filled with millions of dollars of profits, most obtained from the Black community, and went home. Thus the name blaxploitation. Now history is being repeated once again, but this time through the hip hop. industry which has endured a much longer life span than the blaxploitation movie era. Initially, Rap which actually grew out of the disco dance era, was a fun filled music which sought to combine the musical styles of soul and funk with the playful poetic language of spoken word. As Toni Morrison once declared, "The most intriguing thing about African American people is how they do language." This new music adventure also began as a grassroots effort started by struggling African Americans with a burning desire to create a new sound. Rap and thus hiphop culture was not created in a studio, but rather in the streets. But once again African Americans were seduced into taking this music to the suites in the music industry and once the music industry got a hold of it, the music changed. Gone were the cool, groovy lyrics of Curtis Blow saying, "Wave your hands in the air...wave'em like you just don't care...Hey ladies..all the ladies in the house say Ah." The lyrics became infested with the voice of the angry black male "fed up with the man." The Sugar Hill Gang, who were known for there playful dance lyrics, was replaced by the group "Niggahs Wid a Attitude." Gangsta rap became popularized with videos of Black street violence, misogyny, and promiscuity. These are not new images and neither were they created by black people. As I said in an earlier response to one of Dr. Foner's questions, the image of the "bad nigger," was created during the time of reconstruction and continues to be perpetuated to this day. Now, to answer your question. You asked what role do African Americans play in the perpetuation of these stereotypes? According to W.T. Lhumn, "All peoples produce racial stereotypes about themselves and others. That is, people simplify the intellectual images they maintain of specific ethnic groups, including their own, often in cruel or damaging ways. Poor white Southerners ("Crackers") are said to be slow, red-necked, and fat. Immigrant Italians ("Wops") are said to be short, oily, and hot-tempered. Upper-class whites ("WASPs") are said to be greedy, emotionally cold, and haughty. Negroes ("Niggers") are said to be stupid, promiscuous, and happy. These generalizations are not accurate, but they are spread widely - not only by word of mouth but also through images in television, movies, newspapers, music [vidoes], comic books, talk shows, pseudoscientific research, and even textbooks. These media make stereotypes, whose dissemination was once confined to oral transmission from one person to another, seem more like factual knowledge than personal opinion. Perhaps the most chilling aspect of racial stereotyping is that members of groups being characterized sometimes come to believe the generalizations' damaging simplifications. Members of target groups may even try to fulfill the stereotypes. The media regularly depicts people of African descent as drug dealers and teen mothers, and so it is not surprising when young black artists also adopt the roles of thugs and "bitches 'n 'ho's." Even stereotypes that include positive human attributes can warp people. For instance, if the dominant culture emphasizes that men of African descent are excellent athletes or entertainers, the glamour associated with these professions may influence the youth of that group. They may try to fulfill a simplified stereotype of their potential rather than develop other traits. That is the force of stereotypes." Thus, most African American males believe that the only way for them to escape poverty in "the hood" is to either play basketball or become a rap star. Concerning hip hop, I don't think I need to go into a long discourse concerning the exploitation of the music industry, but suffice to say that once anyone, no matter his/her ethnic background, signs on the dotted line, he/she is owned and has little to no say concerning artistic or creative expression. So, Pete, I've said all of that to say, you answer lies not in the black faces that you see on the video screens, but the hidden faces behind these videos, namely music executives. Because African Americans do not have control over the capitol, they have no control over the images portrayed about them through mass media. Unfortunately, many of these young stars have to make a choice between personal dignity or being able to help put food on the family table. Our mass media bares much of the responsibility for perpetuating stereotypes, whether it is the black male gangsta, the black female whore, the white male aggressor or the white female victim. I'm done! Respectfully submitted, Arica L. Coleman The Union Institute Graduate College --MS_Mac_OE_3086290131_455755_MIME_Part Content-type: text/html; charset="US-ASCII" Content-transfer-encoding: quoted-printable Re: Reconsruction Images Dear Arica: That was certainly one of the most eloquent and well thought ou= t responses that I have read to date in this forum. Thank you for having a d= ialog with myself and the other forum members about this issue. However, I n= eed to present you with a question that needs clarification.

You point out that Blacks today are still the object of stereotypes that ul= timately degrade and dehumanize. How would you address this issue with your = students? Certainly few people disagree that "Sambo" or "happ= y slaves" were gross distortions. But what about the image of the young= Blacks in rap and hip-hop culture? I have found that fewer and fewer studen= ts seem to take umbrage with their portrayals in pop. culture. How would you= present the issue to your students, especially when many don't seem to find= the images necessarily offensive? As always, I'm very interested in what yo= u think.

Sincerely,


Pete Haro
Southwestern College.

----------
From: Arica Coleman <Makeda4@AOL.COM>
To: RECONSTRUCTIONFORUM@ASHP.LISTSERV.CUNY.EDU
Subject: Re: Reconsruction Images
Date: Wed, Oct 17, 2001, 5:50 PM


Dear Colleagues:
     Please allow me to respond to Pete's question= concerning the perpetuation of stereotypes via hiphop culture.  With a= ll due respect, I hardly find high school students, regardless of their ethn= icity, an accurate resource in obtaining information concerning the complex = issues of stereotyping as they lack both the historical and intellectual fra= me work to provide any realistic assessment.  
     First of all, the stereotypes perpetuated in = contemporary music videos are no different from the stereotypes perpetuated = through the blaxploitation big screen movies which dominated the 1970s. Init= ially, the Black Power Movement sparked a desire amongst African Americans t= o create their own media outlet that would celebrate the beauty of African A= merican culture.  A few films were produced by black owned studios; how= ever, Blacks lacked the capitol to reach a widespread audience on a continuo= us basis.  White movie executives, seeking to capitalize on the moment,= began to fund these movies and since they were putting up the money, they c= ontrolled the images projected.  The violent, drug dealing, sex crazed = black male pimp, and the oversexed blacked woman as his whore and partner in= crime dominated these movies.  
     Robert Townsend's movie "The Hollywood S= huffle," a satire of the blaxploitation movies, captures the complexity= of Blacks operating under oppressive economic conditions in Hollywood. &nbs= p;Townsend plays a postal worker trying to make it to the big screen.  = Finally, he gets his big break, but becomes disillusioned by the white direc= tors and producers who only want him to play a gangster.  The most path= etic part of the movie is when the white director is trying to coach Townsen= d to "act black."  Whatever that is!  
     Anyway, once the Black Power Movement frizzle= d out, Blacks were declared no longer in vogue; the movie executives packed = their bags filled with millions of dollars of profits, most obtained from th= e Black community, and went home. Thus the name blaxploitation.
     Now history is being repeated once again, but= this time through the hip hop. industry which has endured a much longer lif= e span than the blaxploitation movie era.  Initially, Rap which actuall= y grew out of the disco dance era, was a fun filled music which sought to co= mbine the musical styles of soul and funk with the playful poetic language o= f spoken word.  As Toni Morrison once declared, "The most intrigui= ng thing about African American people is how they do language."  = This new music adventure also began as a grassroots effort started by strugg= ling African Americans with a burning desire to create a new sound.  Ra= p and thus hiphop culture was not created in a studio, but rather in the str= eets. But once again African Americans were seduced into taking this music t= o the suites in the music industry and once the music industry got a hold of= it, the music changed. Gone were the cool, groovy lyrics of Curtis Blow say= ing, "Wave your hands in the air...wave'em like you just don't care...H= ey ladies..all the ladies in the house say Ah."  The lyrics became= infested with the voice of the angry black male "fed up with the man.&= quot;  The Sugar Hill Gang, who were known for there playful dance lyri= cs, was replaced by the group "Niggahs Wid a Attitude." Gangsta ra= p became popularized with videos of Black street violence, misogyny, and pro= miscuity.  These are not new images and neither were they created by bl= ack people.  As I said in an earlier response to one of Dr. Foner's que= stions, the image of the "bad nigger," was created during the time= of reconstruction and continues to be perpetuated to this day.  Now, t= o answer your question.      
     You asked what role do African Americans play= in the perpetuation of these stereotypes? According to W.T. Lhumn, "Al= l peoples produce racial stereotypes about themselves and others. That is, p= eople simplify the intellectual images they maintain of specific ethnic grou= ps, including their own, often in cruel or damaging ways. Poor white Souther= ners ("Crackers") are said to be slow, red-necked, and fat. Immigr= ant Italians ("Wops") are said to be short, oily, and hot-tempered= . Upper-class whites ("WASPs") are said to be greedy, emotionally = cold, and haughty. Negroes ("Niggers") are said to be stupid, prom= iscuous, and happy. These generalizations are not accurate, but they are spr= ead widely - not only by word of mouth but also through images in television= , movies, newspapers, music [vidoes], comic books, talk shows, pseudoscienti= fic research, and even textbooks. These media make stereotypes, whose dissem= ination was once confined to oral transmission from one person to another, s= eem more like factual knowledge than personal opinion.

Perhaps the most chilling aspect of racial stereotyping is that members of = groups being characterized sometimes come to believe the generalizations' da= maging simplifications. Members of target groups may even try to fulfill the= stereotypes. The media regularly depicts people of African descent as drug = dealers and teen mothers, and so it is not surprising when young black artis= ts also adopt the roles of thugs and "bitches 'n 'ho's." Even ster= eotypes that include positive human attributes can warp people. For instance= , if the dominant culture emphasizes that men of African descent are excelle= nt athletes or entertainers, the glamour associated with these professions m= ay influence the youth of that group. They may try to fulfill a simplified s= tereotype of their potential rather than develop other traits. That is the f= orce of stereotypes."
     Thus, most African American males believe tha= t the only way for them to escape poverty in "the hood" is to eith= er play basketball or become a rap star.  Concerning hip hop, I don't t= hink I need to go into a long discourse concerning the exploitation of the m= usic industry, but suffice to say that once anyone, no matter his/her ethnic= background, signs on the dotted line, he/she is owned and has little to no = say concerning artistic or creative expression.
      So, Pete, I've said all of that to say,= you answer lies not in the black faces that you see on the video screens, b= ut the hidden faces behind these videos, namely music executives.  Beca= use African Americans do not have control over the capitol, they have no con= trol over the images portrayed about them through mass media.  Unfortun= ately, many of these young stars have to make a choice between personal dign= ity or being able to help put food on the family table.  Our mass media= bares much of the responsibility for perpetuating stereotypes, whether it i= s the black male gangsta, the black female whore, the white male aggressor o= r the white female victim.  I'm done!    
Respectfully submitted,
Arica L. Coleman
The Union Institute Graduate College





--MS_Mac_OE_3086290131_455755_MIME_Part-- This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Fri, 19 Oct 2001 22:20:36 +0100 Reply-To: Reconstruction Forum Sender: Reconstruction Forum From: =?iso-8859-1?Q?Juan_Jos=E9_Cruz?= Subject: Re: Reconsruction Images MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="----=_NextPart_000_0005_01C158EC.46FB8760" This is a multi-part message in MIME format. ------=_NextPart_000_0005_01C158EC.46FB8760 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Re: Reconsruction ImagesDear Prof. Coleman: Like Professor Haro, I can only say your comment on the manipulation of = hip hop culture by "color-blind" corporations impressed me. I would also = appreciate if you or another colleague in the forum would comment on the = ability of young African American women to counter the (what I = consider) debasing gender relations portrayed in songs and videoclips = (not just the Black Women's Renaissance, for example; I mean in = so-called popular culture as well). Also I wonder if this issue could = lead us to comment how far African American women during Reconstruction = and beyond had a chance to debate the interested image of black men = as lusty defilers of Caucasian women. =20 Thank you Juan Jos=E9 Cruz Universidad de La Laguna Canary Islands, SPAIN ----- Original Message -----=20 From: Pete Haro=20 To: RECONSTRUCTIONFORUM@ASHP.LISTSERV.CUNY.EDU=20 Sent: Friday, October 19, 2001 6:48 AM Subject: Re: Reconsruction Images Dear Arica: That was certainly one of the most eloquent and well = thought out responses that I have read to date in this forum. Thank you = for having a dialog with myself and the other forum members about this = issue. However, I need to present you with a question that needs = clarification.=20 You point out that Blacks today are still the object of stereotypes = that ultimately degrade and dehumanize. How would you address this issue = with your students? Certainly few people disagree that "Sambo" or "happy = slaves" were gross distortions. But what about the image of the young = Blacks in rap and hip-hop culture? I have found that fewer and fewer = students seem to take umbrage with their portrayals in pop. culture. How = would you present the issue to your students, especially when many don't = seem to find the images necessarily offensive? As always, I'm very = interested in what you think.=20 Sincerely,=20 Pete Haro Southwestern College.=20 ---------- From: Arica Coleman To: RECONSTRUCTIONFORUM@ASHP.LISTSERV.CUNY.EDU Subject: Re: Reconsruction Images Date: Wed, Oct 17, 2001, 5:50 PM Dear Colleagues:=20 Please allow me to respond to Pete's question concerning the = perpetuation of stereotypes via hiphop culture. With all due respect, I = hardly find high school students, regardless of their ethnicity, an = accurate resource in obtaining information concerning the complex issues = of stereotyping as they lack both the historical and intellectual frame = work to provide any realistic assessment. =20 First of all, the stereotypes perpetuated in contemporary music = videos are no different from the stereotypes perpetuated through the = blaxploitation big screen movies which dominated the 1970s. Initially, = the Black Power Movement sparked a desire amongst African Americans to = create their own media outlet that would celebrate the beauty of African = American culture. A few films were produced by black owned studios; = however, Blacks lacked the capitol to reach a widespread audience on a = continuous basis. White movie executives, seeking to capitalize on the = moment, began to fund these movies and since they were putting up the = money, they controlled the images projected. The violent, drug dealing, = sex crazed black male pimp, and the oversexed blacked woman as his whore = and partner in crime dominated these movies. =20 Robert Townsend's movie "The Hollywood Shuffle," a satire of = the blaxploitation movies, captures the complexity of Blacks operating = under oppressive economic conditions in Hollywood. Townsend plays a = postal worker trying to make it to the big screen. Finally, he gets his = big break, but becomes disillusioned by the white directors and = producers who only want him to play a gangster. The most pathetic part = of the movie is when the white director is trying to coach Townsend to = "act black." Whatever that is! =20 Anyway, once the Black Power Movement frizzled out, Blacks were = declared no longer in vogue; the movie executives packed their bags = filled with millions of dollars of profits, most obtained from the Black = community, and went home. Thus the name blaxploitation.=20 Now history is being repeated once again, but this time through = the hip hop. industry which has endured a much longer life span than the = blaxploitation movie era. Initially, Rap which actually grew out of the = disco dance era, was a fun filled music which sought to combine the = musical styles of soul and funk with the playful poetic language of = spoken word. As Toni Morrison once declared, "The most intriguing thing = about African American people is how they do language." This new music = adventure also began as a grassroots effort started by struggling = African Americans with a burning desire to create a new sound. Rap and = thus hiphop culture was not created in a studio, but rather in the = streets. But once again African Americans were seduced into taking this = music to the suites in the music industry and once the music industry = got a hold of it, the music changed. Gone were the cool, groovy lyrics = of Curtis Blow saying, "Wave your hands in the air...wave'em like you = just don't care...Hey ladies..all the ladies in the house say Ah." The = lyrics became infested with the voice of the angry black male "fed up = with the man." The Sugar Hill Gang, who were known for there playful = dance lyrics, was replaced by the group "Niggahs Wid a Attitude." = Gangsta rap became popularized with videos of Black street violence, = misogyny, and promiscuity. These are not new images and neither were = they created by black people. As I said in an earlier response to one = of Dr. Foner's questions, the image of the "bad nigger," was created = during the time of reconstruction and continues to be perpetuated to = this day. Now, to answer your question. =20 You asked what role do African Americans play in the = perpetuation of these stereotypes? According to W.T. Lhumn, "All peoples = produce racial stereotypes about themselves and others. That is, people = simplify the intellectual images they maintain of specific ethnic = groups, including their own, often in cruel or damaging ways. Poor white = Southerners ("Crackers") are said to be slow, red-necked, and fat. = Immigrant Italians ("Wops") are said to be short, oily, and = hot-tempered. Upper-class whites ("WASPs") are said to be greedy, = emotionally cold, and haughty. Negroes ("Niggers") are said to be = stupid, promiscuous, and happy. These generalizations are not accurate, = but they are spread widely - not only by word of mouth but also through = images in television, movies, newspapers, music [vidoes], comic books, = talk shows, pseudoscientific research, and even textbooks. These media = make stereotypes, whose dissemination was once confined to oral = transmission from one person to another, seem more like factual = knowledge than personal opinion.=20 Perhaps the most chilling aspect of racial stereotyping is that = members of groups being characterized sometimes come to believe the = generalizations' damaging simplifications. Members of target groups may = even try to fulfill the stereotypes. The media regularly depicts people = of African descent as drug dealers and teen mothers, and so it is not = surprising when young black artists also adopt the roles of thugs and = "bitches 'n 'ho's." Even stereotypes that include positive human = attributes can warp people. For instance, if the dominant culture = emphasizes that men of African descent are excellent athletes or = entertainers, the glamour associated with these professions may = influence the youth of that group. They may try to fulfill a simplified = stereotype of their potential rather than develop other traits. That is = the force of stereotypes."=20 Thus, most African American males believe that the only way for = them to escape poverty in "the hood" is to either play basketball or = become a rap star. Concerning hip hop, I don't think I need to go into = a long discourse concerning the exploitation of the music industry, but = suffice to say that once anyone, no matter his/her ethnic background, = signs on the dotted line, he/she is owned and has little to no say = concerning artistic or creative expression.=20 So, Pete, I've said all of that to say, you answer lies not in = the black faces that you see on the video screens, but the hidden faces = behind these videos, namely music executives. Because African Americans = do not have control over the capitol, they have no control over the = images portrayed about them through mass media. Unfortunately, many of = these young stars have to make a choice between personal dignity or = being able to help put food on the family table. Our mass media bares = much of the responsibility for perpetuating stereotypes, whether it is = the black male gangsta, the black female whore, the white male aggressor = or the white female victim. I'm done! =20 Respectfully submitted,=20 Arica L. Coleman=20 The Union Institute Graduate College=20 ------=_NextPart_000_0005_01C158EC.46FB8760 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Re: Reconsruction Images
Dear Prof. Coleman:
 
Like Professor Haro, I  can only say your comment on the = manipulation=20 of hip hop culture by "color-blind" corporations impressed me. I would = also=20 appreciate if you or another colleague in the forum would comment on the = ability=20 of  young African American women to counter  the (what I  = consider) debasing  gender relations portrayed in songs and = videoclips (not=20 just the Black Women's Renaissance, for example; I mean in  = so-called=20 popular  culture as well).  Also I wonder if this issue = could =20 lead us to comment  how far African American women during = Reconstruction=20 and beyond  had a chance  to debate the  interested = image=20 of black men as lusty defilers of Caucasian women. =  
 
Thank you
 
 
Juan Jos=E9 Cruz
Universidad de La Laguna
Canary Islands, = SPAIN
 
 
 
 
 
----- Original Message -----
From:=20 Pete Haro=20
To: RECONSTRUCTIONFORUM@AS= HP.LISTSERV.CUNY.EDU=20
Sent: Friday, October 19, 2001 = 6:48=20 AM
Subject: Re: Reconsruction = Images

Dear Arica: That was certainly one of the most eloquent = and=20 well thought out responses that I have read to date in this forum. = Thank you=20 for having a dialog with myself and the other forum members about this = issue.=20 However, I need to present you with a question that needs = clarification.=20

You point out that Blacks today are still the object of = stereotypes=20 that ultimately degrade and dehumanize. How would you address this = issue with=20 your students? Certainly few people disagree that "Sambo" or "happy = slaves"=20 were gross distortions. But what about the image of the young Blacks = in rap=20 and hip-hop culture? I have found that fewer and fewer students seem = to take=20 umbrage with their portrayals in pop. culture. How would you present = the issue=20 to your students, especially when many don't seem to find the images=20 necessarily offensive? As always, I'm very interested in what you = think.=20

Sincerely,


Pete Haro
Southwestern College.=20

----------
From: Arica Coleman = <Makeda4@AOL.COM>
To:=20 RECONSTRUCTIONFORUM@ASHP.LISTSERV.CUNY.EDU
Subject: Re: = Reconsruction=20 Images
Date: Wed, Oct 17, 2001, 5:50 PM


Dear Colleagues:=20
     Please allow me to respond to = Pete's=20 question concerning the perpetuation of stereotypes via hiphop = culture.=20  With all due respect, I hardly find high school students, = regardless=20 of their ethnicity, an accurate resource in obtaining information = concerning=20 the complex issues of stereotyping as they lack both the historical = and=20 intellectual frame work to provide any realistic assessment.=20  
     First of all, the = stereotypes=20 perpetuated in contemporary music videos are no different from the=20 stereotypes perpetuated through the blaxploitation big screen movies = which=20 dominated the 1970s. Initially, the Black Power Movement sparked a = desire=20 amongst African Americans to create their own media outlet that = would=20 celebrate the beauty of African American culture.  A few films = were=20 produced by black owned studios; however, Blacks lacked the capitol = to reach=20 a widespread audience on a continuous basis.  White movie = executives,=20 seeking to capitalize on the moment, began to fund these movies and = since=20 they were putting up the money, they controlled the images = projected.=20  The violent, drug dealing, sex crazed black male pimp, and the = oversexed blacked woman as his whore and partner in crime dominated = these=20 movies.  
     Robert Townsend's = movie "The=20 Hollywood Shuffle," a satire of the blaxploitation movies, captures = the=20 complexity of Blacks operating under oppressive economic conditions = in=20 Hollywood.  Townsend plays a postal worker trying to make it to = the big=20 screen.  Finally, he gets his big break, but becomes = disillusioned by=20 the white directors and producers who only want him to play a = gangster.=20  The most pathetic part of the movie is when the white director = is=20 trying to coach Townsend to "act black."  Whatever that is!=20  
     Anyway, once the Black Power = Movement frizzled out, Blacks were declared no longer in vogue; the = movie=20 executives packed their bags filled with millions of dollars of = profits,=20 most obtained from the Black community, and went home. Thus the name = blaxploitation.
     Now history is = being=20 repeated once again, but this time through the hip hop. industry = which has=20 endured a much longer life span than the blaxploitation movie era.=20  Initially, Rap which actually grew out of the disco dance era, = was a=20 fun filled music which sought to combine the musical styles of soul = and funk=20 with the playful poetic language of spoken word.  As Toni = Morrison once=20 declared, "The most intriguing thing about African American people = is how=20 they do language."  This new music adventure also began as a = grassroots=20 effort started by struggling African Americans with a burning desire = to=20 create a new sound.  Rap and thus hiphop culture was not = created in a=20 studio, but rather in the streets. But once again African Americans = were=20 seduced into taking this music to the suites in the music industry = and once=20 the music industry got a hold of it, the music changed. Gone were = the cool,=20 groovy lyrics of Curtis Blow saying, "Wave your hands in the = air...wave'em=20 like you just don't care...Hey ladies..all the ladies in the house = say Ah."=20  The lyrics became infested with the voice of the angry black = male "fed=20 up with the man."  The Sugar Hill Gang, who were known for = there=20 playful dance lyrics, was replaced by the group "Niggahs Wid a = Attitude."=20 Gangsta rap became popularized with videos of Black street violence, = misogyny, and promiscuity.  These are not new images and = neither were=20 they created by black people.  As I said in an earlier response = to one=20 of Dr. Foner's questions, the image of the "bad nigger," was created = during=20 the time of reconstruction and continues to be perpetuated to this = day.=20  Now, to answer your question.=20      
     You = asked=20 what role do African Americans play in the perpetuation of these=20 stereotypes? According to W.T. Lhumn, "All peoples produce racial=20 stereotypes about themselves and others. That is, people simplify = the=20 intellectual images they maintain of specific ethnic groups, = including their=20 own, often in cruel or damaging ways. Poor white Southerners = ("Crackers")=20 are said to be slow, red-necked, and fat. Immigrant Italians = ("Wops") are=20 said to be short, oily, and hot-tempered. Upper-class whites = ("WASPs") are=20 said to be greedy, emotionally cold, and haughty. Negroes = ("Niggers") are=20 said to be stupid, promiscuous, and happy. These generalizations are = not=20 accurate, but they are spread widely - not only by word of mouth but = also=20 through images in television, movies, newspapers, music [vidoes], = comic=20 books, talk shows, pseudoscientific research, and even textbooks. = These=20 media make stereotypes, whose dissemination was once confined to = oral=20 transmission from one person to another, seem more like factual = knowledge=20 than personal opinion.

Perhaps the most chilling aspect of = racial=20 stereotyping is that members of groups being characterized sometimes = come to=20 believe the generalizations' damaging simplifications. Members of = target=20 groups may even try to fulfill the stereotypes. The media regularly = depicts=20 people of African descent as drug dealers and teen mothers, and so = it is not=20 surprising when young black artists also adopt the roles of thugs = and=20 "bitches 'n 'ho's." Even stereotypes that include positive human = attributes=20 can warp people. For instance, if the dominant culture emphasizes = that men=20 of African descent are excellent athletes or entertainers, the = glamour=20 associated with these professions may influence the youth of that = group.=20 They may try to fulfill a simplified stereotype of their potential = rather=20 than develop other traits. That is the force of stereotypes."=20
     Thus, most African American males = believe=20 that the only way for them to escape poverty in "the hood" is to = either play=20 basketball or become a rap star.  Concerning hip hop, I don't = think I=20 need to go into a long discourse concerning the exploitation of the = music=20 industry, but suffice to say that once anyone, no matter his/her = ethnic=20 background, signs on the dotted line, he/she is owned and has little = to no=20 say concerning artistic or creative expression.=20
      So, Pete, I've said all of = that to=20 say, you answer lies not in the black faces that you see on the = video=20 screens, but the hidden faces behind these videos, namely music = executives.=20  Because African Americans do not have control over the = capitol, they=20 have no control over the images portrayed about them through mass = media.=20  Unfortunately, many of these young stars have to make a choice = between=20 personal dignity or being able to help put food on the family table. =  Our mass media bares much of the responsibility for = perpetuating=20 stereotypes, whether it is the black male gangsta, the black female = whore,=20 the white male aggressor or the white female victim.  I'm done! =    
Respectfully submitted,
Arica L. Coleman =
The=20 Union Institute Graduate College





------=_NextPart_000_0005_01C158EC.46FB8760-- This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Sat, 20 Oct 2001 16:56:52 -0400 Reply-To: Reconstruction Forum Sender: Reconstruction Forum From: Eric Foner Subject: Re: Reconstruction Historiography In-Reply-To: <002501c1535c$03e1a260$3f66accf@kablen> MIME-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII Dear colleagues, The discussion lately has come to focus on images of African-Americans in the visual media, both 19th and 20th century. I think this is a fruitful topic, especially in interesting students bvy comparing modern and 19th century representations. Not being too familiar with hip-hoip culture I'm not in a position to comment on this, although what I see from time to time on MTV seems pretty reprehensible, especially in terms of imagery of black women. But it is important, as they say, to always follow the money. The fact that a black group is presenting black women in a certain way does not mean that this is an authentically "black" image. Who runs MTV; who decides what to show, and why? The same kinds of questions can be asked for 19th cenhjtury litographs, cartoons, etc. But I would be wary, as a teacher, of letting imagery replace more concrete issues relating to power, politics, economic autonomy, and the like in making sense of Reconstruction. Eric Foner This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Sat, 20 Oct 2001 19:15:14 -0500 Reply-To: Reconstruction Forum Sender: Reconstruction Forum From: Joe Berry Subject: Re: Reconstruction Historiography MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit I would also like to remind people, on the subject of imagery, of the truly mind bending film, "Ethnic Notions", made by Marlon Riggs before his tragic and premature death from AIDS. It is the best thing I know of for tracing the imagery forced upon Black people by media of various sorts from slavery times up to post WWII. Many sections could be used separately as well. Includes lots of good RECON era material and a great analysis of minstrelsy. Guaranteed to start discussion in any class, whatever its racial makeup. Also, as a "white" teacher who has largely taught students of color in my career in secondary, college and adult ed, I have repeatedly been asked the question (from students of color only) when we discus Recon or other highly racially charged subjects, "Do you think, Mr. Berry, that most white people will EVER stop being racist?" or words to that effect. I am sure that I am not the only anti-racist white teacher ever asked this question very seriously. Would love to hear how others have responded to it. Still very interested, Joe Berry Eric Foner wrote: > > Dear colleagues, > > The discussion lately has come to focus on images of African-Americans in > the visual media, both 19th and 20th century. I think this is a fruitful > topic, especially in interesting students bvy comparing modern and 19th > century representations. Not being too familiar with hip-hoip culture I'm > not in a position to comment on this, although what I see from time to > time on MTV seems pretty reprehensible, especially in terms of imagery of > black women. But it is important, as they say, to always follow the > money. The fact that a black group is presenting black women in a certain > way does not mean that this is an authentically "black" image. Who runs > MTV; who decides what to show, and why? The same kinds of questions can > be asked for 19th cenhjtury litographs, cartoons, etc. > > But I would be wary, as a teacher, of letting imagery replace more > concrete issues relating to power, politics, economic autonomy, and the > like in making sense of Reconstruction. > > Eric Foner > > This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. -- Joe Berry 1453 W. Flournoy, #3F Chicago, IL 60607 Phone/fax: 312-733-2172 Email This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Sun, 21 Oct 2001 18:56:11 -0400 Reply-To: Reconstruction Forum Sender: Reconstruction Forum From: Len Rabinowitz Subject: Re: Reconsruction Images MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="----=_NextPart_000_002F_01C15A62.0D1EC620" This is a multi-part message in MIME format. ------=_NextPart_000_002F_01C15A62.0D1EC620 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Re: Reconsruction ImagesPeter: I think Arica has it right- blacks as a group, like all other groups, = are complex and impossible to label with just one or two things. Look = to the people who control the media for why whatever is out there is = getting out there. Regarding whether it is acceptable or not, I think you'd find a range = there also. There were blacks in the 1920's who didn't like jazz for = the same reasons some whites didn't. And many African Americans today = find gansta rap and those kinds of things offensive. Not sure I've answered your questions but what the heck... Len rabinowitz Ashland High School Ashland, MA ----- Original Message -----=20 From: Pete Haro=20 To: RECONSTRUCTIONFORUM@ASHP.LISTSERV.CUNY.EDU=20 Sent: Thursday, October 18, 2001 7:08 PM Subject: Re: Reconsruction Images Dear Len: I see what you mean. I have to confess that I was hesitant = to even address the topic of stereotyping before, during and after = Reconstruction precisely because of the issue that you raise. Certainly, = stereotypes of any kind need to be recognized and addressed. However, my = background and perspective (upper middle class, college educated) might = be different from someone who has grown up with the culture of rap and = hip-hop. I suppose that what I am saying is that Blacks, other = minorities and even some whites might see the portrayal of the Black = rapper as perfectly acceptable and non-offensive. Let me ask you a = question. Do you think that these portrayals are the "new minstrelsy" or = does white society have a problem with rap and hip-hop culture because = it doesn't conform to the acceptable notion of a suburban, middle class = existence and everything that goes with it? What do you think? I'm = interested to read your and other participant's responses.=20 Sincerely,=20 Pete Haro Southwestern College.=20 ---------- From: Len Rabinowitz To: RECONSTRUCTIONFORUM@ASHP.LISTSERV.CUNY.EDU Subject: Re: Reconsruction Images Date: Thu, Oct 18, 2001, 12:48 PM Peter: =20 The basic idea is that they were both seen as having "corrupted" the = culture and as a threat to "proper" i.e. white culture. =20 Of course, African Americans developed jazz, but referred to it as = "jewish jazz" because they thought it was a kind of conspiracy bewteen = Jews and blacks- the blacks did it, and the Jews made the money and = financed it. =20 =20 There is a PBS series called "culture shock" that has an episode = about this. =20 Len Rabinowitz Ashland High School Ashland, MA =20 ----- Original Message -----=20 From: Pete Haro =20 To: RECONSTRUCTIONFORUM@ASHP.LISTSERV.CUNY.EDU = =20 Sent: Wednesday, October 17, 2001 7:18 PM Subject: Re: Reconsruction Images Dear Len: Could you please elaborate on what you were saying about = the connection between "Jewish Jazz" in the twenties and hip-hop and rap = today? I'm not completely sure that I see the commonality. Thanks.=20 Sincerely,=20 Peter. D. Haro.=20 ---------- From: Len Rabinowitz = > To: RECONSTRUCTIONFORUM@ASHP.LISTSERV.CUNY.EDU = =20 Subject: Re: Reconsruction Images Date: Tue, Oct 16, 2001, 5:08 PM Peter: =20 I think this is a very important idea, and would make a great = lesson. I see a lot of white suburban kids "acting black" in that sense = and I think it could be used to tell them that they may have done = something as offensive as these pictures. I get even more disturbed = when I occassionally see African-American kids acting this way, because = they have been fed the same trash. You could also tie it to the other = shows- the blacks as "hapless buffoons" shows that still seem to crop up = and that Spike Lee has spoken out against in the last year or so. =20 I would do it comparatively- is our racial streotyping really an = improvement over theirs? This comes up repeatedly in American history. = There is a some commonality between how some in the 1920's saw the = "Jewish Jazz" (!) of the day and how some perceive hip hop and rap = today. =20 Len Rabinowitz Ashland High School Ashland, MA =20 ----- Original Message -----=20 From: Pete Haro =20 To: RECONSTRUCTIONFORUM@ASHP.LISTSERV.CUNY.EDU = =20 Sent: Tuesday, October 16, 2001 6:17 PM Subject: Re: Reconsruction Images Dear forum members: I'm glad that Josh Brown has addressed the = issue of racial stereotypes through images both during and after = Reconstruction. I too had addressed this question earlier in the forum = but no one seemed willing to respond to my question so I shall try = again. Certainly, people should feel revolted when they see images from = the Reconstruction era which depicted Blacks as monkeys, savages or = lustful. Except for racial extremist, few people today (hopefully) would = regard these as realistic or desirable.=20 However, when we as teachers try to address the relevance of = these images to students, isn't it possible that the images in popular = culture of rap artists today serves the same function as it did during = Reconstruction? It never ceases to amaze me that every time I see a rap = music video or other depictions in popular culture, Black artists are = portrayed as "gangstas" who wear baggy clothes, refer to women as = "bitches and ho's", engage in boorish behavior, and have gold enameled = teeth adorned with the Playboy Bunny or dollar signs. I would submit = that this image is precisely the one that millions of Americans are = comfortable with. I would be interested to hear from other forum = participants if they see any connections between the two portrayals and = how they would try to present this issue before a class.=20 Sincerely,=20 Peter D. Haro Southwestern College ---------- From: "Brown, Joshua" To: RECONSTRUCTIONFORUM@ASHP.LISTSERV.CUNY.EDU Subject: Re: Reconsruction Images Date: Mon, Oct 15, 2001, 5:04 PM The discussion about using images has been very helpful in = pointing out the opportunities and pitfalls of visual evidence. Recent = work about 19th-century visual depictions of African Americans--most = notably Kirk Savage's Standing Soldiers, Kneeling Slaves: Race, War, and = Monument in Nineteenth-Century America (Princeton, 1997)--has = demonstrated how the *representation* of the promise of equality was a = subject of struggle and ultimate defeat. But it is the question of = struggle that I think can be most useful and enlightening to students. =20 While freedpeople had little control over the pictures and = other art that purported to depict their lives, Reconstruction marks a = period where the visual record left to us includes, along with cruel and = vicious stereotypes, remarkable portraits, engravings, and lithographs = of both new African-American leaders and "ordinary" freedpeople working, = celebrating, and organizing. In a 1870 letter to Louis Prang, the = proprietor of one of the country's leading lithography houses, which = published a series of portraits of black statesmen, Frederick Douglass = wrote (referring to one portrait of Senator Hiram Revels): "Whatever may = be the prejudices of those who may look upon it, they will be compelled = to admit that the Mississippi Senator is a man, and one who will easily = pass for a man among men. We colored men so often see ourselves = described and painted as monkeys, that we think it a great piece of good = fortune to find an exception to this general rule." Perhaps, Douglass = continued, black Americans could now benefit from the virtues of = pictorial representation enjoyed by white citizens: "Heretofore, colored = Americans have thought little of adorning their parlors with pictures. = They have had to do with the stern, and I may say, the ugly realities of = life. Pictures come not with slavery and oppression and destitution, = but with liberty, fair play, leisure, and refinement. These conditions = are now possible to colored American citizens, and I think the walls of = their houses will soon begin to bear evidences of their altered = relations to the people about them." That dream was, in the long run, betrayed--as the popular = pictorial image of African Americans grew more grotesque through the = 1880s and 90s. But the struggle to redress that particular form of = expressive/representative inequality runs throughout that era. It can = be found in little-known illustrated publications like the Indianapolis = Freeman (see Marvin D. Jeter, "H. J. Lewis, Freeman Artist: A Working = Paper," Black History News and Notes [Indiana Historical Society], 41 = [August 1990]) and in fascinating instances such as an March 1874 = pictorial "duel" between Thomas Nast's stereotyped Harper's Weekly = cartoon of southern black Republican legislators versus an amazing New = York Daily Graphic cover entitled "I Wonder How Harper's Artist Likes to = Be Offensively Caricatured Himself?" (both available in Who Built = America?, Volume 1, pp. 683-84 or Freedom's Unfinished Revolution, pp. = 219, 235 -- and shortly on the History Matters Web site). Josh Brown American Social History Project ------=_NextPart_000_002F_01C15A62.0D1EC620 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Re: Reconsruction Images
Peter:
 
I think Arica has it right- blacks as a = group, like=20 all other groups, are complex and impossible to label with just one or = two=20 things.  Look to the people who control the media for why whatever = is out=20 there is getting out there.
 
Regarding whether it is acceptable or = not, I think=20 you'd find a range there also.  There were blacks in the 1920's who = didn't=20 like jazz for the same reasons some whites didn't.  And many = African=20 Americans today find gansta rap and those kinds of things=20 offensive.
 
Not sure I've answered your questions = but what the=20 heck...
 
Len rabinowitz
Ashland High School
Ashland, MA
 
----- Original Message -----
From:=20 Pete Haro=20
To: RECONSTRUCTION= FORUM@ASHP.LISTSERV.CUNY.EDU=20
Sent: Thursday, October 18, = 2001 7:08=20 PM
Subject: Re: Reconsruction = Images

Dear Len: I see what you mean. I have to confess that I = was=20 hesitant to even address the topic of stereotyping before, during and = after=20 Reconstruction precisely because of the issue that you raise. = Certainly,=20 stereotypes of any kind need to be recognized and addressed. However, = my=20 background and perspective (upper middle class, college educated) = might be=20 different from someone who has grown up with the culture of rap and = hip-hop. I=20 suppose that what I am saying is that Blacks, other minorities and = even some=20 whites might see the portrayal of the Black rapper as perfectly = acceptable and=20 non-offensive. Let me ask you a question. Do you think that these = portrayals=20 are the "new minstrelsy" or does white society have a problem with rap = and=20 hip-hop culture because it doesn't conform to the acceptable notion of = a=20 suburban, middle class existence and everything that goes with it? = What do you=20 think? I'm interested to read your and other participant's responses.=20

Sincerely,


Pete Haro
Southwestern College.=20

----------
From: Len Rabinowitz = <kablen@MASSED.NET>
To:=20 RECONSTRUCTIONFORUM@ASHP.LISTSERV.CUNY.EDU
Subject: Re: = Reconsruction=20 Images
Date: Thu, Oct 18, 2001, 12:48 PM


Peter:
 
The basic idea is that they were both seen as having = "corrupted"=20 the culture and as a threat to "proper" i.e. white=20 culture.
 
Of course,=20 African Americans developed jazz, but referred to it as "jewish = jazz"=20 because they thought it was a kind of conspiracy bewteen Jews and = blacks-=20 the blacks did it, and the Jews made the money and financed it.=20  
 
There is a=20 PBS series called "culture shock" that has an episode about=20 this.
 
Len=20 Rabinowitz
Ashland High School
Ashland, = MA
 
----- Original Message -----
From: Pete Haro=20 <mailto:pkharo@EARTHLINK.NET>=20  
To: RECONSTRUCTIONFORUM@ASHP.LISTSERV.CUNY.EDU = <mailto:RECONSTRUCTIONFORUM@ASHP.LISTSERV.CUNY.EDU<= /FONT>>=20  
Sent: Wednesday, October 17, 2001 7:18=20 PM
Subject: Re: Reconsruction Images

Dear Len: = Could you=20 please elaborate on what you were saying about the connection = between=20 "Jewish Jazz" in the twenties and hip-hop and rap today? I'm not=20 completely sure that I see the commonality. Thanks. =

Sincerely,=20


Peter. D. Haro.

----------
From: Len = Rabinowitz=20 <kablen@MASSED.NET = <mailto:kablen@MASSED.NET> = >
To: RECONSTRUCTIONFORUM@ASHP.LISTSERV.CUNY.EDU = <mailto:RECONSTRUCTIONFORUM@ASHP.LISTSERV.CUNY.EDU<= /FONT>>=20
Subject: Re: Reconsruction Images
Date: Tue, Oct 16, 2001, = 5:08=20 PM


Peter:
 
I think this is a very important idea, and would = make a great=20 lesson.  I see a lot of white suburban kids "acting black" = in that=20 sense and I think it could be used to tell them that they may = have done=20 something as offensive as these pictures.  I get even more=20 disturbed when I occassionally see African-American kids acting = this=20 way, because they have been fed the same trash.  You could = also tie=20 it to the other shows- the blacks as "hapless buffoons" shows = that still=20 seem to crop up and that Spike Lee has spoken out against in the = last=20 year or so.
 
I=20 would do it comparatively- is our racial streotyping really an=20 improvement over theirs?  This comes up repeatedly in = American=20 history.  There is a some commonality between how some in = the=20 1920's saw the "Jewish Jazz" (!) of the day and how some = perceive hip=20 hop and rap today.
 
Len Rabinowitz
Ashland High School
Ashland,=20 MA
 
----- Original Message -----
From: Pete = Haro=20 <mailto:pkharo@EARTHLINK.NET>=20  
To: RECONSTRUCTIONFORUM@ASHP.LISTSERV.CUNY.EDU = <mailto:RECONSTRUCTIONFORUM@ASHP.LISTSERV.CUNY.EDU<= /FONT>>=20  
Sent: Tuesday, October 16, 2001 6:17=20 PM
Subject: Re: Reconsruction Images

Dear = forum=20 members: I'm glad that Josh Brown has addressed the issue of = racial=20 stereotypes through images both during and after = Reconstruction. I too=20 had addressed this question earlier in the forum but no one = seemed=20 willing to respond to my question so I shall try again. = Certainly,=20 people should feel revolted when they see images from the=20 Reconstruction era which depicted Blacks as monkeys, savages = or=20 lustful. Except for racial extremist, few people today = (hopefully)=20 would regard these as realistic or desirable.

However, = when we=20 as teachers try to address the relevance of these images to = students,=20 isn't it possible that the images in popular culture of rap = artists=20 today serves the same function as it did during = Reconstruction? It=20 never ceases to amaze me that every time I see a rap music = video or=20 other depictions in popular culture, Black artists are = portrayed as=20 "gangstas" who wear baggy clothes, refer to women as "bitches = and=20 ho's", engage in boorish behavior, and have gold enameled = teeth=20 adorned with the Playboy Bunny or dollar signs. I would submit = that=20 this image is precisely the one that millions of Americans are = comfortable with. I would be interested to hear from other = forum=20 participants if they see any connections between the two = portrayals=20 and how they would try to present this issue before a class.=20

Sincerely,

Peter D. Haro
Southwestern=20 College

----------
From: "Brown, Joshua" <JBrown@GC.CUNY.EDU>
To: = RECONSTRUCTIONFORUM@ASHP.LISTSERV.CUNY.EDU
Subject:=20 Re: Reconsruction Images
Date: Mon, Oct 15, 2001, 5:04=20 PM



The discussion about using images has been = very=20 helpful in pointing out the opportunities and pitfalls of = visual=20 evidence.  Recent work about 19th-century visual = depictions of=20 African Americans--most notably Kirk Savage's Standing = Soldiers,=20 Kneeling Slaves: Race, War, and Monument in = Nineteenth-Century=20 America (Princeton, 1997)--has demonstrated how the=20 *representation* of the promise of equality was a subject of = struggle and ultimate defeat.  But it is the question = of=20 struggle that I think can be most useful and enlightening to = students.  

While freedpeople had little control = over=20 the pictures and other art that purported to depict their = lives,=20 Reconstruction marks a period where the visual record left = to us=20 includes, along with cruel and vicious stereotypes, = remarkable=20 portraits, engravings, and lithographs of both new = African-American=20 leaders and "ordinary" freedpeople working, celebrating, and = organizing.  In a 1870 letter to Louis Prang, the = proprietor of=20 one of the country's leading lithography houses, which = published a=20 series of portraits of black statesmen, Frederick Douglass = wrote=20 (referring to one portrait of Senator Hiram Revels): = "Whatever may=20 be the prejudices of those who may look upon it, they will = be=20 compelled to admit that the Mississippi Senator is a man, = and one=20 who will easily pass for a man among men.  We colored = men so=20 often see ourselves described and painted as monkeys, that = we think=20 it a great piece of good fortune to find an exception to = this=20 general rule."  Perhaps, Douglass continued, black = Americans=20 could now benefit from the virtues of pictorial = representation=20 enjoyed by white citizens: "Heretofore, colored Americans = have=20 thought little of adorning their parlors with pictures. =  They=20 have had to do with the stern, and I may say, the ugly = realities of=20 life.  Pictures come not with slavery and oppression = and=20 destitution, but with liberty, fair play, leisure, and = refinement.=20  These conditions are now possible to colored American=20 citizens, and I think the walls of their houses will soon = begin to=20 bear evidences of their altered relations to the people = about=20 them."

That dream was, in the long run, betrayed--as = the=20 popular pictorial image of African Americans grew more = grotesque=20 through the 1880s and 90s.  But the struggle to redress = that=20 particular form of expressive/representative inequality runs = throughout that era.  It can be found in little-known=20 illustrated publications like the Indianapolis Freeman = (see=20 Marvin D. Jeter, "H. J. Lewis, Freeman Artist: A Working = Paper,"=20 Black History News and Notes [Indiana Historical = Society],=20  41 [August 1990]) and in fascinating instances such as = an=20 March 1874 pictorial "duel" between Thomas Nast's = stereotyped=20 Harper's Weekly cartoon of southern black Republican=20 legislators versus an amazing New York Daily Graphic cover = entitled=20 "I Wonder How Harper's Artist Likes to Be Offensively = Caricatured Himself?" (both available in Who Built = America?,=20 Volume 1, pp. 683-84 or Freedom's Unfinished = Revolution, pp.=20 219, 235 -- and shortly on the History Matters = Web=20 site).

Josh Brown
American Social History = Project

=




------=_NextPart_000_002F_01C15A62.0D1EC620-- This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Sun, 21 Oct 2001 18:59:29 -0400 Reply-To: Reconstruction Forum Sender: Reconstruction Forum From: Len Rabinowitz Subject: Re: Reconsruction Images MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="----=_NextPart_000_0039_01C15A62.8324B3C0" This is a multi-part message in MIME format. ------=_NextPart_000_0039_01C15A62.8324B3C0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Re: Reconsruction ImagesI guess I'd add one thing to this: Just because = some of the affected group might buy into the stereotype does not make = it OK with me. I remember Malcolm X saying something to the effect that = he thought African Americans using the "N" word was worse than whites = doing it because it meant that they were just buying in to the same = ideology- giving it a stamp of approval so to speak. I agree with him = on that point. Len Rabinowitz Ashland High School Ashland, MA ----- Original Message -----=20 From: Pete Haro=20 To: RECONSTRUCTIONFORUM@ASHP.LISTSERV.CUNY.EDU=20 Sent: Friday, October 19, 2001 1:48 AM Subject: Re: Reconsruction Images Dear Arica: That was certainly one of the most eloquent and well = thought out responses that I have read to date in this forum. Thank you = for having a dialog with myself and the other forum members about this = issue. However, I need to present you with a question that needs = clarification.=20 You point out that Blacks today are still the object of stereotypes = that ultimately degrade and dehumanize. How would you address this issue = with your students? Certainly few people disagree that "Sambo" or "happy = slaves" were gross distortions. But what about the image of the young = Blacks in rap and hip-hop culture? I have found that fewer and fewer = students seem to take umbrage with their portrayals in pop. culture. How = would you present the issue to your students, especially when many don't = seem to find the images necessarily offensive? As always, I'm very = interested in what you think.=20 Sincerely,=20 Pete Haro Southwestern College.=20 ---------- From: Arica Coleman To: RECONSTRUCTIONFORUM@ASHP.LISTSERV.CUNY.EDU Subject: Re: Reconsruction Images Date: Wed, Oct 17, 2001, 5:50 PM Dear Colleagues:=20 Please allow me to respond to Pete's question concerning the = perpetuation of stereotypes via hiphop culture. With all due respect, I = hardly find high school students, regardless of their ethnicity, an = accurate resource in obtaining information concerning the complex issues = of stereotyping as they lack both the historical and intellectual frame = work to provide any realistic assessment. =20 First of all, the stereotypes perpetuated in contemporary music = videos are no different from the stereotypes perpetuated through the = blaxploitation big screen movies which dominated the 1970s. Initially, = the Black Power Movement sparked a desire amongst African Americans to = create their own media outlet that would celebrate the beauty of African = American culture. A few films were produced by black owned studios; = however, Blacks lacked the capitol to reach a widespread audience on a = continuous basis. White movie executives, seeking to capitalize on the = moment, began to fund these movies and since they were putting up the = money, they controlled the images projected. The violent, drug dealing, = sex crazed black male pimp, and the oversexed blacked woman as his whore = and partner in crime dominated these movies. =20 Robert Townsend's movie "The Hollywood Shuffle," a satire of = the blaxploitation movies, captures the complexity of Blacks operating = under oppressive economic conditions in Hollywood. Townsend plays a = postal worker trying to make it to the big screen. Finally, he gets his = big break, but becomes disillusioned by the white directors and = producers who only want him to play a gangster. The most pathetic part = of the movie is when the white director is trying to coach Townsend to = "act black." Whatever that is! =20 Anyway, once the Black Power Movement frizzled out, Blacks were = declared no longer in vogue; the movie executives packed their bags = filled with millions of dollars of profits, most obtained from the Black = community, and went home. Thus the name blaxploitation.=20 Now history is being repeated once again, but this time through = the hip hop. industry which has endured a much longer life span than the = blaxploitation movie era. Initially, Rap which actually grew out of the = disco dance era, was a fun filled music which sought to combine the = musical styles of soul and funk with the playful poetic language of = spoken word. As Toni Morrison once declared, "The most intriguing thing = about African American people is how they do language." This new music = adventure also began as a grassroots effort started by struggling = African Americans with a burning desire to create a new sound. Rap and = thus hiphop culture was not created in a studio, but rather in the = streets. But once again African Americans were seduced into taking this = music to the suites in the music industry and once the music industry = got a hold of it, the music changed. Gone were the cool, groovy lyrics = of Curtis Blow saying, "Wave your hands in the air...wave'em like you = just don't care...Hey ladies..all the ladies in the house say Ah." The = lyrics became infested with the voice of the angry black male "fed up = with the man." The Sugar Hill Gang, who were known for there playful = dance lyrics, was replaced by the group "Niggahs Wid a Attitude." = Gangsta rap became popularized with videos of Black street violence, = misogyny, and promiscuity. These are not new images and neither were = they created by black people. As I said in an earlier response to one = of Dr. Foner's questions, the image of the "bad nigger," was created = during the time of reconstruction and continues to be perpetuated to = this day. Now, to answer your question. =20 You asked what role do African Americans play in the = perpetuation of these stereotypes? According to W.T. Lhumn, "All peoples = produce racial stereotypes about themselves and others. That is, people = simplify the intellectual images they maintain of specific ethnic = groups, including their own, often in cruel or damaging ways. Poor white = Southerners ("Crackers") are said to be slow, red-necked, and fat. = Immigrant Italians ("Wops") are said to be short, oily, and = hot-tempered. Upper-class whites ("WASPs") are said to be greedy, = emotionally cold, and haughty. Negroes ("Niggers") are said to be = stupid, promiscuous, and happy. These generalizations are not accurate, = but they are spread widely - not only by word of mouth but also through = images in television, movies, newspapers, music [vidoes], comic books, = talk shows, pseudoscientific research, and even textbooks. These media = make stereotypes, whose dissemination was once confined to oral = transmission from one person to another, seem more like factual = knowledge than personal opinion.=20 Perhaps the most chilling aspect of racial stereotyping is that = members of groups being characterized sometimes come to believe the = generalizations' damaging simplifications. Members of target groups may = even try to fulfill the stereotypes. The media regularly depicts people = of African descent as drug dealers and teen mothers, and so it is not = surprising when young black artists also adopt the roles of thugs and = "bitches 'n 'ho's." Even stereotypes that include positive human = attributes can warp people. For instance, if the dominant culture = emphasizes that men of African descent are excellent athletes or = entertainers, the glamour associated with these professions may = influence the youth of that group. They may try to fulfill a simplified = stereotype of their potential rather than develop other traits. That is = the force of stereotypes."=20 Thus, most African American males believe that the only way for = them to escape poverty in "the hood" is to either play basketball or = become a rap star. Concerning hip hop, I don't think I need to go into = a long discourse concerning the exploitation of the music industry, but = suffice to say that once anyone, no matter his/her ethnic background, = signs on the dotted line, he/she is owned and has little to no say = concerning artistic or creative expression.=20 So, Pete, I've said all of that to say, you answer lies not in = the black faces that you see on the video screens, but the hidden faces = behind these videos, namely music executives. Because African Americans = do not have control over the capitol, they have no control over the = images portrayed about them through mass media. Unfortunately, many of = these young stars have to make a choice between personal dignity or = being able to help put food on the family table. Our mass media bares = much of the responsibility for perpetuating stereotypes, whether it is = the black male gangsta, the black female whore, the white male aggressor = or the white female victim. I'm done! =20 Respectfully submitted,=20 Arica L. Coleman=20 The Union Institute Graduate College=20 ------=_NextPart_000_0039_01C15A62.8324B3C0 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Re: Reconsruction Images
I guess I'd add one thing to = this:  Just=20 because some of the affected group might buy into the stereotype does = not make=20 it OK with me.  I remember Malcolm X saying something to the effect = that he=20 thought African Americans using the "N" word was worse than whites doing = it=20 because it meant that they were just buying in to the same ideology- = giving it a=20 stamp of approval so to speak.  I agree with him on that=20 point.
 
Len Rabinowitz
Ashland High School
Ashland, MA
 
----- Original Message -----
From:=20 Pete Haro=20
To: RECONSTRUCTION= FORUM@ASHP.LISTSERV.CUNY.EDU=20
Sent: Friday, October 19, 2001 = 1:48=20 AM
Subject: Re: Reconsruction = Images

Dear Arica: That was certainly one of the most eloquent = and=20 well thought out responses that I have read to date in this forum. = Thank you=20 for having a dialog with myself and the other forum members about this = issue.=20 However, I need to present you with a question that needs = clarification.=20

You point out that Blacks today are still the object of = stereotypes=20 that ultimately degrade and dehumanize. How would you address this = issue with=20 your students? Certainly few people disagree that "Sambo" or "happy = slaves"=20 were gross distortions. But what about the image of the young Blacks = in rap=20 and hip-hop culture? I have found that fewer and fewer students seem = to take=20 umbrage with their portrayals in pop. culture. How would you present = the issue=20 to your students, especially when many don't seem to find the images=20 necessarily offensive? As always, I'm very interested in what you = think.=20

Sincerely,


Pete Haro
Southwestern College.=20

----------
From: Arica Coleman = <Makeda4@AOL.COM>
To:=20 RECONSTRUCTIONFORUM@ASHP.LISTSERV.CUNY.EDU
Subject: Re: = Reconsruction=20 Images
Date: Wed, Oct 17, 2001, 5:50 PM


Dear Colleagues:=20
     Please allow me to respond to = Pete's=20 question concerning the perpetuation of stereotypes via hiphop = culture.=20  With all due respect, I hardly find high school students, = regardless=20 of their ethnicity, an accurate resource in obtaining information = concerning=20 the complex issues of stereotyping as they lack both the historical = and=20 intellectual frame work to provide any realistic assessment.=20  
     First of all, the = stereotypes=20 perpetuated in contemporary music videos are no different from the=20 stereotypes perpetuated through the blaxploitation big screen movies = which=20 dominated the 1970s. Initially, the Black Power Movement sparked a = desire=20 amongst African Americans to create their own media outlet that = would=20 celebrate the beauty of African American culture.  A few films = were=20 produced by black owned studios; however, Blacks lacked the capitol = to reach=20 a widespread audience on a continuous basis.  White movie = executives,=20 seeking to capitalize on the moment, began to fund these movies and = since=20 they were putting up the money, they controlled the images = projected.=20  The violent, drug dealing, sex crazed black male pimp, and the = oversexed blacked woman as his whore and partner in crime dominated = these=20 movies.  
     Robert Townsend's = movie "The=20 Hollywood Shuffle," a satire of the blaxploitation movies, captures = the=20 complexity of Blacks operating under oppressive economic conditions = in=20 Hollywood.  Townsend plays a postal worker trying to make it to = the big=20 screen.  Finally, he gets his big break, but becomes = disillusioned by=20 the white directors and producers who only want him to play a = gangster.=20  The most pathetic part of the movie is when the white director = is=20 trying to coach Townsend to "act black."  Whatever that is!=20  
     Anyway, once the Black Power = Movement frizzled out, Blacks were declared no longer in vogue; the = movie=20 executives packed their bags filled with millions of dollars of = profits,=20 most obtained from the Black community, and went home. Thus the name = blaxploitation.
     Now history is = being=20 repeated once again, but this time through the hip hop. industry = which has=20 endured a much longer life span than the blaxploitation movie era.=20  Initially, Rap which actually grew out of the disco dance era, = was a=20 fun filled music which sought to combine the musical styles of soul = and funk=20 with the playful poetic language of spoken word.  As Toni = Morrison once=20 declared, "The most intriguing thing about African American people = is how=20 they do language."  This new music adventure also began as a = grassroots=20 effort started by struggling African Americans with a burning desire = to=20 create a new sound.  Rap and thus hiphop culture was not = created in a=20 studio, but rather in the streets. But once again African Americans = were=20 seduced into taking this music to the suites in the music industry = and once=20 the music industry got a hold of it, the music changed. Gone were = the cool,=20 groovy lyrics of Curtis Blow saying, "Wave your hands in the = air...wave'em=20 like you just don't care...Hey ladies..all the ladies in the house = say Ah."=20  The lyrics became infested with the voice of the angry black = male "fed=20 up with the man."  The Sugar Hill Gang, who were known for = there=20 playful dance lyrics, was replaced by the group "Niggahs Wid a = Attitude."=20 Gangsta rap became popularized with videos of Black street violence, = misogyny, and promiscuity.  These are not new images and = neither were=20 they created by black people.  As I said in an earlier response = to one=20 of Dr. Foner's questions, the image of the "bad nigger," was created = during=20 the time of reconstruction and continues to be perpetuated to this = day.=20  Now, to answer your question.=20      
     You = asked=20 what role do African Americans play in the perpetuation of these=20 stereotypes? According to W.T. Lhumn, "All peoples produce racial=20 stereotypes about themselves and others. That is, people simplify = the=20 intellectual images they maintain of specific ethnic groups, = including their=20 own, often in cruel or damaging ways. Poor white Southerners = ("Crackers")=20 are said to be slow, red-necked, and fat. Immigrant Italians = ("Wops") are=20 said to be short, oily, and hot-tempered. Upper-class whites = ("WASPs") are=20 said to be greedy, emotionally cold, and haughty. Negroes = ("Niggers") are=20 said to be stupid, promiscuous, and happy. These generalizations are = not=20 accurate, but they are spread widely - not only by word of mouth but = also=20 through images in television, movies, newspapers, music [vidoes], = comic=20 books, talk shows, pseudoscientific research, and even textbooks. = These=20 media make stereotypes, whose dissemination was once confined to = oral=20 transmission from one person to another, seem more like factual = knowledge=20 than personal opinion.

Perhaps the most chilling aspect of = racial=20 stereotyping is that members of groups being characterized sometimes = come to=20 believe the generalizations' damaging simplifications. Members of = target=20 groups may even try to fulfill the stereotypes. The media regularly = depicts=20 people of African descent as drug dealers and teen mothers, and so = it is not=20 surprising when young black artists also adopt the roles of thugs = and=20 "bitches 'n 'ho's." Even stereotypes that include positive human = attributes=20 can warp people. For instance, if the dominant culture emphasizes = that men=20 of African descent are excellent athletes or entertainers, the = glamour=20 associated with these professions may influence the youth of that = group.=20 They may try to fulfill a simplified stereotype of their potential = rather=20 than develop other traits. That is the force of stereotypes."=20
     Thus, most African American males = believe=20 that the only way for them to escape poverty in "the hood" is to = either play=20 basketball or become a rap star.  Concerning hip hop, I don't = think I=20 need to go into a long discourse concerning the exploitation of the = music=20 industry, but suffice to say that once anyone, no matter his/her = ethnic=20 background, signs on the dotted line, he/she is owned and has little = to no=20 say concerning artistic or creative expression.=20
      So, Pete, I've said all of = that to=20 say, you answer lies not in the black faces that you see on the = video=20 screens, but the hidden faces behind these videos, namely music = executives.=20  Because African Americans do not have control over the = capitol, they=20 have no control over the images portrayed about them through mass = media.=20  Unfortunately, many of these young stars have to make a choice = between=20 personal dignity or being able to help put food on the family table. =  Our mass media bares much of the responsibility for = perpetuating=20 stereotypes, whether it is the black male gangsta, the black female = whore,=20 the white male aggressor or the white female victim.  I'm done! =    
Respectfully submitted,
Arica L. Coleman =
The=20 Union Institute Graduate College





------=_NextPart_000_0039_01C15A62.8324B3C0-- This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Sun, 21 Oct 2001 18:00:59 -0700 Reply-To: Reconstruction Forum Sender: Reconstruction Forum From: "A. Carl Duncan" Subject: Manifest and latent effects of Reconsruction MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit Bad boys being more fun is not new. James Dean and Marlon Brando as motorcycle "gangstas" and Elvis Presley as a "bad boy" attracted a lot of attention from Anglo females and males. Jesse James and Bonnie and Clyde were folk heroes for many. However the success of the sambo, violent, or lustful African American stereotype portrayed during Reconstruction and Post-Reconstruction may have had different effects depending on the level of physical threat. In many segregated communities in the North African Americans developed a resilient, vibrant, and relatively viable cultural and economic environment. While in the South many attempts at self sufficiency on the part of African Americans were discouraged by propaganda, ax handles, torches, shot guns, and nooses. What role does Reconstruction play in explaining the differential development of African American and Anglo communities during the Jim Crow era, in the North and the South? How does the interplay of social, political, and economic factors of these two eras affect the different tactics of the Civil Rights movement and the Black Power movement? Was the economics of crack cocaine and the national social network of violent drug gangs in the 1980's and 1990's the unifying force in the experience of African Americans in the North, South, and West? Which has been most affective, the sambo propaganda, or DuBois' call for a talented tenth? Carl Duncan This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Sun, 21 Oct 2001 18:23:03 -0700 Reply-To: Reconstruction Forum Sender: Reconstruction Forum From: "A. Carl Duncan" Subject: Response to Arica Coleman MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="------------E76D1F9A6755280D6139A468" --------------E76D1F9A6755280D6139A468 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit Be careful. Those high school students that you dismiss as lacking, "both the historical and intellectual frame work to provide any realistic assessment," of stereotypes nevertheless do make those assessments and act upon what they think is true. If you don't respect where they are coming from, they won't give you the chance to influence where they are going. Sean "Puff Daddy" Combs, Dr. Dre, and now Snoop Dog, are all presented as the heads of their own record labels. Aren't they the hidden faces behind the music? Is the Reconstruction show now owned, in part, by the minstrels? Arica Coleman wrote: > Dear Colleagues: > Please allow me to respond to Pete's question concerning the > perpetuation of stereotypes via hiphop culture. With all due respect, > I hardly find high school students, regardless of their ethnicity, an > accurate resource in obtaining information concerning the complex > issues of stereotyping as they lack both the historical and > intellectual frame work to provide any realistic assessment. > First of all, the stereotypes perpetuated in contemporary music > videos are no different from the stereotypes perpetuated through the > blaxploitation big screen movies which dominated the 1970s. Initially, > the Black Power Movement sparked a desire amongst African Americans to > create their own media outlet that would celebrate the beauty of > African American culture. A few films were produced by black owned > studios; however, Blacks lacked the capitol to reach a widespread > audience on a continuous basis. White movie executives, seeking to > capitalize on the moment, began to fund these movies and since they > were putting up the money, they controlled the images projected. The > violent, drug dealing, sex crazed black male pimp, and the oversexed > blacked woman as his whore and partner in crime dominated these > movies. > Robert Townsend's movie "The Hollywood Shuffle," a satire of the > blaxploitation movies, captures the complexity of Blacks operating > under oppressive economic conditions in Hollywood. Townsend plays a > postal worker trying to make it to the big screen. Finally, he gets > his big break, but becomes disillusioned by the white directors and > producers who only want him to play a gangster. The most pathetic > part of the movie is when the white director is trying to coach > Townsend to "act black." Whatever that is! > Anyway, once the Black Power Movement frizzled out, Blacks were > declared no longer in vogue; the movie executives packed their bags > filled with millions of dollars of profits, most obtained from the > Black community, and went home. Thus the name blaxploitation. > Now history is being repeated once again, but this time through > the hip hop. industry which has endured a much longer life span than > the blaxploitation movie era. Initially, Rap which actually grew out > of the disco dance era, was a fun filled music which sought to combine > the musical styles of soul and funk with the playful poetic language > of spoken word. As Toni Morrison once declared, "The most intriguing > thing about African American people is how they do language." This > new music adventure also began as a grassroots effort started by > struggling African Americans with a burning desire to create a new > sound. Rap and thus hiphop culture was not created in a studio, but > rather in the streets. But once again African Americans were seduced > into taking this music to the suites in the music industry and once > the music industry got a hold of it, the music changed. Gone were the > cool, groovy lyrics of Curtis Blow saying, "Wave your hands in the > air...wave'em like you just don't care...Hey ladies..all the ladies in > the house say Ah." The lyrics became infested with the voice of the > angry black male "fed up with the man." The Sugar Hill Gang, who were > known for there playful dance lyrics, was replaced by the group > "Niggahs Wid a Attitude." Gangsta rap became popularized with videos > of Black street violence, misogyny, and promiscuity. These are not > new images and neither were they created by black people. As I said > in an earlier response to one of Dr. Foner's questions, the image of > the "bad nigger," was created during the time of reconstruction and > continues to be perpetuated to this day. Now, to answer your > question. > You asked what role do African Americans play in the perpetuation > of these stereotypes? According to W.T. Lhumn, "All peoples produce > racial stereotypes about themselves and others. That is, people > simplify the intellectual images they maintain of specific ethnic > groups, including their own, often in cruel or damaging ways. Poor > white Southerners ("Crackers") are said to be slow, red-necked, and > fat. Immigrant Italians ("Wops") are said to be short, oily, and > hot-tempered. Upper-class whites ("WASPs") are said to be greedy, > emotionally cold, and haughty. Negroes ("Niggers") are said to be > stupid, promiscuous, and happy. These generalizations are not > accurate, but they are spread widely - not only by word of mouth but > also through images in television, movies, newspapers, music [vidoes], > comic books, talk shows, pseudoscientific research, and even > textbooks. These media make stereotypes, whose dissemination was once > confined to oral transmission from one person to another, seem more > like factual knowledge than personal opinion. > > Perhaps the most chilling aspect of racial stereotyping is that > members of groups being characterized sometimes come to believe the > generalizations' damaging simplifications. Members of target groups > may even try to fulfill the stereotypes. The media regularly depicts > people of African descent as drug dealers and teen mothers, and so it > is not surprising when young black artists also adopt the roles of > thugs and "bitches 'n 'ho's." Even stereotypes that include positive > human attributes can warp people. For instance, if the dominant > culture emphasizes that men of African descent are excellent athletes > or entertainers, the glamour associated with these professions may > influence the youth of that group. They may try to fulfill a > simplified stereotype of their potential rather than develop other > traits. That is the force of stereotypes." > Thus, most African American males believe that the only way for > them to escape poverty in "the hood" is to either play basketball or > become a rap star. Concerning hip hop, I don't think I need to go > into a long discourse concerning the exploitation of the music > industry, but suffice to say that once anyone, no matter his/her > ethnic background, signs on the dotted line, he/she is owned and has > little to no say concerning artistic or creative expression. > So, Pete, I've said all of that to say, you answer lies not in > the black faces that you see on the video screens, but the hidden > faces behind these videos, namely music executives. Because African > Americans do not have control over the capitol, they have no control > over the images portrayed about them through mass media. > Unfortunately, many of these young stars have to make a choice between > personal dignity or being able to help put food on the family table. > Our mass media bares much of the responsibility for perpetuating > stereotypes, whether it is the black male gangsta, the black female > whore, the white male aggressor or the white female victim. I'm done! > > Respectfully submitted, > Arica L. Coleman > The Union Institute Graduate College > > > > --------------E76D1F9A6755280D6139A468 Content-Type: text/html; charset=us-ascii Content-Transfer-Encoding: 7bit Be careful. Those high school students that you dismiss as lacking, "both the historical and intellectual frame work to provide any realistic assessment," of stereotypes nevertheless do make those assessments and act upon what they think is true. If you don't respect where they are coming from, they won't give you the chance to influence where they are going.

Sean "Puff Daddy" Combs, Dr. Dre, and now Snoop Dog, are all presented as the heads of their own record labels. Aren't they the hidden faces behind the music? Is the Reconstruction show now owned, in part, by the minstrels?

Arica Coleman wrote:

Dear Colleagues:
    Please allow me to respond to Pete's question concerning the perpetuation of stereotypes via hiphop culture.  With all due respect, I hardly find high school students, regardless of their ethnicity, an accurate resource in obtaining information concerning the complex issues of stereotyping as they lack both the historical and intellectual frame work to provide any realistic assessment.
    First of all, the stereotypes perpetuated in contemporary music videos are no different from the stereotypes perpetuated through the blaxploitation big screen movies which dominated the 1970s. Initially, the Black Power Movement sparked a desire amongst African Americans to create their own media outlet that would celebrate the beauty of African American culture.  A few films were produced by black owned studios; however, Blacks lacked the capitol to reach a widespread audience on a continuous basis.  White movie executives, seeking to capitalize on the moment, began to fund these movies and since they were putting up the money, they controlled the images projected.  The violent, drug dealing, sex crazed black male pimp, and the oversexed blacked woman as his whore and partner in crime dominated these movies.
    Robert Townsend's movie "The Hollywood Shuffle," a satire of the blaxploitation movies, captures the complexity of Blacks operating under oppressive economic conditions in Hollywood.  Townsend plays a postal worker trying to make it to the big screen.  Finally, he gets his big break, but becomes disillusioned by the white directors and producers who only want him to play a gangster.  The most pathetic part of the movie is when the white director is trying to coach Townsend to "act black."  Whatever that is!
    Anyway, once the Black Power Movement frizzled out, Blacks were declared no longer in vogue; the movie executives packed their bags filled with millions of dollars of profits, most obtained from the Black community, and went home. Thus the name blaxploitation.
    Now history is being repeated once again, but this time through the hip hop. industry which has endured a much longer life span than the blaxploitation movie era.  Initially, Rap which actually grew out of the disco dance era, was a fun filled music which sought to combine the musical styles of soul and funk with the playful poetic language of spoken word.  As Toni Morrison once declared, "The most intriguing thing about African American people is how they do language."  This new music adventure also began as a grassroots effort started by struggling African Americans with a burning desire to create a new sound.  Rap and thus hiphop culture was not created in a studio, but rather in the streets. But once again African Americans were seduced into taking this music to the suites in the music industry and once the music industry got a hold of it, the music changed. Gone were the cool, groovy lyrics of Curtis Blow saying, "Wave your hands in the air...wave'em like you just don't care...Hey ladies..all the ladies in the house say Ah."  The lyrics became infested with the voice of the angry black male "fed up with the man."  The Sugar Hill Gang, who were known for there playful dance lyrics, was replaced by the group "Niggahs Wid a Attitude." Gangsta rap became popularized with videos of Black street violence, misogyny, and promiscuity.  These are not new images and neither were they created by black people.  As I said in an earlier response to one of Dr. Foner's questions, the image of the "bad nigger," was created during the time of reconstruction and continues to be perpetuated to this day.  Now, to answer your question.
    You asked what role do African Americans play in the perpetuation of these stereotypes? According to W.T. Lhumn, "All peoples produce racial stereotypes about themselves and others. That is, people simplify the intellectual images they maintain of specific ethnic groups, including their own, often in cruel or damaging ways. Poor white Southerners ("Crackers") are said to be slow, red-necked, and fat. Immigrant Italians ("Wops") are said to be short, oily, and hot-tempered. Upper-class whites ("WASPs") are said to be greedy, emotionally cold, and haughty. Negroes ("Niggers") are said to be stupid, promiscuous, and happy. These generalizations are not accurate, but they are spread widely - not only by word of mouth but also through images in television, movies, newspapers, music [vidoes], comic books, talk shows, pseudoscientific research, and even textbooks. These media make stereotypes, whose dissemination was once confined to oral transmission from one person to another, seem more like factual knowledge than personal opinion.

Perhaps the most chilling aspect of racial stereotyping is that members of groups being characterized sometimes come to believe the generalizations' damaging simplifications. Members of target groups may even try to fulfill the stereotypes. The media regularly depicts people of African descent as drug dealers and teen mothers, and so it is not surprising when young black artists also adopt the roles of thugs and "bitches 'n 'ho's." Even stereotypes that include positive human attributes can warp people. For instance, if the dominant culture emphasizes that men of African descent are excellent athletes or entertainers, the glamour associated with these professions may influence the youth of that group. They may try to fulfill a simplified stereotype of their potential rather than develop other traits. That is the force of stereotypes."
    Thus, most African American males believe that the only way for them to escape poverty in "the hood" is to either play basketball or become a rap star.  Concerning hip hop, I don't think I need to go into a long discourse concerning the exploitation of the music industry, but suffice to say that once anyone, no matter his/her ethnic background, signs on the dotted line, he/she is owned and has little to no say concerning artistic or creative expression.
     So, Pete, I've said all of that to say, you answer lies not in the black faces that you see on the video screens, but the hidden faces behind these videos, namely music executives.  Because African Americans do not have control over the capitol, they have no control over the images portrayed about them through mass media.  Unfortunately, many of these young stars have to make a choice between personal dignity or being able to help put food on the family table.  Our mass media bares much of the responsibility for perpetuating stereotypes, whether it is the black male gangsta, the black female whore, the white male aggressor or the white female victim.  I'm done!
Respectfully submitted,
Arica L. Coleman
The Union Institute Graduate College
 
 
 
 

--------------E76D1F9A6755280D6139A468-- This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Sun, 21 Oct 2001 19:06:42 -0700 Reply-To: Reconstruction Forum Sender: Reconstruction Forum From: "A. Carl Duncan" Subject: Hip hop lesson plan idea MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="------------7908A00E8D978E33B467982D" --------------7908A00E8D978E33B467982D Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit Peter: I present it to my students straight ahead. Familiarize yourself with an artist or lyrics. Present it to your students and ask them if they think it is positive or negative. Does if reflect positively or negatively on them? They always say it is negative. I ask them to explain why, then, do they spend their money and time supporting this and feeding on negativity. I have concluded that it is because of a general malaise and apathy. They don't have any African American alternatives, they say. Last spring I purchased KRS One's new cd. It is a scathing critique of the direction and message of the hip hop of which he is one the originators. In class, I played that and some of the positive rap, which gets almost no mainstream air play, and relatively small sales. The students liked "the bumpin'." Some even got up and danced ("crip walking"). When I had them break down the lyrics and write a comparison to Nelly, Li'l Bow Wow, Jay-Z, or Li'l Kim, they surprised themselves. I want to do this with minstrel songs and songs like those of Paul Robeson, Curtis Mayfield, and Gil Scott-Heron. Where can I find some minstrel songs on cd or tape? Carl Duncan Pete Hare wrote: > Dear Arica: That was certainly one of the most eloquent and well > thought out responses that I have read to date in this forum. Thank > you for having a dialog with myself and the other forum members about > this issue. However, I need to present you with a question that needs > clarification. > > You point out that Blacks today are still the object of stereotypes > that ultimately degrade and dehumanize. How would you address this > issue with your students? Certainly few people disagree that "Sambo" > or "happy slaves" were gross distortions. But what about the image of > the young Blacks in rap and hip-hop culture? I have found that fewer > and fewer students seem to take umbrage with their portrayals in pop. > culture. How would you present the issue to your students, especially > when many don't seem to find the images necessarily offensive? As > always, I'm very interested in what you think. > > Sincerely, > > > Pete Haro > Southwestern College. > > ---------- > From: Arica Coleman > To: RECONSTRUCTIONFORUM@ASHP.LISTSERV.CUNY.EDU > Subject: Re: Reconsruction Images > Date: Wed, Oct 17, 2001, 5:50 PM > > > > Dear Colleagues: > Please allow me to respond to Pete's question > concerning the perpetuation of stereotypes via hiphop > culture. With all due respect, I hardly find high school > students, regardless of their ethnicity, an accurate > resource in obtaining information concerning the complex > issues of stereotyping as they lack both the historical and > intellectual frame work to provide any realistic assessment. > > First of all, the stereotypes perpetuated in > contemporary music videos are no different from the > stereotypes perpetuated through the blaxploitation big > screen movies which dominated the 1970s. Initially, the > Black Power Movement sparked a desire amongst African > Americans to create their own media outlet that would > celebrate the beauty of African American culture. A few > films were produced by black owned studios; however, Blacks > lacked the capitol to reach a widespread audience on a > continuous basis. White movie executives, seeking to > capitalize on the moment, began to fund these movies and > since they were putting up the money, they controlled the > images projected. The violent, drug dealing, sex crazed > black male pimp, and the oversexed blacked woman as his > whore and partner in crime dominated these movies. > Robert Townsend's movie "The Hollywood Shuffle," a > satire of the blaxploitation movies, captures the complexity > of Blacks operating under oppressive economic conditions in > Hollywood. Townsend plays a postal worker trying to make it > to the big screen. Finally, he gets his big break, but > becomes disillusioned by the white directors and producers > who only want him to play a gangster. The most pathetic > part of the movie is when the white director is trying to > coach Townsend to "act black." Whatever that is! > Anyway, once the Black Power Movement frizzled out, > Blacks were declared no longer in vogue; the movie > executives packed their bags filled with millions of dollars > of profits, most obtained from the Black community, and went > home. Thus the name blaxploitation. > Now history is being repeated once again, but this time > through the hip hop. industry which has endured a much > longer life span than the blaxploitation movie era. > Initially, Rap which actually grew out of the disco dance > era, was a fun filled music which sought to combine the > musical styles of soul and funk with the playful poetic > language of spoken word. As Toni Morrison once declared, > "The most intriguing thing about African American people is > how they do language." This new music adventure also began > as a grassroots effort started by struggling African > Americans with a burning desire to create a new sound. Rap > and thus hiphop culture was not created in a studio, but > rather in the streets. But once again African Americans were > seduced into taking this music to the suites in the music > industry and once the music industry got a hold of it, the > music changed. Gone were the cool, groovy lyrics of Curtis > Blow saying, "Wave your hands in the air...wave'em like you > just don't care...Hey ladies..all the ladies in the house > say Ah." The lyrics became infested with the voice of the > angry black male "fed up with the man." The Sugar Hill > Gang, who were known for there playful dance lyrics, was > replaced by the group "Niggahs Wid a Attitude." Gangsta rap > became popularized with videos of Black street violence, > misogyny, and promiscuity. These are not new images and > neither were they created by black people. As I said in an > earlier response to one of Dr. Foner's questions, the image > of the "bad nigger," was created during the time of > reconstruction and continues to be perpetuated to this day. > Now, to answer your question. > You asked what role do African Americans play in the > perpetuation of these stereotypes? According to W.T. Lhumn, > "All peoples produce racial stereotypes about themselves and > others. That is, people simplify the intellectual images > they maintain of specific ethnic groups, including their > own, often in cruel or damaging ways. Poor white Southerners > ("Crackers") are said to be slow, red-necked, and fat. > Immigrant Italians ("Wops") are said to be short, oily, and > hot-tempered. Upper-class whites ("WASPs") are said to be > greedy, emotionally cold, and haughty. Negroes ("Niggers") > are said to be stupid, promiscuous, and happy. These > generalizations are not accurate, but they are spread widely > - not only by word of mouth but also through images in > television, movies, newspapers, music [vidoes], comic books, > talk shows, pseudoscientific research, and even textbooks. > These media make stereotypes, whose dissemination was once > confined to oral transmission from one person to another, > seem more like factual knowledge than personal opinion. > > Perhaps the most chilling aspect of racial stereotyping is > that members of groups being characterized sometimes come to > believe the generalizations' damaging simplifications. > Members of target groups may even try to fulfill the > stereotypes. The media regularly depicts people of African > descent as drug dealers and teen mothers, and so it is not > surprising when young black artists also adopt the roles of > thugs and "bitches 'n 'ho's." Even stereotypes that include > positive human attributes can warp people. For instance, if > the dominant culture emphasizes that men of African descent > are excellent athletes or entertainers, the glamour > associated with these professions may influence the youth of > that group. They may try to fulfill a simplified stereotype > of their potential rather than develop other traits. That is > the force of stereotypes." > Thus, most African American males believe that the only > way for them to escape poverty in "the hood" is to either > play basketball or become a rap star. Concerning hip hop, I > don't think I need to go into a long discourse concerning > the exploitation of the music industry, but suffice to say > that once anyone, no matter his/her ethnic background, signs > on the dotted line, he/she is owned and has little to no say > concerning artistic or creative expression. > So, Pete, I've said all of that to say, you answer > lies not in the black faces that you see on the video > screens, but the hidden faces behind these videos, namely > music executives. Because African Americans do not have > control over the capitol, they have no control over the > images portrayed about them through mass media. > Unfortunately, many of these young stars have to make a > choice between personal dignity or being able to help put > food on the family table. Our mass media bares much of the > responsibility for perpetuating stereotypes, whether it is > the black male gangsta, the black female whore, the white > male aggressor or the white female victim. I'm done! > Respectfully submitted, > Arica L. Coleman > The Union Institute Graduate College > > > > > > --------------7908A00E8D978E33B467982D Content-Type: text/html; charset=us-ascii Content-Transfer-Encoding: 7bit Peter:

I present it to my students straight ahead. Familiarize yourself with an artist or lyrics. Present it to your students and ask them if they think it is positive or negative. Does if reflect positively or negatively on them? They always say it is negative. I ask them to explain why, then, do they spend their money and time supporting this and feeding on negativity. I have concluded that it is because of a general malaise and apathy. They don't have any African American alternatives, they say.

Last spring I purchased KRS One's new cd. It is a scathing critique of the direction and message of the hip hop of which he is one the originators. In class, I played that and some of the positive rap, which gets almost no mainstream air play, and relatively small sales. The students liked "the bumpin'." Some even got up and danced ("crip walking"). When I had them break down the lyrics and write a comparison to Nelly, Li'l Bow Wow, Jay-Z, or Li'l Kim, they surprised themselves. I want to do this with minstrel songs and songs like those of Paul Robeson, Curtis Mayfield, and Gil Scott-Heron.

Where can I find some minstrel songs on cd or tape? 

Carl Duncan

Pete Hare wrote:

Dear Arica: That was certainly one of the most eloquent and well thought out responses that I have read to date in this forum. Thank you for having a dialog with myself and the other forum members about this issue. However, I need to present you with a question that needs clarification.

You point out that Blacks today are still the object of stereotypes that ultimately degrade and dehumanize. How would you address this issue with your students? Certainly few people disagree that "Sambo" or "happy slaves" were gross distortions. But what about the image of the young Blacks in rap and hip-hop culture? I have found that fewer and fewer students seem to take umbrage with their portrayals in pop. culture. How would you present the issue to your students, especially when many don't seem to find the images necessarily offensive? As always, I'm very interested in what you think.

Sincerely,
 

Pete Haro
Southwestern College.

----------
From: Arica Coleman <Makeda4@AOL.COM>
To: RECONSTRUCTIONFORUM@ASHP.LISTSERV.CUNY.EDU
Subject: Re: Reconsruction Images
Date: Wed, Oct 17, 2001, 5:50 PM
 
 

Dear Colleagues:
     Please allow me to respond to Pete's question concerning the perpetuation of stereotypes via hiphop culture.  With all due respect, I hardly find high school students, regardless of their ethnicity, an accurate resource in obtaining information concerning the complex issues of stereotyping as they lack both the historical and intellectual frame work to provide any realistic assessment.
     First of all, the stereotypes perpetuated in contemporary music videos are no different from the stereotypes perpetuated through the blaxploitation big screen movies which dominated the 1970s. Initially, the Black Power Movement sparked a desire amongst African Americans to create their own media outlet that would celebrate the beauty of African American culture.  A few films were produced by black owned studios; however, Blacks lacked the capitol to reach a widespread audience on a continuous basis.  White movie executives, seeking to capitalize on the moment, began to fund these movies and since they were putting up the money, they controlled the images projected.  The violent, drug dealing, sex crazed black male pimp, and the oversexed blacked woman as his whore and partner in crime dominated these movies.
     Robert Townsend's movie "The Hollywood Shuffle," a satire of the blaxploitation movies, captures the complexity of Blacks operating under oppressive economic conditions in Hollywood.  Townsend plays a postal worker trying to make it to the big screen.  Finally, he gets his big break, but becomes disillusioned by the white directors and producers who only want him to play a gangster.  The most pathetic part of the movie is when the white director is trying to coach Townsend to "act black."  Whatever that is!
     Anyway, once the Black Power Movement frizzled out, Blacks were declared no longer in vogue; the movie executives packed their bags filled with millions of dollars of profits, most obtained from the Black community, and went home. Thus the name blaxploitation.
     Now history is being repeated once again, but this time through the hip hop. industry which has endured a much longer life span than the blaxploitation movie era.  Initially, Rap which actually grew out of the disco dance era, was a fun filled music which sought to combine the musical styles of soul and funk with the playful poetic language of spoken word.  As Toni Morrison once declared, "The most intriguing thing about African American people is how they do language."  This new music adventure also began as a grassroots effort started by struggling African Americans with a burning desire to create a new sound.  Rap and thus hiphop culture was not created in a studio, but rather in the streets. But once again African Americans were seduced into taking this music to the suites in the music industry and once the music industry got a hold of it, the music changed. Gone were the cool, groovy lyrics of Curtis Blow saying, "Wave your hands in the air...wave'em like you just don't care...Hey ladies..all the ladies in the house say Ah."  The lyrics became infested with the voice of the angry black male "fed up with the man."  The Sugar Hill Gang, who were known for there playful dance lyrics, was replaced by the group "Niggahs Wid a Attitude." Gangsta rap became popularized with videos of Black street violence, misogyny, and promiscuity.  These are not new images and neither were they created by black people.  As I said in an earlier response to one of Dr. Foner's questions, the image of the "bad nigger," was created during the time of reconstruction and continues to be perpetuated to this day.  Now, to answer your question.
     You asked what role do African Americans play in the perpetuation of these stereotypes? According to W.T. Lhumn, "All peoples produce racial stereotypes about themselves and others. That is, people simplify the intellectual images they maintain of specific ethnic groups, including their own, often in cruel or damaging ways. Poor white Southerners ("Crackers") are said to be slow, red-necked, and fat. Immigrant Italians ("Wops") are said to be short, oily, and hot-tempered. Upper-class whites ("WASPs") are said to be greedy, emotionally cold, and haughty. Negroes ("Niggers") are said to be stupid, promiscuous, and happy. These generalizations are not accurate, but they are spread widely - not only by word of mouth but also through images in television, movies, newspapers, music [vidoes], comic books, talk shows, pseudoscientific research, and even textbooks. These media make stereotypes, whose dissemination was once confined to oral transmission from one person to another, seem more like factual knowledge than personal opinion.

Perhaps the most chilling aspect of racial stereotyping is that members of groups being characterized sometimes come to believe the generalizations' damaging simplifications. Members of target groups may even try to fulfill the stereotypes. The media regularly depicts people of African descent as drug dealers and teen mothers, and so it is not surprising when young black artists also adopt the roles of thugs and "bitches 'n 'ho's." Even stereotypes that include positive human attributes can warp people. For instance, if the dominant culture emphasizes that men of African descent are excellent athletes or entertainers, the glamour associated with these professions may influence the youth of that group. They may try to fulfill a simplified stereotype of their potential rather than develop other traits. That is the force of stereotypes."
     Thus, most African American males believe that the only way for them to escape poverty in "the hood" is to either play basketball or become a rap star.  Concerning hip hop, I don't think I need to go into a long discourse concerning the exploitation of the music industry, but suffice to say that once anyone, no matter his/her ethnic background, signs on the dotted line, he/she is owned and has little to no say concerning artistic or creative expression.
      So, Pete, I've said all of that to say, you answer lies not in the black faces that you see on the video screens, but the hidden faces behind these videos, namely music executives.  Because African Americans do not have control over the capitol, they have no control over the images portrayed about them through mass media.  Unfortunately, many of these young stars have to make a choice between personal dignity or being able to help put food on the family table.  Our mass media bares much of the responsibility for perpetuating stereotypes, whether it is the black male gangsta, the black female whore, the white male aggressor or the white female victim.  I'm done!
Respectfully submitted,
Arica L. Coleman
The Union Institute Graduate College
 
 
 
 
 

--------------7908A00E8D978E33B467982D-- This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Sun, 21 Oct 2001 17:35:22 -0700 Reply-To: Reconstruction Forum Sender: Reconstruction Forum From: Pete Haro Subject: Re: Reconstruction Historiography Mime-version: 1.0 Content-type: text/plain; charset="US-ASCII" Content-transfer-encoding: 7bit Dear Joe: Do you know if "Ethnic Notions" is available for classroom use? I would be very interested in obtaining a copy. Sincerely, Pete Haro. ---------- >From: Joe Berry >To: RECONSTRUCTIONFORUM@ASHP.LISTSERV.CUNY.EDU >Subject: Re: Reconstruction Historiography >Date: Sat, Oct 20, 2001, 5:15 PM > > I would also like to remind people, on the subject of imagery, of the > truly mind bending film, "Ethnic Notions", made by Marlon Riggs before > his tragic and premature death from AIDS. It is the best thing I know of > for tracing the imagery forced upon Black people by media of various > sorts from slavery times up to post WWII. Many sections could be used > separately as well. Includes lots of good RECON era material and a great > analysis of minstrelsy. Guaranteed to start discussion in any class, > whatever its racial makeup. > > Also, as a "white" teacher who has largely taught students of color in > my career in secondary, college and adult ed, I have repeatedly been > asked the question (from students of color only) when we discus Recon or > other highly racially charged subjects, "Do you think, Mr. Berry, that > most white people will EVER stop being racist?" or words to that effect. > I am sure that I am not the only anti-racist white teacher ever asked > this question very seriously. Would love to hear how others have > responded to it. > > Still very interested, > > Joe Berry > > Eric Foner wrote: >> >> Dear colleagues, >> >> The discussion lately has come to focus on images of African-Americans in >> the visual media, both 19th and 20th century. I think this is a fruitful >> topic, especially in interesting students bvy comparing modern and 19th >> century representations. Not being too familiar with hip-hoip culture I'm >> not in a position to comment on this, although what I see from time to >> time on MTV seems pretty reprehensible, especially in terms of imagery of >> black women. But it is important, as they say, to always follow the >> money. The fact that a black group is presenting black women in a certain >> way does not mean that this is an authentically "black" image. Who runs >> MTV; who decides what to show, and why? The same kinds of questions can >> be asked for 19th cenhjtury litographs, cartoons, etc. >> >> But I would be wary, as a teacher, of letting imagery replace more >> concrete issues relating to power, politics, economic autonomy, and the >> like in making sense of Reconstruction. >> >> Eric Foner >> >> This forum is sponsored by History Matters--please visit our Web site at > http://historymatters.gmu.edu for more resources for teaching U.S. History. > > -- > Joe Berry > 1453 W. Flournoy, #3F > Chicago, IL 60607 > Phone/fax: 312-733-2172 > Email > > This forum is sponsored by History Matters--please visit our Web site at > http://historymatters.gmu.edu for more resources for teaching U.S. History. This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Mon, 22 Oct 2001 15:18:51 -0700 Reply-To: Reconstruction Forum Sender: Reconstruction Forum From: Pete Haro Subject: Re: Reconsruction Images Mime-version: 1.0 Content-type: multipart/alternative; boundary="MS_Mac_OE_3086608731_83456_MIME_Part" > THIS MESSAGE IS IN MIME FORMAT. Since your mail reader does not understand this format, some or all of this message may not be legible. --MS_Mac_OE_3086608731_83456_MIME_Part Content-type: text/plain; charset="US-ASCII" Content-transfer-encoding: 7bit Dear Len: Thanks for that feedback. You are absolutely right. There are no "definitive" images of the African-American community. As teachers, we have to be careful and recognize this. However, I still think that presenting students with these images will at least get them to start thinking about this issue in a critical light. Thanks. Pete Haro. ---------- From: Len Rabinowitz To: RECONSTRUCTIONFORUM@ASHP.LISTSERV.CUNY.EDU Subject: Re: Reconsruction Images Date: Sun, Oct 21, 2001, 3:56 PM Peter: I think Arica has it right- blacks as a group, like all other groups, are complex and impossible to label with just one or two things. Look to the people who control the media for why whatever is out there is getting out there. Regarding whether it is acceptable or not, I think you'd find a range there also. There were blacks in the 1920's who didn't like jazz for the same reasons some whites didn't. And many African Americans today find gansta rap and those kinds of things offensive. Not sure I've answered your questions but what the heck... Len rabinowitz Ashland High School Ashland, MA ----- Original Message ----- From: Pete Haro To: RECONSTRUCTIONFORUM@ASHP.LISTSERV.CUNY.EDU Sent: Thursday, October 18, 2001 7:08 PM Subject: Re: Reconsruction Images Dear Len: I see what you mean. I have to confess that I was hesitant to even address the topic of stereotyping before, during and after Reconstruction precisely because of the issue that you raise. Certainly, stereotypes of any kind need to be recognized and addressed. However, my background and perspective (upper middle class, college educated) might be different from someone who has grown up with the culture of rap and hip-hop. I suppose that what I am saying is that Blacks, other minorities and even some whites might see the portrayal of the Black rapper as perfectly acceptable and non-offensive. Let me ask you a question. Do you think that these portrayals are the "new minstrelsy" or does white society have a problem with rap and hip-hop culture because it doesn't conform to the acceptable notion of a suburban, middle class existence and everything that goes with it? What do you think? I'm interested to read your and other participant's responses. Sincerely, Pete Haro Southwestern College. ---------- From: Len Rabinowitz To: RECONSTRUCTIONFORUM@ASHP.LISTSERV.CUNY.EDU Subject: Re: Reconsruction Images Date: Thu, Oct 18, 2001, 12:48 PM Peter: The basic idea is that they were both seen as having "corrupted" the culture and as a threat to "proper" i.e. white culture. Of course, African Americans developed jazz, but referred to it as "jewish jazz" because they thought it was a kind of conspiracy bewteen Jews and blacks- the blacks did it, and the Jews made the money and financed it. There is a PBS series called "culture shock" that has an episode about this. Len Rabinowitz Ashland High School Ashland, MA ----- Original Message ----- From: Pete Haro To: RECONSTRUCTIONFORUM@ASHP.LISTSERV.CUNY.EDU Sent: Wednesday, October 17, 2001 7:18 PM Subject: Re: Reconsruction Images Dear Len: Could you please elaborate on what you were saying about the connection between "Jewish Jazz" in the twenties and hip-hop and rap today? I'm not completely sure that I see the commonality. Thanks. Sincerely, Peter. D. Haro. ---------- From: Len Rabinowitz > To: RECONSTRUCTIONFORUM@ASHP.LISTSERV.CUNY.EDU Subject: Re: Reconsruction Images Date: Tue, Oct 16, 2001, 5:08 PM Peter: I think this is a very important idea, and would make a great lesson. I see a lot of white suburban kids "acting black" in that sense and I think it could be used to tell them that they may have done something as offensive as these pictures. I get even more disturbed when I occassionally see African-American kids acting this way, because they have been fed the same trash. You could also tie it to the other shows- the blacks as "hapless buffoons" shows that still seem to crop up and that Spike Lee has spoken out against in the last year or so. I would do it comparatively- is our racial streotyping really an improvement over theirs? This comes up repeatedly in American history. There is a some commonality between how some in the 1920's saw the "Jewish Jazz" (!) of the day and how some perceive hip hop and rap today. Len Rabinowitz Ashland High School Ashland, MA ----- Original Message ----- From: Pete Haro To: RECONSTRUCTIONFORUM@ASHP.LISTSERV.CUNY.EDU Sent: Tuesday, October 16, 2001 6:17 PM Subject: Re: Reconsruction Images Dear forum members: I'm glad that Josh Brown has addressed the issue of racial stereotypes through images both during and after Reconstruction. I too had addressed this question earlier in the forum but no one seemed willing to respond to my question so I shall try again. Certainly, people should feel revolted when they see images from the Reconstruction era which depicted Blacks as monkeys, savages or lustful. Except for racial extremist, few people today (hopefully) would regard these as realistic or desirable. However, when we as teachers try to address the relevance of these images to students, isn't it possible that the images in popular culture of rap artists today serves the same function as it did during Reconstruction? It never ceases to amaze me that every time I see a rap music video or other depictions in popular culture, Black artists are portrayed as "gangstas" who wear baggy clothes, refer to women as "bitches and ho's", engage in boorish behavior, and have gold enameled teeth adorned with the Playboy Bunny or dollar signs. I would submit that this image is precisely the one that millions of Americans are comfortable with. I would be interested to hear from other forum participants if they see any connections between the two portrayals and how they would try to present this issue before a class. Sincerely, Peter D. Haro Southwestern College ---------- From: "Brown, Joshua" To: RECONSTRUCTIONFORUM@ASHP.LISTSERV.CUNY.EDU Subject: Re: Reconsruction Images Date: Mon, Oct 15, 2001, 5:04 PM The discussion about using images has been very helpful in pointing out the opportunities and pitfalls of visual evidence. Recent work about 19th-century visual depictions of African Americans--most notably Kirk Savage's Standing Soldiers, Kneeling Slaves: Race, War, and Monument in Nineteenth-Century America (Princeton, 1997)--has demonstrated how the *representation* of the promise of equality was a subject of struggle and ultimate defeat. But it is the question of struggle that I think can be most useful and enlightening to students. While freedpeople had little control over the pictures and other art that purported to depict their lives, Reconstruction marks a period where the visual record left to us includes, along with cruel and vicious stereotypes, remarkable portraits, engravings, and lithographs of both new African-American leaders and "ordinary" freedpeople working, celebrating, and organizing. In a 1870 letter to Louis Prang, the proprietor of one of the country's leading lithography houses, which published a series of portraits of black statesmen, Frederick Douglass wrote (referring to one portrait of Senator Hiram Revels): "Whatever may be the prejudices of those who may look upon it, they will be compelled to admit that the Mississippi Senator is a man, and one who will easily pass for a man among men. We colored men so often see ourselves described and painted as monkeys, that we think it a great piece of good fortune to find an exception to this general rule." Perhaps, Douglass continued, black Americans could now benefit from the virtues of pictorial representation enjoyed by white citizens: "Heretofore, colored Americans have thought little of adorning their parlors with pictures. They have had to do with the stern, and I may say, the ugly realities of life. Pictures come not with slavery and oppression and destitution, but with liberty, fair play, leisure, and refinement. These conditions are now possible to colored American citizens, and I think the walls of their houses will soon begin to bear evidences of their altered relations to the people about them." That dream was, in the long run, betrayed--as the popular pictorial image of African Americans grew more grotesque through the 1880s and 90s. But the struggle to redress that particular form of expressive/representative inequality runs throughout that era. It can be found in little-known illustrated publications like the Indianapolis Freeman (see Marvin D. Jeter, "H. J. Lewis, Freeman Artist: A Working Paper," Black History News and Notes [Indiana Historical Society], 41 [August 1990]) and in fascinating instances such as an March 1874 pictorial "duel" between Thomas Nast's stereotyped Harper's Weekly cartoon of southern black Republican legislators versus an amazing New York Daily Graphic cover entitled "I Wonder How Harper's Artist Likes to Be Offensively Caricatured Himself?" (both available in Who Built America?, Volume 1, pp. 683-84 or Freedom's Unfinished Revolution, pp. 219, 235 -- and shortly on the History Matters Web site). Josh Brown American Social History Project --MS_Mac_OE_3086608731_83456_MIME_Part Content-type: text/html; charset="US-ASCII" Content-transfer-encoding: quoted-printable Re: Reconsruction Images Dear Len: Thanks for that feedback. You are absolutely right. There are no = "definitive" images of the African-American community. As teachers= , we have to be careful and recognize this. However, I still think that pres= enting students with these images will at least get them to start thinking a= bout this issue in a critical light. Thanks. Pete Haro.

----------
From: Len Rabinowitz <kablen@MASSED.NET>
To: RECONSTRUCTIONFORUM@ASHP.LISTSERV.CUNY.EDU
Subject: Re: Reconsruction Images
Date: Sun, Oct 21, 2001, 3:56 PM


Peter:
 
I think Arica has it right- blacks as a g= roup, like all other groups, are complex and impossible to label with just o= ne or two things.  Look to the people who control the media for why wha= tever is out there is getting out there.
 
Regarding whether it is acceptable or not= , I think you'd find a range there also.  There were blacks in the 1920= 's who didn't like jazz for the same reasons some whites didn't.  And m= any African Americans today find gansta rap and those kinds of things offens= ive.
 
Not sure I've answered your questions but= what the heck...
 
Len rabinowitz
Ashland High School
Ashland, MA
 
----- Original Message -----
From: Pete Haro <mailto:pkharo@EARTHLINK= .NET>  
To: RECONSTRUCTIONFORUM@ASHP.LISTSERV.CUNY.= EDU <mailto:RECONSTRUCTIONFORUM@ASHP.= LISTSERV.CUNY.EDU>  
Sent: Thursday, October 18, 2001 7:08 PM
Subject: Re: Reconsruction Images

Dear Len: I see what you mean. I have to confess that I was hesitant to eve= n address the topic of stereotyping before, during and after Reconstruction = precisely because of the issue that you raise. Certainly, stereotypes of any= kind need to be recognized and addressed. However, my background and perspe= ctive (upper middle class, college educated) might be different from someone= who has grown up with the culture of rap and hip-hop. I suppose that what I= am saying is that Blacks, other minorities and even some whites might see t= he portrayal of the Black rapper as perfectly acceptable and non-offensive. = Let me ask you a question. Do you think that these portrayals are the "= new minstrelsy" or does white society have a problem with rap and hip-h= op culture because it doesn't conform to the acceptable notion of a suburban= , middle class existence and everything that goes with it? What do you think= ? I'm interested to read your and other participant's responses.

Sincerely,


Pete Haro
Southwestern College.

----------
From: Len Rabinowitz <kablen@MASSED.NET>
To: RECONSTRUCTIONFORUM@ASHP.LISTSERV.CUNY.EDU
Subject: Re: Reconsruction Images
Date: Thu, Oct 18, 2001, 12:48 PM


Peter:
 
The basic idea is that they were both see= n as having "corrupted" the culture and as a threat to "prope= r" i.e. white culture.
 
Of course, African Americans developed ja= zz, but referred to it as "jewish jazz" because they thought it wa= s a kind of conspiracy bewteen Jews and blacks- the blacks did it, and the J= ews made the money and financed it.  
 
There is a PBS series called "cultur= e shock" that has an episode about this.
 
Len Rabinowitz
Ashland High School
Ashland, MA
 
----- Original Message -----
From: Pete Haro <mailto:pkharo@EARTHLINK= .NET>  
To: RECONSTRUCTIONFORUM@ASHP.LISTSERV.CUNY.= EDU <mailto:RECONSTRUCTIONFORUM@ASHP.= LISTSERV.CUNY.EDU>  
Sent: Wednesday, October 17, 2001 7:18 PM
Subject: Re: Reconsruction Images

Dear Len: Could you please elaborate on what you were saying about the conn= ection between "Jewish Jazz" in the twenties and hip-hop and rap t= oday? I'm not completely sure that I see the commonality. Thanks.

Sincerely,


Peter. D. Haro.

----------
From: Len Rabinowitz <kablen@MASSED.NET <mailto:kablen@MASSED.NET> >= ;
To: RECONSTRUCTIONFORUM@ASHP.LISTSERV.CUNY.EDU= <mailto:RECONSTRUCTIONFORUM@ASHP.LISTSER= V.CUNY.EDU>
Subject: Re: Reconsruction Images
Date: Tue, Oct 16, 2001, 5:08 PM


Peter:
 
I think this is a very important idea, an= d would make a great lesson.  I see a lot of white suburban kids "= acting black" in that sense and I think it could be used to tell them t= hat they may have done something as offensive as these pictures.  I get= even more disturbed when I occassionally see African-American kids acting t= his way, because they have been fed the same trash.  You could also tie= it to the other shows- the blacks as "hapless buffoons" shows tha= t still seem to crop up and that Spike Lee has spoken out against in the las= t year or so.
 
I would do it comparatively- is our racia= l streotyping really an improvement over theirs?  This comes up repeate= dly in American history.  There is a some commonality between how some = in the 1920's saw the "Jewish Jazz" (!) of the day and how some pe= rceive hip hop and rap today.
 
Len Rabinowitz
Ashland High School
Ashland, MA
 
----- Original Message -----
From: Pete Haro <mailto:pkharo@EARTHLINK= .NET>  
To: RECONSTRUCTIONFORUM@ASHP.LISTSERV.CUNY.= EDU <mailto:RECONSTRUCTIONFORUM@ASHP.= LISTSERV.CUNY.EDU>  
Sent: Tuesday, October 16, 2001 6:17 PM
Subject: Re: Reconsruction Images

Dear forum members: I'm glad that Josh Brown has addressed the issue of rac= ial stereotypes through images both during and after Reconstruction. I too h= ad addressed this question earlier in the forum but no one seemed willing to= respond to my question so I shall try again. Certainly, people should feel = revolted when they see images from the Reconstruction era which depicted Bla= cks as monkeys, savages or lustful. Except for racial extremist, few people = today (hopefully) would regard these as realistic or desirable.

However, when we as teachers try to address the relevance of these images t= o students, isn't it possible that the images in popular culture of rap arti= sts today serves the same function as it did during Reconstruction? It never= ceases to amaze me that every time I see a rap music video or other depicti= ons in popular culture, Black artists are portrayed as "gangstas" = who wear baggy clothes, refer to women as "bitches and ho's", enga= ge in boorish behavior, and have gold enameled teeth adorned with the Playbo= y Bunny or dollar signs. I would submit that this image is precisely the one= that millions of Americans are comfortable with. I would be interested to h= ear from other forum participants if they see any connections between the tw= o portrayals and how they would try to present this issue before a class.
Sincerely,

Peter D. Haro
Southwestern College

----------
From: "Brown, Joshua" <JBrown@GC.CUNY= .EDU>
To: RECONSTRUCTIONFORUM@ASHP.LISTSERV.CUNY.EDU
Subject: Re: Reconsruction Images
Date: Mon, Oct 15, 2001, 5:04 PM



The discussion about using images has been very helpful in pointing out the= opportunities and pitfalls of visual evidence.  Recent work about 19th= -century visual depictions of African Americans--most notably Kirk Savage's = Standing Soldiers, Kneeling Slaves: Race, War, and Monument in Nineteenth= -Century America (Princeton, 1997)--has demonstrated how the *representa= tion* of the promise of equality was a subject of struggle and ultimate defe= at.  But it is the question of struggle that I think can be most useful= and enlightening to students.  

While freedpeople had little control over the pictures and other art that p= urported to depict their lives, Reconstruction marks a period where the visu= al record left to us includes, along with cruel and vicious stereotypes, rem= arkable portraits, engravings, and lithographs of both new African-American = leaders and "ordinary" freedpeople working, celebrating, and organ= izing.  In a 1870 letter to Louis Prang, the proprietor of one of the c= ountry's leading lithography houses, which published a series of portraits o= f black statesmen, Frederick Douglass wrote (referring to one portrait of Se= nator Hiram Revels): "Whatever may be the prejudices of those who may l= ook upon it, they will be compelled to admit that the Mississippi Senator is= a man, and one who will easily pass for a man among men.  We colored m= en so often see ourselves described and painted as monkeys, that we think it= a great piece of good fortune to find an exception to this general rule.&qu= ot;  Perhaps, Douglass continued, black Americans could now benefit fro= m the virtues of pictorial representation enjoyed by white citizens: "H= eretofore, colored Americans have thought little of adorning their parlors w= ith pictures.  They have had to do with the stern, and I may say, the u= gly realities of life.  Pictures come not with slavery and oppression a= nd destitution, but with liberty, fair play, leisure, and refinement.  = These conditions are now possible to colored American citizens, and I think = the walls of their houses will soon begin to bear evidences of their altered= relations to the people about them."

That dream was, in the long run, betrayed--as the popular pictorial image o= f African Americans grew more grotesque through the 1880s and 90s.  But= the struggle to redress that particular form of expressive/representative i= nequality runs throughout that era.  It can be found in little-known il= lustrated publications like the Indianapolis Freeman (see Marvin D. J= eter, "H. J. Lewis, Freeman Artist: A Working Paper," Black His= tory News and Notes [Indiana Historical Society],  41 [August 1990]= ) and in fascinating instances such as an March 1874 pictorial "duel&qu= ot; between Thomas Nast's stereotyped Harper's Weekly cartoon of sout= hern black Republican legislators versus an amazing New York Daily Graphic c= over entitled "I Wonder How Harper's Artist Likes to Be Offensiv= ely Caricatured Himself?" (both available in Who Built America?,= Volume 1, pp. 683-84 or Freedom's Unfinished Revolution, pp. 219, 23= 5 -- and shortly on the History Matters Web site).

Josh Brown
American Social History Project






--MS_Mac_OE_3086608731_83456_MIME_Part-- This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Mon, 22 Oct 2001 19:04:43 -0700 Reply-To: msebeth@earthlink.net Sender: Reconstruction Forum From: "E. Yahn" Subject: Re: Reconstruction Historiography MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit Hi Joe Just wanted to put my two cents in for Ethnic Notions also. I have a friend who helped edit that film with Marlon Riggs and gave me a copy of it. I've used it successfully in my 11th grade U.S. History classroom. Elizabeth Yahn Elsie Allen High School Santa Rosa, CA This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Mon, 22 Oct 2001 22:58:28 -0400 Reply-To: Reconstruction Forum Sender: Reconstruction Forum From: Christopher Baylor Subject: Re: Response to Arica Coleman Mime-Version: 1.0 Content-Type: text/plain; format=flowed >Be careful. Those high school students that you dismiss as lacking, >"both the historical and intellectual frame work to provide any >realistic assessment," of stereotypes nevertheless do make those >assessments and act upon what they think is true. If you don't respect >where they are coming from, they won't give you the chance to influence >where they are going. > >Sean "Puff Daddy" Combs, Dr. Dre, and now Snoop Dog, are all presented >as the heads of their own record labels. Aren't they the hidden faces >behind the music? Is the Reconstruction show now owned, in part, by the >minstrels? > This list has also mentioned NWA, "Niggaz wit Attitudes," as the founders of "gangsta rap." I know that their first album, along with several albums of one of its most notorious members, were published by that members' own company, "Ruthless Records." The music world was stunned with how successful this album was, considering that it was not sold on a major label. Chris Baylor Curry College >Arica Coleman wrote: > > > Dear Colleagues: > > Please allow me to respond to Pete's question concerning the > > perpetuation of stereotypes via hiphop culture. With all due respect, > > I hardly find high school students, regardless of their ethnicity, an > > accurate resource in obtaining information concerning the complex > > issues of stereotyping as they lack both the historical and > > intellectual frame work to provide any realistic assessment. > > First of all, the stereotypes perpetuated in contemporary music > > videos are no different from the stereotypes perpetuated through the > > blaxploitation big screen movies which dominated the 1970s. Initially, > > the Black Power Movement sparked a desire amongst African Americans to > > create their own media outlet that would celebrate the beauty of > > African American culture. A few films were produced by black owned > > studios; however, Blacks lacked the capitol to reach a widespread > > audience on a continuous basis. White movie executives, seeking to > > capitalize on the moment, began to fund these movies and since they > > were putting up the money, they controlled the images projected. The > > violent, drug dealing, sex crazed black male pimp, and the oversexed > > blacked woman as his whore and partner in crime dominated these > > movies. > > Robert Townsend's movie "The Hollywood Shuffle," a satire of the > > blaxploitation movies, captures the complexity of Blacks operating > > under oppressive economic conditions in Hollywood. Townsend plays a > > postal worker trying to make it to the big screen. Finally, he gets > > his big break, but becomes disillusioned by the white directors and > > producers who only want him to play a gangster. The most pathetic > > part of the movie is when the white director is trying to coach > > Townsend to "act black." Whatever that is! > > Anyway, once the Black Power Movement frizzled out, Blacks were > > declared no longer in vogue; the movie executives packed their bags > > filled with millions of dollars of profits, most obtained from the > > Black community, and went home. Thus the name blaxploitation. > > Now history is being repeated once again, but this time through > > the hip hop. industry which has endured a much longer life span than > > the blaxploitation movie era. Initially, Rap which actually grew out > > of the disco dance era, was a fun filled music which sought to combine > > the musical styles of soul and funk with the playful poetic language > > of spoken word. As Toni Morrison once declared, "The most intriguing > > thing about African American people is how they do language." This > > new music adventure also began as a grassroots effort started by > > struggling African Americans with a burning desire to create a new > > sound. Rap and thus hiphop culture was not created in a studio, but > > rather in the streets. But once again African Americans were seduced > > into taking this music to the suites in the music industry and once > > the music industry got a hold of it, the music changed. Gone were the > > cool, groovy lyrics of Curtis Blow saying, "Wave your hands in the > > air...wave'em like you just don't care...Hey ladies..all the ladies in > > the house say Ah." The lyrics became infested with the voice of the > > angry black male "fed up with the man." The Sugar Hill Gang, who were > > known for there playful dance lyrics, was replaced by the group > > "Niggahs Wid a Attitude." Gangsta rap became popularized with videos > > of Black street violence, misogyny, and promiscuity. These are not > > new images and neither were they created by black people. As I said > > in an earlier response to one of Dr. Foner's questions, the image of > > the "bad nigger," was created during the time of reconstruction and > > continues to be perpetuated to this day. Now, to answer your > > question. > > You asked what role do African Americans play in the perpetuation > > of these stereotypes? According to W.T. Lhumn, "All peoples produce > > racial stereotypes about themselves and others. That is, people > > simplify the intellectual images they maintain of specific ethnic > > groups, including their own, often in cruel or damaging ways. Poor > > white Southerners ("Crackers") are said to be slow, red-necked, and > > fat. Immigrant Italians ("Wops") are said to be short, oily, and > > hot-tempered. Upper-class whites ("WASPs") are said to be greedy, > > emotionally cold, and haughty. Negroes ("Niggers") are said to be > > stupid, promiscuous, and happy. These generalizations are not > > accurate, but they are spread widely - not only by word of mouth but > > also through images in television, movies, newspapers, music [vidoes], > > comic books, talk shows, pseudoscientific research, and even > > textbooks. These media make stereotypes, whose dissemination was once > > confined to oral transmission from one person to another, seem more > > like factual knowledge than personal opinion. > > > > Perhaps the most chilling aspect of racial stereotyping is that > > members of groups being characterized sometimes come to believe the > > generalizations' damaging simplifications. Members of target groups > > may even try to fulfill the stereotypes. The media regularly depicts > > people of African descent as drug dealers and teen mothers, and so it > > is not surprising when young black artists also adopt the roles of > > thugs and "bitches 'n 'ho's." Even stereotypes that include positive > > human attributes can warp people. For instance, if the dominant > > culture emphasizes that men of African descent are excellent athletes > > or entertainers, the glamour associated with these professions may > > influence the youth of that group. They may try to fulfill a > > simplified stereotype of their potential rather than develop other > > traits. That is the force of stereotypes." > > Thus, most African American males believe that the only way for > > them to escape poverty in "the hood" is to either play basketball or > > become a rap star. Concerning hip hop, I don't think I need to go > > into a long discourse concerning the exploitation of the music > > industry, but suffice to say that once anyone, no matter his/her > > ethnic background, signs on the dotted line, he/she is owned and has > > little to no say concerning artistic or creative expression. > > So, Pete, I've said all of that to say, you answer lies not in > > the black faces that you see on the video screens, but the hidden > > faces behind these videos, namely music executives. Because African > > Americans do not have control over the capitol, they have no control > > over the images portrayed about them through mass media. > > Unfortunately, many of these young stars have to make a choice between > > personal dignity or being able to help put food on the family table. > > Our mass media bares much of the responsibility for perpetuating > > stereotypes, whether it is the black male gangsta, the black female > > whore, the white male aggressor or the white female victim. I'm done! > > > > Respectfully submitted, > > Arica L. Coleman > > The Union Institute Graduate College > > > > > > > > _________________________________________________________________ Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Tue, 23 Oct 2001 10:44:18 -0400 Reply-To: Reconstruction Forum Sender: Reconstruction Forum From: "Nancy L. Zens" Subject: Politicians and Scandals If I have understood the dialogue so far on Reconstruction, it had some very good leadership and legislation. The older scandal-ridden image of the period, though clearly narrow and biased, presented too black a picture, but such conduct would reasonably be present. I try to present my students with a realistic view in both my U.S. sequence and Civil War classes. I still have questions about the reality of political and economic activity during Reconstruction, especially as the south compares with the north. Can we reasonably compare scandalous behavior of specific southern and northern politicians? Do any southern states have scandals that are similar to Credit Mobiliere, the failure of the Freedman's Bank, or the conduct of politicians regarding Native American lands and federal monies? Are there northern states that suffer scandals that are closer to southern experiences than trying to compare southern Reconstruction problems with federal issues? Nancy Zens Central Oregon Community College This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Tue, 23 Oct 2001 05:04:13 -0700 Reply-To: Reconstruction Forum Sender: Reconstruction Forum From: Shayne Klein Subject: ethnic notions MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii I recently ordered the film Ethnic Notions for my class. You can get it from California Newsreel. http://www.newsreel.org/ They give a discount to high schools. - Shayne Klein ===== Shayne Klein History Teacher and Deparment Chair Raleigh Charter High School 919-839-0600 seklein@yahoo.com __________________________________________________ Do You Yahoo!? Make a great connection at Yahoo! Personals. http://personals.yahoo.com This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Tue, 23 Oct 2001 16:20:32 -0400 Reply-To: Reconstruction Forum Sender: Reconstruction Forum From: Eric Foner Subject: Re: Reconstruction Historiography In-Reply-To: <200110220029.RAA19201@harrier.mail.pas.earthlink.net> MIME-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII Dear colleagues, The discussion of imaergy and hip hop music etc has seemed to drift away from Reconstruction, so let me see, in the week remaining, if anyone has any questions they would like to post either about the history of that era or teaching problems related to it? I'm open to any and all suggestions. By the way, I also want to alert high school teachers particularly interested in Reconstruction that next July I will be directing a one-week seminar for teachers on Reconstruction, sponsored by the Gilder-Lehrman Institute here in NY. Information about how to apply will soon be posted on their web site. Best wishes, Eric Foner This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Tue, 23 Oct 2001 20:12:12 -0700 Reply-To: Reconstruction Forum Sender: Reconstruction Forum From: Pete Haro Subject: Re: Reconstruction Historiography Mime-version: 1.0 Content-type: text/plain; charset="US-ASCII" Content-transfer-encoding: 7bit Dear Professor Foner: My biggest concern as a community college teacher is making sure that my students find the material that I present them with relevant. Having said this, how would you suggest that the topic of Reconstruction be made relevant to today's students? I have some ideas of my own but I am eager to read your suggestions. Sincerely, Peter D. Haro. ---------- >From: Eric Foner >To: RECONSTRUCTIONFORUM@ASHP.LISTSERV.CUNY.EDU >Subject: Re: Reconstruction Historiography >Date: Tue, Oct 23, 2001, 1:20 PM > > Dear colleagues, > > The discussion of imaergy and hip hop music etc has seemed to drift away > from Reconstruction, so let me see, in the week remaining, if anyone has > any questions they would like to post either about the history of that era > or teaching problems related to it? I'm open to any and all suggestions. > > By the way, I also want to alert high school teachers particularly > interested in Reconstruction that next July I will be directing a one-week > seminar for teachers on Reconstruction, sponsored by the Gilder-Lehrman > Institute here in NY. Information about how to apply will soon be posted > on their web site. > > Best wishes, > > Eric Foner > > This forum is sponsored by History Matters--please visit our Web site at > http://historymatters.gmu.edu for more resources for teaching U.S. History. This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Wed, 24 Oct 2001 04:50:28 -0700 Reply-To: Reconstruction Forum Sender: Reconstruction Forum From: "A. Carl Duncan" Subject: Dr. Foner, "Why do I need to know this?" MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="------------0CB9FFB74B168DFB85B329CF" --------------0CB9FFB74B168DFB85B329CF Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit Dr. Foner: The questions I have posed about the effect of imagery and propaganda during the Reconstruction era is motivated by my desire to understand how that era effects our contemporary society. I have also asked questions about what was going on in areas other than the South during that period. Would you respond to those two general issues? I feel strongly, even passionately, that, for teachers and researchers, scholarship should have some practical purpose and application. Personally, I love history. I get ribbed from time to time because I put on a questionnaire that my favorite tv show is Book Notes on C-SPAN. I have become a regular tv watcher the past month because of the W.W.II miniseries, Band of Brothers, on HBO. While the fun and fascination I have with history make me an interesting History teacher, it doesn't adequately answer the question every history students asks, "Why do I need to know this?" I teach 13 and 14 year olds. They want to make sense of their environment. They know just enough to be confused by their environment. (Their post-September 11 angst is just starting to show. I think the Anthrax situation and the fact that they frequent one of the most popular Malls in the world, Ontario Mills, over 2 million guests a month, has raised some personal concern in them.) I believe that Social Studies are the classes that are suppose give them the skills to help make sense of their environment. As social scientists we are supposed to develop the ammunition, that supplies, among others, teachers who train the front-line soldiers in the battle of life (that is everybody, future politicians, bureaucrats, business persons, etc.). I am one of those teachers. However, formally I am a sociologist, not a historian. My practice is teaching. I have turned to this forum of historians for more and better ammunition. Hip hop is not the only contemporary issue relevant to a discussion of Reconstruction. I think Len Rabinowitz's sambo visuals just caught our eye : ), and we ran with that. I am very appreciative of the opportunity and the information this forum has facilitated. The chance to share ideas with over 200 scholars and practitioners is rare and highly valued. I look forward to your comments. Carl Duncan Eric Foner wrote: > Dear colleagues, > > The discussion of imaergy and hip hop music etc has seemed to drift away > from Reconstruction, so let me see, in the week remaining, if anyone has > any questions they would like to post either about the history of that era > or teaching problems related to it? I'm open to any and all suggestions. > > By the way, I also want to alert high school teachers particularly > interested in Reconstruction that next July I will be directing a one-week > seminar for teachers on Reconstruction, sponsored by the Gilder-Lehrman > Institute here in NY. Information about how to apply will soon be posted > on their web site. > > Best wishes, > > Eric Foner > > This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. --------------0CB9FFB74B168DFB85B329CF Content-Type: text/html; charset=us-ascii Content-Transfer-Encoding: 7bit Dr. Foner:

The questions I have posed about the effect of imagery and propaganda during the Reconstruction era is motivated by my desire to understand how that era effects our contemporary society. I have also asked questions about what was going on in areas other than the South during that period. Would you respond to those two general issues?

I feel strongly, even passionately, that, for teachers and researchers, scholarship should have some practical purpose and application. Personally, I love history. I  get ribbed from time to time because I put on a questionnaire that my favorite tv show is Book Notes on C-SPAN. I have become a regular tv watcher the past month because of the W.W.II miniseries, Band of Brothers, on HBO. While the fun and fascination I have with history make me an interesting History teacher, it doesn't adequately answer the question every history students asks, "Why do I need to know this?"

I teach 13 and 14 year olds. They want to make sense of their environment. They know just enough to be confused by their environment. (Their post-September 11 angst is just starting to show. I think the Anthrax situation and the fact that they frequent one of the most popular Malls in the world, Ontario Mills, over 2 million guests a month, has raised some personal concern in them.) I believe that Social Studies are the classes that are suppose give them the skills to help make sense of  their environment. As social scientists we are supposed to develop the ammunition, that supplies, among others, teachers who train the front-line soldiers in the battle of life (that is everybody, future politicians, bureaucrats, business persons, etc.). I am one of those teachers. However, formally I am a sociologist, not a historian. My practice is teaching. I have turned to this forum of historians for more and better ammunition.

Hip hop is not the only contemporary issue relevant to a discussion of Reconstruction. I think Len Rabinowitz's sambo visuals just caught our eye : ), and we ran with that. I am very appreciative of the opportunity and the information this forum has facilitated. The chance to share ideas with over 200 scholars and practitioners is rare and highly valued. I look forward to your comments.

Carl Duncan

Eric Foner wrote:

Dear colleagues,

The discussion of imaergy and hip hop music etc has seemed to drift away
from Reconstruction, so let me see, in the week remaining, if anyone has
any questions they would like to post either about the history of that era
or teaching problems related to it?  I'm open to any and all suggestions.

By the way, I also want to alert high school teachers particularly
interested in Reconstruction that next July I will be directing a one-week
seminar for teachers on Reconstruction, sponsored by the Gilder-Lehrman
Institute here in NY.  Information about how to apply will soon be posted
on their web site.

Best wishes,

Eric Foner

This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History.

--------------0CB9FFB74B168DFB85B329CF-- This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Wed, 24 Oct 2001 10:36:11 -0400 Reply-To: Reconstruction Forum Sender: Reconstruction Forum From: Nathan Riley Subject: Douglas Message submitted by natriley3@YAHOO.COM (From Jean H. Baker, Affairs of Party: The Political Culture of Northern Democrats in the Mid-Nineteenth Century, Cornell University Press, Ithaca 1983 and Mary Todd Lincoln: A Biography, W.W. Norton, New York 1987) Douglas: In his first term as a State Legislator Douglas supported resolution declaring property in slaves, "a sacred institution." Denouncing abolitionist meddling and denied Congress the power to abolish slavery in DC; Abe Lincoln, Whig from Sangamon County was one of six legislators to oppose this resolution. P. 184 Introduction page 20, Dem took control of House in 1871; the party of the American people because they represented the South as well as the North. p. 24 "the ideological cues the Democratic party gave its followers, as these ideas developed from its liberalism and anti-statism in of the 1830's to into the Republicanism and racism of the mid-nineteenth century" Accepted polygenetic theory "Between all contests between Negro and White, I am for the white man. In all questions between Negro and crocodile I am for the Negro." P. 185 p. 186 The negro "as an inferior race out to possess every right ... consistent with the safety of the society in which he lives." Quote Democratic doctrine from Republicanism to Racism. Importance, Democratic doctrine of racial separation existed before Reconstruction. Their return to political power e.g. control of House in 187 preceded agreement of 1877 and the end of reconstruction. Reconstruction was not just a failure of Radicals, but the imposition of Democratic ideas that were firmly in place by 1860 and continued on after the war. Blacks were Republicans for good reason. Important lesson of history fairly dramatic changes: Dems gradually after Roosevelt became the party of social justice and eventual included blacks. Democratic support for blacks led traditional Southern Dems and some their traditional e.g. Irish Democrats to gravitate into the Republican Party. Challenge to these views Blacks as soldiers and therefore citizens. Ch 6 The Negro Issue: Popular Culture, Racial Attitudes, and the Democratic Policy. P212 ff. "The most influential forum for nineteenth-century racial was minstrelsy. As entertainment, it had no rival, and in the manner of public amusement it crossed the historic divide of war and Reconstruction UNCHANGED (emphasis added), remaining an important part of American life well into the twentieth century. " P. 213f the preferred entertainment of the Northern Working Class from 1840 to 1880. taking the show on the road transformed a big-city entertainment into a national one. P. 218 "They created concrete versions of the abstract notions Northerners held about blacks." And these harsh notions exemplified the more intellectual elite doctrine of polygenetic theory. Ministral show provided concrete images that suggested Blacks were subhuman clumsy creatures children of ham who not work without compulsion and were unable to control themselves. More monkey than man. Why should abolitionist marry a monkey because it is the nearest thing to a nigger." They didn't speak English but a childish gibberish. Children were told to be good or the debil nigger would carry them off. P. 231 As in the Stephen Douglas saw, it maintain the notion of blacks as an enemy where racial relationships were a seesaw. When Blacks were up, whites were down.. "A potential enemy in the best of times became a certain one during periods of racial change." P. 234 This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Wed, 24 Oct 2001 09:01:01 -0700 Reply-To: Reconstruction Forum Sender: Reconstruction Forum From: nathan riley Subject: ah: fraility thy name is memory In-Reply-To: <200110240306.UAA08309@hawk.mail.pas.earthlink.net> MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii By mistake I transmitted my note, rather than the piece I wrote. Ah frailty, thy name is memory. Several people pointed out that I was wrong when I said Stephen Foster wrote Dixie. Well I was also wrong when I said Jean Baker wrote about minstrel shows in her biography of Abraham Lincoln’s wife. I had the right author, but the wrong book. Jean H. Baker did not write about the minstrel shows in her biography of Mary Todd Lincoln, but in her 1983 book: Affairs of Party: The Political culture of Northern Democrats in the Mid-Nineteenth Century. She studied the Democrats because they were the dominant party in the United States, and their views shed light on the views of many American voters in the states that didn’t secede. The party of Andrew Jackson by 1850 had been transformed. The “ideological cues the Democratic party gave its followers, … developed from its liberalism and anti-statism in of the 1830’s into the Republicanism and racism of the mid-nineteenth century.” p. 24 In his first term in the Illinois State Legislature, Democrat Stephen Douglas supported resolutions declaring property in slaves, “a sacred institution,” denouncing abolitionist meddling and that denied that Congress had the power to abolish slavery in the District of Columbia. Abraham Lincoln, Whig from Sangamon County, was one of only six legislators among the 83 to oppose these resolutions. P. 184 “As late as 1842, the Democratic Review has answered yes to the question ‘Do the various races of man constitute a new species?’ But by 1850, the God-given unity of mankind had given way to newer theories of polygeniticism, explained the Democratic Review in its revised position on the matter, there are several distinct races of men on the face of the ear, with entirely different capacities, physical and mental.” P. 179 In this view Genesis only made sense if one accepted the doctrine that other types of humans existed before Adam and Eve who started the European races. The belief in the theory was so strong that Democrats denied that blacks and whites could successfully mate. Since mulattos obviously existed, the theorist argued that sterility set in by the fourth generation. By adopting such views, Northern Democrats refurbished their party’s traditional links to the People, now explicitly defined as white, and by excluding blacks from public affairs they offered political affairs they offered political democracy and an inclusive patriotism to the white Male American. There were other implications to the Democracy’s theory of racial hierarchy. If God had made the Negro different from—and inferior to—the white man by virtue of a separate creation, than blacks must be governed differently from whites. P. 180 Blacks were a separate specie with limited capacity could not govern them selves. The doctrine that confuted the common ancestry of mankind reinforced the equality of whites and justified local practices in the South that enslaved the Negro. Stephen Douglas bluntly stated this polygenetic theory “Between all contests between Negro and White, I am for the white man. In all questions between Negro and crocodile I am for the Negro.” Speaking of the citizens of Illinois, he said, “We here do not believe in the equality of the Negro socially and politically. Our people are white people without any mixture of with the Negro. This government is intended to be administered by white men in all times to come.” P. 185 Republicans, Douglas charged, were unclear on this point, and indeed Lincoln’s view that the promise of equality in the Declaration of Independence applied to White and Black differed sharply from Douglas’s view. By allowing Blacks to fight and win the Civil War, Lincoln strengthened their claim to citizenship. The righteousness of this claim led historians to ignore the role that Blacks played in the war for decades. But Lincoln never endorsed social equality for Blacks. In this and in many other ways partisan Democratic views drew only distinctions rather than true differences with Republicans and other Americans. The important fact for the study of reconstruction is that the Democratic doctrine of racial separation existed before Reconstruction. In 1860, the Democrats lost the Presidency, but they still controlled state houses and local governments. Only six years after the end of the Civil War, in 1871, the Democrats regained the majority in the House of Representatives. Reconstruction was not just a failure of Radical Republicans, but it was also the imposition of Democratic ideas that were firmly in place by 1860 and continued on after the war. Those Blacks, who were able to vote after the Civil War, were Republicans for good reason. What was true in the 19th century was not true in the 20th. One of the important lessons of history is that over time dramatic changes occur. Democrats gradually after Roosevelt became the party of social justice and started to enjoy black support. But Democratic elite concerns about the doctrine of polygeniticism doesn’t tell us if ordinary Democrats and white Americans supported the idea that Blacks were a different race. In, Chapter 6 The Negro Issue: Popular Culture, Racial Attitudes, and the Democratic Policy. P212 ff. Jean Baker approaches popular attitudes in this way: “The most influential forum for nineteenth-century racial attitudes was minstrelsy. As entertainment, it had no rival, and in the manner of public amusement it crossed the historic divide of war and Reconstruction UNCHANGED (emphasis added), remaining an important part of American life well into the twentieth century. “ P. 213f Minstrel shows were the preferred entertainment of the Northern Working Class from 1840 to 1880. Promoters took the shows on the road and “transformed a big-city entertainment into a national one.” P. 218 Minstrel shows “created concrete versions of the abstract notions Northerners held about blacks.” And these harsh notions exemplified the more intellectual elite doctrine of polygenetic theory. Minstrel show suggested Blacks were subhuman. Clumsy creatures, children of ham who would not work without compulsion and were unable to control themselves. They didn’t speak English but a childish gibberish, and were more monkey than man. As the minstrel joke went: Why should an abolitionist marry a monkey? Because it is the nearest thing to a nigger.” To be sure other folkways promoted racism: Children were told to be good or the debil nigger would carry them off. P. 231 but nothing resembled the minstrel show for calculated meanness that was all the more insidious because it clocked its views in humor. Just as Jay Leno does political jokes so did minstrel shows. For example, they furthered the notion of blacks as an enemy where racial relationships were a seesaw. When Blacks were up, whites were down. “A potential enemy in the best of times became a certain one during periods of racial change.” P. 234 Ethiopians Serenaders’ Own Book had these lyrics: I wish I was a nigger, I really do indeed, It seems to me that niggers get Everything they need. Congress legislates for them And white men taxes pay. The minstrel show gave whites the concrete images they needed to suggest that White should be governed one way, and Blacks controlled more harshly and more closely. “In holding the public infantilism of blacks constant, Northerners denied what was allowed in white aliens and male children—the possibility of political maturation—and thereby rejected environment as the source of the black debasement. According to popular culture, the Negro was not the creature of his circumstances … In this way the popular arts and especially minstrelsy provided symbolic justifications for keeping the Negro in his place.” P. 242 The mob violence and vigilantism that supported Jim Crow were already in place by the Civil War. Democrats who sang, “Fight for the nigger, the sweet scented nigger” fed anti-draft sentiment and made the public believe the preposterous claim that Blacks were to blame for the draft. During reconstruction Democratic Party propaganda used minstrel imagery to demean and mock Republican reconstruction efforts. The Civil War could end slavery, but the racial view of white Americans could not grant Blacks full liberty and equality, and this was an important reason for why slavery existed, and why reconstruction failed. __________________________________________________ Do You Yahoo!? Make a great connection at Yahoo! Personals. http://personals.yahoo.com This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Wed, 24 Oct 2001 10:57:20 -0700 Reply-To: Reconstruction Forum Sender: Reconstruction Forum From: ARNETT DUNCAN Subject: Re: fraility thy name is memory MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Thanks Nathan. This broadens my understanding. It also puts the minstrel show, its purpose and effect in a national rather that regional context. Carl Duncan -----Original Message----- From: nathan riley [mailto:natriley3@YAHOO.COM] Sent: Wednesday, October 24, 2001 9:01 AM To: RECONSTRUCTIONFORUM@ASHP.LISTSERV.CUNY.EDU Subject: ah: fraility thy name is memory By mistake I transmitted my note, rather than the piece I wrote. Ah frailty, thy name is memory. Several people pointed out that I was wrong when I said Stephen Foster wrote Dixie. Well I was also wrong when I said Jean Baker wrote about minstrel shows in her biography of Abraham Lincoln's wife. I had the right author, but the wrong book. Jean H. Baker did not write about the minstrel shows in her biography of Mary Todd Lincoln, but in her 1983 book: Affairs of Party: The Political culture of Northern Democrats in the Mid-Nineteenth Century. She studied the Democrats because they were the dominant party in the United States, and their views shed light on the views of many American voters in the states that didn't secede. The party of Andrew Jackson by 1850 had been transformed. The "ideological cues the Democratic party gave its followers, ... developed from its liberalism and anti-statism in of the 1830's into the Republicanism and racism of the mid-nineteenth century." p. 24 In his first term in the Illinois State Legislature, Democrat Stephen Douglas supported resolutions declaring property in slaves, "a sacred institution," denouncing abolitionist meddling and that denied that Congress had the power to abolish slavery in the District of Columbia. Abraham Lincoln, Whig from Sangamon County, was one of only six legislators among the 83 to oppose these resolutions. P. 184 "As late as 1842, the Democratic Review has answered yes to the question 'Do the various races of man constitute a new species?' But by 1850, the God-given unity of mankind had given way to newer theories of polygeniticism, explained the Democratic Review in its revised position on the matter, there are several distinct races of men on the face of the ear, with entirely different capacities, physical and mental." P. 179 In this view Genesis only made sense if one accepted the doctrine that other types of humans existed before Adam and Eve who started the European races. The belief in the theory was so strong that Democrats denied that blacks and whites could successfully mate. Since mulattos obviously existed, the theorist argued that sterility set in by the fourth generation. By adopting such views, Northern Democrats refurbished their party's traditional links to the People, now explicitly defined as white, and by excluding blacks from public affairs they offered political affairs they offered political democracy and an inclusive patriotism to the white Male American. There were other implications to the Democracy's theory of racial hierarchy. If God had made the Negro different from-and inferior to-the white man by virtue of a separate creation, than blacks must be governed differently from whites. P. 180 Blacks were a separate specie with limited capacity could not govern them selves. The doctrine that confuted the common ancestry of mankind reinforced the equality of whites and justified local practices in the South that enslaved the Negro. Stephen Douglas bluntly stated this polygenetic theory "Between all contests between Negro and White, I am for the white man. In all questions between Negro and crocodile I am for the Negro." Speaking of the citizens of Illinois, he said, "We here do not believe in the equality of the Negro socially and politically. Our people are white people without any mixture of with the Negro. This government is intended to be administered by white men in all times to come." P. 185 Republicans, Douglas charged, were unclear on this point, and indeed Lincoln's view that the promise of equality in the Declaration of Independence applied to White and Black differed sharply from Douglas's view. By allowing Blacks to fight and win the Civil War, Lincoln strengthened their claim to citizenship. The righteousness of this claim led historians to ignore the role that Blacks played in the war for decades. But Lincoln never endorsed social equality for Blacks. In this and in many other ways partisan Democratic views drew only distinctions rather than true differences with Republicans and other Americans. The important fact for the study of reconstruction is that the Democratic doctrine of racial separation existed before Reconstruction. In 1860, the Democrats lost the Presidency, but they still controlled state houses and local governments. Only six years after the end of the Civil War, in 1871, the Democrats regained the majority in the House of Representatives. Reconstruction was not just a failure of Radical Republicans, but it was also the imposition of Democratic ideas that were firmly in place by 1860 and continued on after the war. Those Blacks, who were able to vote after the Civil War, were Republicans for good reason. What was true in the 19th century was not true in the 20th. One of the important lessons of history is that over time dramatic changes occur. Democrats gradually after Roosevelt became the party of social justice and started to enjoy black support. But Democratic elite concerns about the doctrine of polygeniticism doesn't tell us if ordinary Democrats and white Americans supported the idea that Blacks were a different race. In, Chapter 6 The Negro Issue: Popular Culture, Racial Attitudes, and the Democratic Policy. P212 ff. Jean Baker approaches popular attitudes in this way: "The most influential forum for nineteenth-century racial attitudes was minstrelsy. As entertainment, it had no rival, and in the manner of public amusement it crossed the historic divide of war and Reconstruction UNCHANGED (emphasis added), remaining an important part of American life well into the twentieth century. " P. 213f Minstrel shows were the preferred entertainment of the Northern Working Class from 1840 to 1880. Promoters took the shows on the road and "transformed a big-city entertainment into a national one." P. 218 Minstrel shows "created concrete versions of the abstract notions Northerners held about blacks." And these harsh notions exemplified the more intellectual elite doctrine of polygenetic theory. Minstrel show suggested Blacks were subhuman. Clumsy creatures, children of ham who would not work without compulsion and were unable to control themselves. They didn't speak English but a childish gibberish, and were more monkey than man. As the minstrel joke went: Why should an abolitionist marry a monkey? Because it is the nearest thing to a nigger." To be sure other folkways promoted racism: Children were told to be good or the debil nigger would carry them off. P. 231 but nothing resembled the minstrel show for calculated meanness that was all the more insidious because it clocked its views in humor. Just as Jay Leno does political jokes so did minstrel shows. For example, they furthered the notion of blacks as an enemy where racial relationships were a seesaw. When Blacks were up, whites were down. "A potential enemy in the best of times became a certain one during periods of racial change." P. 234 Ethiopians Serenaders' Own Book had these lyrics: I wish I was a nigger, I really do indeed, It seems to me that niggers get Everything they need. Congress legislates for them And white men taxes pay. The minstrel show gave whites the concrete images they needed to suggest that White should be governed one way, and Blacks controlled more harshly and more closely. "In holding the public infantilism of blacks constant, Northerners denied what was allowed in white aliens and male children-the possibility of political maturation-and thereby rejected environment as the source of the black debasement. According to popular culture, the Negro was not the creature of his circumstances ... In this way the popular arts and especially minstrelsy provided symbolic justifications for keeping the Negro in his place." P. 242 The mob violence and vigilantism that supported Jim Crow were already in place by the Civil War. Democrats who sang, "Fight for the nigger, the sweet scented nigger" fed anti-draft sentiment and made the public believe the preposterous claim that Blacks were to blame for the draft. During reconstruction Democratic Party propaganda used minstrel imagery to demean and mock Republican reconstruction efforts. The Civil War could end slavery, but the racial view of white Americans could not grant Blacks full liberty and equality, and this was an important reason for why slavery existed, and why reconstruction failed. __________________________________________________ Do You Yahoo!? Make a great connection at Yahoo! Personals. http://personals.yahoo.com This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Wed, 24 Oct 2001 03:27:11 -0400 Reply-To: Reconstruction Forum Sender: Reconstruction Forum From: Ranjit Dighe Subject: 19th century Democrats In-Reply-To: <20011024160101.62961.qmail@web13709.mail.yahoo.com> MIME-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII >The party of Andrew Jackson by 1850 >had been transformed. The ideological cues the >Democratic party gave its followers, developed from >its liberalism and anti-statism in of the 1830s into >the Republicanism and racism of the mid-nineteenth >century. p. 24 This looks like a ripe opportunity for another digression. I for one would take issue with the notion of The Party of Jackson as "liberal and anti-statist." Jackson was one of the most stridently anti-Indian and pro-slavery presidents this country ever had. Didn't his Postmaster General make it a federal crime to send abolitionist literature through the mail, or something like that? As far as his anti-statism, other than opposing the Bank of the United States (which was technically a private bank, not a governmental entity), I'd always been under the impression that he *increased* the power of the federal government, with the spoils system, his disregarding John Marshall's decision on the Cherokee Nation case, and by quashing South Carolina's threat to secede over the tariff. Also, what exactly does the phrase "Republicanism" mean in this context? Does it mean to equate the Republican Party with racism, or does it refer to policies that transfer power from the people to their elected representatives? Or is it something else entirely. rsd P.S. Would the person who played KRS-ONE for his class be willing to make me a mix tape? :) ***************************************************** Ranjit S. Dighe at home: Assistant Professor P.O. Box 3010 Department of Economics Oswego, NY 13126 Mahar Hall SUNY-Oswego Oswego, NY 13126 315-312-3480 Fax: 315-312-5444 E-mail: dighe@oswego.edu Home page: http://www.oswego.edu/~dighe/ Office hours: Tues. & Thurs. 2-4 ***************************************************** This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Wed, 24 Oct 2001 16:39:50 -0400 Reply-To: Reconstruction Forum Sender: Reconstruction Forum From: Jim Hart Subject: Re: 19th century Democrats I just wanted to throw my two-cents in regarding Andrew Jackson. Several issues were mentioned in arguing that Jackson increased federal power. First, the spoils system. I see this as an effort to democratize federal officeholding and prevent the possibility of an entrenched, corrupt federal bureaucracy being formed (whether or not it worked is irrelevant). This seems to me to neither increase nor decrease federal power. Second, Jackson's disregard of Marshall's decision in the Cherokee nation case. This was actually a victory for state power over federal power (indeed, a potentially tremendous blow to the authority of the federal judiciary), because it allowed the State of Georgia to disregard federal law. Finally, the nullification issue. Jackson's highest principle, in my opinion, was that the majority should rule. He opposed South Carolina's threat to nullify the tariff as an attempt by a minority to overthrow majority rule. As Richard Ellis has argued, it was actually a struggle between competing visions of states' rights (actually of minority rights), not a struggle between state and national authority. Jackson saw nullification as undemocratic and as having no place in the Jeffersonian heritage (and, therefore, as an illegitimate form of states' rights). See Ellis, The Union at Risk: Jacksonian Democracy, States' Rights, and the Nullification Crisis (Oxford U. Press, 1987). Though not consciously acting to increase federal power, in fact he acted to limit federal power by vetoing internal improvements measures. I think Jackson's largest political significance was to greatly increase the authority of the Presidency via the most liberal use of the veto in history to that time. One last note, regarding the action to make the sending of abolitionist literature through the mail a federal crime. This must be placed in the context of events. In 1831, Garrison began publishing "The Liberator." Later that year, Nat Turner's rebellion led to the shedding of blood in Virginia. Southerners believed these events were directly related. In 1833, abolitionists began flooding Congress with petitions, and two years later they began shipping huge numbers of tracts to South Carolina. Southerners saw these as reckless attempts to incite another slave insurrection. The ban on the use of the mails for such purposes may have passed been passed by Jackson without regret, but I don't think it was actively sought by him. (Final note: None of this is meant to defend Jackson's obvious racism.) Jim This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Wed, 24 Oct 2001 05:37:40 -0400 Reply-To: Reconstruction Forum Sender: Reconstruction Forum From: Ranjit Dighe Subject: Re: 19th century Democrats In-Reply-To: MIME-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII Jim, Good points all, though your last line about "Jackson's obvious racism" underscores my main point -- i.e., to question whether there was really such a discontinuity between the 1830s Democrats and the 1850s Democrats. Didn't the 1850s Democrats and other upholders of slavery go on and on about "states' rights," too? rsd ***************************************************** Ranjit S. Dighe at home: Assistant Professor P.O. Box 3010 Department of Economics Oswego, NY 13126 Mahar Hall SUNY-Oswego Oswego, NY 13126 315-312-3480 Fax: 315-312-5444 E-mail: dighe@oswego.edu Home page: http://www.oswego.edu/~dighe/ Office hours: Tues. & Thurs. 2-4 ***************************************************** On Wed, 24 Oct 2001, Jim Hart wrote: > I just wanted to throw my two-cents in regarding Andrew Jackson. Several > issues were mentioned in arguing that Jackson increased federal power. > First, the spoils system. I see this as an effort to democratize federal > officeholding and prevent the possibility of an entrenched, corrupt federal > bureaucracy being formed (whether or not it worked is irrelevant). This > seems to me to neither increase nor decrease federal power. Second, > Jackson's disregard of Marshall's decision in the Cherokee nation case. > This was actually a victory for state power over federal power (indeed, a > potentially tremendous blow to the authority of the federal judiciary), > because it allowed the State of Georgia to disregard federal law. Finally, > the nullification issue. Jackson's highest principle, in my opinion, was > that the majority should rule. He opposed South Carolina's threat to > nullify the tariff as an attempt by a minority to overthrow majority rule. > As Richard Ellis has argued, it was actually a struggle between competing > visions of states' rights (actually of minority rights), not a struggle > between state and national authority. Jackson saw nullification as > undemocratic and as having no place in the Jeffersonian heritage (and, > therefore, as an illegitimate form of states' rights). See Ellis, The > Union at Risk: Jacksonian Democracy, States' Rights, and the Nullification > Crisis (Oxford U. Press, 1987). Though not consciously acting to increase > federal power, in fact he acted to limit federal power by vetoing internal > improvements measures. I think Jackson's largest political significance > was to greatly increase the authority of the Presidency via the most > liberal use of the veto in history to that time. > > One last note, regarding the action to make the sending of abolitionist > literature through the mail a federal crime. This must be placed in the > context of events. In 1831, Garrison began publishing "The Liberator." > Later that year, Nat Turner's rebellion led to the shedding of blood in > Virginia. Southerners believed these events were directly related. In > 1833, abolitionists began flooding Congress with petitions, and two years > later they began shipping huge numbers of tracts to South Carolina. > Southerners saw these as reckless attempts to incite another slave > insurrection. The ban on the use of the mails for such purposes may have > passed been passed by Jackson without regret, but I don't think it was > actively sought by him. (Final note: None of this is meant to defend > Jackson's obvious racism.) Jim > > This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. > This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Wed, 24 Oct 2001 14:38:52 -0700 Reply-To: Reconstruction Forum Sender: Reconstruction Forum From: nathan riley Subject: Re: 19th century Democrats In-Reply-To: MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii The character of the Jackson Administration may be as you describe, but the "ideological cues" were clearly anti-statist and republican. Democrats were the party of the people -- opposed to aristocracy, and monopolies -- they favored governments that ruled lightly (not of course Indians, but white men)and in Jean Baker's reading their intellectual hero was Edmund Burke. --- Ranjit Dighe wrote: > >The party of Andrew Jackson by 1850 > >had been transformed. The ideological cues the > >Democratic party gave its followers, developed from > >its liberalism and anti-statism in of the 1830s > into > >the Republicanism and racism of the mid-nineteenth > >century. p. 24 > > This looks like a ripe opportunity for another > digression. I for one > would take issue with the notion of The Party of > Jackson as "liberal and > anti-statist." Jackson was one of the most > stridently anti-Indian and > pro-slavery presidents this country ever had. > Didn't his Postmaster > General make it a federal crime to send abolitionist > literature through > the mail, or something like that? As far as his > anti-statism, other than > opposing the Bank of the United States (which was > technically a private > bank, not a governmental entity), I'd always been > under the impression > that he *increased* the power of the federal > government, with the spoils > system, his disregarding John Marshall's decision on > the Cherokee Nation > case, and by quashing South Carolina's threat to > secede over the tariff. > > Also, what exactly does the phrase "Republicanism" > mean in this context? > Does it mean to equate the Republican Party with > racism, or does it refer > to policies that transfer power from the people to > their elected > representatives? Or is it something else entirely. > > rsd > > P.S. Would the person who played KRS-ONE for his > class be willing to make > me a mix tape? :) > > ***************************************************** > > Ranjit S. Dighe at home: > > Assistant Professor P.O. Box 3010 > Department of Economics Oswego, NY 13126 > Mahar Hall > SUNY-Oswego > Oswego, NY 13126 > 315-312-3480 > Fax: 315-312-5444 > > E-mail: dighe@oswego.edu > Home page: http://www.oswego.edu/~dighe/ > Office hours: Tues. & Thurs. 2-4 > > ***************************************************** > > This forum is sponsored by History Matters--please > visit our Web site at http://historymatters.gmu.edu > for more resources for teaching U.S. History. __________________________________________________ Do You Yahoo!? Make a great connection at Yahoo! Personals. http://personals.yahoo.com This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Wed, 24 Oct 2001 14:39:53 -0700 Reply-To: Reconstruction Forum Sender: Reconstruction Forum From: nathan riley Subject: Re: fraility thy name is memory In-Reply-To: MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii A pleasure, I found Ms. Baker's books to be eye openers. Nathan --- ARNETT DUNCAN wrote: > Thanks Nathan. This broadens my understanding. It > also puts the minstrel > show, its purpose and effect in a national rather > that regional context. > > Carl Duncan > > -----Original Message----- > From: nathan riley [mailto:natriley3@YAHOO.COM] > Sent: Wednesday, October 24, 2001 9:01 AM > To: RECONSTRUCTIONFORUM@ASHP.LISTSERV.CUNY.EDU > Subject: ah: fraility thy name is memory > > > By mistake I transmitted my note, rather than the > piece I wrote. > > Ah frailty, thy name is memory. Several people > pointed out that I was wrong when I said Stephen > Foster wrote Dixie. Well I was also wrong when I > said > Jean Baker wrote about minstrel shows in her > biography > of Abraham Lincoln's wife. > > I had the right author, but the wrong book. Jean H. > Baker did not write about the minstrel shows in her > biography of Mary Todd Lincoln, but in her 1983 > book: > Affairs of Party: The Political culture of Northern > Democrats in the Mid-Nineteenth Century. She > studied > the Democrats because they were the dominant party > in > the United States, and their views shed light on the > views of many American voters in the states that > didn't secede. The party of Andrew Jackson by 1850 > had been transformed. The "ideological cues the > Democratic party gave its followers, ... developed > from > its liberalism and anti-statism in of the 1830's > into > the Republicanism and racism of the mid-nineteenth > century." p. 24 > > In his first term in the Illinois State Legislature, > Democrat Stephen Douglas supported resolutions > declaring property in slaves, "a sacred > institution," > denouncing abolitionist meddling and that denied > that > Congress had the power to abolish slavery in the > District of Columbia. Abraham Lincoln, Whig from > Sangamon County, was one of only six legislators > among > the 83 to oppose these resolutions. P. 184 > > "As late as 1842, the Democratic Review has answered > yes to the question 'Do the various races of man > constitute a new species?' But by 1850, the > God-given > unity of mankind had given way to newer theories of > polygeniticism, explained the Democratic Review in > its > revised position on the matter, there are several > distinct races of men on the face of the ear, with > entirely different capacities, physical and mental." > P. 179 In this view Genesis only made sense if one > accepted the doctrine that other types of humans > existed before Adam and Eve who started the European > races. > > The belief in the theory was so strong that > Democrats > denied that blacks and whites could successfully > mate. > Since mulattos obviously existed, the theorist > argued > that sterility set in by the fourth generation. > > By adopting such views, Northern Democrats > refurbished > their party's traditional links to the People, now > explicitly defined as white, and by excluding blacks > from public affairs they offered political affairs > they offered political democracy and an inclusive > patriotism to the white Male American. There were > other implications to the Democracy's theory of > racial > hierarchy. If God had made the Negro different > from-and inferior to-the white man by virtue of a > separate creation, than blacks must be governed > differently from whites. P. 180 Blacks were a > separate specie with limited capacity could not > govern > them selves. The doctrine that confuted the common > ancestry of mankind reinforced the equality of > whites > and justified local practices in the South that > enslaved the Negro. > > Stephen Douglas bluntly stated this polygenetic > theory > "Between all contests between Negro and White, I am > for the white man. In all questions between Negro > and > crocodile I am for the Negro." Speaking of the > citizens of Illinois, he said, "We here do not > believe in the equality of the Negro socially and > politically. Our people are white people without > any > mixture of with the Negro. This government is > intended to be administered by white men in all > times > to come." P. 185 > > Republicans, Douglas charged, were unclear on this > point, and indeed Lincoln's view that the promise of > equality in the Declaration of Independence applied > to > White and Black differed sharply from Douglas's > view. > By allowing Blacks to fight and win the Civil War, > Lincoln strengthened their claim to citizenship. > The > righteousness of this claim led historians to ignore > the role that Blacks played in the war for decades. > > But Lincoln never endorsed social equality for > Blacks. > In this and in many other ways partisan Democratic > views drew only distinctions rather than true > differences with Republicans and other Americans. > > The important fact for the study of reconstruction > is > that the Democratic doctrine of racial separation > existed before Reconstruction. In 1860, the > Democrats > lost the Presidency, but they still controlled state > houses and local governments. Only six years after > the end of the Civil War, in 1871, the Democrats > regained the majority in the House of > Representatives. > Reconstruction was not just a failure of Radical > Republicans, but it was also the imposition of > Democratic ideas that were firmly in place by 1860 > and > continued on after the war. > > Those Blacks, who were able to vote after the Civil > War, were Republicans for good reason. > > What was true in the 19th century was not true in > the > 20th. One of the important lessons of history is > that > over time dramatic changes occur. Democrats > gradually after Roosevelt became the party of social > justice and started to enjoy black support. > > But Democratic elite concerns about the doctrine of > polygeniticism doesn't tell us if ordinary Democrats > and white Americans supported the idea that Blacks > were a different race. > > In, Chapter 6 The Negro Issue: Popular Culture, > Racial > Attitudes, and the Democratic Policy. P212 ff. Jean > Baker approaches popular attitudes in this way: > > "The most influential forum for nineteenth-century > racial attitudes was minstrelsy. As entertainment, > it > had no rival, and in the manner of public amusement > it > crossed the historic divide of war and > Reconstruction > UNCHANGED (emphasis added), remaining an important > part of American life well into the twentieth > century. > " P. 213f Minstrel shows were the preferred > entertainment of the Northern Working Class from > 1840 > to 1880. Promoters took the shows on the road and > "transformed a big-city entertainment into a > national > one." P. 218 > > Minstrel shows "created concrete versions of the > abstract notions Northerners held about blacks." > > And these harsh notions exemplified the more > intellectual elite doctrine of polygenetic theory. > Minstrel show suggested Blacks were subhuman. > Clumsy > creatures, children of ham who would not work > without > compulsion and were unable to control themselves. > They > didn't speak English but a childish gibberish, and > === message truncated === __________________________________________________ Do You Yahoo!? Make a great connection at Yahoo! Personals. http://personals.yahoo.com This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Thu, 25 Oct 2001 13:35:10 -0400 Reply-To: Reconstruction Forum Sender: Reconstruction Forum From: Jim Hart Subject: Re: 19th century Democrats There's a tremendous level of continuity between the Democratic Party of the 1830's and 1850's. I see no break in their ideology between those decades. I don't believe, however, that racism is a characteristic that set them apart. Racism was a central feature of antebellum America, North and South, Democratic and Whig. The difference is in its manifestation. Southern whites continued to enslave blacks throughout the period, Northern whites left them free but stripped them of their political rights. Northern blacks were disenfranchised in many Northern states throughout the 1820's and 1830's. The difference between the two parties is that the Whigs were the party of pietist moral reform. For some Whigs (but not for the majority, I don't believe), moral reform extended to abolitionism. Clearly, the Republican Party of the 1850's emerges with abolitionism much closer to the heart of its platform. Still, however, many abolitionist Northerners would not have taken to the idea of living next door to blacks (or Native Americans for that matter). Finally, states' rights was not initially exclusive to the South. If you look at the years between the Revolution and the 1830's, many states took on the mantle of states' rights in defending their interests. It is only with the nullification crisis, when states' rights becomes linked for the first time with slavery, that it begins to be a peculiarly Southern principle. Jim This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Thu, 25 Oct 2001 10:49:16 -0700 Reply-To: Reconstruction Forum Sender: Reconstruction Forum From: nathan riley Subject: Re: 19th century Democrats In-Reply-To: MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii I really think we are talking apple's and oranges. Whether we call it "ideological cues" or the party line, it would be failed party organization that would have the same party line in 1920 that it had in 1940 or in 1830 and 1850. Party lines change in response to many forces, and they change fairly rapidly. I think it is pertinent to examine the nature of the racisms that groups harbor. I doubt that racists are very stable. It is, I think, a significant difference whether a party bases its racisms on a lack of Christianity or on a belief that a group is not human but a separate species. At least that is what Jean Baker asserts emerged as the party line among Democrats by the 1850. It is equally pertinent that today such a belief would be held by a racist extremists, but in 1860, it was the belief of the Democratic Party Presidential nominee. She also implies that Republicans did not believe that Blacks were a different species. Both parties harbored racists sentiments, but the nature of these sentiments differed,and the conclusion they drew also differed. The question I raised: Was what chance did Reconstruction have? Wasn't it doomed to failure. I believe that the Democrats were the dominant party in the ante-bellum years and that as they regained their power after the Civil War, they reasserted their harsh racists beliefs. The other question I raised, Was how did the Democrats, who were historically the party that elevated whites, emerge as the favorite party of the Blacks? A related phenomenon is that the Republican Party after 1964 became the home of those whites who historically had vociferously opposed Black equality. The Republicans of today inherited many Democratic constituencies especially in the South. I believe one lesson of history is that overtime great changes occur --- Ranjit Dighe wrote: > Jim, > > Good points all, though your last line about > "Jackson's obvious racism" > underscores my main point -- i.e., to question > whether there was > really such a discontinuity between the 1830s > Democrats and the 1850s > Democrats. > > Didn't the 1850s Democrats and other upholders of > slavery go on and on > about "states' rights," too? > > rsd > > ***************************************************** > > Ranjit S. Dighe at home: > > Assistant Professor P.O. Box 3010 > Department of Economics Oswego, NY 13126 > Mahar Hall > SUNY-Oswego > Oswego, NY 13126 > 315-312-3480 > Fax: 315-312-5444 > > E-mail: dighe@oswego.edu > Home page: http://www.oswego.edu/~dighe/ > Office hours: Tues. & Thurs. 2-4 > > ***************************************************** > > On Wed, 24 Oct 2001, Jim Hart wrote: > > > I just wanted to throw my two-cents in regarding > Andrew Jackson. Several > > issues were mentioned in arguing that Jackson > increased federal power. > > First, the spoils system. I see this as an effort > to democratize federal > > officeholding and prevent the possibility of an > entrenched, corrupt federal > > bureaucracy being formed (whether or not it worked > is irrelevant). This > > seems to me to neither increase nor decrease > federal power. Second, > > Jackson's disregard of Marshall's decision in the > Cherokee nation case. > > This was actually a victory for state power over > federal power (indeed, a > > potentially tremendous blow to the authority of > the federal judiciary), > > because it allowed the State of Georgia to > disregard federal law. Finally, > > the nullification issue. Jackson's highest > principle, in my opinion, was > > that the majority should rule. He opposed South > Carolina's threat to > > nullify the tariff as an attempt by a minority to > overthrow majority rule. > > As Richard Ellis has argued, it was actually a > struggle between competing > > visions of states' rights (actually of minority > rights), not a struggle > > between state and national authority. Jackson saw > nullification as > > undemocratic and as having no place in the > Jeffersonian heritage (and, > > therefore, as an illegitimate form of states' > rights). See Ellis, The > > Union at Risk: Jacksonian Democracy, States' > Rights, and the Nullification > > Crisis (Oxford U. Press, 1987). Though not > consciously acting to increase > > federal power, in fact he acted to limit federal > power by vetoing internal > > improvements measures. I think Jackson's largest > political significance > > was to greatly increase the authority of the > Presidency via the most > > liberal use of the veto in history to that time. > > > > One last note, regarding the action to make the > sending of abolitionist > > literature through the mail a federal crime. This > must be placed in the > > context of events. In 1831, Garrison began > publishing "The Liberator." > > Later that year, Nat Turner's rebellion led to the > shedding of blood in > > Virginia. Southerners believed these events were > directly related. In > > 1833, abolitionists began flooding Congress with > petitions, and two years > > later they began shipping huge numbers of tracts > to South Carolina. > > Southerners saw these as reckless attempts to > incite another slave > > insurrection. The ban on the use of the mails for > such purposes may have > > passed been passed by Jackson without regret, but > I don't think it was > > actively sought by him. (Final note: None of > this is meant to defend > > Jackson's obvious racism.) Jim > > > > This forum is sponsored by History Matters--please > visit our Web site at http://historymatters.gmu.edu > for more resources for teaching U.S. History. > > > > This forum is sponsored by History Matters--please > visit our Web site at http://historymatters.gmu.edu > for more resources for teaching U.S. History. __________________________________________________ Do You Yahoo!? Make a great connection at Yahoo! Personals. http://personals.yahoo.com This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Thu, 25 Oct 2001 13:07:33 -0700 Reply-To: Reconstruction Forum Sender: Reconstruction Forum From: Jean Libby Subject: Re: 19th century Democrats MIME-version: 1.0 Content-type: text/plain; charset=iso-8859-1 Content-transfer-encoding: 7BIT In considering the level of continuity between the Democratic Party of the 1830s and the 1850s, please give attention to their strong resistance to the emerging Republican Party in the mid1850s as a force of change. For example, on September 16, 1856, while Free State militia and defenders in Kansas were being disarmed and jailed in Lecompton by a new territorial governor (John W. Geary), the governor of Virginia, Henry A. Wise, wrote to his cousin at the Navy Dept. in Washington: ...this day ordered the commandants of regiments in Virginia to fill al vacancies in company & field officers of our Militia and that this is but a beginning of pre- paration for the contingency of J.C. Fremont's election for the Presidency. I shall not wait for the convening of the Legislature... On Sept. 17, 1856, Governor Wise ordered some howitzers sent to "the boys", with 200 cartridges, "ostensibly for a salute." These letters are in the Wise Collection at the Library of Congress, who circulate the microfilm on Interlibrary Loan. Republican Senator Charles Sumner on May 19, 1856, noted the threats of South Carolina Democrats to secede from the Union in his speech "The Crime Against Kansas", after which (two days later) he was beaten into a coma by a South Carolina representative because he felt the South Carolina senator had been personally insulted. I think the Democratic Party was changing greatly during this period in direct response to the growing power of the Republican Party and Free State resistance to election interference in Kansas following the Kansas-Nebraska Act of 1854. The slaveholders were determined not to lose the political control that was maintained through the Democratic Party, and that they manifested their intention to secede well before the election of Abraham Lincoln in 1860. On the issue of the participation of Northern blacks within the political arena, I believe that abolitionist Republicans were taking the lead, especially at the local level, in improving access to political rights, until the Dred Scott Decision of April, 1857, took those initiatives from their hands. The regional schism within the Democratic Party on issues of slavery and political rights widened as well. Jean Libby San Jose City College ----- Original Message ----- From: "Jim Hart" To: Sent: Thursday, October 25, 2001 10:35 AM Subject: Re: 19th century Democrats > There's a tremendous level of continuity between the Democratic Party of > the 1830's and 1850's. I see no break in their ideology between those > decades. I don't believe, however, that racism is a characteristic that > set them apart. Racism was a central feature of antebellum America, North > and South, Democratic and Whig. The difference is in its manifestation. > Southern whites continued to enslave blacks throughout the period, Northern > whites left them free but stripped them of their political rights. > Northern blacks were disenfranchised in many Northern states throughout the > 1820's and 1830's. The difference between the two parties is that the > Whigs were the party of pietist moral reform. For some Whigs (but not for > the majority, I don't believe), moral reform extended to abolitionism. > Clearly, the Republican Party of the 1850's emerges with abolitionism much > closer to the heart of its platform. Still, however, many abolitionist > Northerners would not have taken to the idea of living next door to blacks > (or Native Americans for that matter). > > Finally, states' rights was not initially exclusive to the South. If you > look at the years between the Revolution and the 1830's, many states took > on the mantle of states' rights in defending their interests. It is only > with the nullification crisis, when states' rights becomes linked for the > first time with slavery, that it begins to be a peculiarly Southern > principle. Jim > > This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. > This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Thu, 25 Oct 2001 16:38:02 -0400 Reply-To: Reconstruction Forum Sender: Reconstruction Forum From: Jim Hart Subject: Re: 19th century Democrats I accept that the Democratic Party was growing more strident in its defense of slavery in the 1850's. However, this strain was always present among Southern Democrats. Democratic principles did not change, but their militancy did. What changed is that Northern politicians (Whig, then Republican) became more resistant to Southern demands. In my opinion, William J. Cooper's "The South and the Politics of Slavery, 1828-1856" is convincing in arguing that slavery dominated all public issues in the Southern Democratic Party not just in the 1850's, but as early as 1830. Both Democrats and Whigs in the South tried to capitalize on pro-slavery rhetoric, but the Whigs could not maintain this position because of the presence of abolitionists in the party's Northern wing. I guess what I'm trying to argue (in a very muddled way) is that the Democratic response to the emergence of the Republican Party would have been virtually the same in the 1830's as it was in the 1850's. I will also concede that the lack of change by a party over a 20-year span will often lead to that party's defeat. I would argue that the Democratic Party in fact did not change on racial issues from 1830 to 1850, they only grew more militant over principles they had held throughout the entire period in response to changing Northern principles. This doomed at least the Democrat's Southern wing to the carnage of the Civil War. Jim This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Thu, 25 Oct 2001 18:39:05 -0500 Reply-To: Reconstruction Forum Sender: Reconstruction Forum From: "Suvi U. Vesala" Subject: And the Winner is: MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit I'd like to draw everyone back to discuss Reconstruction before it's too late. Some of you may consider this kind of basic, but I'd like to hear your opinions. Here's the situation: I asked students , mostly college freshmen, the question: why and how did the North win the civil war and how about the peace, which side won that. A couple of students did not answer this the obvious way. What kind of a case would you fellow teachers consider strong enough, if one were to argue that North won both. Ursula Vesala This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Thu, 25 Oct 2001 18:30:44 -0700 Reply-To: Reconstruction Forum Sender: Reconstruction Forum From: Pete Haro Subject: Re: And the Winner is: Mime-version: 1.0 Content-type: text/plain; charset="US-ASCII" Content-transfer-encoding: 7bit Dear Ursula: Economically, I think that there is little question that the North won. One of Reconstruction's failures was that it was unable to change the economic mindset of the south with respect to diversification. While the north continued to expand and diversify (heavy industry, banking, agriculture, shipping, etc.), the south remained rooted to a one crop system of agriculture supported by sharecropping. Although the south is much more economically diversified today, I suspect that close examination of when this diversification began would reveal that it is a recent phenomena. However, I would welcome any clarification by forum members on this point. Pete Haro Southwestern College. ---------- >From: "Suvi U. Vesala" >To: RECONSTRUCTIONFORUM@ASHP.LISTSERV.CUNY.EDU >Subject: And the Winner is: >Date: Thu, Oct 25, 2001, 4:39 PM > > I'd like to draw everyone back to discuss Reconstruction before it's too > late. Some of you may consider this kind of basic, but I'd like to hear your > opinions. > > Here's the situation: I asked students , mostly college freshmen, the > question: why and how did the North win the civil war and how about the > peace, which side won that. > > A couple of students did not answer this the obvious way. What kind of a > case would you fellow teachers consider strong enough, if one were to argue > that North won both. > > Ursula Vesala > > This forum is sponsored by History Matters--please visit our Web site at > http://historymatters.gmu.edu for more resources for teaching U.S. History. This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Fri, 26 Oct 2001 03:04:26 -0700 Reply-To: Reconstruction Forum Sender: Reconstruction Forum From: nathan riley Subject: Re: And the Winner is: In-Reply-To: <001601c15dae$3d55a440$71d55181@tcs.tulane.edu> MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii I may be old fashioned, but I still cling to the view I learned in the 1960s. I would like to hear from Professor Foner on this subject. My view is the nation won, we were one government, and obviously one of the powerful governments in the world. The end of the threat of secession meant that Britain had to take us seriously as a rival and prompted German to unite, and led to the Franco-Prussian War. But the issue of Afro-Americans was unresolved. Blacks were prevented from advancing in ways comparable to other groups. The South remained a distinct region with interests that were often at odds to the nation, and with a distinct interest in oppressing Blacks. I still believe that the Reconstruction of Germany and Japan after World War II stand out as examples of a successful peace. The failure of reconstruction meant that the Civil War peace was a failure. --- "Suvi U. Vesala" wrote: > I'd like to draw everyone back to discuss > Reconstruction before it's too > late. Some of you may consider this kind of basic, > but I'd like to hear your > opinions. > > Here's the situation: I asked students , mostly > college freshmen, the > question: why and how did the North win the civil > war and how about the > peace, which side won that. > > A couple of students did not answer this the obvious > way. What kind of a > case would you fellow teachers consider strong > enough, if one were to argue > that North won both. > > Ursula Vesala > > This forum is sponsored by History Matters--please > visit our Web site at http://historymatters.gmu.edu > for more resources for teaching U.S. History. __________________________________________________ Do You Yahoo!? Make a great connection at Yahoo! Personals. http://personals.yahoo.com This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Thu, 25 Oct 2001 20:25:07 -0500 Reply-To: sethw@maine.edu Sender: Reconstruction Forum From: Seth Wigderson Subject: Re: And the Winner is: In-Reply-To: <001601c15dae$3d55a440$71d55181@tcs.tulane.edu> MIME-Version: 1.0 Content-type: text/plain; charset=US-ASCII Content-transfer-encoding: 7BIT Dear Friends I like Ursula's question. I wonder if we could update it. What if we asked, a few years ago, why are the President, Vice-president, Speaker of the House, Majority Leader of the Senate, ALL from states where Reconstruction was defeated by white supremacists in league with business and land holding interests? I think, to begin with, we need to recognize that the legacy of Reconstruction was very much evident in -- oh my -- the recent disputed Florida Presidential election vote. I believe if we begin with assessing the weight of that awful past on our own present we will no longer ask why so many people who know anything about Reconstruction know the wrong thing. That is, it is not just Birth of a Nation and Gone With the Wind, it is also Clinton-Gore-Gingrich and Lott. Seth Wigderson University of Maine at Augusta > I'd like to draw everyone back to discuss Reconstruction before it's too > late. Some of you may consider this kind of basic, but I'd like to hear > your opinions. > > Here's the situation: I asked students , mostly college freshmen, the > question: why and how did the North win the civil war and how about the > peace, which side won that. > > A couple of students did not answer this the obvious way. What kind of a > case would you fellow teachers consider strong enough, if one were to argue > that North won both. > > Ursula Vesala > > This forum is sponsored by History Matters--please visit our Web site at > http://historymatters.gmu.edu for more resources for teaching U.S. History. > > This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Fri, 26 Oct 2001 06:16:00 -0700 Reply-To: Reconstruction Forum Sender: Reconstruction Forum From: Kirk Jeffrey Subject: Re: And the Winner is: In-Reply-To: <001601c15dae$3d55a440$71d55181@tcs.tulane.edu> MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Ursula Vesala asks who "won" during Reconstruction after the Civil War. Did the North win? I think the North was not a single, unified body of people. Throughout the war, northerners had had a variety of priorities; this continued during Reconstruction. There were some thoroughgoing radicals who wanted to bring about drastic social change in the South, either because they believed in some notion of greater racial equality or because they wanted to punish the white South for secession and the war. There were others who wished to get the country back together as quickly as possible and to put the emotions of the war behind them. The radicals gained some significant victories during the radical phase of Reconstruction--they stymied Andrew Johnson, forced military occupation on most former Confederate states, insisted on black suffrage in the South, framed the 14th Amendment and pushed it through the ratification process, etc. But in the long run, the more moderate or conciliatory northerners prevailed. So I would re-phrase the question to ask why this happened. What factors contributed to the decline of radical Republicanism after about 1870 and to the eventual triumph of northern moderates? ===== Kirk Jeffrey, PhD Professor of History Carleton College One North College Street Northfield Minnesota 55057 Tel (507) 646-4215 Fax (507) 646-7900 __________________________________________________ Do You Yahoo!? Make a great connection at Yahoo! Personals. http://personals.yahoo.com This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Fri, 26 Oct 2001 09:41:07 -0500 Reply-To: Reconstruction Forum Sender: Reconstruction Forum From: Alan Bloom Subject: Re: And the Winner is: In-Reply-To: <001601c15dae$3d55a440$71d55181@tcs.tulane.edu> MIME-Version: 1.0 Content-Type: TEXT/PLAIN; CHARSET=US-ASCII I think that the "who won the peace?" question is an excellent tool for framing the issue of reconstruction. I even believe it gives students a way to handle some of the historiographical debates around this confusing topic. To that end, in my class I like to explain to the students the two main narrative approaches to Reconstruction. First, the class examines Reconstruction as a narrative about unification (a more traditional approach). By the by, the Ken Burns' episode on Reconstruction is a simple way of conveying this pt of view to your students (for more on Burns's handling of this topic, see Foner's review of Burns in Brent Toplin's Ken Burns's The Civil War). Second, I then have the students look at Reconstruction as a story about freedom and equality--or in essence the story of an unfinished revolution. With these two narratives in place, it is then easier for them to frame their own ideas about issues of victory and loss, success and failure. I also think that this question of who won the peace can be seen from the angle of women's rights. When we look at the 15th Amendment, clearly we can see that the women's movement was sidetracked in the name of unity. Right now I'm using some documents from Kathryn Kish Sklar's--Women's Rights Emerges within the Antislavery Movement, 1830-70 (one of those nifty little Bedford books). Also, F. Douglass clearly addresses this issue. That said, does anyone recommend any other texts or documents for teaching this issue? Thanks, Alan Bloom ----------------------------------------- Alan Bloom, Ph.D. Lecturer in History and the Humanities Valparaiso University Email: Alan.Bloom@valpo.edu This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Fri, 26 Oct 2001 08:36:52 -0700 Reply-To: Reconstruction Forum Sender: Reconstruction Forum From: ARNETT DUNCAN Subject: Re: And the Winner is: MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" First a commentary. I don't know if the ethnological discussion of imagery over the past almost two weeks helped to frame the tenor this forum, but the discussion this week has been much more practical and less "ivory tower" : ). Considering again that I and teaching 8th graders, the issue of who won must be put in simplistic terms that motivate high level critical thinking about the complexities of the question. Lee's surrender makes it appear that the North clearly won the war. But the debauchery of the Johnson Administration, and the Compromise of 1877 gives an 8th grader reason to question whether the North won the peace and thus really won at all. The South clearly lost. Its way of life, culture, and economic structures had been permanently changed against its will. However, the slaves were no longer slaves. They were a long way from being a respected partner in the "American experiment," but for the first time they has possibilities in the democratic endeavor. Those possibilities extended from simply being able to reasonably expect that one's family may be able to stay intact, the chance to dream that one day one's child or grandchildren may become educated and enjoy wealth, to the opportunity to face the governing structures and make demands. 8th graders can seen that. Implicit in the discussion of imagery is the question, if not the statement that reconstruction continues to this day. Not as an historical epoch, but as a process to correct the anomalies of this country. Which is what the Civil War was. The discussion of the development of the political parties provides a base for this point of view. I assert that these moral questions have been the driving force of domestic policy development in the United States. -----Original Message----- From: Alan Bloom [mailto:Alan.Bloom@VALPO.EDU] Sent: Friday, October 26, 2001 7:41 AM To: RECONSTRUCTIONFORUM@ASHP.LISTSERV.CUNY.EDU Subject: Re: And the Winner is: I think that the "who won the peace?" question is an excellent tool for framing the issue of reconstruction. I even believe it gives students a way to handle some of the historiographical debates around this confusing topic. To that end, in my class I like to explain to the students the two main narrative approaches to Reconstruction. First, the class examines Reconstruction as a narrative about unification (a more traditional approach). By the by, the Ken Burns' episode on Reconstruction is a simple way of conveying this pt of view to your students (for more on Burns's handling of this topic, see Foner's review of Burns in Brent Toplin's Ken Burns's The Civil War). Second, I then have the students look at Reconstruction as a story about freedom and equality--or in essence the story of an unfinished revolution. With these two narratives in place, it is then easier for them to frame their own ideas about issues of victory and loss, success and failure. I also think that this question of who won the peace can be seen from the angle of women's rights. When we look at the 15th Amendment, clearly we can see that the women's movement was sidetracked in the name of unity. Right now I'm using some documents from Kathryn Kish Sklar's--Women's Rights Emerges within the Antislavery Movement, 1830-70 (one of those nifty little Bedford books). Also, F. Douglass clearly addresses this issue. That said, does anyone recommend any other texts or documents for teaching this issue? Thanks, Alan Bloom ----------------------------------------- Alan Bloom, Ph.D. Lecturer in History and the Humanities Valparaiso University Email: Alan.Bloom@valpo.edu This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Fri, 26 Oct 2001 19:32:26 -0400 Reply-To: Reconstruction Forum Sender: Reconstruction Forum From: Eric Foner Subject: Re: And the Winner is: In-Reply-To: MIME-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII Dear colleagues, Here are a few responses to recent discussions: Scandals: There was certainly corruption during Reconstruction. I discuss this in Reconstruction: America's Unfinished Revolution as does Mark Summers in his book on rrs in Rec and in The Plundering Generation. The point, I think, is to explain why corruption was so endemic to postwar politics, north and south, and how the issue was used by opponents of Reconstruction to discredit it and the entire idea of black suffrage. Relevance. I believe it is quite possible to show students how Reconstruction is still alive in our lives today - in debates over affirmative action, reparations, the 14th amendment, race relations, the role of the Supreme Court re citizens rights, relations between the federal and state governments, etc etc. One could start by asking why the civil rights movement was called The Second Reconstruction and how the retreat from the first Rec was in some ways paralleled in the past 20 years. Nothern Dems. They were certainly pro-slavery and quite explicitly racist. "This is a white man's government" was a favorite slogan. Not until 1872 did the party accept black civil and voting rights, and they never did in the South. Andrew Jackson is not really a figure in Rec of course, but I think it is interesting to compare his "dismantling approach" to federal power re the economy (internal improvements, the Banks etc) with his strong support for national power in the nullification crisis and Indian removal. Who won? The NY Times on a Sunday last summer in the News of the Week in Review section had an article on this by David Davis -- I can't remember more specifically than that. Obviously, the answer depends what won things the war was about. If it was southern independence, the North won. But the south won the peace in many ways and equally important, for a long time won the war over memory of the war (see David Blight's recent book). In that meory, Reconstruction was viewed as a cruel mistake. But we should not minimize either the sitgnificance of the preservation of the Union and destruction of slavery. Eric Foner This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Mon, 29 Oct 2001 08:54:57 -0500 Reply-To: Reconstruction Forum Sender: Reconstruction Forum From: "Nancy L. Zens" Subject: Re: And the Winner is: I strongly feel that "who won the peace" is a critical part of "who won the war". I certainly agree that the fact that the union remained together and the south did not again mount an effort to secede from the nation indicates a powerful military victory. Economically the issue seems less concrete concrete to me. The northern war-time economy continues to expand, while the south slowly recovers, and faces such strong foreign competition with regards to cotton exports (and the boll weevil) that they must find another commercial crop. The evidence of new road construction, bridges, railroads, and rebuilt ports would indicate recovery, except that the continued devastation of so much of the country and the lack of manpower and capitol to rebuild. Still, there is post war crop diversification, both successful and failed attempts for factories, and northern as well as foreign investment in the region which to me would suggest possibilities for recovery and healthy change, yet this does not appear to have happened. The desire to maintain as much of the regional "culture" or "color" does not seem to me to be a satisfactory reason for slow economic recovery either. I can't quite believe that attitude alone explains either the economic or the political probelms that continue to plague the south during Reconstruction. Does the "lost cause" become the kind of general excuse (similar to the habit of Latin American politicians of using the U.S. as a scapegoat for continuing problems) that explains and justifies postwar failures to solve difficult problems? Do the potentials of "starting over" in the west lure too many of the south's strong, innovative men and women to that new area where their efforts are not hampered by war damage, local custom, or other issues, thus leaving southern rural and urban areas in the hands of weak or less talented individuals? How much fact vs fiction rests in assumptions that the biggest postwar legacy remains unresolved issues of race? As you can see, I have many more questions than answers. Nancy Zens This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Sun, 28 Oct 2001 13:29:19 -0600 Reply-To: Reconstruction Forum Sender: Reconstruction Forum From: Dennis Lawrence Subject: Kansas Exodusers In-Reply-To: <200110280227.VAA19517@roundtop.arthes.com> Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" Greetings, I have my students use state census microfilm to research the migration of the exodusers from the South to our county in Kansas after the failure of Reconstruction. Students are always amazed that anyone came to Kansas on their own accord :-) This leads us into a discussion of the conditions in the South during and after reconstruction that is connected to our community. We enter the names, occupations, ages, date born and emigrated from, Civil War service, and other information from the 1875 and 1885 census, the time period that bookends the 1879 exodus. Students have entered into a computer database the names of nearly 2,800 migrants, and have about 5,000 to go. We have been working on this project for two years. Results so far can be found in a downloadable excel table at http://kancrn.kckps.k12.ks.us/immigration/cdata_results_wash.cfm (This year's students are in the process of cleaning up data entry errors in spelling, and will be posting the corrected list and new data throughout the year, but it is a workable sample on line right now.) They have created and shared new knowledge about a group of founding fathers of our community. What they have discovered is a broad range of occupations of the settlers here: bookkeepers, preachers, policemen, school teachers, doctors, blacksmiths, etc. Every occupation found in the white community during this time seems to be present in the black communities forming in our segregated county. I have also taken some quotes for research works on the post -reconstruction exodus from Tera W. Hunter's book, _To 'Joy My Freedom: Southern Black Women's Lives and Labors after the Civil War_ and from Nell Painter's _Exodusers: Black Migration to Kansas after Reconstruction_ . I ask students to check our data against their conclusions to see if we can draw the same conclusions as they about the demographics of our residents here. It is a powerful tool to introduce the students to variety of research skills, but more importantly to make the forgotten founders of our community into real people who deserve the recognition for their efforts. Take whatever you find useful off their web site at http://www.arthes.com/community/ and be sure to share your research as they are sharing theirs. Good Luck Dennis Lawrence Eleventh Grade English Teacher Washington High School Kansas City, Kansas The large This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Mon, 29 Oct 2001 17:21:03 -0600 Reply-To: Reconstruction Forum Sender: Reconstruction Forum From: Mary Izell Hodges Subject: "Weak and less talented" MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit Oh, dear! As a womb to tomb Southerner, who had great grandfathers who fought on the Union and the Confederate sides in Arkansas, I am appalled at the "weak and less talented" comment. I am finishing a book on a "carpetbager" in Arkansas and let me hasten to assure you that none of the ex-Confederates, who had their franchise taken away, went into the fetal position. They were still very much a political if non voting power. (The great migration to the west didn't happen until the 1930's.) The vacuum that existed for a number of years for the Democrats, was filled with ex-Union soldiers who were not the thieving crooks books on Southern history have too often made them out to be. Many were lawyers and other professionals who had been active in Republican politics in their home states before coming to live and stay in Arkansas. The power base did shift from the planter aristocracy that is true. The not so weak and talented men who came into power did such important things as establish a state wide public school system and the first university in Arkansas. And we still wear shoes down here. Please visit my web page at www.angelcreekpress.com This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Tue, 30 Oct 2001 04:42:05 -0800 Reply-To: Reconstruction Forum Sender: Reconstruction Forum From: "A. Carl Duncan" Subject: Thanks for the memories MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit I still have one question that I want to ask again. I have been fascinated by the ideal that several local white citizens' councils and KKK chapters were started as a response/reaction to levels of cooperation between poor whites and freed persons. I have seen only a little evidence of this. Can anyone provide evidence to support this assertion? I have truly enjoyed this forum.. It has been enlightening and challenging to hear from so many points of view. I tried to challenge deeper consideration of issues related to the practical effects of Reconstruction, while I was challenged to consider more deeply myself. Thanks to those who e-mailed me personally with support. I include in every unit at least one learning activity that requires my students to consider the subject matter in the first person. If it doesn't make any sense to them personally, it won't matter to them objectively. That is when the exercise becomes just academic and irrelevant. This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Tue, 30 Oct 2001 08:22:29 -0600 Reply-To: Reconstruction Forum Sender: Reconstruction Forum From: "Suvi U. Vesala" Subject: Where I come from MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit I'd like to thank all those people who responded to my "who won the peace "-question. The main reason I still believe that South won the latter battle and undermined the entire war is the development that begins with Andrew Johnson's administration and continues thirty years later with the emergence of Jim Crow laws and disenfranchisement and onto the mid-twentieth century and the need for the Second Reconstruction.I'll apologize to Dr. Foner if it appears I'm borrowing too heavily the idea of the unfinished revolution here. My students and I are reading James Baldwin's dramatic telling of the Emmett Till-case "Blues for Mister Charlie". That is among the many documents that portray Mississippi in the 1950's. Other good descriptions of the "closed society" is John Dittmer's "Local People" and Anne Moody's autobiography "Coming of Age in Mississippi". After reading those it is hard to convince oneself that a revolutionary reordering of society took place there. Without a doubt, the war eradicated slavery and the Southern establishment suffered a wholesale destruction of their property, but the economic doom did not spare the newly freed African Americans either. Moreover, the Black Codes, the Compromise of 1877, Jim Crow, disfranchisement, the Plessy case, the Klan and other violence and even the massive resistance of the twentieth century stood to restrict the rights of the new citizens to the bare minimum, to the ability to leave. Sometimes even that was considered a punishable offense. So it appears that my reading of the this history is greatly influenced by the "black life in the postwar South" aspect of the history. That said, upon reading your arguments I feel I can give the alternative point of view a more sympathetic reading. Ursula Vesala This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Tue, 30 Oct 2001 07:06:54 -0800 Reply-To: Reconstruction Forum Sender: Reconstruction Forum From: "A. Carl Duncan" Subject: Re: Where I come from MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit I have found that the family histories people research for their family reunions are a rich source of ethnographic information. Often tracing the movement of many people of several decades or centuries. They often come with birth certificates, voting records, wills, etc. cd This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Tue, 30 Oct 2001 11:30:17 -0600 Reply-To: LouAnn Everett Sender: Reconstruction Forum From: LouAnn Everett Organization: Trinity Valley Community College Subject: Weak and less talented MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="----=_NextPart_000_004B_01C16136.3FF47C40" This is a multi-part message in MIME format. ------=_NextPart_000_004B_01C16136.3FF47C40 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Way to go Mary! As another "Womb to tomb" Southerner--how can anyone = say we are less talented!?!?!?!!?!!? =20 I'm not an expert--I too have just been sitting back and watching the = posts, but a little food for thought: When Walker Percy won the National Book Award, he was asked by newsmen = why there were so many good Southern writers and he said, "Because we = lost the War." And don't forget Faulkner and his ideas of original sin, Van C. Woodward = who claimed that Southern history is unique, and Flannery O'Connor who = expands the idea of freaks and sinners.=20 Southerners are unique and so good because we suffered--we lost the war, = we endured Reconstruction, it's HOT down here in the summer, indoor = plumbing and electricity was slow to come, etc. =20 Moonlight and magnolias aren't all bad--we do have the DAR, the UDC, and = oh-my-gosh--SCV groups are now proudly admitting blacks with Confederate = heritage into their groups. We even have symphony orchestras along = with our honky-tonk music. The South has given presidents, = v-presidents, and speakers this century. We Southerners love America, = but we will never forget who we were, what we have gone through, what we = are today, and what makes us different from ya'll up North. I think it is a shame that I have to go in and spend an entire lecture = period on telling my students who they are. Blacks and whites in the = South have more in common than white of the North and white of the = South. It is very rewarding though to see these students find their place! Thanks for an interesting forum. L. A. Everett ------=_NextPart_000_004B_01C16136.3FF47C40 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable
Way to go Mary!  As another "Womb = to tomb"=20 Southerner--how can anyone say we are less talented!?!?!?!!?!!? =20
 
I'm not an expert--I too have just been = sitting=20 back and watching the posts, but a little food for thought:
 
When Walker Percy won the National Book = Award, he=20 was asked by newsmen why there were so many good Southern writers and he = said,=20 "Because we lost the War."
 
And don't forget Faulkner and his ideas = of original=20 sin, Van C. Woodward who claimed that = Southern=20 history is unique, and Flannery O'Connor who expands the idea of freaks = and=20 sinners. 
 
Southerners are unique and so good = because we=20 suffered--we lost the war, we endured Reconstruction, it's HOT down here = in the=20 summer, indoor plumbing and electricity was slow to come, etc. =20
 
Moonlight and magnolias aren't all = bad--we do have=20 the DAR, the UDC, and oh-my-gosh--SCV groups are now proudly admitting = blacks=20 with Confederate heritage into their groups.   We even have = symphony=20 orchestras along with our honky-tonk music.  The South has given=20 presidents, v-presidents, and speakers this century.  We=20 Southerners love America, but we will never forget who we were, = what we=20 have gone through, what we are today, and what makes us different from = ya'll up=20 North.
 
I think it is a shame that I have to go = in and=20 spend an entire lecture period on telling my students who they = are.  Blacks=20 and whites in the South have more in common than white of the North and = white of=20 the South.
It is very rewarding though to see = these students=20 find their place!
 
Thanks for an interesting = forum.
 
L. A. = Everett
------=_NextPart_000_004B_01C16136.3FF47C40-- This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Tue, 30 Oct 2001 22:57:47 -0500 Reply-To: Reconstruction Forum Sender: Reconstruction Forum From: gary and patricia jameson-sammartano Subject: Re: Where I come from Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" This is true. I had a high school class working on their family history one year; the literature unit was Ragtime and we talked about assimilation and immigration. Since the students I teach are mainly recent immigrants, they don't have many of these documents, so my partner and I devised a questionnaire for them to ask their families. I kicked the entire thing off with my own great-great grandfather's obituary, and pointed out to my class some of the misstatements made in that(e.g., he was born in Brooklyn...when both the death certificate and the 1900 census list his birthplace as Ireland). It proved to be a popular unit with my students. Patricia Jameson-Sammartano >I have found that the family histories people research for their family >reunions are a rich source of ethnographic information. Often tracing the >movement of many people of several decades or centuries. They often come >with birth certificates, voting records, wills, etc. > >cd > >This forum is sponsored by History Matters--please visit our Web site at >http://historymatters.gmu.edu for more resources for teaching U.S. >History. Patricia Jameson- and Gary Sammartano This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Wed, 31 Oct 2001 09:33:09 -0500 Reply-To: Reconstruction Forum Sender: Reconstruction Forum From: "Nancy L. Zens" Subject: Re: "Weak and less talented" Comments: To: Mary Frances Hodges I can tell that once again I have foot in mouth disease. I apologize for the insult. I regret that my readings have left me with the impression that the most talented went to war and were killed, leaving those who had not normally held leadership positions nor been politically powerful to govern in their stead. This suggested a reason for so many problems afflicting civilians during the war. In the immediate postwar period, death, disillusionment, and pure survival requirements meant that natural leaders stayed home, while the unscrupulous political types took charge. As noted before, the west supposedly received a good number of southern men and women trying to start over. You have reminded me how ridiculous and simplistic such ideas are. Thank you for reminding me that common sense is always relevant in historic inquiry and discussion. Please accept my apologies Nancy Zens This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Wed, 31 Oct 2001 08:20:20 -0800 Reply-To: Reconstruction Forum Sender: Reconstruction Forum From: nathan riley Subject: Re: "Weak and less talented" In-Reply-To: MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Hey Nancy, I've made worst mistakes. Thanx for being big enough to say it outloud. Nathan --- "Nancy L. Zens" wrote: > I can tell that once again I have foot in mouth > disease. I apologize for > the insult. I regret that my readings have left me > with the impression > that the most talented went to war and were killed, > leaving those who had > not normally held leadership positions nor been > politically powerful to > govern in their stead. This suggested a reason for > so many problems > afflicting civilians during the war. In the > immediate postwar period, > death, disillusionment, and pure survival > requirements meant that natural > leaders stayed home, while the unscrupulous > political types took charge. > As noted before, the west supposedly received a good > number of southern men > and women trying to start over. You have reminded > me how ridiculous and > simplistic such ideas are. Thank you for reminding > me that common sense is > always relevant in historic inquiry and discussion. > Please accept my > apologies > Nancy Zens > > This forum is sponsored by History Matters--please > visit our Web site at http://historymatters.gmu.edu > for more resources for teaching U.S. History. __________________________________________________ Do You Yahoo!? Make a great connection at Yahoo! Personals. http://personals.yahoo.com This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Wed, 31 Oct 2001 15:10:10 -0500 Reply-To: sethw@maine.edu Sender: Reconstruction Forum From: Seth Wigderson Subject: Who won the peace In-Reply-To: <003b01c1614e$4f707d00$fcd55181@tcs.tulane.edu> MIME-Version: 1.0 Content-type: text/plain; charset=US-ASCII Content-transfer-encoding: 7BIT Dear Friends, Just a few last thoughts on this important question as our discussion comes to an end. I disagree with "The South Won The Peace" for a number of reasons: 1) I think we all know this, but we still tend to say "The South," when we mean the white South. Obviously black southerners did not do so well. 2) White southerners did defeat Reconstruction, but for many white southerners this was also their defeat. Look at the history of Albert Parsons for a vivid example. Race certainly trumped class in a big way. 3) Even if we add all sorts of qualifiers to "The South Won," it is also important to note that "The North" certainly did not "lose." In the North, as in the South, the wealthy and powerful beat back challenges to their power. Workers lost, north and south in 1877 and 1886. Farmers lost north and south in 1896. Northern industrial and financial capital won and continued to win. 4) So - I think it would probably be accurate to say that "White Supremacists" won the southern peace, but not much more than that. Seth Wigderson University of Maine at Augusta This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Wed, 31 Oct 2001 14:26:24 -0500 Reply-To: Reconstruction Forum Sender: Reconstruction Forum From: Eric Foner Subject: Re: "Weak and less talented" In-Reply-To: MIME-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII Dear colleagues, The Reconstruction forum ends today and I have much enjoyed exchanging views with and reading the comments of participants. With regard to recent postings, the idea of tracking down Kansas Exodusters strikes me as an especially good one in that it allows students to invetigate what conditions in the South caused this post-Reconstruction migration, and how northerners reacted to the black migration. Don't forget that Brown v Board of Education originated in Topeka Kansas! Poor white-black cooperation in Reconstruction existed but one should try not to romanticize it. The Klan was motivated by many fears and aims, but all revolved around restoring white supremacy in politics, labor, and social life. Poor white-black cooperation was one among many features of Reconstruction that Klansmen found very threatening. The South may have "won" the historiographical battle for a long time but given the dire poverty of the region for so many decades and how it lagged behind the rest of the country in so many areas, I would hesitate to say that it won the Civil War. Anyway, these and other issues are certainly worthy of further discussion in the future. Best wishes, and thanks again. Eric Foner This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Wed, 31 Oct 2001 18:36:46 -0600 Reply-To: Reconstruction Forum Sender: Reconstruction Forum From: Dennis Lawrence Subject: Kansas Exodusers In-Reply-To: <200110301847.MAA01005@roundtop.arthes.com> Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" Eric Foner wrote > With regard to recent postings, the idea of tracking down Kansas > Exodusters strikes me as an especially good one in that it allows students > to invetigate what conditions in the South caused this post-Reconstruction > migration, and how northerners reacted to the black migration. Don't > forget that Brown v Board of Education originated in Topeka Kansas! Greetings, Unfortunately, one can't see that the arrival of the Exodusters led to and an enlightened view of race in Kansas. Their arrival was met with decidedly mixed reviews, and the numbers indicate many moved on quickly. Those that remained were marginalized in segregated communities. While they produced a thriving community as evidenced by the data my students have recorded, there was no recognition of it by the white community, nor sympathy for their roles as founders of this town. At least not to the extent that we can attribute Brown V Topeka to their arrival. Did Black Kansans take on Brown as a result of the Exoduster roots? That research would be difficult. Initial results of my students data indicates that fewer Exodusers settled in Kansas than popularly thought. (Hello, Chicago) Making the impact of that emigration problematic in regards to the influence on events that took place 75 years later. Take Care & Thanks Dennis Lawrence Washington High School English Teacher This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. ========================================================================= Date: Wed, 31 Oct 2001 17:33:18 -0500 Reply-To: Reconstruction Forum Sender: Reconstruction Forum From: Len Rabinowitz Subject: Re: "Weak and less talented" MIME-Version: 1.0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit Dr. Foner: Thank you! This forum was a pleasure! Len Rabinowitz Ashland High School Ashland, MA ----- Original Message ----- From: "Eric Foner" To: Sent: Wednesday, October 31, 2001 2:26 PM Subject: Re: "Weak and less talented" > Dear colleagues, > > The Reconstruction forum ends today and I have much enjoyed exchanging > views with and reading the comments of participants. > > With regard to recent postings, the idea of tracking down Kansas > Exodusters strikes me as an especially good one in that it allows students > to invetigate what conditions in the South caused this post-Reconstruction > migration, and how northerners reacted to the black migration. Don't > forget that Brown v Board of Education originated in Topeka Kansas! > > Poor white-black cooperation in Reconstruction existed but one should try > not to romanticize it. The Klan was motivated by many fears and aims, but > all revolved around restoring white supremacy in politics, labor, and > social life. Poor white-black cooperation was one among many features of > Reconstruction that Klansmen found very threatening. > > The South may have "won" the historiographical battle for a long time but > given the dire poverty of the region for so many decades and how it lagged > behind the rest of the country in so many areas, I would hesitate to say > that it won the Civil War. > > Anyway, these and other issues are certainly worthy of further discussion > in the future. > > Best wishes, and thanks again. > > Eric Foner > > This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History. > This forum is sponsored by History Matters--please visit our Web site at http://historymatters.gmu.edu for more resources for teaching U.S. History.